A Tobey Troll

Item

Title
A Tobey Troll
Creator
Helmi Juvonen
Artist ID
97
Date of Work
1952-54
Description
Varying blue print on a background of various shades of brown and green.
Category of Media
Print
Media
Linocut on paper
Accession Number
1983.004
Location
storage, Building: Floor: Room: Bin:
Date Acquired
1983
Acquisition Method
donation, unrestricted
Dimensions of Work
18"x12"
Frame Dimensions
26.25"x22.25"
Frame Type
Steel
Donor or Seller
Wehr
Donor ID
2
Artist Bio
Helmi Dagmar Juvonen, known in her day simply as Helmi, was a prolific artist whose creativity embraced many media - paintings, drawings, prints, ceramics, and ceramics. She was particularly drawn to the ceremonies and arts of Northwest native culture - masks, dances, costumes, and totemic animals. The artist developed a rapport with particular tribes, including the Lummi, Swinomish, Muckleshoot, Makah, and Yakama, who invited her to participate in their rituals. During the most sacred ceremonies, she relinquished her sketchbook and relied on memory for documentation. Helmi also devoted years to studying and drawing Northwest Coast Indian and South Pacific objects from the Washington State Museum, which became the Burke Museum, University of Washington. In later life, the artist was inspired by the book Primitive Art (1927) by anthropologist Franz Boas.
Source: https://www.whatcommuseum.org/virtual_exhibit/universal_exhibit/vex22/index.htm
Abstract
Juvonen received a scholarship to the Cornish School of the Arts in 1929, which is where she may have met artist Mark Tobey. A year later, Juvonen was diagnosed as a manic depressive. In "Helmi Dagmar Juvonen: Her Life and Work: A Chronicle," Ulrich Fritzsche documents her fixation on Tobey between 1952 and 1956. According to Deloris Tarzan Ament, "At one point she made a life-size doll of him, dressed it in pajamas, and kept it on her bed. As her obsession with Tobey grew, the once-crisp lines of her art became tangled in an imitation of Tobey's 'white writing' style. Although it may have reflected her state of mind, it did not compromise the quality of her art."
Sources: https://missoulaartmuseum.pastperfectonline.com/webobject/3950057D-3EAD-4511-9EBD-402525337182
https://www.historylink.org/File/3831