cpj0411.pdf

Media

Part of The Cooper Point Journal Volume 15, Issue 17 (February 26, 1987)

extracted text

-----

WHOA! THERE GOES MV
TRICK KNEE AGA" 'N~ ..

---~----

letters

Not Exactly an
Editor's note:

CON T E N 'T S

~

Amerika

Dear CPJ readers:
We recieved several letters
this week that implied that the
opinions expressed by authors
of articles were the official opinions of the CPJ. We were also
accused of censoring writings
from those with opinions contrary to our own. This is not
the case.
The CPJ is a forum for the
exchange of info;-mation and
opinions. We operate with a
very limited budget and staff,
and most of our stories are
written by community
volunteers. Anyone can wl-ite a
news story or opinion piece.
Selection is based on the quality of the work, not on the
political orientation of the
author.
When only one side of an
issue is presented, it is because
we couldn't find anyone else 'to
write the counterpoint, and
figured that half was better
than none. No one regrets
these holes more than the CPJ
staff. All new writers are encouraged to come help the
newspaper be more balanced
and complete.
0n a lighter note, this issue's
theme is the Literary Arts, and
the second half of the paper
presents some work of
Evergreen students_ The center
spread shows a sample of work
being done by students in the
printmaking studio.
Some of you may be wondering why this issue is edited by
Polly Trout and not Jennifer
Seymore. Some of you may be
wondering, "Who the hell IS
Polly Trout?" To these
students I would like to clarify
that I did NOT sever Jen's
jugular veins with a potato
peeler and stuff her underneath
my sink so that I could
ASSUME CONTROL here at
the office_ I'm not a powerN crazed megalomaniac. Oh, no.
• --Polly Trout

In all the infiamation surrounding ABC's

Amerika,' we have heard no one air our
•

CAMPUS&COMMUNITY NEWS

4... GESCCO survey, FAIR fights propoganda in the media
•

OPINION S

6.. .Is Evergreen's "Star Chamber" picking a new adjudicator? ~
by Dave Campbell and Scott Buckley; the Longhouse Project, part time
student rights
•

COMMUN

I TY

9... Positively Fourth Street's proprietor talks about the fIfties ~
by Jacob Weisman
•

RECREATION

10... The swim team
•

ARTS

& CULTURE

l1...Behind the Barnum scenes ~ by Barbara Zelano
•

.p R I N T M A KIN G

12... a look at what's going on in the newly reopened printmaking
.
studio ~ by Paul Pope

viewpoint: It is dumb and unworthy of all
the to-do it has received_ It's just plain
dumb!
It was poorly written, poorly acted, and
poorly directed, with an ending so impotent
it could only be properly addressed by Dr.
Ruth Westheimer.
It was an example of what media hype
can do for a show. The big loud noise pro' vided by well-meaning citizens was deftly
exploited by the network as they announced before e,ach episode that it was "the
most controversial program in television
history." Who can hear such an exclamation without watching at least some of it?
Unfortunately for all, the program didn't
live up to its preceeding trumpeteers.
Sincerely,
Dave Peterson
Ward Kranz
Karen Peterson
Lee Howard

bureaurcratic bungle so good they pulled
it twice), the Lecture Halls and the Seminar
Building_
This leaves us with the Library, which
might become a bit crowded. However, if
Messrs. Tyler and Anderson would be kind
enough -to sort out the irrelevant and
useless v01umes, the space needed for books
could probably be reduced by a factor of
three. Of course, the discarded volumes
could be given away to displaced loggers,
who could use them to heat their homes.
In fact, those few remaining tomes could
be trashed as well, since it seems that Tyler
and Anderson have everything pretty well
figured out. The faculty could be relocated
to the most economically depressed areas
of the state, where they could re-educate
the locals.
Once we've really tightened some belts
around this place, we can get things to
where they should be: Paul Tyler and Todd
Anq~rson standing on soapboxes in the
middle of a dark and lonely Red Square,
howling into the rain.
Jerry Steenson

~

No girls

~Gym
CPJ Editor:

•

LITERARY

ARTS

14 .. .featuring the prose of Ben Spees, Katn Martin, and Etik
Peterson
•

POEMS

19... "we pass easily from sorrow to gluttony"
•

CALENDAR

21

ST A FF
The COOPER POINT JOURNAL is published weekly for the students, staff,· and faculty of the
Evergreen State College, and the surrounding community. Views expressed are not necessarily
those of the college or of the JOURNAL's staff. Advertising material contained herein does not imply endorsement by the JOURNAL. The office is located at the Evergreen State College, Campus
Activities Building, Room 306A. The phone number is 866-6000, x6213. All calendar announcements
must be double-spaced, listed by category, and submitted no later than noon on Monday for that
week's pUblication. All letters to the editor must be typed, double-spaced, signed, and must include
a daytime phone number where the author can be ·reached. Letters and display advertising must
be received no later than 5 p.m. on Monday for that week's pUblication.
Editor: Jennifer Seymore 0 Pinch Hit Sub for Jen: Polly Trout 0 Editorial Assistant~ Michael
Mogensen 0 Art Director: Jason Boughton 0 Poetry Editor: Paul Pope 0 Contributing Editor:
Jacob Weisman o Advisor: Susan Finkel o Business Manager: Felicia Clayburg o Production and
Distribution: Christopher Jay 0 Typist: Walter Kiskaddon 0 Advertising Manager: Chris Bingham
o Advertising Assistant: Julie Williamson

To the Editor:
It is with great interest that I have heard
Paul Tyler and Todd Anderson make their
impassioned plea against the building of the
Evergreen gymnasium. In fact, I am so en,
thused about their arguments that I think
their analysis should be extended to al\
aspects of campus administration.
Of course, the first place to start would
be to close the Rec Center, drain the pool,
and turn off the lights. The savings would
be astronomical, and students would be
forced to ponder deeper issues than the
development of svelte, athletic bodies to
place inside of the BMWs they al\ are
doubtlessly pondering acquiring upon
graduation.
The CAB building should be next. Few
people will really miss the service of SAGA.
Besides, it's about time that those students
living in the dorms learned how to take care
of themselves.
Which reminds me, we might as well shut
the dorms down, too. The experience of constructing makeshift shelters in the woods
would certainly be morally uplifting for the
former residents.
Similar logic would allow us to close the
Com building, Lab I and II (boy, there's a

Thanks to Ben Tansey for an accurate account of the adjudicator interviews. During my years of serving as a faculty
member and academic adjudicator at
Centenary College for Women near New
York City, one source of ongoing irritaiton
was the tendency for some individuals to
refer to our students as "little girls_" So,
just to set the record straight, I never
taught at a "small girls' college," but did
teach at a "women's college" with a student
enrollment of around 500.
Jan Lambertz

~

injustice

Dear Cooper Point Garbage:
I was just curious as to where Todd
Anderson and Paul Tyler are getting the
money to launch a vendetta against the new
classroom/recreational complex. Hundreds
upon hundreds of xerox copies cost quite
a bit of money. Could it be that they have
discovered another use for the CPJDigitec;
copy machine access card? Wouldn't such

a use for a personal propaganda campaign
be another CPJ misuse of funds? And you
guys wonder why you are always in
trouble.
Sincerely,
Michael Shaudis

No private party borrows our copy card
unles8 they sneak it out while we've all run
to bathroom at once-a rare event. For a
discussion on objectivity in journalism,
please turn to page two.--ed.

~

Apology

Michael Hall:
Re: Your letter to the CPJ editor in the
December 4, 1986 issue and your letter of
February 18, 1987 to Jennifer Seymore,
Editor of the CPJ
I was disappointed when I read your intial letter to the editor; disappointed from
the standpoint that you took my letter personally. Certainly, I deserve a portion of the
blame in this misunderstanding, as obviously I did not take enough pains to clarify the
issues.
I would like to explain my position, In the
first place, it was not my intention to focus
on individuals; rather, I wanted to address
the overall problems involved in the allocation of student monies and the legal implications of the current process. It was not my
intent to place blame. When I wrote "To
be specific, since at least 1980, board
members have been chosen by the S ~ A
Board Director or b¥ the Director of Student Activities," I did not intend to imply
that you had specifically placed students on
the board. What I did intend to point out
were the discrepencies between what took
place and what I felt should have taken
place. The mention of your name was only
incidental in the scheme of the whole article, though I am sorry for the discomfort
it has caused you.
Sincerely,
David Konig
P.S. First person singular is the style I
usually write in; and the double by-line occurred because Jennifer helped to edit and
refine the final product. For further questions you can write to me at: 213 Division,
Olympis, W A 98502 or call &206e943-9764.

w

news

Keynote speaker
Dr. John D. Maguire. president of Claremont University Center and Graduate
School in California, will deliver the
keynote address for Evergreen's Founding
Festival (March 4 - 7) at 7 p.m. on Friday,
March 6, in the Library Lobby.
Maguire, an internationally respected
teacher-scholar-administrator, is a specialist
in the relation' of religious thought to contemporary society. While that subject may
be a dry, esoteric field of study for many,
it's not for Maguire, whose life, academic
and otherwise, was profoundly influenced
by a seminary roommate: the Reverend Dr.
Martin Luther King, Jr. The Alabama
native was 18 and King 21 when the two
were assigned as roommates at the Crozer
Theological Seminary in Pennsylvania.
Maguire says that the chance arrangement
resulted in "the first abiding inten'acial
friendship I had as a white Southerner." It
also propelled the Yale Divinity School
graduate into a lifelong commitment to civil
rights and social justice, including a perilous
journey through Alabama as a Freedom
Rider in 1961.

