cpj0839.pdf

Media

Part of The Cooper Point Journal Volume 30, Issue 19 (March 14, 2002)

extracted text
he r that

of living

..
Geoducks End
Their Best
Season Ever
OVKevifrLNkfrfr~e

______________

T

hc G~oducks have no reason to drag
their tails between their ,hells.
The men's basketball team didn't win the
national championship in Point Lookour,
Missouri, but they have had an unbelievable
run wirhour a single regular scason loss
at home. Th ey drew bigger crowds and
cheers than any Evergreen ream ever has,
and in the end wenr 17- 1 in the Cascade
Con teren ce.
Ranked sixth in the nation going into the
32-tealll nation al [UlIrI1amenr last week, the
Ceodu cks were able to take a deci sive 7 1-64
f/ r> t round win over Ottawa University Ollt
of Kansas before losing to Philadelphia's
Holy Family College, 78-74, in the Sweet
16 round.
The basketball program, only in its fifrh
yeJr here, has come an unbelievabl y long
way in a shorr amOllnr of time.
"This team was different d13n any orher
I've been o n in my life jllst because there
was so much talent, " says Abel Koeltzow,
who,. played on rhe tea~ for the last four
years.
Talented indeed.
But they were also confident instead
of co·cky. Small , but quick. And mos t
importantly, everybody had a role thi s
season and was comfortable with it.
"Coach says this all the time, ' You don't
have to do anything to help liS, but don't do
anything ro hun us. '" says Koeltzow. "That
was kind of my role. Ju st fit into the offense
Jnd work hard on defense. "
Coach John Barbee says his message to
his players has always been about sacrifice
and "cause over self

I)

For Quincy Wilder, the team's strongest
and most experienced player, the expectation was to put up big numbers and make
it to the foul line in the process. He ended
up as a first team all-American with 22.4
points a game, along with 5.9 rebounds
each time our.
"He's always out to try and better himself
and our team. He hasn't settled all year.
He could've walked into the gym and said
'These are my skills,' but he didn't. He's
gotten even better, " says assistant coach
Bill Benton.
Andre Stewart was asked to drain outside
jump shots and he earned conference player
of the year honors and second team allAmerican status doing just that.
"He has perfect form," says Coach
Barbee. "He's textbook in terms of mechanics and shooting. It's jllst pretty."
Greg Johnson left the wing, where he
had played all of last yea r, to take control
of the offense and keep everyone moving
as a point guard.
"One day at practice Coach sa id , 'Greg,
you got point.' And I've been there ever
si nce," Johnson says.

see PLAYOFFS page 11
TESC
O lympia, WA 98505

by

_m~~ar_c_h__7~,__
20_,_O_2____________



Address Service Requesred

,

Spri1lg Contest Pow-wow - TESC Alumnus lv/arvin Hannah ofthe Dine' nation .stands tall 071 Friday, ope7li7lg day ofthe 4th annual
spring contest pow-wow held at Evergreen. The two-day, ",ter-mbal event was held III the College RecreatIOn Center. photo by Tim Radar

Small Student Showing at Budget Talks
bjLCorey pein

T

he student turnout at th is week '.< open
budget forum accounted for less than
one half of one percenr of Evergreen's
student body.
So far, it was the largest publ ic involvement in the college's budget-cutting pro·
cess.

About 150 Greeners, including 20
students, garhered in Lecture Hall 1 to
hear and comment on the college's current
budget-cutting plan on Monday. Those
budget cuts will affect eve ry student, mosr
likely through a combination of increased
tuition and reduced services.
The size of Evergreen 's cur will be
decided by the Legislature, but how
Evergreen takes that loss is up to col lege
adm inistrarors. Right now administrators
expecr to lose up to $2 million out of the
college's $42 million budget.
Heads of each college division, from the
police to the Iibrary, were asked to figure
out how to trim their budget up to five
percent. At the meeting, the President and
vice presidents of the college presented thei r
plans to a sometimes-skeptical audience.
Students questioned cuts to specific
services and suggested other ways to save
money. Among students' concerns were
cuts to rhe wood shops, advising programs,
the graduate programs, and anything that
would increase the number of students in
a single class.
When recognized, one stude nt climbed
over chairs and tOok a flailing leap on top
of a rai ling.
"Let's Cllt where there is fat," Evan

Hastings said, referring to admini strative
salaries.
C ollege staff echoed his point, though
not so dramat ically.
Louise Fulton has worked in the cashier's
office for 16 years. She's leaving the college,
but under the current budget plan, her
position would stay empty, That would
leave just one person at the college to
distribute all the financial aid payments to
students and paychecks to employees.
"W hy is it always the front line that
makes sacrifices for what we do?" Fulton
asked ar the meeting.
President Les Puree responded: "I
can on ly promise you that we'll be as
compassionate as we can . .. . You're right,
we cannot go on like this."
Pu rce and the vice presidents did not to
respond to comments about administrat ive
salaries.
PUrce did promise to devote all of his
efforts in the next year to securing more
state funding for higher education . Purce
is working with representatives from other
state colleges to find a guaranteed source of
revenue for higher education.
Right now, Washington state does not
raise money specifically for higher educarion. That leaves colleges with the leftovers
of rhe state budget - so when the state is
short on funds, colleges take a hit.
And Evergreen gets hit especially hard .
Most of the college's money (60 percent)
comes from the state; the resr comes from
tuition. Larger colleges make more of their
money from other sources - like research
grants, private donations, and endowments

- so they can more easily cope wirh a loss
of state funds .
Some students at the meeting suggested
cuts that planners did not propose, like
spendi ng less money on pol ice ca rS and
athletics, and stressed the importance of
keeping certain programs and services from
losing funding.
Drew Gaede said that the swim team,
now set to be cut, was one of the reasons
she came to Evergreen.
"Eliminating the swim team would be
taking away a fantastic opportunity for any
student on this campus," she said.
Others thought the ath letic division
shou ld take more cuts to protect other
programs. The cuts to athletics under the
cur rent plan include the removal of the
swim team and reductio ns ro the other
teams' travel and equipment budgets.
Donna Griffin is a graduate student and
a member of the college's budget committee. She wondered if cuts to the library
- which might mean fewer staff, books,
a nd period ical subscriptions - cou ld
be offset wirh more cuts to the College
Recreation Center. Another student added
thar students can find other ways to "recre_
ate" that aren't funded by the state.
Bur it might not be that easy to save
money. Wynne Washburn heads the S&A
board, a group of students who decide how
to spend student fee money. She said that
when athletics has taken cuts in the past,
administrators made up for the loss by
dipping into student fees, which usually

see CUTS page 5
PRSRT STD
lJS Postage
Paid
OlympiaWA
Permit #65

briefs

2
Lots of Help A vailable on Campus

Will Seminar II.Be Empty?
CiiWfiitney

\X' in ter qu.lner has been a particubrly difficult quaner fo r many , tud en ts. We .lre all aW,lre of [he
st udent death s and sexual assau lt s on camp us. and m a ny of us h ave been hi gh ly impacted by
them. For so me studem, this has brought co nCerns abo ut campus ,afetv and support re", urcl'.' for
<tudents. I wou ld li ke to let )'ou kn ow wh.lt is ,lva ib h le and wh .lt i, being wo rked on . There arc
"'.I),S to ge t involved. places to go lor help , and Ihings to keep in mind . In a diffIcult lilll e when
so man v 01- us are busy .!lld bogged do\\'n with sc hoolwork. it i; a lso import.lnl ('0 rem~mber ro
tah· Iltlle lor yo u rself and give yourself time ('0 deal with emo li ons yo u may be feel in g around
nun}' of the events of the quarter.
In response to an assault th at OCC UlTed Ia,t yea r In I lou sin g, a co mmunity for ulll on ,.rkty IV.!>
held that led to the creation of the Violence Preventio n Di" rl'l'earing T"k For,e. The grou p meets
weekly on \X/ednesday from 1-.1 p.m. in Lib .,)2 1S. Th e group i., o pen In ' Iud e nl ; 10 a!le nd and
have their vo ice h eard and to he lp work to prevelll viole nce. Th e t.r5k force is curre l1riy working
on c"alu at in g vio lence o n campu s, working on procedures and poli cie,. a nd .lddressi ng ,t udenl
concern s abou r viole nce prevention .
T here ",dl be a comm unity safety fo rum April 10 from 1-3 p.m. in CAB lOlL It will be .In

asage~r

_______________

If\X/ashing,ton state is still ,[ra pped
for cas h by 2003, Eve rg reen might
nor have e no ugh m o ney to staff. or
pur furniture in, Sem inar II.
The building, w h ich wil l hou,,'
33 cb ssroo m , and a ga ll ery sf", ce
on th e top fl oor. is sup posed 10 be
co mpl eted and available for cla"e'
by]ul)' I , 200 3.
i3u t offl c i.tI, won'l k n ow unlil
April I. 200.~ - just threc monrh .,
ea rlier - whet her or nO I legi,IJlor,
C:l n give

Legislature for $4G2.000 to hell' 1',1)'
for the first ye,rr of Se min .11' II cos t<.
Bu t if W",hington st:t le i, , (ill
in .1 budgct c ri ~i~, "rh en we: Inigh'
have .1 rea l prob lem," S.I),S Walter
Neimi,·c. all .ldm in isrr.lIor who deal s
with acade mi c financi n ~.
M ichel Ce'''ge, tir e man rc'pnnsih le fi'r over.'eeinf: all Ihing, Se m in.11'
II, S.IY ' Ih .lt in "r;al d()II.'I~" the eml
wi ll b~ h ig h e l' . beelll,e bv 2 00 .i,
lnllalioll

the co ll q~c.: e nough m OIl l')' 10

pay for such SC J11in ar II per;onnd a'
j.milO", grnu ndskceper, and ,(creta rie" an d suc h thi ngs " de,b. lilT
a ti ngui shcr5 or clev.nor perm ir,.
Normally, the Leg i,j,ture gi ve,
,tate co ll eges m ore money if th ey
have new build ings. That's so college,
ca n pay for new build ings' urility and
staff needs.
Administratots
asked
th ~

op portuni ty for the community to voice their opiniOn> abo ul " felY on cam I'll>. This will be" fo llow
up to the fo rum from last yea r. as well '" an opportunirv to bnng up new co ncern,. Ca ll the Co,tiiti on
Against Sexual Violence, x6749. for more information.
There are a number of student groups who are working with ca mpus safety co nce rn ,. The Women',
Resource Center (WRC) has been having ongoing disc ussio ns aboul safery at their weekly meetings. Th e
cente r is available for people to sit down and talk if they have con ce rn s th at th ey would like to share . The
WRC meets Mondays at noon in CAB 206. They can be reached at x6 16 2.
The Coalition Against Sexual Violence (CASy) is working to end violence III our communIty.
CASY is planning a number of events for
this April about sexual assault, including
a campus safety community forum . The
campus safety forum will be a space for
the community to come together and
discuss concerns, follow up on the forum
from last year, and brainstorm ideas for
represent the student body. But on a campus
COrey PRio
change. CASY meets Wednesdays at 5
Each year one student serves on without a student government and little
p.m. in CAB 320; call x6749 for more
Evergreen's governing board, the board of student panicipation in decision-making,
information.
trustees. That person's vote gives them more the student trustee is the closest thing to a
The Men's Center is a group that is
say in the college's decision-making than student representative.
available to discuss how men can help
any other student on campus.
When more than five students apply,
Applications for next year's student Evergreen holds a run-off ekction [0
prevent violence and also provides a space
for men to talk about how they ate feeling
trustee position are now open . Any student determine whose applications will be sent
about recent events. The Men's Center
I can apply, and the deadline is March 22.
to rhe Governor's office. Last year, on ly
meets Wednesdays at 3 p.m. in Lib 1509;
Pick up and turn in applicarions to the four students applied for the position - so
I student activities office in CAB 520.
call x6092 for more information.
the candidates were never presented to the
The board of trustees is Eve rgreen's campus. and [he selection was made so lely
There are a number of on-campus
highes l authority. I[ co nsi sts of e ig hl
support resources available to students.
hI' the Govemor.
m embers selected by t he Gove rn o r. Th e
. A bill c urren ri ), in the Se nat e would
T he TESC Coun seling Center is available
hoard has final say in all co llege deci,ion,. extend the ter m of thc srudent t ru s ree
fo r walk-in s and appoi ntment'; ca ll x68 00 .
rho ugh Ihey mualil' de.d o nh- wirh m:ljnr h~' o Ill' year. If th e hill 1':1,,",. Ihen n ext
Thl' Office of Sexu.11 ASS.1 Ult Prevention
i<su e' and long-lerm pol leI'.
I, aV.l ilable t-or refer rak in forma ti on,
vcar', ,t ud,'ll l tru ' le<, wou ld '''I've until th e
The student It'll, lee I' nol II1I ended In , u mme r of 2(JOo.J.
advoc.lc\,. J.nd . . hort-(t..'rlll cou n\ l' ling;
call x~221

Student Position Open on Board of Trustees

bJt

will

Lu,e 1I Iiillll'\ UJ ... , ... .

Cl'lHg,l' .... :-tys

rhere

:II'C

c urn:ndv nu

pJ.rll' 10 co pe wilh nO I Ir .lvillg enough
mOlley to oper.lI,· Sem in.lr II.
"Jr\ 1I 0t o n the fronl burn er righl
now," Ceo rge says. "We don't kll ow
tllat we won't h.lvc eno ugh mon,·\·."
For now, he adds, administra tors
arc operating under the :l>SllmIHioll
drat Evergreen will b e g ive n rhe
money it needs by the time Sem inar
II is fini,hcd.

, ;"

--.

.

iiiiiI!IIIo
5y Apry7Nfilsoo

the building. Let this he a lesson

lVIarc:h 5
Let's see ... On ca mpus ... Ye hi cle bools and
,'scons arc about Iht' o nl y lhing' happellin g
hert'. BUI in 1969 Jim ,\ !orriwn. of Doors
f,lme. Wa' charged with lewd and lascivio lls
heh ,lVior and indecenl "'po, ure during a
co neen III Miami, Florid a. His on,,(agc .lIltic ~
camen him one 1~'lony and Ihree misdemeanor
ch.U'f'cs. Al filsl Morrison Ihought th.ll thi s

burn too much at

was

.1

pr;lc£ic.l.I jokt'. but O~ldl' co ullty \\'3S

,e riom, and filed 'llHllhn cha rge. Ihis lime
fnr silllubtcd or.ll (opui..ltio n un gU it.Hi st

R"hbi,' Krigcl. 1I1orn-'l,n IV.IS IOllnd guill Y of
Ihe charges ,md \VJ' tined $500 and se l1lCll ccd
til ~i\; month s in i.ti l. Iro ni ('l ll y, l\1orrison
\..I il· d ill Pari, ht, l·n n..: t ht.' 'l' ll tl'llci n g (ould tw
L,lI"ricJ 0111.

1V1a ..-c:h <>
12:18 a,m. :\h .... Tilt,
n!·j;II,.cn ... l.',

~wn·t, "weel ,... mell

or i:-. It? :\ . . the lin' ,1I:\r11l got'!'o olTin

S, .l nd l !tl.' f. .' tt'r ll ,d qUl':-.tion I' hl'ing ,\:-.kl.'ti: Is i r
hurn t food nr bLirnin g illt."(.'n't' ? /\pp.nl!lltly it 's
11Ill h. Perh.t l" Ihe peuple In S dcclded 10 J1J:tsk
[11 ..· ~11l,.'11 of tlh' hurlll food w ith lilt· .lrnm,l
(Of illce nse. O r n1.l yhe Ih,·\' d"I1'1 like· Ihe LV.l)'
i1l.11 h:tked good, 'llloll .I nd Iht'y dClidcd III
DlIrll thc in cc l" e ,11 tht' .1.,.-l11ll'

Reaffirmation drive puts
WashPIRG to the Test

-»-.
\

l i me .

\X'hicht'vl.'r

II i,. the alarm hlal"(·,. waki ng li p the rest 01

Olle..'

(0

you: Dun'[

tim e!

