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Part of The Cooper Point Journal Volume 12, Issue 24 (May 17, 1984)
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Early
Wednesday
Warning
Volleyball, noon , campus plaza.
David Ward - St~inman, composer,
arranger and musician, presents
multi -media concert, 8 p.m. Recital
Hall, Communications building.
Tickets: $5 general, $4 students ,
senior citizens.
"Women in Sports: Issues and
Answers," a symposium on
economic and social issues affecting women athletes, 8 p.m., Evans Library. Tickets: $40 for general
public, includes luncheon; $20 for
" Natural Birth Control Methods"
students and seniors; $10 for TESC
is the title of the Frida y eve ning
students without lunch and $15 for
program at Bread and Roses House
TESC students with lunch. TESC
of Hospitality on Friday, May II.
students who work at the Run For
The talk and discussion will be led
Your Mom or Super Saturday Aucby Anne Marie Schaeffer. The protion get in free. For reservations
gram begins at 7 p.m. at 1320 E .
call 866-6000, ext. 6530.
8th Ave. All are welcome.
For more information on Bread
and Roses, its program of
hospitality for women and families
Celebration of Expressive Arts conin need, and its regular Friday
tinues with music by Charles Davis
eveni ng services and discussions,
and Eric Dannevig, noon, campus
call Lanora at 754-4085.
plaza or CAB Mall if rainy.
Images of the Person program
hosts open critique, 9 a.m.
noon, LAB I, room 1040.
The production of "Orlando," a
stage version of Virginia Woolf's
novel, hosts open set, 3-6 p.m.,
COM 110.
Gigantic garage sale from 9-6 at
902 Di vision St. NW. For sale five used cars, motorcycle, a
mobile home, records, books,
T. V., much clothing and lot s more r
Benefits the 1984 program spring
festiva l (May 21-June I)
Run for Your Mom. 5k and 10k
races , registration begin s at 7:30
a .m. and costs $6. front of Evans
Library. Details at 866-6000. ,
6530.
May 12-19
The Artists' Co-op Gallery, at 524
South Washinglon , in downtown
Olympia, will be featuring as their
Artists of the Week, Loi s Bowden
- oils, Helen Taylor - oils. Hours
of the gallery are 10:00 a .m. to 5:00
p.m. Monday through Saturda y.
Thursday Night Films presents,
"Ludwig," the story of the
mysterious Bavarian King and his
relationship with composer
Richard Wagner, directed by Hans
Jurgen Syberberg, . 7, 9:30 p.m.,
LH I. $1.50. Childcare provided.
and 9 p.m. at the Capital Cit
Studios , 911 E. 4th in Olympia.
Sea n Ie music historian Joe
Vinikow, who assembled the col lection, will be present at both
sc reening s to answer qucs tions.Cosponsored by Olympia
Media Exchange and t he Olympia
Film Society. $4 general admission,
$3 for OFS members . For more in·
formation cal l the Media Exchange
at 866-6000 X6001.
An all campus, open in~erview of
the three applicants for next year's
Women's Health Clinic Student
Coordinator will be held from
noon - I :00 in Seminar 3151. All
male and female students are invited to allend, ask questions and
,hare <.:oncerns.
Mav 14-15
Epic present s '·Fc.sti\al of ",cw
Growth." "More than ElDl\'> and
..\rrow~." " Treali e, ;o,1acJ c. Trcalicl
Broken." "How the \\'Clt Was
Won and Honor 1. 0\1. , . Co,ponIO"cd with Nortll\\clI Ind ia n
Center.
Scientific Congress on medical
issues affecting women athletes, 8
a.m., Evans Library .. Ticket s: $40,
including luncheon; reservations at
866-6000 x6530.
JAZZWOMEN, a collection of
rare film clips featuring women in
jazz, including Ella Fitzgerald,
Billie Holiday and the Boswell
Sisters, will be show n tonight at 7
Seattle
The Fahulous Salecn, .. . Sam
Smilh ... Redeker .. Di a n Schuur ...
and We Three perform Monday,
7:30 p.m. at Broadway Per laI"
mance Hall Seattle Central COI11munity College to benefit Arprenriceshir and Nont rad itio nal
Emplo y ment
fo r
Women
(A.N.E.W.), a nonprofit or!c!anizition t hat trains women for non iraditiona l jobs in the building
trades . Tickets are S 10.00. tax
deduetable donation. Avai lable at
the Broadway Perform a n<.:e Hall or
by ..:alling 235 -2212. All proceed I to
~upport the ANEW pro!c!ram.
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A Field Day - May 17, Thursday,
from noon on ... Multi-media installation event of Evergreen Artists recent works. In the Field
behind the Library. Come see
and / or participate.