In addition to many other duties, Maguire
is currently a permanent trustee of the
Martin Luther King Center for Social
Change, a director of the West Coast
NAACP Legal Defense and Education
Fund, and a member of the Los Angeles
Humanities Council. He has also written extensively on education, religion and race
relations.
Before becoming President of Claremont
in 1981, Maguire served as president of the
State University of New York at Old
Westbury for 11 years and taught at Yale
and Wesleyan Universities and Silliman
University in the Phillipines.
Maguire's 7 p.m. speech is free and open
to the public, as are most of the four-day
events which celebrate Evergreen's 20th
birthday. Complete details on the Founding
Festival which includes faculty, alumni and
legislative panels, archival exhibits, campus
tours, plays, films and more are available
by calling 866-6000, x6128.
--lnforrl1.ation Services

last Wednesday by Dr. Joye Hardiman. She
discussed how language is shaped by and
shapes culture and society. The lecture was
sponsored by UMOJA as part of Black
History Month.
Hardiman, along with Mary Houston,
shared four hours of various experiences
with language. They discussed how a society constructs a dominant reality through
language and how language creates a
hospitable or an inhospitable environment.
Suggestions for changing the dominant
discourse were offered to students.
Tacoma student Paul Perone said that he
felt the dominant discourse was one created
by and for "high, almighty whites," which
correlated with Hardiman's focus on the
reimaging of language to include people of
color into the dominant discourse.

Linguist speaks
in Tacoma

Hardiman and Houston are currently
teaching in the "Cultural Imperatives:
Tacoma in the World" program at
Evergreen -- Tacoma.
}(athleen }(elly

"How Language Alienates" was the topic
of a lecture given at the Tacoma campus

Hardiman and Houston talked to their
students and to visiting students from the
Olympia campus, including members from
the First People's Coalition.

~~
' C ooperatlon
'0
")'
GESCCO (Greater Evergreen Student Commumty
rgamzatlOn

,

. changes.
un dergomg
, Although progress has been made in management, volunteer participation, production diversity, and group morale,
iii the staff still needs input to best determine GESCCO's future . The object ofthis survey is twofold: one, to assess the
, needs and concerns of Evergreen students, and two, to document past participa tion in GESCCO events. These are an
attempt to gain feedback to improve GESCCO's service and determine how effective it has been in th~ past.
IS

FAIR fights for vigorous media
by Steve Marquardt

Jeff Cohen is a pretty upbeat guy these
days.
Cohen, a tall, bearded 36 year old, is the
New York based executive director of
• Fairness and Accuracy in the Media
(F AIR), a liberal media watchdog group
founded in mid 1986. He is, he says, "really hopefuL With the Iran-Contra scandal,
the right wing is on the verge of collapse."
For groups like FAIR, hard timet! for
Republicans means an opportunity to
reenter the national political debate, from
which Cohen feels the left has been excluded for the last six years.
Cohen was in Seattle last weekend to appear on KOMO TV's "Town Hall" program
as part of a panel critiquing ABC's
Amerika mini-series, which depicted a
Soviet takeover of the U.S. Needless to say,
he didn't think much of the show. "Why is
the corporate media so prone to giving us
this vision of commies invading us, raping
us, and killing us?" he asks. "It's a tiresome
image; it doesn't help us understand the
Soviet Union, it doesn't help us understand
how we can begin to dismantle nuclear

r----------------

Please check the appropriate boxes and give as much information, suggestions or comments as you can. Drop the survey off at
GESCCu at 5th and Cherry or in the box marked GESCCO in the CAB.

your name:
address:
I am an 0 off campus student
o on campus student
o community member
I first hear about GESSCO through:

o CPJ
o Radio Ad
o Posters
o Other student groups
o Word of mouth

111 the box, please lWte how many times you have attended the
type of event listed.
.

_0 Lecture series
o Film series
o Performance productions
o Live music productions
o Dances
o Other:

Suggestions or Comments:

1..20n.peoR
o~rnpia,wa

943-9949

52.00 off any pizza
expires 2/28/87

~---------------~

weapons and get to a saner world." Raising such questions about A merika has been
FAIR's biggest project to date, and Cohen
proudly takes credit for the storm of controversy that erupted around the show.
"I think what happened is the biggest
grass· roots upsurge ever to express concern about a television program in history.
The peace movement has come alive
because
they're
so
outraged." ,
For Cohen, Amerika is only the latest example of what he believes is a "procorporate, pro cold war bias" in the media.
He complains that the views Americans
(with a "c") see on television and in the
newspapers represent a sharply limited
range of opinions. "When we're given
debates on television, how many times is
the debate conducted with, say, a Cap
Weinberger on the right, who's for
unlimited nuclear buiJdup, and on the socalled left is Senator Sam Nunn, who's for
a more cost-effective nuclear arms build-up;
and no one represents the millions of
Americans who think the arms race should
be stopped? The American press," he says,
"is the most conservative in the world. All
you have is the center and the right." FAIR
hopes it can change all that.
In the immediate future, the group will
be paying close attention to Ted Koppel's
Nightline, along with the McNeil""Lehrer
Report and other public affairs programs.
"We'll be looking at their guest lists and
seeing who they invite on as experts, how
many men versus how many women, how
many whites get on versus people of color,
how many representatives of the corporations get on versus representatives of labor
unions,
consumer
groups,
or
environmentalists."
Coht'n resents suggestions that his group
is a liberal version of Reed Irvine's conservative media activist organization, Accuracy in Media (AIM). He calls AIM a
"hysterical fringe group" that "hates the
media." FAIR's approach, Cohen insists,
is to offer constructive criticism. "Weare
sympathetic with the working press ...we're
for a more vigorous media, a more aggressive press. We won't be intimidating
reporters; we'll be calling them to do more
and to dig better, and that's ultimately good
for the American public."
Though his organization is a relatively

new one on the political scene, Cohen
believes that its constructive approach has
already gained a lot of credibility with the
media. Aside from the controversy and
counter-programming F AI R generated
over Amerika, Cohen points to other successes. "Talk show people now sometimes
call us for recommendations," he says. "We
get calls from producers asking us who's a
good expert on some progressive issue.
We're having an impact." Confirmation
that Cohen and FAIR are being taken
seriously by the media came frequently
while I was taking with him, as our interview in Cohen's Seattle hotel room was interrupted by telephone calls from the AP
wire service, the Seattle Times, and the
Studs Terkel Show, all asking for his reaction to the last episode of Amerika.
Cohen believes that his group and what
he calls "progressive" movements are now
on the threshold of m~or successes, as the
Iran-Contra scandal calls the right wing into question. "Opportunities-you can't even
count them they're so numerous," he says.
He cautions, though, that it will take hard
work to undo what he refers to as "six
years of a media propaganda barrage." He
points out that after Watergate "progressives" failed to take advantage of conservative disarray. ',' We can reach the
working press, the editors, and the producers, and that's what activists should do.
They shouldn't grumble to each other about
how bad the media is; they should set about
lrying to change it. ,j' Locally, Cohen gives
high marks to the Seattle Central America
Media Project (SCAMP), whom he calls "an
amazing group. They've done a lot to
monitor and change the inaccurate images
that have appeared in Central American
coverage."
Ultimately, FAIR hopes to have an impact on national electoral politics. With
fairer media coverage, he believes, "you'd
see a real boom to the fortunes of progressive candidates in the political arena.
But," he adds, "if progressives don't get
their fair share of access in the four years
between presidential elections, then someone who comes out with a progresive
agenda looks like he or she is coming from
Mars." And that's why Ted Koppel should
expect to be hearing a lot from Jeff Cohen U1
from now on.
•

Hiring process raises suspicions

Part time classes lack quality

by Dave Campbell and Scott Buckley

by Barbara Warren

In last week's CPJ, a small article
described the methods used by the office
of the Vice President to search for a new
Campus Adjudicator. The bland assel1.ions
of that story raised far more questions than
they answered about how Evergreen deals
with individuals who fall uutside its norms,
how "justice" is dispensed here, and who
decides what justice is. Some stillunexplored questions about the process used to select the new Adjudicator were hidden within the article; unfortunately, the
answers to these questions may show that
the selection process, which involved a
secret and anonymous organization of
Evergreen employees who call themselves
"The Network," represents a fleeting
glimpse into the business-as-usual methods
of a secret, self-appointed group who are
behind the real mechanisms by which "law
and order" is maintained at Evergreen, and
by whom students who are considered
"dangerous" or "disruptive" are watched.
{For background, see CPJ, June 5, 1986,
page 1, "Secret Organization Polices
Students ' Behavior. ''}
It is hard to imagine a more public post
than the position of Campus Adjudicator.
Officially, the individual selected to fill this
role is to be the very embodiment of justice
within the Evergreen community. The Adjudicator is responsible for all actions taken
to discipline students at Evergreen, and enforces the somewhat vague provisions of
the Social Contract. When he decides that
a student has violated one of those pro vi-

act number of students who. are banned by
such orders is considered a secret, it is considered likely that there are at least twenty. In addition to the above "official"
powers, the Adjudicator also has the entire