12:28 a.m. The lime » Tcn minule, la ler.
The sl· t;i·ng?' S-Dorm . The problem?? T he
incess.ln l bllF in g of tI\l' fir,· .dann. Yes. Ihe fire
Jlarm goe, offaga in in $: I kid y"u nol. Ag.lin
(h e ~Wl'l' l. ;"Wl:t.: t smell ufin(:l'I1Se JecompJ.llics
Ih e ala rm . All appears ro be well unlil [he
officer finds (ins ert eerie so und c1J'ecr here)
il. You guessed righ t, Ihe ofjicn lillll1d (insert
eerie so und effecI .,gain ) :l muit i-colored gla>s
s mo kin g pipe . 1-ll11ntm . I wonder wh.lI
il co uld be used lor? In, llu cli un, we re 1d'1
wid, du' n\vll~r\ I"Onlllm:lIl',1i tlUl il h:H.i hn'll
(n nJi ~c.1tt'd for th e l'\'idl' ll cl' dr.lgull.

lVIarc:h

<>

4:09 a.m . Snore .. Snore ... Snore ... Clll'~'
what ? Anot he !" pt'l"~OIl i~ C.l llght in \'io l.llinll
uf till' h.lhit.Hioll policy 011 C ~lInpll :-' thi :.. wn'k.
\X/c..'11. n OI .1 1l0Ihc..'r pl'noll th " Wt'L'k, hut
.1 IlOthl'r pl'r~oll ill ~c n t'ral . J( 'i("l'lll ... Ihi, p(,l" . . on
is h.w ing pruhlclns (olll llllitin g to ,llld (1'0111
Sl·.Hlk in order 10 .11l 1'11d :-.dlOOI .lIld t hou ght
dlJl

sleep ing in

h l"!"

cozy

W:l rlll

..l1l'WCL

Ilow w ro ng ,ill'

kiddit' ~,

!>.Icc.: ping in your van

\V. IS .

i~

\\';11"

dl('

For )'lHI

ca r

:-Ol.'(.'

IUH

.llIo\\l.

J

o n (his ca mpu ~_
3:40 p.m. Ok.lY, here'" Ih e IITS! ks.,,,n
Ihe day: Sala l- a small , hrub found on Ihe

or

Pa cific coa.'1 "fNorth America. II bcars smali ,
edible. grape-like purple berri es . It is alsu :J
cme'! J11aster. It s,'e ms Ihal ,r few individuals
wanlcJ lu harve, 1 Ihem , but lhey didn't have
Ihe proper permiss ion roo Si nce Ihe campu,
i, Sl.ltc property. you need a permit in order
lU harvesl the succulenl berrie,. The poli ce
offi ce rs approached Ihe suspeCl and req uesled
his idcntifl ca ti on , and il was :\1 Ihis point
thaI he ", n fro.m the pol icc. Thi s is never
.1 good idea. readers. Do not lr y thi, ...
EVERI Bcclu,e he r.1ll fro m Ihe poli ce, hc was
.1lTl·,led nol only for harveslin g sala l illegall y.
but aL'io f(H ohstru cting justice.

9:55 p.m. Su>p icioll s ci rcumsla nces » In
rl donn ' \X/ho could h.lv,· expecled it lu he
.1 ~ ro up of fuur 't ud el1l , rappclling duwl1
the ~idt.' of tilt· huilding? N Ol this f l' ptHll'f,
I h.t!·s
SlIfl·. Don't I hese people rl·.t!i-/.<' I h:l(

I,",

~ lI(h .J c tivi lit,~ .In.: not .. lIov/cd fo r a rca~(}I1 ?
H()Ilt'~dy. Till' M.: houl i ~ luokin g out f~J(' yu ur
WL'II -Iwi;lg hy nnt ,lllowing YOII o n the hJlcony
.\I'LI on Ih,' 1"l1lh !IIltH "f i\. T here i, nOlhing
III gr.,h IlIllll if Y"U , 11IIuld 1:111. The hui lding
i . . m .llk 01' ,1 ,> tu cco- lik e m:H cr i;,I.lnd i~n 't ,," .lft:
I,,,' lillk kiddin 10 be dimhing on. I hop,·
vou 1c·.Jrncd yo ur ksson boys .I nd girls. This

C.I,"'\.' w.\ ~ /"ofwan.kJ to (;rh.:vann'.

1\IIa..-c:h 7
8:42 p.m. A ca r 'p lln OUI .Ifler

WashPIRG's biennial Re-Affirmation
Drivt: is coming up April 9, 10 and 11 .
Every tWO years, studcnts at Evcrgrren get
to vote "boU[ whether to keep WashPIRG
on campus and to ,;olHillue paying the $(,
pcr quarrt'r fee charged to each srud,·nt.
According to Wa.,hPIRG coordin.Hor Laura
Deehan. Evergreen had the highest percentage of 'yes vores of any PIRG in the' nation .
wilh a 98% voting 'j'''; in the ia,t elec rion .
This year. WashPIRG\ gpal is to get at lea' l
35% of rhe st udent hody to VOte and I1111 S1
at !c'as t ge t 2 ~% + 1 of the ' I ucl ents ro vorl'
for kee pin g the or~a n iz,ltio ll Oil call1l'u,.
Ch.1J>ler C h.rirpcr'on Robin MeSh.ln,· '.11"
[hi, j:, ",t gfl":H OPIH)rtuni[y (Uf ~(lIdl'l\l' \n
be Illore aware of wlt.1! \'\'cI,lt I'I R(; do," '"

lVIarc:h 9
Bri ghl .... Shin y. Objcct. .. Boredom
sl' tting in ... Mus t rC 'i is( u rge 10 rl~l y with
shiny Ihin g .. .
lVIa.-c:h 1 0
12:45 p.m. C r.tflill on Ih ,' sirk IJf lhe
covl'red I"l'c n::llional pavilioll . A!though not
e.lsil y re.ld. il is hclieved Ih.1I il nuy have said
LSG in l.Jfge Ie ller., .
Timt: unknown: ~o nH.'o lH: IrieJ [0 brc<lk
illlo .1 ~ ar p"rkcd in F-Lo(. Acc<...:s~ \....1.\ nol

g.l in ed inlO Ih e car, bUI Ihere was dam.lge 1O
Ihe driver'., , id,· door. Th ,'J'c wal llolh ing "f
va lue

ill lht.:' L.IL

10:00 p.m. VJnda li zed ca r in F-Lu l i,
rq'ol I,·d . T he window WJ.' , hanl'l'ed ..,lthoLlgh
llolhing had heen IJ ken . It wa, nO led Ih al
the.: [ lCl·p I.Ht..' l(l [he \1 l' feO wa' on [he gro und,
.JIlJ the' only l hings in Ih,' C.lf belonged 10
t he vic tim .

<;x ilin ~

Did you know _....

Love, Desire & Relationships

hyAodiew C'acbrao

1\IIarc:h B
If I were Ihe Tick. I would IJlk ,lhoUI
gri lled ch,-csc. BUI , in ce I a l11 nol Ihc T ick. I
will Iell yo u Ihaln()lhing ofinlcrcsl happened
IOd,IY·

Buddhist Meditation Classes
Tues March 5th-April 2nd
The Olympia Center Rm 206
222 N. Columbia
(East ofLes Schwab on State St.)
(206) 526-9565/www.vajralama.org

you can fill out a survey even if you are graduating TI-IlS
year?
Log on to : www.datstat.com/ mc2 to fill out a surveyor
call us for more information (360) 867-5516 .

o~-------------------------------------------------------------------------------------------------------0

theGoO/2er Point Journal
General Meeting

Business ........................................ 867-6054

5 p .m. Monday
Help decide such things as the Vox
Populi question and what the cover
photo should be.

Business .manager..................................................... Sopha/ Long
Asst. b.u~lness manage~ ........................................ ~rsula, Becker
AdvertISing representatIve .............................. Kumlko 0 Connor
Ad proofer and archivist ......................................... Irene Costello
Distribution manager ........................................... Graham Hamby
Ad designer ......................... ,...................... Nicholas Stanislowski
Circulation manager ........................................ Michaela Monahan

Paper Critique
4 p.m. Thursday
Comment on that day 's paper. Air
comments, concerns, questions, etc.

Friday Forum
2 p.m. Friday
Jam a discussion about journalism
and ethics facilitated by CPJ Advisor
Dianne Conrad.

2 p.m. Friday
ca lendar items. see page art,
columns. comics

Noon Monday
news articles, a&e articles, letters,
sports articles

Noon Tuesday
film

march 14, 2002

News ..........................

11 • • • • • • • • • • • • • • • • • •

867-6213

Editor-in-chief .................................................. Whitney Kvasager
Managing editor .................................. .. ..... ................... Corey Pein
News editor ............................................................... Kevan Moore
L&O editor ..................................................................... M.A. Selby
Photo editor .......................... ' .............................................. vacant
A&E editor ................................................................. Chris Mulally
Sports editor .......................................................,................ vacant
Page designers ...................................... Katy Maehl, Katrina Kerr
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Calendar editor ................................................... Chama Ca/amba
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Comics editor.............................................. ............. Nathan Smith
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Contributors ........ Meilani Allen. Kevin Barrett, Mark Reid Beattie. Stefan Beck,
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Anna Gold. Jeremy Gregory. Whitney Kvasager. Kevan Moore, Chris Mulally,
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Retherford. David Smith. Laurel Smith, Mike Snyder, Meredith Young

contributions from .11\1 TFSl' .qud~1l1 .Ire
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the cooper pOint journal

PICK UP AN APPLICATION
IN CAB 320
OR

/

Applications
are due

news'
Budget Cuts:

Computer Center Faces Fewer Hours, Reduced Staff
Sixteen-year staffmember may lose his job; Longer lines are likely; and repair work will be limited
bv Cbns Mu/ally

ce nter say there usually aren't eno ugh
According to Julien Pietras, the com- computers available and half of the people
puter center's ass ista nt director, between that have to wait for a comp uter a re angry
720 and 1,120 people use th e computer about it.
center each day. But it may feel even busier
These student workers may feel the
next year if the center's current proposed brunt of the cuts if they a re passed down.
budget cutS are made.
Many would work fewer hours but would
The proposal includeS' reducing the have to handle higher stress leve ls.
computer cente r's h ou rs to between 7 a.m.
They would also be minus one supe rvia nd 10 p.m., instead of 6 a.m. to 2 a.m. sor.
as they are now. That will send about 70
John McGee, an Evergreen comp uter
people who use the computer center after spec ialis t who has ga in ed the respect of
10 p. m. to th e cente r during th e higher the 22 students h e supe rvises, m ay lo se
frequency hours, where students already h is job after 18 years at Eve rgree n if the
wait in lines up to half an hour for an college has to take a five-percent budget
avai labl e comp uter. The lines cou ld double, cut later this month.
along with stress for students a nd workers.
Eve ry stud ent worker under him objec ts
"[The new hours) would sc rew over to the po ss ibili ty of losing hi s or her
most of the people who work at night, supervIso r.
people who have day jobs," says Jea n Nagai,
"We can't imagine anyone here who ca n
a student employee.
do it as well as Jo hn ," sa id Quynh Le, a
Also, most of the cleaning and repa ir lead student co nsultant at the comp uter
occurs after 10 p.m., so duting the d ay ce nter who has worked with McGee for
students may expect more computers that three years.
don't work.
" He made a good effort at seeing posBy slim ming down the computer center's sibilities," she added. "He was always
hours, administrators are expecting to save open . He's always fought for good work
a little over $10,000. The money is largely co nditions for us. "
from student wages , which means some
McGee provides comp uter support to
students may be laid off.
faculty, st udents and academic programs
Almost 80 percent of Evergreen's en tire . by giving workshops how to use softwa re.
student body s how s up at the ce nt er H e a lso co unsels, coac hes, trains, teaches,
throughout the year, according ro Pierras. handles email account problems, supe rvises,
Some students who work in the computer leads di scuss ion groups, does detective

work a nd sc h ed ul es computer use and
rooms.

"A lot of I imes, if people have issues,
they'll bring them to me," McGee says.
"I might be working with an o rnithology
program one day, the next day I might be
working with a lite rature group, and the
next day with grad students in education. "
McGee works in a team of three that
provides general support to a ll the academic programs and stude nts on ca mpus.
According to Pietra s, who is M cGee's
boss, the thre e employees arc a lre ady
overwo rked.
Even though the college m ay save the
$68,000 it costs to pay McGee by cutting
his jo b , th e loss to the center will be
subs tantial by all accounts.
If McGee's job is cut, academic programs
(t here are around 200 now) could expect
slow response time for requests of technology support or training - such as if they
want help on a web page or email account
or with power-point or otber software.
Losing McGee will also create mu ch
more stress for faculty, loss of technology
for students, loss of leadership and repair
support, and less training for the greenvested compute r assistants in the computer
bb. All in ail, the cut means more frustrated
Hudents.
Accordi ng to Pi e tras, th e proposa l to
cut IdcGee', job was created after a lot of
careful study. Pietras and Anna Kircher,

the center's direc tor, tried to d etermin e
who they cou ld c ut that would provide
th e least impac t on programs. services and
stu dents.
McGee says that if his job is c ut he
worries that six months down the road
his supe rvisors might realize t h at it was
a mistake ro ler him go, that rhere was
another way.
Pietras wanted to be clear the proposal
to e limin ate McGee's job was not made
for personal reasons or as an eva luation of
his perform ance. In fac t, McGee said he
hasn't had an eva luati on from Pietras in
over five years.
Pietras says he did not wanl lO speak
in detail about Kircher 's decision to c ut
McGee instead of using othcr m cans to
save mon ey. Unfortunately, Kircher is out
of the office until next week.
Both Pietras and Ann Daley, the vicc
president of finance and administration,
said th ey would be willing to take a cut in
th eir salaries if rhe cuts were delivered ro all
administration sa laries eq ually.
"Th at's a conversation we've all been
having," says Daley. ''I'm willing to do
my parr. "
So far. though, no admini st rator has
publicly offe red to take any salary cuts.
" 1f there was a co ll ege-widc endeavo r
to close the co llege without pay I would
gladly participate," Pietra, adds.

Campus Changes:

.

Administrators Outline Proposed Cuts
bv Corev pew
Whilithe fight for higher
education funding cou ld take
months or years for Washington
state Legislators to bicker abo ut,
the effects of Evergreen's budger
cuts might be SCen as ea rl y as
July.
H e re are some of rhe id e"

co ll ege planners have come up with to
absorb the 2.5-:0-flve percent budget curs:
• ClI[ book , periodicals, datJbase subscriprions, and media serv ices in the library
for $84,000.
• Eliminate one or more of the public
se rvice centers the Labor Ce nl er,
W",hingron Cente r, Longhouse, a nd
the Northwest Indian Applied Resea rch

Instirute - or CUt [hem all by 2.5 per,·e nt.
• C ut student emp loyee funding fo r the
Learning Resource Center (writing and
math tutoring) by $25,000.
• Elimi nate one or morc gradu .lle program: Masters in Environmental Stud ies,
Masters in Educ.n ion, and Ma,I<T< in Public
Administration.
• Elimin ate funding for th e wood and
metal shops: $67.000.
• Cut funding for thc theaters:
$ 161,000.
• Cut funding for t he Co mput er
Applications Lab: $197,000.
• Stop illuminaling Evergreen Park)v"},,
except for inl ersec tion ~. sav in g rou g hl y
$5,000.
• Change th e Compu tcr Centcr', hour"
to stay open from 7 a.m. umil 10 p.m .
• Stop providing unilon m for rlCilitic,
employees, saving $6,000.
• Reduce rh e number of hour, lUI peer
advisors in rirst Peoples' .td,' isi ng. sJv in g
$ 1,400.
• Provide fewe r job li sli ngs .Ind resume
booklets in the career center.
• Reduce a student pmitinn in Access
Services, savi ng $1,550.
• Elim in ate one fldl-lime financial a id
employee, saving $17,000.