Summer academic fair, 3 - 6:30
p.m. in the second floor lobby of
the library .
KOY AANISQA TSI is coming to
Olympia! This internationally acclaimed film, featuring a ,ound
track by composer Philip Glass,
will be shown at the State Theatre,
May 18-24, at 7 and 9 p.m. $4
12 and under.
general, $2 866-6000 ext. 6001 for more info.
Summer Fair provides complete
details about full time and part
lime study opportunities at
Evergreen this ~ummer, 3-6:30
p.m '., secon d floor Evan Library.
Free.
Rare original
footage of
WESTERN SWING musicians will
be featured at the Capital Theatre,
May 23rd, at 7 and 9pm. $4
general, $2 12 and under. 866-6000
ext. 6001 for more info.
Dick Clark, former U.S. Senator,
will offer advice and information
in a workshop entitled "Careers in
Government: Do I have to go to
Law School?" Sponsored b y
Career Planning and Placement,
the workshop will be held Wednesday from 1:30-2:30 in LIB 1213.
All students welcome I
Bluegrass Festival
The 1984 Tumwater Bluegrass Feqi\ al i,
wming May 18 - 20.
Events: Banjo Contest, Work shop. [\hibits, Open Mike, Bluegrass Scramble,
Kids Fun Festi val, Old Time Dan<.:e, Sun ·
da y Music Gospel, Raffle - F5 Style Man·
dolin , Acoustical Instrument Sale (bring
your instrument and let us help you sell it).
Parkin ' Lot Pickin'
Workshops: Fiddle by Ray Park, ,Vhat i,
Bluegrass?, Banjo (2), Guitar (2) , Ba".
Dobra, Harmony. Mandolin. Showman·
ship, Autoharp (2), Clogging (2)
Banjo Contest: Registration 9 a.lll. Saturda\'. For more information Call: Allan
Walton 206-838-6737.
Location; Tumwater High Schclol. Turn·
water Washinton. Exit 102 off 1-5 . Plenty
Fran Barkan, Grants Coordinator,
is giving the final workshop on
grant and proposal writing at 10:00
a.m. - 12 noon in UB 2204. Subject: Writing the proposal and
preparing the budget. John
Gallagher, Associate Director of
Development. and Bill Zaugg,
Grants and Contracts Accountant,
are helping with the workshop.
Open to all and free, of course.
('ree overnight parking for self-conta ined
ve hicles.
Hour s: Friday & Saturday Evening Conc'erts 8 p.m .. Saturday Breakfast 8-10 a . m.,
Saturday events 10 a .m. - 5 p.m., Sunday
Brea~fast 8-10 a.m .. Gospel Music 10 a .m.
- 12 Noon.
l ) ('
Ticket Outlets : Gillelle & Guffy, Yenny's
Music. Mu sic 6000. Advanced weekend
ticket s $10 - Tumwater City Hall 2nd &
Bates 98502.
. Prices: $1 button will admit you to all
daytime events, Friday Old Time Dance
and Sunday Gospel Show with Sunny
South. Concert Tickets $5
Spo nsors: City of Tumwater, YWCA
'"'~~~~~iI~' "
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BLUES COUNTRY, a feature)ength documentary on the hi story
of the blues. will be shown at 7 and
9 p.m. at the Capital Theatre in
downtown Olympia. In highlights
from half a century of blues on
film, over two dozen of the most
outstanding blues artists of all time
appear in actual performance;
many in footage seen for the first
time . Seattle producer and music
historian Joe Vinikow will be present to answer questions. Admission is $4 general, $2 - 12 and
under. Call the Olympia Media Exchange, 866-6000 ext. 6001 for more
info .
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Greenerspeak
Excuse us
,
.
o
u
R
US
Dcar Ed itor:
Last week's CP J made a mi stake in pri nting th at the Eart h fa ir was sponsored by
t he Wilderness Center. Actually all of the
pla nnin l,;, organiza tion and set up of EarIhfa ir was done by Karen Mielbrecht and
Andy McMillan of the Environmental
Re,o urce Center. They should gct all t hc
cred it for their hard work.
Mike Knuth
Wilderness Cente r, hoard member.
Well,
Excuuuuuse
us
Dear Editor:
In last week's is\uc you erroneously
credited the Wildcrness Center with spon sors hip of Ea rth Fair. In fact, this year's
Earth Fair was <;ponsored by the Environmental Resource Center, as each
Earth Fa ir has bl'en. The Wilderne"
Center , Peace Center, and Parents
Resource Cen ter a ll participated in the Fair
and their help was greatly appreciated.