Has Richard been a naughty adjudicator?
resources of a secret information-gathering
system, "The Network, " at his or her
disposal.
As with any clandestine organization, a
full y accurate description of "The Network" is impossible. Meetings are closed,
no records are kept; there is no written
agenda and no minutes to audit. Even the
identities of its members are secret.
Membership is presumably by invitation onIy, and the exact number of members are
unknown (one unofficial source puts the
-number who supply "The Network" with
information at 40, with far fewer attending
regular meetings.) In the absence of any
verifiable information, one is forced to relyon what its memh.ers choose to say about

the Adjudicator helps to coordinate its efforts and acts on its information.
We believe it quite possible that Richard
Jones' term as adjudicator was marked by
repeated violations of students' legal rights
and civil liberties. We, therefore, feel it onIy just and appropriate that the next adjudicator (if there is one) be an individual
who is widely respected for his or her role
in defending civil liberties. While Professor
Harding is unquestionably the best of the
four finalists chosen, the method of his
selection shows either ignorance or contempt for a tradition of open nominations,
from start to fmish, at Evergreen. [Since
the writing of this article, Phil Harding
has, in fact, been selected as the new campus adjudicator. --ed.]
We wish to register outrage and shock
that, to date, the selection process for a
public post at Evergreen has consisted soleIy of consultations by a Vice President, Gail
Martin, with an anonymous and selfappointed Star Chamber. Only at the very
end of the selection process was the community consulted at all, presumably to give
a false color of legitimacy to one of four
finalists , already pre-selected by the Net.
work (CPJ, February 19,1987). This is the
stuff of Orwell or Kafka -- not the way in i
which a public institution chooses 'its most
public officers.
.
One provision 01' the Washington Administrative Code (WAC) states "Decisions
must be made only after consultation with r
those who are directly affected by the issue.
Consultation must be a formal process, to '
assure the widest possible community in- I

~om,ilieAdjudicator~!~s!s!e!v!e!~~o~p!t!~!~~'~~"!Th~e~N~e~t~w!o=r~k~"!'H=O=W~~!~~~=~!~~N!e!n!t!h!~!m~u~~~~!v~~=~!~~n!
, =t!"!C!e!rt~~in~, ~u~ntsoompri~ ,
He can expel the stuEd"
the only group "directly I
dentfromcollegeen-UMeetings are
closed, no recor s a~eaffected"bytheactions ;
tirely, or allow him or
of the Adjudicator, since :
her to continue to be
enrolled subject to
I
!~:~~ty o:nnd ~~:ia~~:~ t
the terms of whatever_.,....,.,...-_ _ _ _ _---.,._______________----,_ _ _ _ _ _ _ _ procedures;

kept... members

_special conditions he may choose to set.
(One typical condition, which has been us·
ed in the past, is that the student submit
to psychological examination and regular
"sessions" at the Counseling Center. The
student's continued enrollment may be contingent on these sessions.) The Adjudicator
may also decide that expulsion is not
enough, and issue an order banning the student from the campus entirely -- such an
order is known t~ Security a~ a CT
(Criminal Trespass) citation, and means
...0 that if the student appears on campus, he
~ or she will be arrested. Although the ex-

.d

·
"
entles are secret.

raises questions with regard to student
rights and privacy. The assertion that "The
Network" maintains no records of its own
is open to question, as well , since some
members have referred in passing to "files"
on students which span several years.
The background and training of many of
"The Network" members seems to be in
either psychology or law enforcement; it
has been publicly acknowledged that "The
Network" receive" information from
Security, Housing (including certain student managers), the Counseling Center, at
leaSt one dean (Larry Stenberg), and that

yet students were not consulted in the iilitial nominations. How can a Vice President
ask a secret organization to name candidates to a public post which profoundly
affects the lives of students -- by expelling I
or retaining them at will, banning them en- '
tirely, or even, it would seem, having them j
placed under "surveillance" in violation of
the right to privacy? The selection process i
which was used was certainly unethical;
under the hiring provisions of state law, it
was probably illegal.
i
continued on next page

The administrators of Evergreen need to
re-evaluate the part-time classes which are
offered here. The classes listed now seem
to be chosen for the full-time students to
add to their regular programs as "fllier"
classes. Very few can be considered as a
means for students to receive a degree
through a part-time education.
< I began my college "career" in 1983 at
South Puget Sound Community College. I
received my AA degree two years later, all
the while planning to attend Evergreen fulltime to work towards a BA focusing in
psychology. I had heard many good things
about Evergreen and was looking forward
to receiving a quality education.
Since I am a single parent with two
children, I qualify for financial aid. There
was no way three people could survive on
the amount awarded to me, however, so I
could not attend full-time solely on financial aid. I had to change my plans: accepting a full-time job, worki'ng from 5:00 p.m.

to 1:30 a.m., and going to a class which was
held eight hours a day, two days 'a week
soon proved too difficult for me. I found I
could not be a full-time student, employee,
and mother.
I realize t~t it is my decision to work fulltime and get my education through parttime classes, but I would not have turned
down the financial aid awarded to me if
there had been any way I could have supported my family on it.
At four credits per quarter, it will take
me 23 quarters and $3,680 (not considering
probable incre~s in the future) for tuition
to earn the 90 more credits needed for my
degree. I doubt that I will be able to find
classes relevent to my field of study for six
successive years. I do not want to enroll in
and pay for classes I am not interested in.
My concern is that through part-time
classes. I will not be receiving the quality
educatIOn I would if I was attending
Evergreen as a full-time student. Will I
have gained enough knowledge to be considered as an effective and employable

social worker or counselor if all that is
available to me is The Japanese
Bureaucracy, Two American Poets and
Figure Drawing? A degree will not ~ean
much if I haven't been able to take mainly
psychology classes.
I have gotten the idea that Evergreen is
designed for students who are supported
by parents or a spouse. I doubt if my situation is unique. There are bound to be other
students feeling the same frustration as I
am .. When I n~eded advice concerning my
desu:e to stay m school full-time, I could not
,find It. I was referred to one person after
another, no one being able to find me the
answers I needed.
If students can make the academic
counselors and the administration aware of
their need for a better part-time scholastic
program, eventually there will be changes.
Evergreen is known for its teaching advancements and as a pioneer of learning
programs. One more step needs to be taken
to help. see that every student desiring an
educatIOn has a chance to get one.O

continued from the previous page
It Hhould be noted that the very exiHtence
of Huch a thing a.-. "The Network" "unH
counter to every principle on which the cullege wa.-. founded, and violates the Social
Omtract explicitly. In the face of something
HO irre..,rular, the phrase "locatable and accountable" seems a rather poor joke. The
uncheckerl operation of "The Network" at
f<;ve'-green for at lea.-.t the last five years
(no one will say exactly how long), and the
fact that it was created by the very i1/.divuluals who Ilerve as the watchdogil of fhe
Social Contract makes a mockery of
everything idealistic about Evergreen.
As a founding member of "The Net-

work," Vice President Martin is utterly un-

fit to choose the next acljudicator. We also
believe that previous participation in this
secret org'anization is sufficient to disqualify
.my candidate from the post. Since abuses
involving the Counseling Center were a
rubric of Professor Jones' career, we feel
that the training and background of future
acljudicators should be in a field oth~r than
psychology -- such candidates would be
more likely to allow the center to function
independently. This will help partly to clear
the stigma which is now attached to that
office of the college, and also help prevent
future abuses.
'

~==========~====~

The Unitarian Universalist
Fellowship of Olympia

Finally, we ask that all future hiring decisions be made by independently appointed
DTFs, in the Evergreen tradition, and ask
students to exercise caution in endorsing
any new conduct code or governance process. The authors of "The Network" have
already spoken, through their actions and
given us their opinion on student righ~ and
civil liberties. 0
Dave Campbell is a former member of the
Board of Directors, Pierce County
American Civil Liberties Union (ACLU).
Both authors are also current Evergreen
,qtudents.

-ALL WAYS TRAVEL S'ERVICE, INC.

fiSS

Services Every Sunday
10 am - 12 noon
)

786·6383

.

C

219 B Street

Tumwater, Wa.

943 - 8700
Harrison and Division

-----_._----

community·===========================

Longhouse, gym could cooperate

SHABOOM: Life can be a dream

by Tom Casterline
What do a gymnasium and a Longhouse
have in common? The answer to this is
more than the physical structure of both
buildings; each in its own way is a recl'eation center, a place where strength and
spirits are refreshed,
A sports complex is a place for the expression of human energy. It is a place
where people gather to meet specific needs.
A Longhouse is also a place where people,
traditionally Indian people, have met as a
community. Whether it be educational,
ecological, economic, or social reasons,
tribes from Washington State have met at
Longhouses for centuries with a sense of
hospitality and recognitin to people from
surrounding areas. This is more than having good manners; it involves being cordial
as well as offering a pleasant enviroment.
It is being receptive, and as far removed
as these niceties seem to be from educational pedagogy, integral in the Native
American philosophy of education is the
idea of openess, especially to new ideas.
What seems to frighten those who are
ignore-ant of this philosophy is the possibility of creating a surplus of individuals who
don't always conform to the requirements
of an ordered society. If being an individual
is part of being an American, Native
American Studies can be an integral part
of Amercian education because it is part of
a philosophy as old as the Socratic method
which recognizes the potential of the individual and his or her own personal power.
This attitude towards education can serve
as a valuable compliment to the traditional
American educational system, which seems
structured to turn out uniform products,
good consumers, and not people with ideas
which arise from their individual beings.
This is, in a way, a lack of respect, for both
our own individual minds and the potential
of others.
Both respect and trust are integral in the
Native American philosophy of learning.
People are empowered when they are
trusted to decide and pursue what they
determine to be educationally valuable for
themselves. This is an important concept,
because it is integral to Indian existence;
what has been taken from them is not just
land, but a trust in it. This relationship integrates not only Indian lives, but those of
Non-Indians, because we are all responsible for the present we exist in, and the
co respect for the land we live on. A
A Lon~house would then be in a sense a gift.

because it would serve as a source of talent,
a shared meaning element for the
community.
In a time when we as a nation spend immeasurable amounts of energy and potential to defend "our land" from intruders, it
is absurd that we do not seem to
acknowledge how we are related to the being we walk on; it is where our physical existence derives. If we can avoid both guilt
and indifference, a highly technological
society need not distance us from our
source. People become property paranoid
when they are disconnected in their
awareness of where they literally stand; too
much time is spent walking on concrete buffer zones. Since we don't want dirt track·
ed everywhere, we have sidewalks and
basketbell courts.
Sports are paradoxical. They exists in our
culture as both a source of health
maintenance and, at times, a catalyst of
behavior which is normally deemed as
socially inappropriate. Overcompetiveness
may not necessarily be symptomatic of a
cultural illness, but overly aggressive
sports like football reinforce ideas of violent
territorial acquisition.
. Reverbs &people with a reverse bias!:!
would have no such sports facilities exist
on Evergreen's campus. They are taking

by Jacob Weisman

themselves and their mission too far, as
some people take their sports too seriously. This is just another form of elitism which
only alienates those who may otherwise
sympathize with them. The "oppressors",
whether they be white, male, or jock, will
probably not go away, so regardless of
which side you may choose to be on, if you
choose a side, what is important to see is
what a Longhouse means. In a material
sense, it is a part of a culture whose
ancestors we walk upon, an ongoing existence which has a relationship to the land
which is only hinted at in our EuroAmerican culture. In a non-material sense,
a Longhouse is the presence of humans
anywhere hospitality is expressed; it is an
attitude.
The reasons for a sports complex have
changed; the reasons for a Longhouse have
not. Whether cement or cedar, al~mghouse
will only be built if someone in power, or
enough people with power, want it. This
commitment to cultural diversity may
never materialize on this campus; this commitment may mean only those diverse people we can do business with. But even if the
rain stops falling on our flat roofs, a
Long-house will always exist in the vision
ancl spirit of someone who understands
what a Long-house means.