Tbe college burlgel COII/Jllllter lI.'i/l hold olle
1II0/'e IIfl-ClllllpW lIIeelillg, 011 Api'll 3, befor,'
they rubmil a filllli /,11111 to the I'residentbill by tben Ihe IIIIlC for /'u/;"( COIIIIII(III ",,{I
batle passed.
Tbe budgel COII/lllillet' lI'il/delfpl ",ril/ell
(ommellts 011 ser"ice cuts

(/I/d

tuition

increases tllllil Mllrch 2 0 . Se nd ideas 10
committee (hilir Sletle Trolter by e-lIIlld
III II·olffl'S@e{)ergreell .edll, or jilX him III
A rtudmllookJ '" on lin open forum", Leclure Hflll J 10 diJCIlH budget (IIIJ Iml I/Iuk wbile college PreJidmt LF! Pura speaks

march 14, 2002

~~~~~:;:;;;;;;;;;;~-;;; - - - - -

..-::;

LISt Frida y, March 8,
on the bOltom 11 001' of'
the libLlr )' building. 28
, tudcn ts re:ld POCIll', ,.tl1g
,ong', ;1I1d ,poke out in
;1 perforlll ~lI1Ce reprl's(':"l1ting Ihe cl:t." Inlern.Hion.11
Feminis m .

SIUt/f' lIll oj Inll'f}lIIliO}lfi/ !~'mlllhm

FridaI' .d,o Ill.Irked Ihe
middle 'of Intern.llion.d
wom e n'" Illonth, till' l'll d
of In tl'J' n.1I ion.rI \'(10 III en ';
week. and Intl'l'n .ltlon.d
\X'Olllen':.. d.l)'.

E.lCh perr"1 Iller prc,en ted one pic·lt·, u,ually .I
co uple of Illinnles long. M.IIl}' or Ihe pieces sprung rl'llm a "'I'iting
workshop earl)' in winter quartcr, in whiLh 'Iu dl'n r, U'e,][cd
impressive entrie,. SOllle stude nts rocked frolll guitar; electric 01
n),lon. One <[udl'n l strum med on a harp.
After each performer, the audience exploded with chc·er in g.
w hi le in herwecJI .Ict, slud cnts Crace Skrobi'L, Sdby, a nd An:!
Lu cia rold jokes :lIld cncouraged the PCrillfllll'tS with hi gh-pi lched
'\-vooa's," or uconl~ nn down's."
The performer., stood on a 'tagc su rrounded by art installations
,Ie.ding wilh ,ex, Immi gration, cOlllmodification of beaut)"
wOllla nhood, poverty, statistics, women" texts, pregnancy, and
wome n in pri,on--issucs which studcnts addressed th roughout
Ihe first rwo quarters of the class.
Ju-Pong, faeul!), wit h Inrcrnation all:c minism, says that the art
insldlialiom, like rill' performers, invited people in. luring people
10 look at the s tatis li cs. become part of the art. The performers
invired rhe 100 s tud e nts i[l the audience to examine their
knowledge of women in the world and in their lives.

Greeted by Guests and Protesters

Mulal:-::-:-;=============-______=~=_=~;;;;;;;

li¥Ihiis
Las t Thursday,

at
a banquet hosted
by Governor G,IrY
Locke to honor co lkgt· ,I(adclllic ,r,tn d outs, ' Iudent' from
South Pu get Sou nd
Comll\Unil~' College
.1I1 d E\'l'J'!;reen r.tl lil'd
.lg.li[}~1 t llitioll hikl:~

,,"t,idl' tlw door, uf.t
buildin~.1\

SPSCc.

:\[,,,:n ~ () qudl'nts
C!'o\\'dl·d "CH the
C'Ij[J',tnce ,tnd Iht'n
came
Imide
Ihe
Student (inion build ing holdin!; bright
p,tinred ,igns and b.lnncrs opposIng, 1'0' sibk tuition hikc, of

/ 1" iJJl·i, ..d g""SI

lip t o 18 percellt :,t,1I"1 -

ti'l';" tit'Jin',(in· lJIort'

IJl g next yc. I !.
Thc tuit io n hikes
cou ld be co up led wilh .Icross- th eboard CUIS in response to th e sta te's
recession. Co ll eges and universities
arc hurt by the reccs;ion because
they arc funded by ,[.ttl' tax dol1,\1'5.

The rall y did not disturb the
banquet, bUI Gove rn or Locke did
refer to thc pro tes tcrs in a speech

,/I

SI'SCC IlIIg""s ", his ",b/,' w/,il,' SO IIii' IIf,,·.\/,nled l,isilOrs look

011

"nd "xpre~J

hi,fl./tcr tl/u({lIioll /llnr/ing find lower IlIlIioll rOJ15.

he gave.
During the banquet, a couple
of st udents frolll Evergreen walked
in to demand recogn ition , but
the rally organizers from SPSCC
asked them to wait · outside until
the meeting was over.
At the banquet's conclusion
Gove rn or Locke stood for a few
photos and then sl ipped out the

back door of th e St udent Union
building to a waiting car.
Evergreen and SPSCC stude nts
followed h im to the car and asked
him to respond to the proposed
tuition increases. Locke responded
that educatio n is his first priority
but he had other item s on hi s
agenda for the day.

Internship Opportunities at KAOS-FM

CUTS from Cover
pays fo r st ud ent groups and activities.
A few G reeners reminded ot hers of services
that often go ignored.
"C ustodial wo rk is no t glamoroLl s wo rk but
1 like it. And I'm good at it," said Tracy Sorre ll,
a college c ustod ian.
Sorrel l has worked at Evergreen for te n years,
and he sa id that every year he 's been here his
department has lost people. Now, he said, one
supervisor is responsible for more than 26 people.
A second custodial supervisor position would not
be filled under the current cut plan.
"I'm telling you if 1 didn 't do my job, you
people will notice," he added to loud ap lause.

Feminism Program
Performs on Campus

5
Governor Visits Nearby SPSCC

10

the crowd.

Applications are now being accepted for the following
internship positions* at KAOS for the 2002 - 2003
academic year:
Program Director

Music Director

News Director

Production Engineer

-Must be enrolled for at least 12 credits each quarter (excluding summer)
as a matriculated student during the 2002-2003 academic year.
-Applications can be picked up at the radio station, CAB 301
-Deadline for applications: Monday,
April 15 th
-Call ext. 6220 for more information

867-6577.

the coopet point journal

the cooper point journal

march 14, 2002

6
letters and opinions
Computing Cuts Slash "Keystone" Staff Member

M

y name is Adrian Byer" .lIld 13m a' ludent
here at' TESC. Thi, i, my fifth and IInal
year of sc hool hnc. I al~1 "I,,) " "uden l
employ~;. I have wo rked dt the Co mpUl l'r Cenler
(pan of Ac.ldemic Com pu ting) [01 rhe last fou r yeM'
.1> .I st udent co nsultant. a nd for the I.I St two :" .1
swd e nt m.tJ1.lger. I work do,clv with thc' , tud en t
consull.l nl '. hut I .11 ", h.I\'c· .1 grc·.n de.tI of eXpOILJrc'
with the prclk"ion.11 ,t,ltT du t kc'CJ' rhe Com p uler
('enter running.
Comp uting .Ind COnlllll1nl c,llll>n, (C&C) i':1 p.ln
l,t Fin.lIla .1nd Admlni'".nion .. Ind " (om prisnl of
:\ c.IJ em ic Com pu l ing. r\dmini,".lli\'c· C:o mplltin g.
H.lnner I'r01cet, Ne lwo rk :'cJ'\·ice,. Teclllllc.tI ,\ uI'I)(JI'{
SL'n' i cl'~ .tlld Tdccolnm uni catlo/l!\,
Ac.lde mic: Co mpulin g n)Jinly ,ern" ,tlldellt' :lnd
!.Icultl, by p rovi d in g reso urce, and " IPP OI t th.lI
enhance .Ind facilit ate academ ic work. The propo,ed
cu t to C&C will sign ifi ca ntly imp.lcl the .Ibi li ty of
t:1c ulry and staff 10 get their work don e. Thi, can e."il\'
be overlooked beca u,e cuts ro Academi c Co mp uting
do not heavily affect Finance :Ind Adm ini , rratio n.
Academic Com puting uses 2.> pcreem of C&C,
budget. yet is being forced ro take GO perce m ofC&Cs
cuts. The proposal on the table is to Cut $ 10,000 from
the student consultants' budget. This will req llire les,
tim e to train the co nsultants and also gre,n ly reduce
hours of operation for th e computer ce nter. It would
open an hou r later in the mornin g, and close four
hours early, making weekday hours from 7 a.m. to 10
p.m. Three of the ma jor requirements students have of
Academic Co mputing are support . more co mputers,
and extended hours. This budget proposa l severely
limits two of those three . Additionally, every student
must fill out an evaluation form at the end of each
quarter. These evaluation forms are di spensed by
Academic Computing and Network Services.
A more serious issue is the cutting of John McGee's
position. John McGee serves many roles in Academic
Co mputing: he manages the student co nsu ltants,
provides support to facu lty and program s (which
includes teaching workshops, providing documentation
and classroom schedu ling), implements the mission of
Academic Computing, as well as takes care of many
of the smaller tasks that keep Academic Computing
operating smoothly. The removal of such a keystone
will bring so me very unwelcome reperc ussion s.
John has many years of co mprehensive experience
in Academic Com puring as well as at The Evergreen
State College as a whole. This expe rience manifests
itself in many ways:
I ) I-Ie ha, the abilit), to spot potenti31 problem s
became of his ab ility to noti ce trends.
2) Joh n is highl y Ilerworkcd throughout thc' ca mpll s.
I-I e knnw' who to find whcll he need s more inll1l'l11:1(ion .lnd m:lkc~ :111 elTor! tn d o ~(), l" I'l'ci.dl y n.:g:l H..ii ng

proper oper<lrion of rhe comp"tcr ce nter.
3) John is very anLined to th e b ig picrure wirhin
Ac.1 de III ic Co mputin g. Il l' i, awa re of t he impact
decision s have for EtCLl ll),. sr ll de nt s. ~ tafr an d orher
divi ,i on, of Ihe college. \Vhik- Il ndasta nding Ih e
nece"it)' 01: fixing p ro blc ll " '1"i c kl), he h.I.' Ih e
forc!'I ig h t to ,ct' th e Illlp.H.:t 0 11 I O!1~-tl'rl1l go, d, :0 1(.1

I

o ll ginall y wlote th" IClte r seve r.11 (hys befOle th e blldbet
meeting on Mund.ty. Marc h 1 1. My alill W.t' to ra " e
.IW.lreneSS that a good . seemingly e,sell ti.,J pmlt IOIt was .Iboll t
ro be cut. I pe rson all y thou bhr it a crim e that a perso n who did
hi , job vcry eHi:clively .Ind in lin e wil h Eve rgrc'en\ id eal., held .1
positi on th .n was co nsi dered ex peltdabl e.
IHrcr .m end ing the .tll Cl nll'" S hud gt·t nlc'C' lin g. I lealifnl
O P CLHIOIl \,
Ih.1t 1ll.ln\· olhn pcople helei ,in lil.tr "il'''''. t\ chh i('1 1"ld huw
~) John W:I' .1 ,rudellt co", ull.ll tr hnc in Ihc I.lIe
,he h.td heen wOlling hne 1(, \'c.tr, .tll d "'.1> .,Jlowing hn'l·It'
'7(h .lIld e.HI\' ·HO,. Upo n gr.ldll.ltill!o' fro Il , TI·.<;C:.
to lw cur " . th .1l .t co~workc'r c();,Jd kC'cf1 Ihe ir inh. ()n~' I' cr""l
he lill cd rhc' job I'mlt ion tlur hc' , till occup in """" '.
110W Joc' (h I..' q 1\.'1l1l01l .' u .. k n~ t\\"(). ') h e ~.lid th.u it \\'.1\ ".ld
MallY ui"u, ' llld cII! cnlployl'l''\ thillk o f III III .1 \ LlI l' ,o ul
rh .1t the' l)e,, 1' 1c- on thc frontlinc' .,J\\,.IY' wem ro I,c' tlIC' Ull,',
of Ihe COll lpu ln CC ll rel. T h rough hi ., le.lder,hil' ,IIHI
hu n b ~' hudger L UI '.
c>",lInp k·, Il l' 11.1, ~ IH)\\'J1 [h,lt it i ~ po",ihlc to g ivl' h.ILk
t\ ... t uac.: nr 1h..'X( ttl 1111.' lhl'11 hopp.:d lip on ill 1..' h,llli'-t "' 1 in
ru til l' ill.\ litllliull dl :lt h. I\ ~L'r\,l' d C.l t !, or tho
tile I.edllre Il.tll .llld dro"c the pOi ll1 hOllle by "'), IIl g lh.1t tI ,,·
III .lddiliOll to thi , we.d"l
bt n ~e d ed 10 I", cut. lie ,.Iid Ih.lI lit"
01' c·xperit·lll.C·, John :,J so bring'
1"·,,, idel1l . '· i .:e- pr ~, id e n t' .Inel hn.trd
In addition to this wealth of
.1 g, re.lt ll ulll hcr
COm IllUI1I I..'.I~
of trllo;;[L'l..'~ wen.' rhl' f:lt.
experience, John also brings
tion :l ll d ,0ci.,J ,ki ll , ." we ll ."
L.tter, , \IL~.tnd,· r 1'-. 1..r ,hO\\l'd .t
h UIll.m iry. Il io; COllllllll!li cni ()1I
d iagr.II II 0 f how Ihe ,'1.", ilied ." .!I f h.l\', '
a great amount of
and ,0c i.11 sk ills .m· a bi g 1~lc t ur ill
hc.... n CLit lll OfL' :lnd I1HHl' rh nHIl!h rhl,.:
communication and social
allowing him to nctwork around
ye.tI', wh ile Ihe u ppcr nl:"1.l g~1l 1ent
skills as well as humanity.
the ca mplls ext~ns i vd)'. li e keep'
k(' c p ~ 011 growi ng. Th i ~ po in( \\'a~
lines of cO nlmuni cation ope n
rei nforced hI' a j:tniror \\' h" <aid rh,tt
across divi,iuns. It enabl e, him
rh en..: are suppo<;cd to hI..' tWO ~u p e rvi ­
to keep tabs on what i, happenin g ill the Com purer
SO l'S for 2G cusrodi"n,. and dlar right n')\\' there i> on ly one. -I h,·
Center and on Glmpus. Johll is very :lppru:lC hable .• nd
latest hudgcr CU I will prevent the hi ring or anorhe r , up, ... visor.
will li,telt . Whelt a co-worker was Ollt for surgery for
He sai d (hat rhe re are so me mOrtli ng; whe n rit e cll srocii ."" slt "w
an ex tend ed peri od of rim e, John do n.lted some of
ltl' and don't know what to do becau se tllt'rc i.,n·t an),body there'
hi s ullused sick days (0 thar co-worke r. Ever), year he
to tell titem. He thcn sa id. " \Vlt en i, enough l' n()ugh' If I don't
throws a flBQ for thc' studcnt cmployees at hi s hou se.
do my iob. you all will noti ce."
I-Ie always docs whateve r he can to make su re rlut thc
Th e final plc:I ca me from a (ICUII ), nwnlhcr \\' it" ,.,i d Ih.1t
student employees are rep rese ll ted and cared for.
when the faculty mer to discu.\S rite hudget cur'. tit,· I'u hlic'
con scmus was that ir wou ld be dirGelllt fin m",t of Ihe 1;lcullV
He is ablc to cxist in a borderline world betwc'en
stable professi onal staff, dynami c student workers
to get rh eir annual r.li,e. whi" one or IWo of lit eir co-workcl:.,
and faculry. His skill s make hilll a willing. wonderful.
had been laid off. The faCldry, as a group, w.lllt ed to 'prea d t he'
knowledgeable and approachable resource .
pain evenl y rhroughour rhc departlllcnr, insrea d of layin).: .tli of
In many ways he is t he glue that binds Academic
the pain on those slared for rel ease.
Computing together. The loss of John , maybe morc
I would really like to see that la .st ideal sl'r"ad rhrough,)"t
than any othe r, wi ll be felt by many, but particularly by
the elml"'" AI IIrsr glance. it wou ld ,ee m Iha t thar i, so. Evel,),
th e academ ics that we arc all here to support . .
dep:lto11ent and divi sion is to prepare Ic)J' ·.' 2.5 I'c r',· ltr {I, .,
I have written this lette r to reflect the fact that many
percent budget cut. A glaring l)nli~~iol1 Ln rh at, dlnugh. i .. rill.'
ttpper managcment. As far as I h.l vc heard (a ltd being a , ludc·llt.
of the other student co nsultants and I feel thar this
is a grievous crror about to be made. We urge you to
I don 't have acces' to all of the lIppc' r-I"vd Ih·W5. '"~ I cOllld
give greatcr considerarion for the imp.lCt of rhe blldgct
be wroltg). ther(· was no mC'ntiolt of cut riltg a n!' '''!.Iri e, or
cut propos al mad e in rega rd s to Co mputin g .,nd
upper-managemenr POStt lllItS.
Co mmunicari ons. Thank you for your time .
I hon es tl y don't want to see anybody losc' their job ...\ s .1
soon-to -be gr,ldnate. I worry consta nrfy "bou l finding., de'c·m.
steady job. something th .ll will no t e.lu,e Ille to worrv e"e rr
Sin ce rely. ~r lld e nr workers of rh e Acad emic
Com putin g Ce nter, including Adrian Byers. Alex
time th ere is .1 fin ancial cri sis.
McRae, Quynh Le , Adam Dorsey. Dave Harri s. J:>a na
I would ~n co u r.lge rhe budge r review co mmi ltc'" Ie, Inok .tt
Juntila. Jesse F.trll1 er. je.ln Nagai. jJl\1es MacWhyre .
the higge>t sa bry cx pendirtlr",. I~ven more so. I \\'<luid t·n(uur.,,:c·
J.lm es Poel st ra. Klint Fin le)'. Eli R"b illSon. Rell ee
Ihe ul'per-ll1all.lgel\1ellr to look .tt t!lclll>elv,·s , .lllel ,.. I( h orl1"r.
M cManus. Jnelll), I'' ' ixo ll . C ollt'en Dixoll. Perrin
.tll d co n, id er whe re "I,c ct ll b.ICk- there c,,"ld OCClir.
Bishop-Wright .Ind I<.ni" Sw.tnk.
- Adri.ln [lyers

I

I

ur

I
I

Swimming with DolR~~IJe~from
I l.11l LO Ull t (hI..' l llnl..' I 11:1\'\. " h.-Ii ill f\ In.iu)
III ittlu r,; "r.lllbe. I c ln 't he Ih.tt ci,n 'l.llh
'l".lIltili,·d .\\ I look h.lck 011 Ihe 1'."1 wct'k,.
l'nh"I" I e ll' ,ho\\' you wlLlt I l\Ie.1I1.
()I Jf Ltsr hig {rip tugclhcf \\';1:-. out
I ill'
Tr"I,ic.t1 1)"lIdllo", I-ctrl'\1 Ih.tt h." hCl'II

nr

t~)r

LL1 . . . r00I11

our

IlHl\1

dU\\'1l [0 .1

Ill.Hil1c

l\',l\op;ni.l.

T he

thl..' word
1('

:hL'

Itl l"

or

I

1l.11llt' i"i

\'I,:r\,

prii...klv PI..',l["

tH't'

nfL ,llI!'

II

.111<.1 Otltbo.lrd

~()\\' il

old.

j\T.I\·t) is

l.ldll\ ,In..!