Also, in addition to eati ng , playing and
Based upon the urgent need to reseal
parking lots this summer and based upon
the lack of funds to pay for these repairs
from any other source, Gary Russell, Chief
of Security, and Ken Jacob, Director of
Auxiliary Services, have recommended a
parking fee increase to become effective
Fall Quarter, 1984.
In 1978, only half of the 'lots were
repaired and resealed. Sealing bf parking
lots should be done every seven years in
order to protect the pavement from
moisture, freezing and the breakup of the
surface which causes chuck holes . Half the
lots have not been resealed for 14 years.
The parking operation is a selfsupporting budget and receives no tax
money. The only revenue to pay for
maintenance and repair s is derived from
the sale of parking permits and from parking citations.
Parking revenue is also used lO pay for
student patrols to insure that fire lanes,
zones and other no-
Yours,
Andrew McMillan
Karen Miclbrecht
TOWe4RB
e4
human
worl
or
A vote for
McGovern
Dear Edi tor :
Excuuse
Well, I admit it is a bit far -fctched, but
it SCC Ill S to me t hat George McGovern
would be a superb President for th e
Evcrgrce n ~tate Coll ege. Doesn' t Geo rge
have a ll1a~tcrs degree in ed ucat ion or
somethin g like that? He cou ld help thi s co llege keep the political high -pyofile that
Eva ns brought us.
tiBRALB eMISCHB
The State of Texas has always been a
musical crossroads, a melting pot where
traditional Anglo-Celtic fiddle tunes from
the southeast mixed with Blues and Jazz
innuences from the deep South, with a
libera l dash of redhot polka and waltz
rhythms from South of the border.
Surviving film footage from the heydays
of Western Swing is growing increasingly
rare, but Olympia will be able to relive the
images and sounds of such Swing greats as
Bob Willis, Milton Brown, Carolina Cotton and Spade Cooley on Wednesday
night, May 23.
Seattle film producer and music
historian Joe Vinikow will be coming to the
Capital Theatre in downtown Olympia
with a diverse collection of old film clips
and early televison recordings that depict
some of the finest moments in the history
of Western Swing. Vinikow, an accomplished guitarist as well, will be present to provide insight and answer questions at both of .the screenings, scheduled
for 7 and 9 p.m. Admission is $4, $2 for
kids 12 and under. For more information
on this evening of Western Swing, call the
Olympia Media Exchange at 866-6000 ext.
6001.
Ge rd ld Misl h{' i ~ pre s II1 e nt o f Gl 0tldl EdllCat i on AS'oe ' dH'· .. . d n€'trovr~ 0 1 dBOcld t es ,n over 51) co untr,,: ... 11(' h ~n Cld·
Ju nct prO I {'~sor ,J t ~(' ton 1j,J1t Lln l ~l.'rSlti . After dir('(.tln g It co nwru n l t )" Ch.' o'(, l oDllle'n l prOJt"Ct In LHln "'m('ri c cl , In 1957
Ge rdl d ((I- founded dml ..-d S f irst r1,r('ct or o f the A~ SOC ' dt 'o n I O~ in ler!ldll on di DI' ~ {'lopment. o:.er dld I S au ln o,. of m.ny
drt1C le~ dnd III!l no groJ lJh\ dnd lid" l e ( tu f erl o n fl Y!' (.on tln t'nt s
i n te."n a tl or'ldl
,'ltdlr , d nd h<t<, d un l ' three yl'd r s o f
LeCTure Hall 3
T. E.S.C.
~'ndudt'
I'll'
~ Iurl~
1 ~ d q rdotJdle lIr (o l umbl,l jJn l~ e r ~ lty' ~ Sc 1'l oo l
In th l'u1 ulJ) ,It
~t
of
JO l'1n 's Iln h er~ lt y.
Friday, May 10
7:30 p. m .
Admission $3.00/1.00
Si ncer ely,
Matt Mero
P .S . The Nuclear Arms Race Moratorium
Act will be coming up for a vote sometime
in the nex t few month s (in th e Huuse). Our
representatives are key votes. It look s as
thou gh Rep. Bonker will vote for the bill
hut dues not seem particularly devoted to
it. Those who support a nuclcar weapon .s
moratorium might want to write in thank s
for his support of thc bill, and ask that he
do a ll he can to prompt other representatives to vote with him. Excelsior! M.M.
FRESH QUALITY FLOWERS
AT
LOW PRICES!
Cooper Point Journal
754-3949
Master Charge & Visa orders accepted by phone.
U N
.................. ......................