Winston Vidor was listening to Bobby
"Blue" Bland and Little Richard long
before his classmates ever discovered them
or their counterparts -- Elvis Presley and
Pat Boone. His interest in Rhythm & Blues
. has been a vital thread of his life. Today,
he is the owner of Positively 4th Street, a
record store in downtown Olympia
dedicated to preserving music from the
'50's and '60's.
Growing up in Tacoma, Win first began
listening to R & B when he was 11 years
old back in 1953. "There were some friends
of mine at Holy Cross Catholic School in
Tacoma," he says, "that were singing songs
at the weekly talent show contests that
were a little different than what you'd hear
.
on the average radio station."
Later, Win left the confines of
Catholicism for Mason Jr. High. There, he
found that there were a lot more people
listening to the music. On weekends, he'd
go with his friends to a drive-in called the
Hilltop where a black disc-jockey named
Bob Summerise played songs like "Witchcraft" by the Spiders, "Sh-boom" by the
Chord", or "Hound Dog" by Big Mama
Thornton.
He later discovered a music shop run by
a disc-jockey named Fitzgerald Beaver
located in the black section of Tacoma.
"There was a fellow there," he says, "who
'worked behind the counter named Robin
Roberts that I went to school with. I would
help him out.
"I started hanging out in that area of
town and learning a little bit more about
the black situation. The white record shops
would close by five-thirty or six o'clock, but
the Broadway Record Shop wouldn't start
jumpin' until then or later. There would be
people there partying, dancing, and just
listening to the music. They'd be enjoying
themselves playing cards, shooting pool, or
getting 'their hair done next door at the
barber shop."
But Win's freedom was about to end. As
a white juvenile he had crossed an invisible line the moment he stepped into the
black section. "The police," he says, "would
pick me up and bus me to the other end of
town. If you're on the street, like I was, you
don't want to be seen associating with "the
man." No one wants anything to do with
you because they think you might be a
snitch."
Later tensions with the police came to a

0"

c::.

@1~87GFCOMIC5

,.

.

head. "There was a guy I knew named Red.
He would buy us wine. There was a song
out called "White Port and Lemon Juice"
by the Four Deuces-that's what we werp.
into. But the police picked us up as soon as
Red brought it out. They'd been watching
us. "
From there the police took Win to
Remann Hall where he says they called him
a "nigger lover" and told him that he had
been caught in the wrong part of town and
would be put on a red list with other whites
who frequented the black area. They told
him he was fortunate that they hadn't found
any drugs on him but that he was still in
hot water.
Six weeks later they sent him to a state
training school in Chehalis. "There, I was
with people who were into R & B almost
exclusively. I felt very comfortable with the
people there, even though they were there

on all sorts of juvenile crimes: car theft, robbery, murder. Whatever juveniles do, they
got sentenced for."
From there, Win moved down to San
Francisco where he worked at a Macy's
department store near Candlestick before
moving back to the Northwest in 1968 to
fmish his education. From 1974 to 1981, as
an Evergreen student, he had his own radio
show, "What It Is: Music In and Out of the
'50's" on KAOS-FM. "You couldn't hear
the records I was playing on another station," he says. "I would go back and pick
up Little Richard's RCA recordings, his
spiritual or his blues recordings."
Win opened Positively 4th Street in
December of 1982. But nothing has really
changed. "I still listen to the same music,"
he admits. "I went and saw Bo Diddley
when he was here in Seattle and I still listen
to the Beach Boys' new material." O

'-D

A

recreation

Tie-dyed swimmers turn heads
by Otto Redexus
The Evergreen swim teams competed at
Lewis and Clark College in Portland over
the weekend. The men finished in eighth
place and the women in 11th. The team's
official t·shirt was in a tie·die pattern and
turned a lot of heads. The other colleges
definitely took notice of the Evergreen
spirit. The team's colorful attire and
geoduck yell was a sight to see.

Treat yourself to the finestl
• Private Hot Tub Rooms
• Therapeutic Massage
• Wolff System Tanning

THEGREAT
ESCAPE!
HOURS: 11 am-II pm Sun-Thurs
11 am-l am Fri-Sat

Max Gilpin finished in sixth place in the
400 1M with a time of 4:26.40, which was
a national qualifying time. Max also placed
12th in the 200 breaststroke with a time of
2:19.05, and 12th in the 100 Breaststroke
with 1:05.54.
Jake Towle swam a fabulous 500 freestyle
race by taking off 20 seconds and placing
16th with a 5:32.77.
Eric Seemann finished with a third place
in diving and was also a member of the 400

Inherit The Wind

HOUSE

OF

ROSES
Corsages
Presentation
. Bouquets
Plants
Gifts
Fresh Flowers
uver '300 Varieties
oj Ballo.ons
754-3949

1821 Harrison Avenue
o

freestyle relay with fmished 9th.
Other finalists included Matt Love, 100
backstroke, 11th, 1:02.40, and 200
backstroke, 10th, 2:20.20; Mike Hernandez,
200 fly, 13th, 2:26:96; and Aaron Soule, 100
backstroke 15th, 1:10.70. Other regional
team members included: Tino Ruth, Mike
Bujacih, and Jerome Rigot.
The women's team had many personal
best times. Annie Pizey finished in 16th
place in the 400 1M with a time of 6:10.59,
while Louise Brown qualified for 15th in the
200 butterfly. Tawney V. Young dove very
consistantly to finish in 4th place in the one
meter ~ving competition.
Rachel Wexler swam the 1650 yard
freestyle for the first time and finished 17th
with a -22:23.34.
Kate Parker swam her season's best in
the 100 back with a time of 1:16.30, and in
the 200 back with 23:46.59. Alison Metheny
swam a personal best in the 100 free in
1:13.00.
The entire swim team was named Captain by the vote of the swimmers. 'This
whole squad swam very well all season long
and also had a lot of fun being together.
This was definitely the most dedicated tepm
I've coached here at Evergreen," said
coach Fletcher.
.
Evergreen's sports banquet will be held
March 12 in honor of the athletes.

Delivery Available

A Reader's Play

Performed by
The Evergreen
nt Program

This Dtamatization of the
Scope's Trial is the true story
of a small town teacher who
introduced his students to
evolution and was put on trial
for violation the law .

,28th February 8:00pm
Sunday, 1st March 7:00 pm
Recital Hall
ions Bldg., TESC
Ftee Admission

Behind the scenes at Barnum
by Barbara Zelano
Imagine a black box ... add splashes of color to the floor ... wheel in a painted wagon,
and hang flags and banners ... light the box
with bright primary colors swimming
through white spot lights. Now you have
a black box transformed into a circus space.
This is a reality in Evergreen's Experimental Theatre, and has been for weeks.
Students working with technical director
Richelle Potte1' are preparing the space for
"Barnum", the Broadway musical baseq on
the life of the famous circus promoter, P.T.
Barnum.
Each show staged in this theatre creates
different design problems for the crew, but
"Barnum" is an unusually interesting
.undertaking because of the circus environment required.
Recently, I asked Richelle, who has been
brclinstorming with set designer Cindl"cl
Harter, about the approach taken for "Barnum." She said that the process began by
talking with the director, Ralph McCoy,
and then metaphors from the storyline
were transformed into images and drawingM. Cindra and Richelle looked carefully
at the set design used foJ' the original
Broadway
show, and stuck
to a turn of the
,
.