WCl'e hJJ"\'L· ... rcd h~' m,lk1llg.1

\\,,111

{ 11I.l rtc !" .lllL!

eo.,(tJ,Jr\' nn IhL' L O.I"'! -

p,lnilion or fc..'ll lL'.

... \·nlhl..ri ..

hi . .

.""'1..'111\

lllU{or ....

II\h

p.lIl,1

heltHt'

!I\11

tr.lp Irolll ,\

i.... 1 rellHHl' litrle fishing

L.llll!': Ilu phOllt" or power or ··COIl\ I'llil..'IH t'"

"I

.11'"

tr()llf y.lrd,

hlHh o\'er rh t.·

\\' ,il l' l".

\,\'e cOlln"ered with .1 guv we h.ld h,·.1I'l1
01 [, )1' n)(\l1Ih,. "Sol.lr " l'IlIl\'." lie ', killd
" f .111 old hil'l, i,' in hea tCl' , .•nd.d, .11,,1 .1
10t)\t' \\'1)\'L'11 (()lIon oudlt oj' \"L'llow .111 .. 1
whi[1..' '-ll'lrh.· .... Ill·\. lwcll i ll the .111..'.1 Cor
~·l',1I"'). l'llu"'.".lIing kid . . (-rom thl' "'l,itC'" .1Ih.1
prlJnlntill~ ,tllt·l"Il.lIi\·l· (.'lll'l"K\' ,llld lHhl..'1"

kind.

rill..' hOII . . C \\"l'

In "hon , it \\";1 ." p.ILldi",l..'~
It \ \', 1\ "ort 0(.1 pn."-',\t"IH In ol1 r!-!cl\t'\, rhl'
llt'.lChL· . . , W.lfl'!", .Ind dOlllg wklt (hi, group
JOt'''' hl"I : (hnnholC1g~'. ThL're Wl'fl' Il l..'rol1!-!.
Egrel' , I'l o'er'. ·krn, .. llld Pcli,.II!' - .,JI
righl nUl thl' (ro l H door. Thl' hOll . . \..' \i t!-! 011 ,I
f:)kl (l f lilt' t.· ... r tr.l ry' ,0 (h.1I tilt' ... lIll rJ!-!e \\ ,I'" ') ()
f~'t,t d,)wn rhl' sho re .In d '\ 11 1.... t.· ( \\",10., ill d l l'

\\"LI\ rill)': thrl'L'
lor lo ur: \\'l' WL'rt.'

l ellIcd

rt)()lll\. ;\ ti~h{ \lllll.'CIL'

,,·'eIHecll . \\'e ,ieI'I on Ihl' ground. ill \ '\\('
\.1I1", :1nd 011 '·\UIlOrJI1 CO((,," burLlp .. ling"
Il ll tw()-h,,-f( ,ur fr.lI11es thJt pilI Ihe "Id Jrm\'
cO l' 10 ,h.lInc. :"ot "l't)' I'0rubl e hut "ery
COlllfort.tble and 'implc. The kitchen "'",Il't
hll' enough flJl rh rec pc·opie to get .lIwthing
done at Ihc SJll1e lime. Th~ refrigeraro r .lI1d
lighr' were rlln by propa ne . The ollly frt,h
water therc was what we brought with LIS.

march 14, 2002

.... ()iutlO Il 'l I t. ) thl' rl'11l0fL' CIUq.t! fi\hing
C.II1IP" Hc' n\\'J}\ .1 kw ,null ho.It, . .Ind 1;'1':1
'l1l.dl dOIl.ltion ro Ihe C,lll\c' he le t liS cxl' lnrc
I he M.lngnll"·s .Ind rhe be.teh hl';·()nd.
\'\'e h.ld on h- threl' short d.\l·s. Th,' lir,r
I \\t) Wc.:rl.· ~ p e n ( in ... m.d l grou p s si1.l ring
the lim ited bo .• t ' l1,\ct'. As I wrill' th is we
.Ire "ill co mpilin g rhe bird li ,t frolll th me
ex plor," ions. We had pl.\llt1ed 10 L Ive h!'
midda y on Satllrd:,,'. bur we h"d one la ,r rrip
for the whole group. I woke carl)' to makt

,,,n~·c

.Inel ,,·.ltched .1 snullpod ordoll)hl ll'
Jllu'"(,.· lip the dUlllll'1 in the pn:-d.lwil gr:1~',
Th e\' .IIC kncm'll to pl.lr wil h thc bo,tl> .lIl d
:-.\\'illllllL' r ~, but rhl'\' Wert' 11l0\'ill~ t:l<.; t .litt'r
.1 rlln of fi,h Kcnn;' c.llle·d "L.is.,,~" An hOllr
I.lIel ""nnc} \\'.1., w.l dill g whcll Ihe), C.lIlll·
h.l l k Ih:nllgh. I 1lIllll'c·d ill .In d SOOIl h.tlr
ti l l..' Lll'\\' \\'.b !-!winll1li ng in thl' eh.lnlld with
lillCl' or I;)lll d"lphi'" circling .tnd jtll111)illg
.\1,,1 1'l ,lhllg .tloli lld . I \\'.Int tu ,I re\\ that rill'
d"lf,hin, h.lll p.l."nl ", .I II J ca lllC b.Kk tl>
1,1.1;' " 'i lil liS. \X'c' \\,o llld nOI .In d co uld Ilot
h. ln· illl erl;' red \\'ilh thclil. The\,'rl' roo f:t,l.
( )n l' tlut Iud di,li llct sc.lfnllg Oil it, dors.ll
1111 lir ..·kd 1ll t.'.1f dnt'\..' diff<.:rclll I illll'\ during
tlI C' 11.I1t: llllur rlll';' we re ill the .He.1. Once rt
mlle·d .llId I ,\\c:lr WC' m.lde ere con t.lCt. Ollt·
ill llll,ed cle,tr of Ihe \\"tler jl;" 1'.lst .lrln·,
rc.lch o( Ille. ,\n d Ihen rhev were gone.
\\ 'e h.ld hi red r\\'o of' rh'(, local 'i;,hern,cn
ro uk" l" tn "Bird 1, I.\I1 d" .md rhl' dolphill'
WetC plltt ing " ' hchind ,chcdllie a hit. l\bOUI
h.tl fw.,,· Ihne our rri en,ls c.lIne b.,ck. Three
dolphins were pl.' yin b in the bow wJke ot'
our ' pcedill g Pon g:\. Ir was qu itc a show,
but the w.lter hl'c.llll e sh allow an d we never
saw them aga in. The island is really jusr a

Mexico

,.Ind -' pil .Ir rill' f:II' cllcl of th,· nrll.II·'·. It',
h.m·lv si, fc c' I :tbl"''' tilt· higit tide .It rhc'

h\' nllc o\t'rhun. k'Ilt.:d
\ I...Llgbiy l\1t.-c;quitl' trl'l.:, 11\ i. )\i.:rbllrdclll..,d

h ighcH point. lll,nkl..·d

b,' bir(k IIIll\rI\' <";re.1I IlIIIl' 11e""l. tI""l~h
t!~t:rt' WtTl' . \ f~\\' (~Oll1lor.lnt~ ,1.'1 \\1.:11. T " l t'
nl.li n .trtr:lC l io n for me \\'.!, Ihe Illu c'-!;)()Il'd
1300bic·s. ,\ gJ.1Cl'fllI ,,'., rillF. sc,,1 h,rd \\'ith
]O llt!, sll'nd~r \\'il1t:~. ;1 ~IL'I.:k I ~Hm ,I llJ \'c ....
hili:' "ehbed t",;e;~ 011 l.,nd the'. .II L .,'h il
.t\\'k,,",d. \\,.lddlillL: likc I\-II!!,uill' .. llld Ihc'il
Llmlin g' .Ire Ulli",',C' .t, 1:11 ~IS I kllllW. Tltc'
bild 'o.lI" ill low. pulling ir.,clf "I' '" .t, ",
,r.11I (wing' 'lOp liFtillg) witll their ('Iil, jU'1
;11l Inch ( Ir ~(I .lbl)\<.: rhe groulld ;lIld [hl~ 1\
1ft" 1Illiquc' thin[:. the\' I)bm tht'i,. hlue t~'l'l
with .t , I.tp Oil Ihe gI'DlIlld. Nu t onl\, "rt'
Ihese hirch bc.llItiful .lIld LlScin.tting (.llId·
.1 littk comic.dl, but the\' wert' als" re.trillg
thei r !·Olui g. Bild 1,l.lnd is.1 Boob,' moken·. I
sho uld point uut il "Iso .tttr.lus borh Browl1
and \Vhi tc Pelic.IIl,. Bra nr". :-'ell11f,alm.tted
Plove rs. \X 'h it e 1:1(ed Ibi, :lIld a few (lttlnu,
Cre,,"er, .
- Da\'id Smi th

the cooper point journal

7

Haiku Hut

St. Patrick's

--·b~v7Tnnr.e~J/'-a~n~/~AmJ/~e~
n=-~~--

The
sheep
were like littl e
cotton ball s wirh legs trotting across the
gree n grass of Irel a nd. At C hristmas break I
fo un d myself trekkin g around the emerald
i.,lc. Mv travds we re hrin gin g me close r
to my girlfriend, my ance~ rors, and the
aurhenri c homegrown ras re of G uinness.

I felt welcome in rhi s land of bards.
ller" in Ireland. a poet does finally get some
res pect. Some of )'o u may be wondering, so
whar ', a bard ? Back in the da y, a bard was

a Celtic poet and mUSlCta n. In Ireland the
bard was simply a minor poer. The higher
status poets were ca lled "filidh" in Gaelic.
later file (see r). Th e bard was a repository of
hisrories , stories , legends, so ngs and poetrv
of the people. I-I e co uld tr:tvel anywhere.
say anything, and perfo rm whep :lnd where
he pl eased. Su c h freecloms Were allowed
because he was the bearcr of neWS .lIld rhe
ca rrier of mes-,ages. and if he was harmed .
nobody found out wh.It was ha ppe nin g
OVer the nex t hill. For some villages .Ind
town s. the bard was th e on ly relia ble SO lltce
of intormation.
Today the modern bards are singers.
mu sici.lns . s torytellers and poet'. The)'
capture yo ur ima g inatioll , makill g you
forget you are bei ng performed to. They
deliver magic. "Wordsmiths" with sh.lrp
tongues have bctn Hound for 'Iuile su m"
time. I thought on this St. Patri ck's Day,
America's sccond -biggest drill king holi d.I),.
I would do my ancestors so me res pect and
give answers ro th e curious who wanr to
know more th all the fhtidity of pleasurl'dri ve n holidays.
So what is St. Parrick 's Day a bour ?
Pa trick was born in Wales about 385 AD.
He considered himself a pagan . At the .Ige
of 16 years, he was sold into s!'lvery by .1
gro up of Irish marauders that r.lid ed hi s
village. During hi s ca ptiviry, he btClillt
closer to Cod and was inspired to con Ven
the paga ns to C hri stianity. Patrick was ' Iui te
success ful at winning cO ll verts. The Celric
Druid s held thc .stron ges t res is tan ce to
Christ ianitv. Il is miss ion in Irel.t nd lasted
for rhirtv ~t·ars . lie died on March 17 in
4G 1 AD.··fhat da y h.lS been com memo ratn l
.IS St. Par ri ck's ri.ty eve r , in cl'. 1\lon l; wit h
thl' holidav. a t rad iti ollal ico n sur!;teed. the
sh.lmrnck. Ir was rhe th ree-k-:tfcd sh:t mrock
thaI !'.mick u,c·d 10 explai n the Trin ity.
Enough history--Iet', h.lve a drin ki ng
joke to go wil h rhat green beer:
One d:tv :In Engli,11I11.1n . :t 5CotSm.II1.

~ n d .In Iri, l;m 'tIl wall ed into:t pub togcther.

They each bOll ght :I pillt of C uin ne,s. Just
d'l they wert' abour to enjoy thc ir c rea lll V
bevna·gc·, three flies landed in each of tllei'r
pinrs and we rt ,t uck in rhe thick hLld.
The Engl i, hmdn 1""lted his bee r .Iway in
d i'gu,!. The Scotslll.! n lislted IhL' Ill' "lit
of h" beer .Ind co ntllll.ed d ri nking It :" If
nothlll!.! h.ld h"()f'tncd. Th c Ir i,h l\1 .tll, 100.
picked Ihe II;' OUI of Iti , d rillk. Itdd it ,, " I
Ull'r the beLT, .1Ilt! sLlrtcd \'ellln~. "S PIT I r
OUT. SPIT IT Ol'T YOU IlI\ STt\RI )I~'~ "
The puhl ic home,. or "pllbs" .IS IhC'I' .He
c:tllcd. we re rite onl" meeti ng plaCe> fn.
rec rt·.lli onal .Ind occup.llional Illeet in gs. It
is here tha t the ro.tsling is dont . The word
"roast." .11 :tpplied to drink, ha, its roots
in the I GUOs when it W.IS co mmon to toss

Tradi.ti.ons
Cafe & World Folk Art

B
B

'Fatdy traiei 800is from (ow-income artisans
ani farmers from arouni the woda
'ltcoustic concerts, forums, dasses, Y0etry, and
thea ter
'It cafe wit Ii 800i fooi ani a weCcome
environment to meet or stuiy
Capitol Lake and Heritage Fntn.
300 5th Ave. SW, 705-2819
www.traditionsfairtrade.com

the cooper point journal

in a piece of bread or crouron tnr o o ne's
beverage as flavoring.

spirits. The cons umption of alcohol wa s
co nnected with man y rites of passage, from
apprentice (birt h and bapti sm) ro burial s
and wakes. Whateve r t he reaso ns for , uch
large absorptions. they've been arollnd a lot
longer than we rebe ls ha ve.
Il ere's o ne last one from .Inorher in bmo us bard :

H ere .tre a fcw Irish toasts:

- 114a), the gmss grow 10llg Oil tbe road to
/Jel/ for wallt ofllse.
- All Iris/unan is never drunk as long tIS
be call bold onfo one blade ofgmss and 1I0t
jitll ojllhe jace offbe earfb.
- MaJ' YOllr gum be e/ler jit/L. Mtl)' ,be
roofove/' .yolO· bead be (llwap strollg. And
lIlaY'y01/ be in helwell bnlf nil bOllr before
tbe dellil kllows YOI/'re dead.

Wine comes ill {II tbe mowb
And love comes in (II the eye;
Tbms (II/ thm we will know jor mitb
Before we grow old (ll1d die.
J lift tbe glass to 1lI'y mOlllh,
J look al'y01I nnd 1 sigh.

On my trip to Ircl:tnd there WCI'C man y
>hin )' h.lppy people. I do n't know if it s
.tll th.n dr inki ng that kecp' them in good

Iri

5 h Soda

I Hakes

10 <;;11«('<")

Bread __ , _______ _ -Colcannon
I (Ser ... c ... 4 )

1 cup io w~tat soym) Ik
1 t ables poon Whl lc "'- lOegar
3/4 cup plus 1 t ea<..ooon wh ole wheat t10ur

.' mC(]lum pOl dIne'> , .. ( r uobed
I {UP kale. '.tpmo:, rpmoved .)l1(j roar .. !:'l.,. (tHl;)[]pd
:'13 cuo low - fat 50ymlll(
, ] tcOlesDoono:, tnlnly ,,11(ed ">ca il lon,,
, ',a ll ;lnd pE"poe r to ta"le

cup plus] t ab les poons IoInite f lou r
1 /"1 teil ... poon baking po wd e r

JJ4

J taDlespoon bal( Ing SOda
1 - 112 lSp . Ener · C (or SimIlar)
"1 tablespoons wa te r
1· 1/2 tdolespoons margilrlne
1 tdolespooJl cara way sepds
112 CUD ralSlns

e~~

,

rep la cer

I

Cut potatoes In t o la rK !.' c hunkS Add to J
medium sauceoan w1th f'naugh ... atcr to COV f'r

1 the poultoes

Y.

To fH. to

wnen p l erred WIth a fork -

,

I l1ea nwn l lC' .
add abou: one Inch of wat!' r to ,]
, medIum SlUCCPiJll
inscl'"l steiU1'Ier Oa'il(rt. o r Hlg
to a DO l i then r{'dUCI? n{'at to "'Im m('r
Add
' kale
rovpr
anQ steam ' Or anO"JI iI mInutes
, RcmovC' \(<111" and plae/' 11"\ a m1)'I'& ::l0·,.,1

On('f> ootatOf". ar£' ('O(1<eO. p('('l & add to lI.aif>
1

t I n .1 "' mall
I

t

<;kl11et, neat tne soymllk. and
s{Jlll0ns . •1nd S lmm('r ') mlnU r ps Add to
pot,noes and (ale and masn togetncr
Add "iii! t and ;1l'pppr 10 taste
~I'rve hot

-\ ~a;g;\ ~ ~ -A~s ~all - fla ~

or \Fadge\.

BrIng to a ball, r educe neat

, {" ook Iln t l l {P'l d pr
t Jt)out 19 mi nutE''>

CombIne .. o vmllk" &
v I nega r . 'ie t d51(le COMbIne egg r~lJldCt:r ..,1
water and ml( untI l f r olllY, ~e t aSIde
(ombln" ..,hole wheat f lou r ·m lnu s ( tSoP
..!lIte f lour
DakIn\!,. po~oe:r . .and oal<\~lg SOda
I n <.I
,n!';€' rll ~ lng Dowl
Cut HI margarIne
Add egg replacer Ml ~ture <.Inc tnen Slow ly nil ...
H\ soymlll< nnture (oill r al~lns wI remalnln~
1 ted~poon of who le wneal flou r AOd raISins
dnd c.Haway seeds to rnl)(lure
Pour Into a
nonst:c\( 9~ .: S~ l( r
loa f Dan Bake tor 45
rtllnute ..
Ta .."les delICIOUS serve d warm!

Fadge

-- Will ia m Burfer Yeat'

~Ult :

lo af
to agree .

~r - t~'~k - C;k~

c... 'Iit!',;",;/ ;', ' /II, r, it : -,/'111' r1(,mlfi',rtll! ~
1 ",ed l um I)O:.)lO, Ilu l l ed
1 ll"'.I.,:JOOfl ',,;.'1 m..trg.lr1!\t"
1/4 ·.I:'.Js:loon ·. all
I II - J/ .1 (UO '(Oul"
.. 00': I IU;

~1~

Q ••

~O,[

t

o~to

oall

" '''tlO', ilt-'d

oI~"

and <alt
(omblne ~ f • lour
flourea Doard .lna I<ne30 unt ll
• fOrl1S
~oll out
to aoout in-I nch thIckness

DOldtO wllt,

lurn
J

'1;.11

..tId

mar~ar l ne

oil

'IlIO 2 i ll- l'ch ( I (I('S
rlf'i.lt v lar~e non~ st\( ~
~kl!lt!l over l'1edlum neal
~o rav <klilet
cookIng
spray Aaa DOlalO Ci.ll<fS and (00 0: l -4 ,,"1 ns
on eaCh
SlOt' u n fit ..... ell :'ro ~ nea
" t' r ve I"]ot
Goes well w /
mdP,p syrup
' Mc1~PS -Ii
·11]- neh p otJto bread )
Cut

w'

THE EVERGREEN ANIMA L RIGHTS NETWORK
MEETS thursdays IN CAB315 AT 5: 15 P,M.

HAPPY ST

PATTY'S DAY

FROM

E.A,R.N!

.... "now rece lYlng appl lcJtl ons for open coord lnato r poslt ion"" ..
please inquire x6SSS

New York Style Hand Tossed Pizza
Huge Selection of Fresh Toppings!
Vegetarian &Vegan PIzza's Available
Salads, calzone, Fresh Baked Goods
Micro Brews on Tap. Bottled Beers, Wine

Dine In or can Ahead for Take Out
Enjoy O&r SIdewalk Caft On Nice Days!

360·943·8044

Located at Harrison & Division (233 Division Sl NW)

march 14, 2002

8


Speaking the

reV1eWS

Benjamin Speed has worked on numerous plays and
films at Evergreen, but he says they have all led up to this
one - his senior thesis - a deeply personal account ofhis
mother and her horrifjing past

The Microphones

5v
r Chns Mullij{v
..
An Evergreen studen t walked through hell
to write. direct. and prodme ,1 play ca lled
"W.llking Wounded," which open, ill Evergreen's
Experimental Theater today.
Benjamin Speed starred hi , ,elliur thesis
project last summer Jttempting 10 under,tand
how his :llOther's horrifying past affect' her, and
inevitably him. today.
For the last ten years Speed's mother has
been hospitalized for her mental illness. which
Speed perceives as largely born of her past, where
she was abused and had ro abort a chi ld after
her father raped her.
"A lot of my inspira tion as an artist comes
from some sorr of want or need for revenge for
[what has happened to) my mother," he says.
"Artists function out of fear or anger, but I
function as an artist for redemption. "
Speed is trying to kill a lot of demons ,
including the ones embedded in him self. I'm
doing it to "confront my own potential as a male
abuser," he says, "as a potential vessel for [my
family's) rage." He says his family has harbored
cycles of abuse and silence for many generations.
He is the first to break the link.
Speed says it has been rerrifying confronting
his mother's life in such an open way. But he
says he needs to break "the legacy of silence" that
has plagued his family and American culture
about issues of abuse.
Speed says the play is for three different kinds
of people at Evergreen: rhe ones who have been
abused, the ones who have abused others, and
finally, the ones who think rhe problem of abuse
does not exist.
The play is his mother's srory, a collection of
her memories rhat she and Speed ralked about
last summer.
Three actresses carry out all rhe dialogue.
They represent three moods-Sorrow, Madness
and Joy-that Speed says are the boiled-down
essences of his mother's mental illness. Where
her mind swings.
The three actresses spit poetry, howl with
word clumps, tell stories and fling their bodies
against music you will easily find crammed in
yo ur ears the next morning. But what the audience sees is merely the ski n-layer of so phisticated

themes swimming beneath the actresses' lines.
The actresses of"W"lking Wounded " have been
traini ng III Buroh dancing, Viewpoints, lateral
thinking, tableu, (huma n struc tures), Suz uki
method, and free-write journaling 10 learn to react
ro rh" feel of rhe mom"n r.
"1 don't expect [the actr",ses] ro en"psulate
my mother," Speed notes. "1 ca ll only a,k them to
draw on their own expe rience and how they relate
ro the issue,. [ simply have ro let go. "
Speed says the whole process has been collaborative. He says has tried ro build up trust with
the ac tresses so they cou ld clue him in on what
it is like to be a woman, so he can better convey
his mother's story.
Because the project has been a collaborative
effort, some of the lines he placed in the play were
rejected by some of the actresses. He says they
were concerned about how the audience would be
affected by rhe graph ic language.
When he's on the set or in production meetings,
Speed is calm and lets his castmates say what they
need to say.
Although Speed created the original vision of
the play, the actresses, musicians and designers
all reacted differently to his vision. Musician
Nathan Levine says in making the music for the
Sorrow character he started exploring minor keys,
tweaking the scale into blue notes. Something that
doesn't have much resolution and that is slow. He
also tried not to reference the script too much. He
just went with the themes in its shell.
Anastasia Eden, rhe movement direcror, said
the emotionally swelling script charged her up to
generate rich material.
photo by Chris Mullaly
"A lot of this is about memory and a lot of
Erin
Maddm
unlocks
a
box
of
mtmorits.
memories are stored in the body. Ideally I would
like to affect the audience physically," she says.
Ar a rehearsal a couple days before the show. LI- - -- - - - - - - - - - . - - - - - - - - - - - - - - - - - - - - "
Eden leads the actresses around the stage wildly. He is very clear abour the source of his inspiration.
She pounces up and down, flings her arms out
"After ten years in hospitals, alienated and disowned from her family, completely
like she's flying as she runs, and swings her torso alone," Speed says, "My mother's the strongest, bravest, toughest woman I know. "
towards the Roor. They all copy her. The actresses
are warmlllg up.
The sound of the ocean is pumping through the
Walking 'W(JundeJ runs from March
speakers on the ceiling. The musicians are sharing
16 to 18 at 8 p.m. in Evergreen's
notes behind a black veil the texture of pantyhose.
Speed walks back and forth as he watches off stage.
Experimental Theater.

Gwar: Metal

.

Zen snd the Art of
Chilling Volume 1

The Glow. Pt. 2 - K Records

Listening to this album is like throwing
an elephant down your ca rs. Olympia hero
Phil Elvrum is the sing le player in the
Microphones, and thi, is his third release.
He uses analog recording, piano, acoustic
guitar, horns, steel drum s a nd wiry voca ls
to crea te nosta lgi c harmonies and buttery
and creative pop songs. The first songs are
tentarive, but when you enter th e Savannah
of song number II , the album buries itselfin
you - like "Avala nche" on L. Co hen's Songs
of LOllf and Hale album. From so ng I I the
tunes are sheerly beauriful. Follow the lyrics
from song 16: "T he heat from the closeness
of me tilting [Oward the su n was sta rting up
to ignite the night and light up the coldness of
the cave." "The billowy flames lit up my face,
the thinning smoke hung in the branches
waiting for the wind." Someone from K
Records says Elvrulll is recording another
album right now, but for this moment The
Glow Pt. 2 is a grear animal [0 stick in the
zoo of you r CD collection.

DatW!J J Coh
Ph. 357-6229
Open Wed - Fri 7:am - 3:pm
Serving breakfast & lunch

Open Sat & Sun 8:am - 2ish
Serving breakfast only

Closed every Monday
Located on 5th av across
from The Capitol Theatre

very eyes. They started off their set with a so ng
lhat gal the crowd hyped. Then they brought
OUI a Mike Tyson puppet complete with an
Impersonating vOIce.
Tyson spoke a little about his recent "bloody"
ftghts and then was sudde nly overcome by
gu itarist Odcrus Urungas, who took his blade
of death and decapitated Tyson.
Blood shot everywhere and the crowd roared
and endured all the blood spraying out, of his
now headless body.
Nonetheless, GWAR kepl going. They played
on in full force and decided to bring some other
characters of iIllcrest onto rhe stage: puppets of
George Bush and Osallla bin Laden.
Bush just gave a short speech about stuff and
left , while bin Laden was nonetheless decapitated
and disemboweled in front of a cheering crowd.
Once again blood went everywhere. Quite
amusing, yet very, very bloody.
Beefcake lhe Mighty, Gwar's bassist. decided
10 bring out his girlfriend Bloody Mary. This
blow-up-doll-csque puppet was bleeding all
over lhe place. Jizmuk da Gusha, who plays
drums for GWAR, was playing very well with
the stage acts but remained behind the drums .

He played great with the band and even shOt
blood from the drum kit. More and more blood
followed .
The show went by so quickly it was just too
entertaining to even follow. Towards the end
of the show the band brought up the pope.
I'm sure you all can guess by now what they
might have done to him . Oderus spoke of
the problems with organized religion and the
church, and in doing this presented a solution
to them-he beheaded the pope.
More blood and gore followed. By this time,
everything was a bloody mess, and the show
continued with three more songs.
The show ended afrer GWAR played an
encore and the crowd was pleased. I walked
out of that show covered in red, gasping about
monsters, and feeling great abour being terrorized by one of rhe most gruesome stage
shows [ have ever wirnesse~. [ musr say that
if you are not easily offended or grossed out
by blood and gore for novelty's sake, this band
will rock you.
/fyou want to /mow more abollt GWAR
and its mnnb= arui history, visit the site
www.gwar.1U!t.

the cooper pOint journal

Sltflter-Kinney. who got their Uart in Olympia and here fit Evergrten befo" being calitd 'ille btu band in
A mtrica " by Time Magazine, pklyed 13 new songs attht Capilfll Theater inri SumMy Corin Tucker. right,
belrs it oW fls Cflrrie BrollJnrttin jmm. Band members SflY they're set to record fI new album ill Statd, in a
ftw waks which will come OUI on Kill Rock Star Recorr,4.

Edirh Frost sounds like Patti Smith on
Valium over the sounds of her larcst album.
Or think of Elliot Smirh catching up with
Alison Krauss or the noise of all three imitating each other. Frost makes you wanr to
hang wirh her by throwing your voice out
too, letting ir whimper on any wind and
letting it scream. Letting it drown itself and
soften, letting it stra ightcn our as if were
pressed benearh a huge metal iron, the color
of Olympia in mid-February. Frost makes
us forget there is structure in music, while
REM reminds us there is. All Frost's song,
are fluid and full. We are pulled by her
down a river of bassoons, organ notes and
spanking drums. The album drives from
cou ntry [0 psychedelic rock to lounge, blues
and bluegrass , with lots of ups and downs. It
is worth your money.

A Visit

The Bisek Heart Procession

Pete Yorn 2001

Musicforthemorningafter - Columbia Records
The incredible American pop machine has spit out an artist that sounds like Toad the
Wet Sprocket with a little more booze in him. Pete Yom's album land contains country bass
riffs, distortion. steady beats (yes - the ones you can dance to) and wandering syncopated
guitar. If you get on the bus and ride through the town of this album, there are interesting
vocal melodies that hang like leaves on the trees. But unfortunately, the trees are dead.
The songs barely have life. Pete has found one riff on rhe first song and he exhausrs us
with variations of it. Boring.
Pete Yorn is not as good as everyone says his album is. In the last week I have read ~ome
album ratings in both the Stranger and the Tablet, and there Yom is bringing home some
high medals at the fair. Are these rarings accurate?
His brooding voice kisses just one mood: sort of despairing, sort of comforting (fur .people
who are softened by the sound of throat polyps and cigarette-tattooed Dylanesque growl). It
does not kiss our neck. It does not make us shiver or laugh.
There are moments where there are no clouds and the only sound is a jabbering acoustic
guitar and voice. These moments are great, because when Yom comes back in with his bass
and militia rhe songs are moving. It is this difference - the sparseness hitting the heaviness,
which is exhilarating throughout the album. Sometimes he sounds like Beck, which may be
nice for some of you. For the rest, do not buy this album.

Three - Touch and Go Records
Have you heard of these guys yet? Formed
in 1997 our of San Diego with two members
of Three Mi le Pilot. This is their third album
- about a year old. In the first song the bass
and guitar wrap their arms around each
other and make out in the speaker. There is
some definite spider-web feel to them. The
rest of the album follows. Sad songs with
a Spain/Grandaddy/Radiahead/Tom Waits
feel. The fourth song's the best (10 songs
rotal) , but they are all good. Mostly spacious
and immersed with piano notes. You'll get
your money's worth if you are looking for
impassioned chords and rich or pained lyrics.
This is GREAT driving music. Their other
two albums are just as realized, #2 the most
highly acclaimed.

t<Mulholland Drive

Music with a Twist of Carnage

they have a special quality aboul lhem unlike
Ihe other bands: they arc monster, . Thl'y low
carnage and like 10 cover Iheir audiences in
as much blood as possible. I-lence, lhey have
gained popularilY for their "age :lntics and
their COSf umes.
The night started off with me waiting in a
horribl y long lin e wilh all th e other GWAR
fans. We all waited in the co ld for nearly half
an hour and were finally let in.
Inside, the thearer had a mi xed crowd,
ranging from the punks to the hard co re met:ll
guys and gals. The crowd was also a varielY
of generations.
The audience packed the floor to the maximum level. This left me being pushed left. right ,
up , down, forward and backward and every
which way. I don't think I was standing on my
feet during that time of "rhe crowd push." BUl
I have experienced the push before so I was
prepared to take some pushing to atrain a good
up-close view of rhe band .
Then GWAR's stage crew sta rt ed setting
up lheir srage props and "scenery." Finally the
moment came. The audience WeIll nU1S and rhe
original monsters of metal appeared before our

photo by Kevan Moore

Edith Frost
Wonder Wonder Drag City (exclusive)

----;:b,-y--;C""h,-r~js-P"'a-:-,'II;--e";7tte--An Evergreen student gets spLashed with blood and has his ears filled with a bigfist of metaL fit a sold out music show in SeattLe
On Tuesday, February 12, I had the opporlunity 10 go see a sold-out show ofGWAR at the
Showbox Theater in Sean le. Let me tell you, this
show was highly anlicipa ted beca use GWAR
is well renowned for doing some ahsolutely
shocking and crazy things on stage.
Th e band was originally rocking back in
the eighties with all lhe other metal bands, but

Mondo Melodica
Listening [0 Zen and Th~
Art of Chilling, an Electronica
pudding of 16 artists on 16
tracks, is like pulling a wet rag
down your backbone inside
your skin. "Jewish beat scientists and Turkish fusion
freesrylers sit alongside velvet
tonsils," the cover caption
drools. Overall, the album is
perfect to wakc up to, because
each song opens in a yawnrefreshing, moist and intoxicating. And pretty. Maybe
instead it is a good album
to get drunk with. Katie '
Open heimer, an M.D. at
KAOS radio, said you could
fall asleep to Zen and th~ Art
of Chilling-in a good way,
with your dreams navigated
byir.

Today, [ still ask myself, "Was I awake for
this movie or was it all a dream?"
Try to imagine a world where you sit
in a darkened theater berween a woman
breast-feeding a baby and a wheelchairbound man who has the unfortunate nervous
habit of constantly adjusting the angle of
his mechanized-wheeled legs. The Capital
Theater was the venue for Mulholland Drive.
David Lynch, Missoula, Montana narive,
furrhers his unique film aesthetic in a stunningly surreal ftlm that plays with the dualiry

of reality and the dream state without resorting to endless monologues
pointing out the interplay between
waking and non-waking life.
With every up and down
click of the electric adjustment to
rhe man's wheelchair, Mulholland
Drivls celluloid awkwardness draws
closer to a dramatic turnaround
that pulls the viewer into a world
of duality and a discordant sense
of reality.
Like every Lynch film , with the
noted exception of Th~ Straight
Story, there is a strong interplay
between conscious life and dream
life. David Lynch takes the viewer
into the realm of the subconscious
where reality is blurred with the
surreal. MIlLholland Drive seamlessly blends
the modern myth of Tinseltown's iconic
stature at the top of the perfect world with the
corruption, murder and intrigue that plague
the modern world .
What seems to be the father of the suckling
baby keeps pacing up and down the far left
row, and I can't seem to keep away the image
that I may be watching this film in Twin
Peaks. If only the log lady was here to watch
it with me! Within the tapestry of Mulholland

Drive several keys are presented, ways to
unlock passageways between Lynch's critique
on modern Hollywood and the dream factory
offolklore. The key to unlocking the secrets of
this film, however, may lie at the midpoint of
the film. Shortly after "Rita" opens a Pandora's
box to the harsh real world, we see Diane
Selwyn falling face first into a pillow, letting
the viewer work out the interplay between
the dream world (prior to this poin r) and the
real world that follows.
Within the world of Tinseltown you see
Diane's dream life, a world where her life
turned out just the way Hollywood dreams
can. Naming herself Betty, she steps off a
plane full of high hopes of success in a city
where dreams come true. [n the dream world,
everything comes easily wirhout consequence:
a beauriful apartment, a big Hollywood break,
an exotic love interest, and of course, a life
only Film Noir can provide.
Like every good Hollywood noir fable,
beneath the surface lurks an underbelly of
dirty dealings, corruption and murder. Betty's
(Diane's) love interest, the famous actress
Chamilla Rhodes, escap" execution rhrough
the luck of a horrific car crash. Now an
amnesiac, the helpless Rhodes wanders ro
the "can't do no wrong" Betty, who has the
propensity to nor only acr but also to look

the cooper pOint jou"rnal

like Nancy Drew. Through a series of cheap
detecrive tricks and luck outs, the two fall