century design because this is essential to
the script.
Both agreed "Barnum" is a more difficult
show to stage than most because having a
circus ring in the center, and the audience
on three sides, does not allow enough
freedom to remove s~t pieces or "fly things
out."
Richelle said that they have had to work
stationary design pieces, such as the
tightrope and the giant elephant, into the
set and figure out ways to work around
them.
Cindra expressed some frustration about
having to limit ideas because of a very small
~ budget, but felt it was creatively more inspiring to have to stretch and modify while
keeping monetary limitations in mind.
Jill Carter, who has assisted in designing
and is now in the process of building the set,
feels "Barnum" is interesting because of all
the flash and color of the circus atmosphere.
She said many of the carpenters in the
scene shop independently designed pieces
like Tom Thumb's giant chair, the elephant
stands, the circus wagon and the mermaid
booth.
At some point durnig the process of con. structing the circus environment, Jill will
make a <,hift from set designer to master

electrician of the show. She and fellow
technician Jess Graham will be operating
the light board.
Although it is standard to record light
cues onto the board and use the memory,
they will implement most of the cues
manually to give "Barnum" a live feeling.
Lighting designer Tom Naught feels
designing for "Barnum" may be easier than
other shows because there is more splash
and flair. However, because there will be
tent inside the theatre, working around it
creates problems in hanging and focusing
lights. He would like the lighting outside
the tent to evoke a feeling of airspace or
blue sky, making the space inside the tent
seem more open.
In reference to combining all design
elements, Richelle expressed the .importance of maintaining the design strength of
individual elements, while having the
physicality of 'each work uniformally to
create the circus environment.
On March 4 - 7 at 8 p.m., Evergreen's Experimental Theatre will be filled with the
magic of a circus inviting to "children of all
ages." Bring all the kids, and see you there!
Tickets are flve dollars stu·d ents and
seniors, seven dollars general. Reservations
and information, 866-6833.0

by Paul Pope

Something subversive has been happening in the basement of Lab II: the printmaking studio, closed for all use in the
spring of 1985, was opened this quarter
especially for students in the Expressive
Arts program Studio Project.
The printmaking studio houses some of
the best printmaking equipment in the
state_ Its temporary access makes this
quarter a unique opportunity for students
wanting to learn the different processes for
making art prints. Studio Project obtained
Seattle printmaker and former UW video

Karen Krieger

and arts faculty Bill Ritchie to teach the different printmaking processes: lithography,
silkscreening, intaglio/relief prints made
from etchings, and block prints made from
wood or linoleum plates. Ritchie, no
stranger to Evergreen, helped set up the
campus' first litho press in 1972.
He has incorporated a computer element
in the program as an extension of the printmaking process. A video camera patched into a computer terminal generates a dot
matrix-like image onto the screen and can
then be colored and made into a print-out
(similar to the Mac Paint function on a
MacIntosh system).

Sandy Tunison

"We are in the digital age," Ritchie said.
"Technology is so pervasive in our daily
lives that it bears study." He believes it is
important for students to consider computers as "tools with which to think," and
is helping students to develop a semimechanized management system for taking
inventory of supplies and organization of
the studio so that students will know first
hand what it takes to run such a Rtudio_
In 1985 the Legislature demanded that
Evergreen return ten percent of its
operating budget for the coming academic
year. This necessitated the formation of the
Tempoary Budget Committee (TEM-

BUCO), which was chaired by Patrick Hill.
"I t was kind of a crash DTF ," said Mike
Beug, academic Dean for space and budget.
"They had to pick among a few areas so
others could still function."
Horizontally distributed cuts had been
made so often that further cuts would have
weakened many programs beyond effectiveness. With this in consideration, areas
with waning student demand were suggested for elimination.
Among those deepest cut were the
Center for Community Development,
support for the student built marineresearch sail boat and support for the

theater. The printmaking studio appeared as a ready-made cut as then-faculty
Lawry Gold planned to teach elsewhere.
Now
some of the affected areas may
see a revitalization. "Barring any
Legislative disaster," Beug said, "we will
be able to go about repairing the damage
from TEMBUCO."
According to Beug, the printmaking
studio is considered a pipeline growth area
and hiring a printmaker is on the list of
of things to refinance, but he stressed that
many other things have also. In any event,
there is no set date for the printmaking
studio to be open again on a regular basis.

Screenprint

Nate Anderson

Ian Merrill

Intaglio Print

w

"Twisted," he muttered.
"Eli, you're out for another evening of being seen," said Roger Burgess gocd-naturedly. He pushed his hair off his glasses.
"My subjects need me."
"They need another keg, not your posturing." Roger was vicious and mocking when drunk.
The cracks in Elijah's fantasy facade widened. Dread began to leak into him. He looked away
from Roger and took another drink of bourbon.
.
The other two new arrivals SnIckered. They were John Sweeney and Ted Swam. John, the hea{.ymetal head of the crew, wore a black leather jacket under his waist-length blond hair; Ted was
another tee-shirt, a part of the blurred crowd temporarily apart from it.
"Is all of that for you, Eli?" Roger asked, eyeing the pint.
Elijah watched the rest of the night flow and eddy. It was the same as many night~ had bee~.
When they reached the Safeway, he helped carry the beer they'd bought out ~o ~ack s re? C~h.ca.
He sang with the radio on the drive to Jack's house, in West Blackton. Once m.sld.e t~e dim hvmg
room he drank with the party boys until the alcohol finally overpowered the aCid m hiS beleagured
skull.
In the end he lay passed out on the floor.
"The dark world has eclipsed the light once again, gentlemen!" Elijah Deems roared from the
balcony. "Lift your glasses and slurp up the darkness and soon the light shall come again!"
Eight floors below, on the courtyard of the dorms, a throng of drunken students milled around.
They cheered and scoffed and laughed, slopping keg beer onto the red brick in the cool October
night.
"Deems is frying on acid again," one drunk said to another.
Elijah, six-feet·two, dressed in brown cords, a white Arrow shirt, tie and a tweed jacket, took a
mouthful of bourbon from his pint. He washed down the whiskey and the urge to puke with some of
the beer he carried in a plastic pitcher. Suddenly he was possessed again by the urge to deliver in- .
spired rhetoric:
"God so loved the world, and so hated it, that he sent me .- his bastard son -- to rave at you,
herd you toward destruction. Tomorrow I will preach temperance and love of beauty in a whisper.
But tonight I SCRE-E-EAM!" He shrieked out the last sentence so loudly and insanely that the
crowd was silent for a moment. Elijah laughed, raking a thin hand through sand-colored curls.
"Hell, I'm almost out of beer. I will come back to you ."
A cacophony of slurred voices answer-ed: "Come on down, Eli!" cried one; "Fuck, no, stay up
there and pass out!' called another.
The stairwell, covered in graffiti, swirled and contorted around the young man as he entered it.
For a moment he hesitated, to be sure the concrete stairs were stable enough to support him. He
felt suffocated, needed the open air. But he moved cautiously, afraid to fall. The railing he gripped
flowed in waves, molten . .
Emerging at last from the tall gray building, on the gro.und again, Elijah was engulfed by the
crowd. The faces surrounding him would not. connect with the bodies; as if to choose a body would
mean, for each face, irrevocable imprisonment. Dorm A, from which Elijah had just ranted, bent
and flapped above the partiers like a rectangular tube of canvas stretched over flimsy bamboo.
Out of the mealstrom of faces, tee·shirts, and sloshing glasses came Jack. There was no need to
wonder which body went with that ruddy, bearded face; the ends of hili long brown hair seemed
woven into the knap of his tweed jacket. Except for Elijah's, his was the only tweed in the crowd.
"Eli, you are an admirable drinker," Jack slurred, clapping his friend's shoulder.
"Messianic, you mean," Elijah replied, lowering his fair face to peer dramatically from-umJel' his
brow.
"Shit," Jack sighed. "Well, Lord, the keg's empty. Let's go to my house and drink more beer.
Some of the fun boys are coming with."
"Killer deal. Anyway, I gave the multitudes all they can handle for now."
"How much acid did you take?" Jack asked seriously.
"Two. No, two and a half. Had to, dude. The further into darkness I plunge, the further into
light I'll fly later."
"Bullshit," Jack laughed. "Jesus, you're a nut."
Elijah waited at the corner of the square, near a thin leafy tree, while Jack circulated through
the crowd collecting people for the new, smaller party. Hairline cracks had appeared in Elijah's
beautiful feeling of mastery, now that he was on the ground; he did not want to be too near the
crowd. He sipped more slowly at his pint because he was out of chaser. His mind was toffee on a
chemical toffee stretcher.
"Hohoho, I love my two worlds -- I conjure with both, they are interwined," he whispered. He
grinned, then ~huckled.
"Pretty funny tree, dude, I'll admit," Jack said.
Elijah spun to face him. He had not seen his friend, now the leader of a group of three other party boys, approach. That he, Elijah, had been squeezing the tree and giggling into its bark struck
him and he laughed again.

o
Elijah awoke in total darkness. It took him sticky moments to r~member where he was. Hi~ body
was covered in sweat; his head pounded in agonizing rhythm. Tentatively, he explored the VOId
with his hand. He did not know in what part of the house he lay. Then his fingers contacted the
.
seat of one of the dilapidated armchairs he knew were in the living room.
The darkness stank of cigarette smoke and stale beer. Elijah pushed the light button on hiS
digital watch. It was four-thirty. Elijah moaned. Oh, God, he thought, please let there be some beer
left in the 'fridge.
The cramped muscles of his back and shoulders unknotted as Elijah moved to get· up. Runners. of
pain skittered up and down his body, curling his toes, whitening his knuckles. He s!ruggled to hiS
feet and staggered blindly to the kitchen. The light inside the refrigerator seared hIS eyes when he
opened the door. Then, when he could see, Elijah searched for a beer. He found only the empty
case.
The houi:\e was like the carcasg of a dead animal, fetid and dark inside. It nauseated Elijah to
think of the other guyg collapsed in the closed bedrooms. Ted Swain and Jack were the only two
who actually lived there, but the place wag usually full of paltiers.
.
«~Iijah felt hig way to the bathroom. The light above the min'or stung his eyes when he turned It
on but feal' made him leave it lit. His knees trembled ag he urinated.
i'inighed, he peered into the mirror. The acid flugh was leaving his face. The color of vomited
milk encroached slowly upon the rouge-like pink of hig cheekg and nose. A sweaty matt of flat~ened
CUrili gtuck to the left gide of hig head. Elsewhere, the hair crouched in oily loops. An expressIOn of
deep confusion and despair clouded his gtill-dilated green eyes.
Elijah tried to wait until the sun began to rise before leaving the house. Somehow the sun would
save him, he felt; its warm light would fill him and burn away the scum and darkness. But fear, the
urge to run, would not let him wait. He pulled on his tweed in the living room and fled the house.
Porch lights made pools of brightness in the street. He hurried from each one to the next,
heading for the main road. In less than two hours the sun will rise and the bus will come, he
thought.
'
.
Darren Street, one of the main arteries of Blackton, glimmered in the electric blue of streetlights.
The houses lining it seemed formed of shadow. Elijah walked more slowly now. Up ahead he could
8ee the 7-11 on the corner where Peters Avenue intersected Darren. Diagonal from the store was
the bus stop.
.
"It's five-thirty now," he whispered, glancing at his watch. "Just an hour till the sun comes, and
the bus."
.
When he reached the metal sign-post marking the bus stop, Elijah tried to read the sche~ule .
bolted to it. It was too dim to read so he held his cigarette lighter near the schedule and flicked It
to flame. As he confirmed that the first weekday bus came at six-thirty, he remembered that today
was Saturday. The first bus would not come until eight-thirty.
"I'm going out of my fucking mind," Elijah hissed.
.
Three hours, Elijah thought. He crumpled onto the wooden bench next to the Sign.
Elijah needed a cigarette. He felt the insides of all his pockets, coming up only with an empty
pack. Then he noticed a long butt on the asphalt.