onto the key to their mystery while skirting
the pitfalls of the murder and corruption that
seem to follow them.
By opening Pandora's box, we are let into
Diane's nightmare, an act that stopped the
man adjusting his wheelchair, stopped the
lady breast feeding her child, and made the
entire Capital Theater audience gasp. [t is the
realiry of Diane's life in Hollywood. where she
lives in a shabby apartment with unfriendly
neighbors. Her big break never comes, and
she can only get work in movies Chamilla
can get for her. [n rhis world, the woman
she loves, Chamilla Rhodes, is marrying rhe
director, sending Diane on a road to insanity.
Her jealous rage compels Diane to pay a hit
man to murder Cham ilia Rhodes.
Lynch seems ro have finally mastered
the dualisti c nature of reality and dreams he
only h inted at in Lost Highway, just as I have
finally mastered not dwelling on the Twill
PMks nature of rhe way I have viewed thi s
film . Lynch has made a career out of bizarre
trademarks-fire and flames, red curtains,
that strange-looking dwarf-and the Capital
Theater has made a career out of the phrase,
"only at the Olympia Film Society.... " Afrer
twO decades in the business, M"UJollalld Dr;'Jr
serves as a piece that only adds to the meanlllg
of one of the newest words in the popular
lexicon , "Lynchian. "

march 14, 2002

arts & entertainmentertainment

8

Speaking the

Unspeakable

Benjamin Speed has worked on numerous plays and
films at Evergreen, but he says they have allIed up to this
one - his senior thesis - a deeply personal account ofhis
mother and her horrifYing past

reV1ews
The Microphones

Zen and the Art of
Chilling Volume 1

The Glow. PI. 2 - K Records

fry Chns MullAly
An Evergreen student wa lked through hell
to write, direct, and produce .1 play called
"W.,lking Wounded," which open; in Evergreen's
Experimental Thedter today.
Benjamin Speed started hi s se nior thesis
project last summer attempting to understand
how his :nother's horri~' in g past affects her, and
inevitably him, today.
For the last ten years Speed·.< morher has
been hospitalized for her mental illness, which
Speed perceives as la rgely born olher paSl , where
she was abused and had to abon a child after
her father raped her.
"A lot of my inspiration as an artist comes
from so me sort of want or need for revenge for
[what has happened toJ my mother," he says.
"Artists function out of fear or anger, but I
fu nction as an artist for redemption."
Speed is trying to kill a lot of demons,
including the ones embedded in him sel f. I'm
doing it to "confront my own potential a.< a male
abuser," he says, "as a potentia l vessel for [my
family's1 rage." He says his family has harbored
cycles of ab use and sil ence for many generations.
He is the first to break the link.
Speed says ir has been terrifYing con fronting
his mother's li fe in such an open way. But he
says he needs to break "th e legacy of silence" that
has plag ued his family and American cu lrure
about issues of abuse.
Speed says the play is for three different kinds
of people at Evergreen: rhe ones who have been
abused, the oneS who have abused others, and
finally, the ones who think the problem of abuse
does not exist.
T he play is his mother's story, a collection of
her memories rhat she an d Speed talked abo ut
last summer.
T h ree actresses carry out all the dialogue.
T hey represent rhree moods- Sorrow, Madness
and Joy-that Speed says are the boiled-down
essences of h is mother's mental illness. Where
her mind swings.
The three actresses spi t poetry, howl with
word clumps, tel l stories and fling their bodies
against music you will easi ly find crammed in
your ears the next morning. Bur what rhe audience sees is merely the skin -layer of sophist icated



themes swimming beneath the ac tresses' lines.
The actresses of "Wa lki ng Wounded" have been
training in Buwh dan cing, Viewpoints, latera l
thinking, tableus (human st ruct u res), Suz uki
method , and free-write journal ing to learn to react
to the fec i of the moment.
" I don't expect [the actressesJ to encapsula te
my mother," Speed notes. " I can only ask them to
draw on their ow n experience and how they relate
ro the issues. I simp ly have to let go ."
Speed says the who le process has bee n co llaborative. He says has tried to build up trust w ith
the actresses so they could clue him in on whar
it is like to be a woman , so he ca n better convey
his mother's Story.
Because the project has been a co ll abora tive
effort, some of the lines he placed in the play were
rejected by some of the actresses . He says they
were concerned abo ut how th e aud ience would be
affected by the graphic language .
When he's on the set or in production meetings,
Speed is calm and lets his cas tmates say what they
need to say.
Although Speed created the origi nal vision of
the play, the actresses, musicians and designers
all reacted differently to his vis ion. M usician
Nathan Levine says in making the music for the
So rrow character he started exp lori ng minor keys,
tweaking the scale in to blue n otes. Something that
doesn't have much resolution an d that is slow. He
also tried not to reference the script too much. He
just we m with the themes in its shell.
Anastasia Eden, the movemem director, said
the emotionall y swelling script charged her up to
generate rich material.
"A lot of this is about memory and a lot of
photo by Chris Mullaly
memories are stored in the body. Id eally I would
Erin Madden unlocks 11 box ofmemories.
like to affect the audience physica ll y," she says.
At a rehearsal a cou ple days before the show,
Ede n leads the actresses around the stage wildly. He is very clear about t he source of his inspiration.
She pounces up and down , flin gs her arms out
"After ten years in hospitals, alienated and disowned from her fa mily, completely
like she's fl ying as she runs, and swings her torso alone," Speed says, " My mother's the strongest, bravest, toughest woman I know."
towards the floor. T hey all copy her. The actresses
are warming up.
T he sound of the ocean is pumping through the
Walking Wounded runs from March
speake rs on the ceiling. Th e m usicians are sharing
notes behind a black veil the texture of pantyhose.
16 to 18 at II
in Evergreen's
Speed walks back and forr h as he watches off stage.
Experimental Theater.

..

p.m.

Listening to this album is like throwing
all elephant down your ea ts. Olympia hero
Phil Elvrum is th e sing le player in the
Mictophones, and Ihi s is his third release.
l Ie uses analog recordi ng, piano, acoustic
guitar, horns, steel drum s and w iry vocals
to crea te nosta lgic harmonies and buttery
and creat ive pop songs. The fi rst songs are
tentative, but when you enter the Sava nna h
of song number II, the album buries itself in
yo u- like "Avalanche" on L. Cohen's Songs
oj'Love I1l1d Hille album. From song 11 t he
tunes are sheerly beautiful. Foll ow the lyrics
from song 16 : "The heat from the closeness
of me ti lting toward the sun was start in g up
to ignite the night and light up t he co ldness of
the cave." "The billowy flam es lit up my face,
the thinning smoke hu ng i n the branches
waiti ng fat the wi nd ." Someone fro m K
Records says Elvru m is recotding anothe t
album ri ght now, but fo r this moment The
Glow Pt. 2 is a gteat anima l to stick in the
zoo of your CD collection.

Mondo Melodiea
Listening to Zm and The
Art ofChillillg, an Electronica
pudding of 16 arrists on 16
tracks, is like pulling a wet rag
down you r backbone inside
your skin. "Jew ish beat sc ient ists and Turkish fusion
freestyle rs sit alongside velvet
tonsi ls," the cover ca ption
drools. Overall , the album is
perfect to wake up to, because
each song opens in a yawnrefreshing, moist and intoxicat ing. And pre tty. Maybe
instead it is a good album
to ge~ drunk with. Katie
Openheimer, an M .D. at
KAOS radio, sa id you could
fall asleep to Zen alld the Art
of Chilling- in a good way,
with your dreams navigated
by it.

photo by Kevan Moore
SIMttr-~irll1ey.. who gOllheir stl1rl in Olympia and h", at Evergreen before being called ''the bm band in
America by Time Milgazlne, played 13 n(w songs al the Capital Theater last Sunday. Co rin Tricker, right,
belts it Ollt as Ca rri, Brownstein jams. Band members say they're sel to record a lIew album ill Seattle in a
ftw weeks which will come out on Kill Rock Star Ruorri.L

Edith Frost
Wonder Wonder Drag City (exclusive)
Edith Frost sound s li ke Patti Smith on
Valium over the sounds of her latest album.
Or think of Elliot Smith catch ing up with
Alison Krauss or the noise of all th ree imitating each other. Frost makes you wam to
hang with her by throwing your voice out
too, letting it whimper on any wind and
letting it scream. Letting it drown itself and
so ften, letting it straighten out as if were
pressed beneath a huge metal iron, the color
of O lympia in mid-February. Frost makes
us forger there is str ucrure in music, while
REM rem inds us there is. All Frost's songs
are fluid and full. We a re pulled by her
down a river of bassoons, organ notes and
spank ing drums. The album drives from
country to psychedelic rock to lounge, blues
and bluegrass , with lots of ups and downs. It
is worth you r money.

A Visit

The Black Heart Procession

Pete Yorn 2001

Musicforthemornlngafter - Columbia Records
The incredible American pop machine has spir out an artist that sounds like Toad the
Wet Sprocket with a little more booze in him. Pete Yarn's album land contains country bass
riffs, distortion, steady beats (yes - the ones you can da nce to) and wandering syncopated
guitar. If you get on the bus and ride through the town of this album, there are interesting
vocal melodies that hang like leaves on the trees. But unfortunately, rhe trees are dead .
The songs barely have life. Pete has found one riff on the first song and he exhausts us
with variations of it. Boring.
.
Pete Yorn is not as good as everyone says his album is. In the last week I have read some
album ratings in both the Stranger and the Tablet, and there Yarn is bringing home some
high medals at the fair. Are these ratings accurate?
His brooding voice kisses just one mood: sort of despairing, sort of comforting (for people
who are softened by the sound of throat polyps and cigarette-tattooed Dylanesque growl). It
does not kiss our neck. It does not make us shiver or laugh.
There are moments where there are no clouds and the only sound is a jabbering acoustic
guitar and voice. These moments are great, because when Yarn comes back in with his bass
and militia the songs are moving. It is this difference - the sparseness hitting the heaviness,
which is exhilarating throughout the album. Sometimes he sounds like Beck, which may be
nice for some of you. For the rest, do not buy this albu m.

i2y Chris Paulette

Music with a Twist of Carnage

An Evergreen student gets splashed with blood and has his ears filled with a bigfist of metal at a sold out music show in Seattle

On Tuesday, February 12, I had the opportunity to go see a sold -out show ofGWAR at the
Showbox Theater in Seattle. Le t me tell yo u, this
show was highly anticipated because GWAR
is well renowned for doing some abso lut ely
shocking and crazy things on stage.
The ban d was origina ll y rocking back in
the eighl ies with all the other metal bands , but
------------------,

DaWg ~ Cole
Ph. 357-6229
Open Wed - Fri 7:am - 3:pm
Serving breakfast & lunch

Open Sat & Sun 8:am - 2ish
Serving breakfast only

they have a special quali ty aboul them unlike
the ot her bands: they arc monsters. They love
carnage and like to caver their audiences in
as much blood as possible. Hence, they have
gained popularity for their stage an li cs and
their costumes.

The night starred off with me wail ing in a
horribly long lin e wilh all the other GWAR
fa ns. We all waited in the cold for nearly ha lf
an hour and were finall y let in.
Inside, Ih e Ihea ler had a nli xed crowd,
ranging from the punks to the hard core metal
guys and gals. The crowd was also a va riety
of generations.
The audience packed the (J oor to the maximum level. T hi s left me being pushed left, right,
up , down , forward and backward and every
which way. I don't think I was stand ing on my
feet during that time of "the crowd push." But
J have experienced the push before so I was
prepared to take so me pushing to attain a good
.
up-close view of the band.
T hen GWAR's stage crew starred sening
up their stage props and "scene ry." Fina lly th e

Closed every Monday

moment came. The aud ience went nuts a nd lhe

Located on 5th av across

original monsters of metal appeared belore our

from The Capitol Theatre

very eyes. They started ofT their set with a song
tha t go t the erowd hyped. T hen they bro ught
out a Mike Tyson puppet co mple te wit h an
imperso nating voice.
Tyson spoke a little about his recent "bloody"
fights a nd then was suddenly overcome by
gu itarist Ode rll s Uru ngas, who rook his blade
of death and decapitated Tyson.
Bluod shot everywhere and the crowd roa red
and endured all rhe blood sprayin g out of his
/lOW headless body.
No netheless, GWAR kept going. They played
on in fu ll force and decided til bring so me other
characters of int erest onto the stage: puppets of
George Bush and Osama bit] Laden.
Bush just gave a short speech about stuff and
left, while bin Laden was nonetheless decap itated
and disemboweled in front of a cheering crowd.
Ona aga in blood we nt everywhere . Quite
amusing, yet very, very bloody.
Beefcake the Mighty, Gwar's bassist, decided
ro bring OUt his gi rlfriend Bloody Mary. This
blow-up-doll-esque puppet was bleeding all
over the place . Jizmuk da Gus ha, who plays
drums for GWAR, was playing very well with
the stage acts but rema in ed behind the drums.

He played great with the band and eve n shot
blood from the drum kit. More and more blood
followed.
The show went by so quickly it was just too
entertaining to even follow. Towards the end
of the show the band brought up the pope.
I'm sure you all ca n guess by now what they
might have done to him . Oderus spoke of
the problems with organized religion and the
church, and in doing this presented a solution
to them-he beheaded the pope.
More blood and gore followed. By this time,
eve rything was a bloody mess, and the show
continued with three more songs.
The show ended after GWAR p layed an
encore and the crowd was pleased. I walked
out of that show covered in red, gasping about
monsters, and feeling great about being terrorized by one of the most gruesome stage
shows I have ever witnessed. I must say that
if you are not easily offended or grossed o ut
by blood and gore for novelty's sake, this band
will rock you.
Ifyou want to know more about GWAR
and its members and history, visit tlu site
www.gwar.net.

the cooper point journal

Have you heard of these guys yet ? Formed
in 1997 out of San Diego with two members
of Three Mile Pilot. This is their third album
- about a year old. In the first song the bass
and guitar wrap their arms around each
other and make out in the speaker. There is
some definite spider-web feel to them. The
rest of the album follows. Sad songs with
a Spain/Grandaddy/Radiohead/Tom Waits
feel. The fourth song's the best (10 songs
total), but they are all good. Mostly spacious