"No way," he spat contemptuously.
The wind came up chilly. Elijah flipped up the collar of his tweed. This action reminded him of
James Dean in Rebel Without a Cause. But Elijah had no audience at the moment.
He stood and scuttled across the intersection to the 7·11. The clerk, a tired redneck in a blue flan·
nel shirt inspected the tall, wrung·out youth.
"Waiting for six·thirty?" he asked, glancing significantly at the beer cooler.
"No, eight·thirty. That's when the bus comes. Six·thirty will just make me with I had some
money."
The middle·aged man chuckled. "Yep, know the feeling."
Elijah scowled into some magazines, adjusted his collar again and coughed. Making the clerk
wonder about him eased his fear only a little. After a while he wandered to the cooler to muse over
the neat rows of beer bottles.
Then, suddenly, but as if it had been building for a long time, a feeling of total hollowness came
over Elijah. The ridicu·lousness of trying to squeeze a feeling of reality, of truly existing, out of
strangers like the clerk, by performing for them, made him feel like a shadow. He bolted from the
store. Outside, he puked on the parking lot.
Head whirling, he made his way back to the bench. The sky was still black. Elijah wanted to
reach over the horizon and yank the sun into the sky by force.
Memories of the previous night began to form in the void of his mind. He saw himself raving
from the balcony, proclaiming himself the son of light and of darkness, the conjurer'. He heard
again Roger's barb: "Eli, you're out for another evening of being seen," and puked again. Only a
few drops of bile dribbled from his mouth.
"If the sun would just come up," he gasped.

A Reflection on a System of Morality Based on
the Consideration of Consequences
Rather than
the Inflexible Application of the Principles of Good and Evil
by Katn Martin

I~
Elijah sat for half an hour, eyes closed, his temples pounding. He looked ~everal times at the
cigarette butt in the street. Each time, he clo~ed his eyes again and turned his head away.
Then, just above the horizon, a purple tint ~uffused the blackness. Soon, salmon·pink highlights
showed through. When he opened his eyes and saw the brilliance, Elijah sighed. He gazed at the
light and color a long time.
With sunlight in the sky, the prospect of smoking the butt in the street did not seem so hOl·rify·
ing. The light had come back to him and he was not hollow anymore. Elijah stretched, still star'ing
at the sky, then quickly leaned forward. His forehead struck something cold and hard.
On the sidewalk to his left was a chrome pushcard filled with junk. Next to it, in the street,
stood a hunched ragpicker. He wore a greasy pair of slacks, a ripped tee·shirt and a frayecl parka.
Perched sidewise on his gray head was an orange vinyl cap with the ear'flaps (lulled down. The
wino's rheumy eyes stared vacantly, his lipless mouth hung slack.
"Watch yaself, boy," he mumbled.
Elijah stared at him a moment, then moved again for the butt. The hum was closer', howevcr, and
he snatched it up.
"That's mine," Elijah snapped.
"Hell, boy, my smoke," the bum retorted, his eyes r:olling.
Anger flashed behind Elijah's eyes and his jaw clenched. He grabbed thc old hum's wrist and
yanked the cigarette out of his calloused hand.
"I waited two hours for the sun, buddy. This cigarette is mine!" Elijah criecl, jumping to his feet.
The bum backup up a step, "Th' sun? Huh? Sure, it's your smoke. We's just two bums here. Kin
I have a puff er two?"
"Two bums? Two ... " Elijah could not continue; fury clogged his throat.
The bum backed away further. Elijah flicked the cigarette at him. It bounced off his parka ancl
rolled back into the street. Then, with a growl, Elijah grabbed the pushcart, lifted it above his
head and swung it savagely. One corner caught the bum on the temple. His vinyl cap ~ailed into
the street.
The old bum flopped onto the pavement. Elijah advanced. He raised the cart a second time and
smashed it down on the wasted face. Tin cans, bits of rope and pla~tic flew in all directions. Elijah
dumped the rest of the junk onto the prostrl!-t~ bum.
"Two bums? Two bums??" he gibbered.
Elijah stood fOl' a long time staring at the corpse lying in the junk. When he heard the sirens, he
looked up. Two patrol cars sped toward the intersection. In front of the 7·11, the redneck clerk
stood, pointing wildly.
Elijah did not run but tilted back his head to gaze at the sky. The clouds were redder now; bet·
ween them lay beautiful blue. Then the sun pushed out from behind a big cloud. Its light stank of
garbage and stale beer, like the darkness.

III.

(Now if I enter this card,) he thought to
himself, (I'll have a transfer of twenty·three
credits into my Potential Account, leaving
me with only fifteen in my Actual Account..)
The woman behind him made a discreet
.poise in the top of her throat, her hand clos·
ed purposefully around her card. Through
the back of his spine he could feel her deci
sion, which only flustered him more.
(Damn. I should have Considered at
home. In such a hurry .. seeing the violin
.. the violin. Must Consider carefully,
thoughtless Choices usually have
undesirable Consequences ..) Aloud he ~id
to the waiting woman, "You go ahead. I
need more time to Consider."
"Thank you." Her voice clear, a slight
nod. She entered her card, made a tmnsfel',
took her card and left.
(She lIeemed symphathetic, the way her
eyes crinkled ... ) He shook his head. (The
violin. The credits.) He wu..'1 standing to one
side of the Tranfer Panel, concentrated
forehead on the image of his card, the eight
digits of his transfer number. Standing mo·
tionless in his long coat. People looked at'
him as they walked by. Looked at his coat,
an old style, beige with deep pockets and
an upturned collar. (Must be a Romantic,)
some of them thought, (didn't Consider at
horne ..) Some people didn't think anything
of him at all, letting his image pass over the
surface of their eyes.
(If I only have fifteen credits in my Ac·
tuals Account, I won't be able to transfer
enough consumables for the rest of the
month - but if I do that next month as well,
I'll be able to transfer the violin with my
Potential credits ... )
The violin, the violin. The curved hollows
of its sides, its delicate, its wide voice and
whisper strings. Scroll neck, long, Egyp·
tian. (I feel like an anachronym,) he admit·
ted to his hands, deep in his pockets. The
violin was a museum piece, a curio. It was

old, old as he felt and he felt its strings,
drawing the bow across them sounded like
his voice.
Another voice broke into his thoughts.
"Are you considering?"
"Yes. I mean,' I have Considered. I'm
making a transfer."
"Oh, all right." She stood off to the otper
side of the Panel. He completed the transfer
and smiled guiltily at her.
"I'm transfering a violin."
"Oh." (Why is he telling me this .. he's
probably a Romantic ..) "Congratulations,"
and she searched -for something less fliJ1f
pant to say. "Violins are very (nice, old,
melodic, romantic ..) romantic."
"Yes." He looked down to where his
hands had already found his pockets.
"Well," she said, in a voice bright as
chl'Ome, "I have to make a transfer."
"What are you transfering?"
(N one of your Consideration .. )
"Consumables. "
"Oh."
.
(Maybe I should have Considered more.)
He watched the toes of his shoes hit the
floor as he slowly walked away from the
Transfer PaneL (If I don't have enough con·
sumables I'll have to go to Jerry ..) There
were friends, but his friends were all
Romantics. Romantics never had any Ac·
tual credits. His shoulders moved a slight
disturbance inside his coat. The Conse·
quences of going to Jerry didn't require
much Considering, he had done it before.
Jerry was an Actual Accounts Advisor.
His job was to interpret the Digital
Transfer Code for those who had questions
or problems concerning their transactions.
When it seemed the System had been in er·
1'01', Jerry had the authority to re·program
a Transfer Code to reflect what was, in his
estimation, the proper credit balance. Jerry
was fond of young Romantics. They were
so hasty; they never Considered properly.

They made impulsive Choices, Choices with
inevitably unforseen Consequences. He
found Romantics stimulating in their lack
of foresight, stimulating and quite often;
gratifying .
That one Romantic, the musical one in the
coat .. what was his na-me? Oh yes, he call·
ed himself Arthur. Sweet. Arthur frequent·
Iy needed a few stray Actual credits, hav·
ing transfered his into Potentials, usually
for antique music things. Those music
things robbed him of all sense sometimes.
It was good, Jerry reflected, that Arthur
had someone who was concerned with his
Consequences, someone who would say to
him, "Arthur, sweet, you transfered all of
your Actual credits into music again? Do
yot! know what that means?" And Jerry
would lean back in his chair, patient,
waiting for Arthur to Consider the Conse·
quences of his Choices, feeling a pleasurable
tightening in his lower body, anticipation.
Arthur would realize, of course, what his
Choices at this stage entailed and nearly
always persuaded Jerry to transfer enough
Actual credits into his Account to last un·
til his next official Credit Allotment.
Just thinking of Jerry made Arthur's
mouth taste acetic, the back of his throat
reflex gag. It wasn't the act iU!elfthat was
so distasteful. Arthur had both male and
female lovers. It was the expectant smile
Jerry had, the smug settling back into his
chair every time Arthur was forced to see
him. His shoulders moved again, rustling
the lining of his old fashioned coat.
Consequences ...
"Consequences ... " Arthur muttered out
loud. A couple en route to the Transfer
Panel looked strangely at him. He didn't
notice. (But the violin ... ) He Considered. He
walked down the passage; his feet walked
towards Jerry. With his hands deep in his
pockets he walked, humming.