and immersed with piano notes. You'll get
your money's worth if you are looking for
impassioned chords and rich or pained lyrics.
This is GREAT driving music. Their other
two albums are just as realized, #2 the most
highly acclaimed.
.

t'Mulholland Drive

<

Gwar: Metal

Three - Touch and Go Records

Today, I sti ll ask myself, "Was I awake fo r
this movie or was it all a dream? "
Try to imagine a world wh ere you s it
in a darkened theater between a woman
breast-feeding a baby and a wheelchairbound man who has the unfortunate nervous
habit of constantly adjusting the an gle of
hi s mechanized-wheeled legs . The Ca pital
Theater was the venue for Mulhoffand Drive.
David Lynch , Missoula, Montana native,
furthers his unique film aesthetic in a stunningly surreal film [hat plays with the duality

of reality and the dream state withOUt resorting to endless monologues
pointing out the interplay between
waking and non-waking life.
W ith every up and down
click of the electric adjustment to
the man's wheelcha ir, Mulholland
Drive's celluloid awkwardness draws
closer to a dramatic turnaround
that pulls the viewer into a world
of dualiry and a discordant sense
of reality.
Like every Lynch film, with the
noted exception of The Straight
Story, there is a strong interplay
between conscious life and dream
life. David Lynch takes the viewer
into the realm of the subconscious
where realiry is blurred with [he
surreal . Mulholland Drive seamlessly blends
the modern myth of Tinseltown's iconic
stature at the tOP of the perfect world with the
corruption, murder and intrigue that plague
the modern world.
What seems to be the father of the suckling
baby keeps pacing up and down the far left
row, and I can't seem to keep away the image
that I may be watching this film in Twin
Peaks. If only the log lady wils here to watch
it with me! Within the tapestry of Mulholland

Drive seveta l keys a re presented, ways to
unlock passageways between Lynch's critique
on modern H o llywood and the dteam factory
offolklore. The key to unlocking the secrets of
this film , however, may lie at the midpoint of
the film. Shortly after "Rita" ope ns a Pandora's
box to th e harsh real world, we see Diane
Selwyn fallin g face first into a pillow, letting
the viewer work o ur th e interplay between
the dream world (p ri or to this point) and the
real world that follows.
Within the world of Ti nsel town you see
Di an e's dream life, a world where her life
turned o ut just the way Hollywood dreams
can. Naming he rself Betty, she steps off a
plane full of high hopes of success in a ciry
where dreams come true. In th e dream world,
everything comes easily without co nsequen ce:
a beauti ful apartment, a big Hollywood brea k,
an exotic love interest, and of course, a life
only Film Nair can provide.
Like every good Hollywood nair fabl e,
beneath the surface lurks an underbelly of
dirty dealings, corruption and murder. Betry's
(Diane's) love imeresr, the famous actress
Chamilla Rhodes, esca pes execution through
the luck of a horrific car c ras h. Now an
amnesiac, rhe helpless Rhodes wanders to
the "ca n't do no wrong" Betty, who has the
propensiry to not o nly act but also to look

the cooper point journal
I

like Nancy Drew. Through a series of cheap
detective tricks and luck outs, the two fall
onto the key to their mystery while skirting
the pitfalls of the murder and corruption that
see m to follow them.
By opening Pandora's box, we are let into
Diane's nightmare, an act that stopped the
man adjusting his wheelchair, stopped the
lady breast feeding her child , and made the
entire Capital Theater audience gasp. Ir is the
reality of Diane's life in Hollywood, where she
lives in a shabby apartment with unfriendly
neighbors. Her big break never comes, and
she can only get work in movies C hamilla
can get for her. In thi s world, the woman
she loves, C ham ili a Rhodes, is marrying the
director, 'sending Diane on a road to insa ni ry.
Her jealous rage compels Diane to pay a hit
man to murder C hamilla Rhodes.
Lyn ch seems to have finally mastered
the dualistic nature of reali ry and dream s he
only hinted at in Lost Highway. just as I have
finally mastered not dwelling on the Twin
Peaks nature of the way I have viewed thi s
film. Lynch has made a career out of bizarre
trademarks-fire and flam es, red currains,
that strange-looking dwarf-and th e Capital
Theater has made a career out of the phrase ,
"only at the Olympia Film Society.... " After
two decades in the business, Mulholland Drive
serves as a piece that only adds to the meaning
of one of the newest words in the popular
lexicon, "Lynch ian . "

march 14, 2002

sports

10
Oly has Plenty of Bike Trails
if You Take the Time To Look

SPORTS SEASON

bY Mark Be/d Bea ttie

by Bffifirpattm:sD.

D

Two Teams Make jt to National Championships

o you want ro sail down th" trail s this spri ng break ? Do you dream of single-track
switchbacks and endless m iles of sun -drenched vistas' If you wal1l su n , get the hell OUt
of Was hingron. But there arc rons of trails if you don't mind the m uo, ,ome big 01" evergreens,
cruy-ass logging roads and clear cuts; yo u're halfWay ou t the door. Even around O lympia there's lots
[0 ride, b ut first let's have a b rief discussion about co nsp icuo us consu mprion.
You don't need a new bike to gu ofT-road. Whatever you have w ill work fine . In fact, it·11 be
eve n more impressive if you ride ofT-road on a si ngle-speed beach -c ruiser wit h a coaster brake
or ride that '70s Gitane road raci ng bike-yo u're su re to get ,o me looks. You see, I've bought
my sha re of new bicycle parts. I-leek, I even pu rchased a new bicycle rece nrl y. Boy, w"' t h:1f a
m istake. I bough t a fa ncy new mountain bike that sirs in my bedroom like a cripp led grandmo lh er.
I had bo ught in to t he idea of mountain biking, not in to the act , and that 's ('xac tl y why I'm
trving to warn yo u. Go ride, don't buy.
The re are tons of trails in a nd around Olympia. O bvio usly if YO II've ever been 10 the Evergreen
woods beach trail you know that one. Another is w irh in a co uple mil es of camp us. rhe rock q uarry,
which has a n assortment of steep rocky fire- roads and so m e trai ls. Off o f Delphi about two m il es,
you· 1I see a q uarry sign. Or you can fo llow Kaise r Rd. to irs " nd ·t il you getlO the power li nes. The
power lines mark the beginning of a steep ascent towards the rock ql!arry.
The Capital Forest has several hu nd red miles of trails, man y of w hi ch are mult i-use, fclt e ither
horses and hikers. or d irt bikes and ATVs. Agai n , if you fo ll ow Delphi p"' t Black Lake Blve/.,
rum right on Waddle C reek Rd. If yo u stay straight o n Waddl e Creek you 'll sta rt ,ee ill ); llI a ny
motorcycle trails. T here's a decent long trai l on you r right-han d sidl· ar the moto rbike tunnel rh .1t
goes under the road. The Marga rer McKi n ney campground has so me reall y nice rrail s Iha t .lre
probably pretty wet this rime of year, bu t it is Was hi ngto n . To gl'[ to rhe c.t m pground yo u'II need
to turn left before Waddle Creek dead-e nds. There are a coup le of cam pgrounds, but Marga ret
McKi nney has seve ral different 8-m il e loops. One last trai l to check o ur is the Rock Ca nd y
Mo untain Trail that starts our about 12 miles outside of O lympia, west on Rr. 8/12. When you
see a 76 gas station, keep d ri ving for abour two miles. Keep yo ur eyes o pen on yo ur left fOr .1
gravel road and a sign that says Rock Ca ndy Trai l. The re are all sorts o f trai ls; rhe furrhe r you
go up the mounta in , the more there a re.
T here are books o n mountain bik ing in Washi ngto n , so go to yo u r local library and check
one out for free . Remember, resist the remptation to b uy new stuff. Bring warer. some rool.,
an d kn owledge of how to fix minor bicycle problems- or risk walkin g. Before you do anyr hi ng
potentially dangerous, it 's good to have a he lm et th ar firs yo u r he.1d s nugl y and prop ('r1y.
Gloves are nice too.

10 Rep

real izing rhat we we re on ,I winning
(Coug h )
a he m . Th e q u art ers streak ." Eve rgree n d id so well rhar
whi p on by, don't they' Sure do. I !ere th ey wcre ·' in vi ted down ro the state
at rh e C PJ , li fe's no d ifferent. Za p'
Legislat ure. into bo th t he Democratic
Anot her week go ne . You bet. In th e "nd Repub l ican caucuses fo r th e ir
fa't move of rhese days , thing' ca n achievemenr s . . . We Jctu,r1 lv gO t ,I
get missed. And this qu,lrter, in th e stand ing ov.ttion in the Repub lican
area neW, hub , , hy one - . - - - . - .--.--- CIUCU' . .. th.lt"; no tabl e.··
editor, rhings did ge t
TESC Builds
'io to .111 the arhlcte> .Ind
mi"ed , llam ely, spom
Reputation ...
coachc·, whn gnnded likc· mad
... Jndshucks,it·shecn Republicans Clap thi , wintl"t lor thei r 'pam.
•111 exciri ng ti me tor
for Evergreen. ..
moved 10 hard ,'g,linlt ,h ro ther
____________ g UV I ..Ino rapped 'em good:
IpOtts . I apologize.
llere·s the short of
Hoo-wh ' Shoot . l'c·opk. \ ou·ve
it. The end-of-t he-q uarrer pmr-,e,lSon don e an o utst andin g ioh. 111:lo e " tin e
cHorr, and ir h", , hown. (l{e p"hlic.llHr;
achieveme nts in a nutshel l:
\'(Iomen ·s loccl' r made it into the
... clapping for Everg reen ... ,,"ho·d cll
fir-r ro un d of ,he post-Ieason Cascade [h unk) . As t(lf the la ck 01 f'rc·". again,
Co llegi:l tc Conference and pl 'lced
l ·m lor ry. Rest C:lII· rhough , ( h:1Illl'"
fourth.
w nwbody·s work in g on It. Yuu hel.
In <wimm in g, a fl er nine weeks And , in thc· nle:lntime , kee l' nn .
of co mp et ition , six eeoduck men
011 ")Ilt flOI<':
:l nd women sawed the ir w:ty to
A wclconw hO lil e cele brat ion tClr
th e nat io nal cha mpionsh ip, mee t in Ceoduck> l11en\ b:rlke ,h :r ll w ill hc·
Ca nada . Pb ci ng: women t:lke ni nth,
held thi s Fri cby, M:lrch 15, at Carflcld
l11en take tenth.
Elementary on the we>r s idc·. Th il
Me n's haskerball made It to rhc
tow n·s m:ryor, Sr,ln Bik" will read :1
seco nd ro und of nJti onal cha mpion - procbmatinn . Our bO)'1 h"ve e.trncd ir
Ihips held in Bral15on. Misso u ri, beatin g a nd will ger it. Dal11n ,k ipp)".
Ollawa Univers it y of Kama, in the
Again, C;coduck .I h:"kcrhall , thi,
first and losing in [he second 10 Hol v time WO lll ens .lIld l11en ·" will he hon Fa l11il y from Philadelph ia.
ored hy tht· CltV cOllnci l. Tim e :r nd
Eve rgreen ar hl e ti cs have b u ilt .1 p"'ce: 7 p. Ill ., itle,d:II·. M:lrdl I') .11
re plI[al ion rh i ~ yea r, say.\ Janerre P;l rell r.
CltV h: "1 on Plu lll St. The ho no,.ar illm
."SI-'fa n t dir"ctur for athle t ics, ·'but w iil be hroadcast live hy TCTV on
partic ul :rrly thi s qu arte r w ith peop le chan nel .3.

01 ~erlreen~

Become part of the decision-making process.

Apply now for the position of ...

Student Representative to the Board of Trustees
Evergreen students now have an
opportunity to be an integral part of the
decision-making that affects them. The
Board of Trustees is the official
governing body of TESC. The student
representative serves a one-year term
and is responsible for representing the
views and concerns of Evergreen
students.
Pick up an application at the Student Activities Office front desk, CAB 320.

Deadline for applications is March 22, 2002.
In the event that there are more than five applicants, there will be a runoff ejection on April 10th & 11th. The five
students who receive the most votes will have their names submitted to Governor Gary Locke for review. The
Governor is responsible for making the final appointment.

march 14, 2002

the cooper point journal

sports

11

The Returning Starter:

Mike Parker Will Dazzle Fans Again Next Season
by /(e.van.JJ/1oore

It:,

--= ~

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glil/if /l lflnll - HpJ,

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d'l' b.dl (III d,,·IJtlr U,r}{,rrl{iJr "dd) vt/)/T IIlIliI
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plrl)'as Irol rlfill'lI

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rlllnll.~ grlliln.

T/,t Id~1 IIIJ/(' /I /;dl'pc'I/t'r/ !i'd.l ffgtlilJJI
,\'ordlll'c \1. (,'1(:«, IU/IJ/lOn go t li('(/ If/, lIntlcrlI/',II/'

,he' IJt/d.:, I . .l'01111'/'OIl

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v('''"ul

h:r". ,,"rl 1,lIfllr I'erl tI" Irilll I",rr! oji" tlr, ·
IJdc·I..'/JOrlrr/ ill (/ (''''; oj'/;)rciug Ii IJrlrl.\hnl .
PI! rktl' (tlnlt' (111/
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filii,

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(~r n OW/II'fI ', gOI
" I't/J(}IIJlrI"

,d)OI'l' tiN'

IIlIr/ SldUlJn,'rI

" !IIJI"C.
~1ike

1',lrkel sqllinl' inlO the d i ,ta ll c~,
hi, Inwn lip . 1 lill ie, looks down .ItlLl
'. IY' he 1111151 h,lve been 16 the first rim e
he du n ked a b,lsketh,III. H e looks down
heca use h~·s 6'6 ". but ar the t im e of that
first dun k he W,l> 0111 )' 5' 10".
h i l~I

M ike Parker, who made the all newco mer co"I"crc ll ce team, and Will McGill
provided (" Ill ot ion,t! boosts for ,he squ ad
wiI h pretty p .."es, big blocks, and da n l ing
dU llk s.
Then riwrc was support from th e
b,: nch.
jackie Rohin so n, one of rhe tea m's six
'l" ninrs, h:I.< take n over 7 0 c harges in his
[Wf)

),ears 011 t ht: tcall)'

·· Th.tt·s iu S[ .IS big :t.I a hi gh-flvin g dun k
IH hig, rhrcl':' !\:.t\''\ :1 S~ i S lanr cO:1ch Be n[oll .
o"evin jones: a junior from Salt Lake
t ~ i t)'. Util h , W:lS pure hu stle a ll sea,on
long, oiving for loose balls. get ting low on
defense, a nd adding points when he got
open looks ar the baske t.
Allen T homa, had tried out rwo times
previou sly a nd fina ll y gor his chance at nne
of the bes t times he cou ld have to help the
tea m win . The c rowd Was always happy to

"It IV," kind,1 Iare I gue".·'
Latcr. d u ring hi , iu n io r lUI11ll1er of
h igh ,c hool. he grew six in che, .
·· 1 ju st kep t p!'l ying , 0 I c1idn·t gct
goof"," he ',IY' of til(' 'Ub,l.IIHi.11 .In o I.ll l·
hittillg growt h sp urt .
The f.lIl i:tloritc i, .In"thing hut gOl,fl'.
Il e\ good .In d he knm;'s it. ' 11.1\ i'; g (;()
block< lin ,he W.I\on .In t! .IVl"f,lgillg 1 ~ . 2
point"!

.1

b,lInc,:

(Jl"~I[l'''!

,lI11ont:.l'\'cryo ll l' ill

rill'

,Ill

RVIll

t1lldl"~·!'o l~;l1djllg.
pl.l\·LT \, t~ 1I 1\,

(o.lc hc· '. rl·!"'
th.!t ""'Id",d,,\ ,pec i.t! .
l'.1I"ker doe,lI·t u, u.llly IV.llk nfT Ih e coun .
li e eit her iogl wirh i'is shoulders d ip pin g
a li ttle IOlVer or bou ncing a liltl e hig her
than n~Cl"".lt)', o r he iust pb in strut s wirh
hi s he.tdb,l nd .Intl kn ee-high socks. The
Lin , eat ir u p.
H e cek b r.ll es afrer a b,lck door cut i,
rew,trded wi th an ·'a ll er-oo p·· in w hi c h he
getl [0 ,n,lp rhe rim or h'lIlg on it for a whil e.
H e drop, th e ball ofT for omen ne rrailing

see h un make rhe most of his minutes and
move the ball. And freshman Dennis Flynn
gOt ro surround him self wirh talent and ge t
bucke ls or d~fensive stops when rhey were
needed : 1( the very start of his ca reer.
Co nferen ce coa c h of the year John
B:rrbee " I)"S he'll miss this ream .
" It 's gon na be a hard team to repl ace, "
he told rh e coll ege's board of trusrees this
week hefore bein g honored wirh a special
resolution. '·It's nor necessa rily that you
wa ll r to replace them, though, beca use