,
'-J

~

B4-I-4Q ~
18

I'm a street walkin' cheetah
with
heart full of napalm,
A rainbow valley little rock.
When I'm asleep you touch my feet.
Something called love?
Well, that's like hypnotizing chickens
with liquor
and drugs
and flesh machines .

a

- found by R.P. Tyler

Midnight Mass
Kenge dances
smiling and alone
in the clearing of his god
the forest
In his world
there is no separation
between church and state
of ecstasy

II
I

Senario for a One Act Play
Starring Ronald Reagan as
Uncle Sam
the lion tamer's breath smells
like fear and stale whiskey
his tread is heavy and uneven as he stumbles
into the cage
. the lions · have been waiting for many years
under the whip

- Peter Murney
- Dennis Held

-

-

-----"-

-

---

----~~-----------------~~~----~--~-----~-------

music & dancing

Thursday 26

Friday 27
Bebop Revlsted : Live Jazz at the
Restaurant . 9 PM . $3 cover charge .

Rainbow

Saturday 28
Umoja presents: Black History Month Celebratlonl FeatUring : N.Cognlto and G.Q. James Rap
and Suatch Master. 8 PM In Lib 4300. $1.50
students: $2 general.
Bebop Revisited : Live Jazz at the Rainbow
Restaurant. 9 PM . $3 cover charge .

Thursday 5
International choreographer Shimon Braun's electrif~ing dance company Waves opens for five even ing and mantinee performances at the Fifth Avenue
Theatre . Call 628-0888 for ticket information.

Continuing
African Dance , Wednesdays from 3:30 to 5:30 PM
in CRC 307 . For more info. cal l x6530 .
Contact.lmprovlsatlon Dance. Sundays from
4:00-6:00 PM in CRC 307. Open to all level~ .
Seattle Opera's 11th Summer of Wagnerian
Opera, reserve seats now . Call or write to the Seat·
tie Opera P.O. Box 9428 Seattle . WA 98109.
GESCCO will hold weekly open meetings every Monday at 6 PM at 5th and Cherry .

governance
Continuing
Lucy' LaRosa

Linocut

Rkhard'Hartley one of the Student Representatives
to the PreSidents Ad Viso r y Bo ard holds o pen office
hours to discuss governance ISSUes . Tuesdays 6:30-9 :30
PM in D -dorm, room 204.
Faculty Evaluation DTF . Wednesdays 1:00-3:00 .
L2219
Faculty Hlrln, DTF, Wednesdays 1:00-3:00. L2219
Govemace DTF, Wednesdays 12 :00-2 :00. L222 1.
Native American Studies Group(DTF) ,
Wednesda ys 12:30 -5:00 (unless o ther Wise notified).

by Erik Peterson
He quickly slid it back under his mattress just in case the
footsteps on the stairs were heading for his apartment. Very rarely
did people stop by, but he, cuuld not be careful enough. At the
same moment, his grandmother's voice talked to him from years
past. "You see those birds out there, Barney," Barney looked at
the finches pecking at the thissel seeds his grandmother had spread
on the freshly fallen snow, "they eat a seed, then look up to see
if anyone is threatening them. Those little birds are always on
guard. That's what we have to be like Barney, always on guard,
peck at a seed, then check and see ifsomeone's round the cor·
ner, because th\!re is always someone, somewhere watching." The
footsteps continued on up to the top floor of the building. Barney
mumbled to himself, "Someday I'll move on up to the sixth floor,
no more sound coming through the ceiling, not as many footsteps
to listen for." He brought his head up and l(loked at the wall. The
crucifix had tilted slightly like it always did after a train ran
beneath the building. Barney had grown accustomed to the ring·
ing of the iron girders. He stood up slowly, straightening the cross
o and said, "I hate those damned trains." Knowing the exact amount
N of time it took, Barney hobbled over to the window and watched
• for it to come up out of the tunnel and cross the Charles. "Geez,

1 love those trains," said Barney. He liked to watch the train go
over the river; it was especially nice when someone would sail
under the bridge as a train crossed. Another person came up the
stairs, Barney panicked and looked for it, then remembered he
had slid it beneath the mattreSs. The footsteps passed, he reached under and brought it out. The pages sounded loud as they crinkl·
ed. He looked at her long and told her, "Used to be, those trains
didn't even run underground like that, 1 remember when they
put it all in, all those tunnels." Another train slid beneath him,
the cross slid and he heard it's wooden surface scrape the wall.
He didn't dare look up because he knew he would be caught with
it out. Carefully, as to avoid eye contact with it, he hobbled over
to the window to watch the train cross the bridge. After it dissappeared, he heard a loud knock from the apartment above, he slouch·
ed into a chair and sighed, "Damn it, I'm never going to move
upstairs." He couldn't help feeling relieved even though he had
surrendered to his plan. Without thinking, he lifted h~ head up
and looked as it hung slanted at an embarrassing tilt. Hot electric chills ran up his spine when he realized it was out. "Damn
it!" he shrieked pitifully and dashed to slide it unseen. Another
train rung the iron girders loudly, and he didn't hear them. "Damn
it, 1 hate those trains."

health and rec

L 1600 lounge .
Academic Advising Board DTF . W ednesdays
1:00-3 :00, L2220.
Vke President for Student Affairs Gall Martin
hosts open meetings Mondays, 12 :00. L3236 . Call
x6294 for more Information .

ChemlcalBloaccumulatlon: Living with a ToxIfied Body: Bruce Haney, who's been chronically ex pose d to toxins in the co urse of his work as a land ·
scape gardener. discusses his struggles With the system
and within himself coming to terms with his Illness . 7
PM in lecture hall 2. For mo r e Information call
866-8258.
Beyond Cancer, a diSCUSSion of the health hazards
of the 20th century lifestyle, starts at 7 PM in Lee. Hall
2. For m ore information call x6784

Saturday 28

.

Scu lpture '87 . Call 272-4258 for Information .
Flowerscapes : Recent Watercolors and Palntin. . by Karen H elmich are on exhibit at the Tacoma
Art Museu m . Call 272- 42513 for further Info rmation .
Northwest Fiber Arts IS an exhibitio n of N o rth west
textile artists at the PublIC Arts Space. Call 625- 4223
for Information .
The Kin, County Arts Commission IS soliCiting
art for the Harborvlew Medical Center . Interested Ar ·
tlStS should call 344 -7580 for more Info .
Call for Artists,applicatlons are now being accepted
from professional artists Intere5ted In participating In
the Washingt on Sta te Arts Commlsslon's Arti sts -In·
Residence Program for 1887 -88 .
Residencies in mUSIC composition. dance . film and vldlo.
folk arts. poetry and creative w rlttng. theatre and Visual
arts are available . Application deadline IS March I . 1987.
For more Information call (206) 753 -3860 .

The Olympia Parks and Recreation Department Will
be offering another "KId's Flea Market" from noon
until 1 PM In the Olympia Center Gymnasium.
For more Information call 753-8180.

Continuing
Walleyball, Mondays 7:00-9 :00 PM at the CRC Racquetball Courts. For more info . call x6530.
Women's Welaht Llftln" Tuesdays 8: 15- 10:00 AM
in the CRC W eight Roo m . Call x6530 for more Info ..
Basketball, Wednesdays and Fridays 6:45- 10:00 PM
at the Jefferson GY M .
Ultimate Frisbee . Wednesdays. Fridays. and Sun days 3 :00-5 :00 PM on the Campus Playfields . For more
Info . call x6530 .
Campus Coed Volleyball Lea,ue , Thursday
Nights , call Adam at 754-9231 for times and dates .
Boomer&nl Throwln" Fridays 2:30-5:30 PM on the
Campus Athletic Fields. For mnre Info . call x6530 .
Sallln, Club--contact Paul at 754-0888 for details.
Fencln, Club--contact Cor ey in the CRC If you are
an EXPERIENCED fencer .
Tennis Club--contact Mike Perez at 866-1893 If you
are Interested .
Track & Field Club .. contact Coach Pete Stell berg
at x6530 .
Crew Club .. contact Kyzyl (pronounced Keetztl) at
• 943 -8624 .
MUR,e now being offered through the Recreation
Center . Call x6535 for details .
The Midwife Infonnation Line answers questions
about modern cer t ified nurse midWifery for women
planning to have babies . In Olympia call 456-7862 .
Keep Your Love Alive: Olympia Aids Task
Force . For more Information regarding AIDS call
357- 4904

visual arts & lit

education

support
Continuing
Disabled Students Group meets Thursdays at
noon, x6092 .
Lesbian Women's Group me ets ever y Tuesday at
7 PM in Lib 3223. Women of all ages welcome . For
mo re info rmati on call x6544 .
Lesbian Group for women 35 and ove r mee ts evry
2nd and 4th Fridays at the lIGRC In Lib 3223 at 7:30
PM . For more information call x6544 .
UGRC Youth Group welc omes gay youth 21 and
under to ItS meetings every Saturday from I PM to
3 PM in Lib 3223 . For more Info rmation call x6544
Gay Men's Group meets each Thursdays at 7 PM
In Lab I room 2065. Men of all ages welcome. For more
Information call x6544
Give your old books to Innerplace , They Will be
passed on to places where they' re neE'ded like prisons.
the University of EI Salvador, ete. Call x6145 for more
Info .

ethics & politics
Friday 27
A tribute to Seattle Black Activists . Mary LOUIse
Williams. veteran community organizer cr edited with
"sounding the alarm" on poverty In the six ties. IS the
featured speaker on a panel entitled " Remembering
the Sixties" at 7:30 PM in New Freedom Hall in Seattle . For more Information call 722 -2453.