th ere's '0 many memorable momenrs and
relationsh ips that rhese guys have devel oped
with One another, with rhe coaching srafT,
and w irh the ca mpus and th e commu nity
at large . It has just been unbeli eva bl e."
Hi s ass istant Bill Benton ec hoed rhis
sa me se ntiment just before the meeting.
"You couldn't ask for eleven better guys,"
he sa id .

h im on a break

,1I1d Ihouts "hi!"
thar. .,

III
rhe
NorthlVest
g,II1l~. w hell the
b.lIld
gOI
a
tl'c hlli<·:r1 fO il I
fo r b.lIlging .In d
blowing during
pl.,\".
I',rrker
L'ncour.lged

Ih em to kee p
goillg from rhe
hen ch, where
he . .It on three
blockl.
ten
rcbo ll ncb, a nd
live assi'\ts with
hi s hea dband
Hound
his
nec k. The band
did iust tha t and go t ejec ted from the gym
while Parker gave th em a standing ovation.
The Gcoou cks won rh e game 7_4-50 less
than 4 0 seconds later.
Coac h john Ba rbee says his only re turn-

ing starter for next seaso n ca n " iump out
of rh e gy m, " may e nd up being the best
pl aye r to co me through Evergreen to d ate,
and w ill likely have an all-American seaso n
next year.

Team Evergreen Veterans and Rookies
Ranked Tops in Northwest Region
tiY' Kev/Q Barrett
The 2001 final regional ratings for the [nrernational Martial Arts Council (IMAC)
are in, and Team Evergreen Kung Fu veterans and rookies are ranked in the top spots
in their respective divisions.
Owen O'Keefe, captain of the; Bak Shaolin Eagle Claw Kung Fu team, is ranked 2nd
in the Northwest in the blackbelt point sparring division. Evergreen alumnus Jessie Smith
is curren dy ranked number one in blackbelt traditional forms, open forms, and women's
point sparri ng. Smirh's ran kings are not surprising after her stellar performances in recenr
competitions. Sam Haskin, Evergreen alumus and founding member of Evergreen Kung
Fu , is ranked 4th in blackbelt traditional forms and 3rd in open forms .
Jessie Harrer and Shasta Smith, two Evergreen 2001 graduates, received high blackbelt
ran kings also, despite only competing for half the year. Harrer, last year's captain, is ranked
3rd in blackbelt traditional forms, 3rd in open forms, and 2nd in traditional weapons
forms. Shasta Smith is tied for 3rd place with Harrer and Haskin in the blackbelt open
forms division and 2nd in continuous sparring. These high rankings for last year's senior
blackbelrs, who have not competed regionally since June, shows that the impact of
Team Eve rgreen's 2000 run [0 the National B1ackbelt League's (NBL) Super Grands
World C hampionship is sti ll being felt in the Northwest. That year, after competing ar
tournaments up and down the west coast, six Tea m Evergreen representarives ventured
to Savannah, Georgia, to compete against world champions. Every member of the Team
Evergreen squad ca me back to Olympia with a top ten fini sh in at least one division,
some of them just barely missin g first place.
In the interm ediate divisions ir Was more of the same. Kevin Barrett is ranked 4 th in
interm ediate point sparring and .3 rd in co ntinuous sparring. Benjamin Green has a 2nd
place ranking in intermediate open fo rms and 4th place in co ntinuou s sparrin g.
The up and com in g junior team led by Robyn Hollnes, Mark Germano, and Andrew
Bresnik have alread y made their mark in the No rth west. In the beginner open forms
d ivision Bak Shaolin Eagle C law Kung Fu has swe pt the competition . Morgan Thornberry,
Rob Brewer, Robyn H olmes, and An imito Pollina are ra nked first through fourth,
respect ively. Thornberry is also ranked first in beginner traditional forms, followed by
H o lm es and Pollina in seco nd and th ird. In women's beginner point sparring Thornberry
is ranked seco nd wit h Holmes in a close third. In the men·s beginner point spar ring
divi sion freshm an Mark Germ ano is ra nked second, and Rob Brewer from Sak ShJo li n
Eagle Claw Purdue is ranked fo urth.
M ost of these co mpetito rs have less than o ne year of expe rience . Their hard wo rk and
dedication to training has earned t hem the hi gbest regional rankin gs and a reputation
a mong oppo nents as the nexr generatio n of Team Evergreen national co mp etitors.
T h ese hi gb regiona l ra nkings for team m ~mbers lead to in vitations ro world
champi o nship tournaments. ome competitors , such as Jess ie Sm ith and Owen O'Keef;;,
a re co ntinuin g to build off rh eir NBL wo rl d ch amp io nship appea ran ces and serring
rh eir sigh ts on~the IMAC Wo rl d Cham pion ship in June. Th e interm ediate and beginn er
co m petitors are showin g their tenaciry fo ll owing the example se t by last year·s squad ,Ind
rhi s yea r's ca ptains. If this trend in the regional rankings continues, then Team Evergrec'n
wi ll have a strong presence at the IMAC wo rld champ io nshi p to u rnament for rh e next fel\'
years as rhe beginne rs claw thei r way up rh e ranks of th e higher divisio ns.
The team·, next tou rnamenr is M arch 2.3 :1I1d 24 in Cent rali a, \Xfa, hington ,tt lh e'
IMAC sanct ioned Coca-Co la USA Na tion a ls. Spectato rs a re welcome. Come wat.:h
Team Evergreen Kung Fu fight their IVa), to anotber world championship tourtl.llnenr
appearance.
The Eve rgreen Kung Fu ream wo uld like to t hank G randmaster Fu Lecng ,md Sifu Dana
G . Daniels for their co untless no urs of instruction and dedication. [or more in fo rmation
about Tea m Evergreen Bak Shaolin Eagle Claw Kung Fu C lub and Compe tition, visir
www.bakshaolineaglcclaw.com or contact Owen O'Keefe at 357-9 137 .

rna reb 14, 2002

sure. it's Week 10
but you still have time to.









.
• •



Imagine:

you
CPJ editor 2002-03

march 16

march 14
1-+-- Senior Thesis Project: Walki"g WouPJded A story of one woman's survival of

1-+-- Olympia'. Saint Patrick'. Day Parade Bagpipes, drums, the 5th Army Band

abuse, abonion, pregnancy and motherhood , Its goal is [Q raise discussion among
individuals , families and communities, and [Q allow uS [Q bring about awareness and
support for women and mothers. An original multimedia piece written and compiled
by Benjamin Speed. It includes an original score by the AMS Ensemble led by Nathan
Levine. 8 p.m., no late seating. Experimental Theatre, Communications Building,
TESC. Admission: $5. Tickets available at TESC Books[Qre and at door. Also on
Friday & Saturday. Parking: $1.25 tonight and Friday; free on Saturday.

and Color Guard lead the parade. 11 a.m. down Capital Way from the Capitol to 4th
Ave., with Big Brothets Big Sisters donation locations at businesses along the route.
Afterwards there is a party and auction for Big Brothers & Big Sisters of Thurston
Counry at O'Blarney's Irish Pub. Call 943-0422 for details.
1-+-- /PJternationaL Capoeira APJgoiA Womet,'s Co,iferetlCl! Movement workshops,
music workshops, instrument making , movies, and panel discussions on women
in Capoeira Angola. Free! Everyone is welcome. Brought to you by The Evergreen
Capoeria Angola Community. Noon- 9 p.m. in TESC Library Lobby. For more info :
stillhornagain@hOlmai!.com or 705-2618.
1-+-- HarlequiPJ Production. PresePJts: The GiAss Me1lagerie 8 p.m . at the
State Theater on 4th Ave. in downtown Olympia. This dramatic show exp lores a
family's struggle for hope. Tickets are $18 to $22; age 25 & under $10 the day
of the show. Special group rates also apply. Call (360) 786-015 1 for all tickets
& information.
H - - BellytlAnce Perfonn(lllce: MAS-UDA Middle Eastern Darlt:ers With Brothers
of the Baladi providing music. Dance to great music and enjoy dance performances by
MAS-UDA dancers and special guest soloists Miria and Elisa Gamal (Miss Bellydance
USA 1999). 9:30 p.m. at 4'" Ave. Tavern, downtown Olymp ia. 210 4'" Ave. E.
For more info, call 459-3614.

6- Sexual
Abuse Presented by Valery KrulL It 's a free event roo. 7 p.m. at De Colo res: A

H - - Slide Show: The Delegatio" to South Africa OPJ Domestic Viole'lCe

Bookstore of Many C ultures. 507 S. Washington Street, Olympia, Washington
98501. Cal l 357-9400 for more info .
1-+-- MacHomer: The SimpsollS Do Macbeth The show thar has taken Nonh America
and the UK by slOrm-it sold out 10 performances in six days at the Kennedy Center
in January! This one-man spectacle, written and performed by Montreal's Rick Miller,
features Homer Simpso n as MacHo mer and Marge as Lady MacHomer. The scr ipr
(85% of which remains the words of Shakespeare) incorporates 60 voices (all rendered
by Miller) from TV's favorite dysfunctional fami ly, an excellent musica l score and
ove r 300 hand-painted slides in a performance of Shakespeare's bloodiest tragedy. The
London Sunday Mail call s MacHonur "a breakneck one-man lOur de force .. . Macbeth
has never been so funny!" 7:30 p.m. at the WashinglOn Center for the Performing Ans
in Olympia. Tickets are $5.25-$9.25 yourh, $8.50-$J 6.50 students, seniors & military,
$10.50-$ 18.5 0 adults. Call (360) 753-8586 for tickets and information.

sun

march 17

H - - - Whale watching If you would like lO attend the trip to Westport to see the

march 15
COllcerl: Robert Hoyl 6- the Ciliums Bmld Come see the wit and wonderful
sounds of Robert Hoyt . Local song-composers and political satirists Citizens Band
will also be performing. 8 p.m. at TESC Longhouse. This FREE show is being
co-spo nsored by the Evergreen Political Information Center (EPIC), KAOS 89.3 FM
md the Student Arts Council. Call 786-8059 for more information. You ca n hear clips
from Robert's latest album at his website, www.roberthoyt.com.
1-+-- The People's Pialli,l: Classical PiaPJisl WUrdimir Jan KochaTlski Wladimir
Kochanski is a classical pianist who has performed worldwide. H e has often been
referred to as the People's Pianist because of the bond he makes with his audience.
Sec him in concert at 7:30 p.m. at rhe Washington Center for t he Performing
Arts in Olympia. Tickcts are $7 .50, $9 and $14. Call (360) 753-8586 for tickets
& informarion.
BigSiJowCity Theatre, DaPJce 6- PerfonTlallCe Art Festival SlIb",issiollS All
suhmissions due today. The festival will take pbce May 9, 10 and 11 in downtown
Olympia. Everyone who has an interest in the performing arts is encouraged to.
submit an ellt r)'. Suhmission Guidelines and Entry Forms arc aVllibble 011 the 2nd
floor of lhe C AB and the 3rd floor of lh e COM building anJ can 31'0 be downloaded
from .b e BigShowCity wehsite: w"w.bigshowcitv.org. For Illore inform't io n, or if
)'ou have an)' questiun<, ca ll Elizabeth Lord at 754-7 114.

y--

gray whales as they migrate up the coast, sign up A.S.A.P. as space is limited. The
cost is $26 (includes transportation and boat). The trip is open to students, staff and
faculty ofTESC. We will leave at 8:45 a.m. and return around 3:30 p.m. or so. For
more information or to sign up, call 866-0513,
I-~-- Poetry Readi"glOpetl Mic at Rise'PJ'Shi,1e Bakery Good food, good
atmosphere. Every Sunday at 7 p.m.

man

'march 18

H - - SouPJds Like A Hip Fil",: Dow"town 81 Long before he became the darling
of New York's 1980s art scene, I 9-year-old graffiti artist Jean-M ichel Basquiat starred
in a film as a young artist wandering the hipster havens of the lower East side ,
encollntering arrisrs, musicians, and other assorted weirdos. The film was never
released, and most footage was lost until it was rediscovered nearly twenty years later
and finally finished as Downtown 8/. The result is a cinematic time capsule, with
a cast of notable scene- mak ers that captures the vibrant cross-pollination of NY's
llnd erground art, no-wave, and bllrgeoning hip hop scenes. The cast includes Eszter
Balint, Fab Five freddie, John Lurie, and Debbie Harry. There's alsu a soundtrack
with Kid Creole & the Co~Onllts, The Plastics and Tuxedomoon. 9· p.m. at the
Capi tol Theater, 206 E. 5''' Ave. , downtown Olympia. Cost: $3.50 members, $6
non-m embe rs. for more info , call (360) 754-6670.

march 19
HEY YOU GUYS







and apply

The Cooper Point Journal
takes submissions fro:n students
every week. That's what fills
the paper.
Like to write? Draw? Take
pictures? Design pages ana
graphics?
You don't have to be expert at
anyrhing you want to do here.
Drop by the CPJ with
your ideas, and an editor will
work with you to make them
happen,
The CPJ office is CAB 316
and it's open from 9 a.m. to at
least 5 p.m, Mon. - Fri,
Also, here's a picture,
(See below)

~a Books

Olymp;als Large$f

Indep~dent

Bookstore

10(X, Off New
Current Qtr. Texts
We Buy Books Everyday!
509 E 4th Ave
\1-111 to-B ,

and

at Student Activities Reception desk (CAB 320)

deadline to apply: 3 p.m. April 19

,

march 20

• 352-0123

Fn & ,,\1 11)·'1.

~\lnd,,,

11-;

iHablas £SPano/? Come to the Spanish Club, where we practice conversing,
reading and writing in Spanish. All levels
of Span is h speakers are welcome . Every
Wednesday at 2 p.m. in the pit just outsid'e
of the Studenr Act ivities Office on the 3rd
floor of the CAB. For mo re info, call
Leona at SG()-0773.

CLASSIFIEDS
Fundraising
lubs· tudent roups
Earn $1,000-$2,000 this
semester with the easy
CamRusfundraiser,com three
hour fundraising event.Does
not involve credit card applications, Fundraising dates are
filling quickly, so can today!
Confact CamRusfundraiser.com
at(888) 923-323~ or visit
www.campusfunaratser.com
Jobs

details and application packets avai lable
at Cooper Point Journal (CAB 316)

6- ReiAtioPJsiJips These classes offer a compelling
in. rodLiction to the Buddhist view of how we can improve and bring great meaning
into oLir relationships with others. Those new to Buddhism and meditation
will find it an idea l and practical way to explore Buddhist thought meditation.
7:30-9 p.m. Classes held at the Olympia Center. Room 206. 222 N. Columbia
(cast of Les Schwab on State Ave.) For more info, wntact (360) 459-4075 or
check out www.vajralama.org. Pre-registration is not required- just drop by. $8
donation , $4 for students.

H - - Take a Cb.ss on Love, Desire

Summer Jobs in Unique Pacific
NW island location-Johns Island,
WA. Coed summer camp, Est.
1935 focused on community
living . Hiring college age instructont counselors and support
starr, 10 week contract, June
13th-August 22nd, 2002, Learn
more at www.norwester.org.Join
us for a summer you won't
forget. Contact:
Camp Nor'wester, 628 Doe
Run, Lopez, WA. 98261;
360-468-2225 ;
norwester@rockisland,com

on Intercity Transit!
Show your Evergreen student 10 when
you hop an I T. bus and rtde Iree
It's that easyl Skip the parking hassles.
save some cash, and be earth-friendly.
1.1 is your ticket to life off campus I
For more inlo on where I.T can lake you
pick up a "Places You'll Go" brochure
and a Transit Guide at the lESe
Bookstore. Or call IT Customer Service
at (360) 786·1881 or viSit us online at
www.inlercilytransit.com.

10. Good Pay ($8-10 hr.)
9. Cool people in LRCs
8. Grad schools love it.
7. Your learning curve spikes.
6~ Chocolate
5. Get PAID to answers your
friends' questions
4. Know where the LRCs are
3. Potential Sylvan Center hire
2. Flexible hours
1. We need new tutors!
2 credit training course
offered Spring 2002
for Fall LRC employment.
For info contact:

m,ntercily T ran sit
Fares paid through studenl programs

the cooper point journal

WHY TUTOR?

QRC J: 5547
WRITING CENTER x 6420

march 14, 2002





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the cooper point journal

the cooper paint journal

march 14, 2002