Sunday I
Victor Guzman will speak informamlly about hiS experiences at the University of EI Salvado r fro m 8 to
9 PM in the corner .

Tuesday 3
Monday 2
Dr. Allen "Chuck" Ross Will delive r a serie s of lectures at a symposium on cognitive styles at 9 AM until
noon and from from 1:30 to 3:30 ,n Lib . 3500 . Fo r
more information call x6336.
Dessert Evening and Lecture : "Mythology Cur·
rkulum In Waldorf Schools" presented by Elana
Freeland at 7 PM at the Unity Church . For mo re In formation call 754-0920

Wednesday 4

Dr, Thotnas GrIaom discusses the sCientific research
community 's dilemma in working on military defense
projects at 12: lOin the First Methodist Church . For
more information call x6128
A student-initiated group contract to study Clvililber ties issues is looking for students for Spring quarter .
For more Information call 754 -4608

Tuesday 2

"Contemporary Fiber Arts" by Ann Patterson IS
scheduled at 7:30 PM In the Public Art Space Gallery .
For more information call 625-4223 .
.
SlI,htly West IS now accepting submiSSions for Its
Spring edition . Bring submiSSionS to Maarava Lib: 3214 .
The Student Art Gallery IS currently shOWing the
work of Shawn Ferns , Debby Coulter and Andy Ken nedy. For more info . call Val Kitchen, Gallery Coordinator , x6412 .
Do you weave, paint, sculpt, create Jewelry or
pottery 1 If you are interested In shOWing andl or seil ing your work on consignment In an established shop
call Phyllis Thomas at 943-8282 .
The Everareen State Colle,e Main Art Gallery
IS showing a display of children's art from the Olym ·
pia Waldorf School. For more Info. call 943 -4171 .
The Tacoma Art MUMum will present Painting and

Former Chilean political prisoner Enrique Cruz Will
discuss the repressions and human rights abuses com mitted by the Pinochet government In Chile at 7:30
In the ReCital Hall. $1 .50 student : $3 gt·,,\eral. For more
Information call x6144

Continuing
The Peace Center will be o pen fr om 7:30 to 8 AM
every Tuesday morning for students t o call their
senators and representatives In Washington D .C. For
more Information call x 6098
Give Your Conareuman, Senators and White
Hou.. A P. .ce Of Your Mind . Co nta ct the
Evergreen Peace Center for more Information. L3 233.
Recycle Used Motor 011 . Citizens ma y dispose of
used motor 011 free of charge w eekdays. 8 A M-4 PM .
At The City of Olympia Maintenance Center . Call PubiC
Works at 753 -855 for more Info.

.!--

Founding Festival
Sunday I-Saturday 7
20

Evergreen Ce lebra t es Numb er

ding Festival : A
receptions,

wi th

Foun-

week long festiva l o f exh ibits,

lectures,

films,

and

t o urs

Will

ce lebrate two decades of ed ucatio nal innovation

Commemorative booklets

are o n sale for

$3 In the Bookstore.

Thursday 5

Wednesday 4
Official openlnl ceremony with remarks by a

Women and First Peoples Faculty who joined

member of the Squaxin Nation, President O lander and
Governor Gradner from 9- 10 PM In the Library Lobby .
Communi ty-wide reception complete with cakes and
refreshments from 10 to I I AM on the main flo or of
the CA B Building.
A fast-paced histoncal multi-media production presents
a lO-mlnute slide retrospective of Evergreen starting at 10 AM
Foundln, Faculty Panel: EnlOY stili lively committed planning faculty members reminiscing about the ear·
Iy days of Evergreen, fr o m N oon until 2 In CAB 110

Evergreen during the first two years will offer women' s
and ethnic perspec tives o f Evergreen from N oon to
I :30 PM in Libra ry 2100

Friday 6
A panel of Alumni who represent diverse proffe ·
sions and who are active In the communit y affairs, Will
diSCUSS their Evergreen experiences and relate them
to their proffeslonal work and involement from N oon
to 1:30 in CAB 110.

The Festival 's keynote address Will be presented by
Dr. John David MagUire is a respect ed leader in the
field of education and an ou tstand ing spokesman fo r
the liberal arts and Innovative approaches t o learning
from 7 to 8 PM In the Library Lobby .
Presentation on Alumni works In film, video,

computer graphics and animation from
1972-1986: 8:30 to Midnll<ht in Lecture H all I.
A roll call of all alumni from 9 AM to 6 PM from
the clock tower landing. Voluntee rs fo r readings should
co ntact Jacin ta McCoy at x6566.

Saturday 7
A IIght·hearted musical trip down Geoduck
Lane directed by Evergreen 's genius of satire, Malcolm

BARBARA J. MONDA,
M.S., M.S., M.A.
COUNSELING AND THERAPY

VIVA ITALIA!

Depression - Personal Growth - Abuse
866-1378

AVOID
THE
NOID'"

Stilson . FeatUring an unpolished cast of nota bles from
p,\st performances dating back to 1970 from 4 to 5:30
in the Recital Hall.

A grand finale dance featuring the best big band

The Greenery & The Deli
Salute Evergreen .. .
Making A Difference
20 Years Of

CALL
DOMIIO'S
PillA·

sound in the Northwest : Swingshift . 9 PM to I AM

With one call to Domino's
Pizza, you can avoid the
NOlO. So when you want
hot, delicious, quality
pizza delivered in less
than 30 minutes, One
call does it all!®

Italian Cuisin e At Our
Promo Bar All Of March

754-6040
r----------------------,
$2.00
Off!

•
:.

$2.00 off any 16" twoitem or more pizza.
One coupon per order.

Family Size
:
Pizzci:

•
$7.99 :
••

Faet, Fnte Delivery"

~

l~

••

COOPER PT. RD

L______________________ J
________________________~
Our drive~ carry "'.. than S20_DO. Limrted delivery ar8&. ~ 1985 Dominds Pina. Inc.

••
•

Harrison & Division •

•
•

357-7575

•

Expires March 31, 1987
~
Void with other offers. ~ ~
..llimit one coupon per pizza~ ~
:

•.........
•

tlng posi tions and speCial agen ts SalarIes start at

Continuing

$ I 4,822 . Training prOVided . For more Informa tlon cali

OASIS, a newly crea ted action group, supporting -

442 -4774

Native People's efforts for cultural and phySical sur ·
vlval, meets Thursdays at 7 PM in Lib . 3500. Your help
IS needed l For mo re information call 866-8258
International Women's Day meetings every Fri day at 2 PM In Lib . 3216. Help plan thiS year's celebra tion .. bring Ideas! Call x6 I 62 or x6006 fo r more Info

Co-cordlnator wanted for the Peace and Confhct

jobs & internships
Tuesday 1
The Career Development Office will hold open
house from 5:30 t o S:30 PM ,n L12 I 3. For more In·
formation call x6193.

Re solu tion Center. Call x6098.

Cooperative Education Office Drop·ln Hours
Tuesdays and Thursdays I :00-3:00 PM
NEED SOME SSSI Perhaps a temporary or part
time lob will help . Con tact the Evergreen 10bBank
Monday, Wednesday . and Fnday fr om 1.00·500 PM.
x6295 .
Crossroads IS actively seeking high school and collegE'
age students to partICipate In thiS years community
development programs In rural Caribbean anrl A fn( an
Villages,
Both volunteer and leader posi tions arc open Peoe>le
Interested In applying ar e enc ouraged to co nta ct
Crossroads Afrlla, 150 Fifth Avenue, SUite 310. New
York . N ew York 10011, (212) 2428550 or (SOO)
42-AFRICA

7 AM - 9 PM·Daily
8 AM - 7 PM Sundays

Choose one topping.
Thick or thin crust only.

Good at locations
listed.

The IRS IS currently accepting applications for accoun

Fresh Bakery Items

r·················
••
••
••
••
••
••
:
:

Continuing

UMOJA Presents:

The Greenery 1st Floor CAB TESC

Meet the NOlO:" He loves
to ruin your pizza. He
makes your pizza COld,
or late, or he squashes
your pizza box so the
cheese gets stuck to
the top.

diversity

~-

-~

WESTSIDE CENTER

Classified
$60.00 Per Hundred Paid
for remailing letters from homel
Send self-addressed, stamped
envelope for information and
application, Write to: Associates,
Box 95-B, Roselle, NJ 07203.

TOUGH JAM I
Featuring:

Roland JX8P
mint condition 1 yr old, $1100.00
with Hybrid case, Incredible synth.
Drawing tabl. adjustable plane.
Good condition, $35.00. Chris
866-6000 x6054 day, or 754-5379.

TYPIST
$500 weekly at home!
Write P.O. Box 975
Elizabeth, NJ 07207

Passion Sound Studios
Professional mobile and studio 8 trk
recording specializing in airplay
quality, modern sound. Bands,
publishing demos, soundtracks,
commercials. Also offering private
instruction and PA rentals. Discounts
for peace activist projects and lESe
students. 754-1780 .

Date: February 28th
From 8 pm til
Place: The Evergreen State College Lib 4300
Price: $1.50 students $2.00 general
For more information call: 866-6000 x6781
Ref.reshments and Free Snacks