Production Creh'.· Robert Healy, David SCOII
Mike McKen zie
'
PilolOgrapilers: Dav id Scott, Sha n non 0' Neill
The Cooper Point Journal is published weekly for the students, staff and faculty of
The Evergreen State College. Views expressed are not necessarily those of the college
or of the Journal's staff Advertising material contained herein does not imply endorsement by the Journal, Offices are located in the library building, Room 3232. Phone:
866-6000 X62/3. All announcemf'nts should be double-spaced, listed by category, andl
submi((ed no later than 5 p .m . on Monday for that week's publication. Alllellers to
the editor must be typed, double-spaced and signed and need to include a daytime phone '
number where the author can be reached for consultation on editing for libel and obscenity. The editor reserves the right to reject allY material, and to edit any contributions
for length, content and style. Lellers and display advertising must be received no later I
than 5 p.m. on Tuesday for that week's publication. Contributions will be considered
for publication subject to the above-mentioned stipulations.
Page 2
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I.1Mtl
Sail into Summer
Windsurfer and Obrien Sailboards, Lessons,
Rentals, Drysuits, and Accessories
... Complete Line of Trek and Fuji Bicycles
Expert servi&e on all makes
Cable televison and its role in our com munities and personal lives, will be examined when the National Federation of Local
Cable programmers (NFLCP) hold its annual regional conference in Olympia later
this month. Slated for May 25 and 26, the
conference will be held at The Evergreen
College and is open to the public. Community programmers, independent producers and cable-access managers from
throughout the Northwest are expected to
attend, with a wide variety of workshops
and panel discussions planned.
Co-sponsored by the Olympia Media Exchange, the NFLCP conference is of particular significance ot Olympia residents.
The Olympia City Council is currently
preparing for refranchising negotiations
this Summer with the
operator,
Nation
Wide Ca ble-vision.
Representatives from community
groups, social se rvic es and cultural
organizations, and other concerned individuals are especially urged 10 attend the
NFLCP conference and learn more about
how they can utilize local cable television
to get their messages across to their com munities . Registration for the conference
costs $20 for NFLCP members, $35 for
non-members, with full-time students
charged a special conference rate of $25.
Separate admission to the panel discussions
on Friday night and Saturday morning carries a fee of $5. For a full conference
brochure and additional information, contact the O lympia Media Exchange at
866-6000 ext. 600 I.
,.
Their free prese ntation will ou tlin e the
history, goals and challenges the artist ic
team member s faced as they so ught to
create "publi( art" that would provide, in
Mandeberg's words, "a visual link between
the college and th e cit y of Olympia ."
Fourteen students devoted two full
quaters lO the project, whidl resulted in
temporary in stallation of two 16 foot
a luminum sculpture which, says
Mandeberg, "have given students a chance
to explore with community members the
contributions public art makes to our
cultural life ."
Following their free discussion, ECCO
mem bers and guest will be invited to view
the sculptures, one situated in front of the
LAB II Building on campus, and the other
on the' north shore of Capitol Lake. Car
pooling will be arranged and guesls are advised to plan about two huurs for the complete presentation.
Questions may be directed to .866-6000,
ext. 6095.
Evergreen prof wins Scientist of year award
Steven G. Herman, faculty biologist at
The Evergreen State College, has been
named Scientist of the Year for 1984 by the
Washington Environmental Council. Herman, who has been at Evergreen since
1971, received the award at the Council's
15th Anniversary Banquet at the Mountaineer Center in Seattle on Saturday night,
May 12.
According to Kathy Salvog, director of
the Counci l, Herman was selected because
"he has worked tirelessly over the years to
advocate the biological imperatives of environmental struggle. He has testified innumerable times to bring to debate the
facts which are invariably ignored in the
political process.
Herman concentrates on teaching
biology and ornithology at Evergreen,
spending much of his time with students
observing birds on the Pacific Coast,
especially Bowerman Basin in Grays Harbor, Washington, and the Malheur Bird
Observatory in southeastern Oregon.
These are the fourth annuat awards lor
V E R S
T Y o F
o
work in the environmental field by th e
Washington Environmental Co uncil,
which was founded in 1969. The Council
also presents annual awards to an outstanding volunteer, citizen activist, federal official, state official, and media representative . Details can be obtained by calling
(206) 623-1483.
r--:!~~~~~~~~:-~~-:-'
MOTOR SUPPLY
412 S. Ch~rry
943-3650
8a.m. - 8p.rn.
Open 7 days a week
TOOLS
FOR THE
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\-'- -.
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A H 0
There is still time to plan to attend Summer Session at the University of Idaho,
Moscow Campus or Coeur d'Alene Center .
* Non -resident fees will not be applicable
for Summer 1984 at either the Moscow
Campus or the Coeur d'Alene Center.
Thus fees for all students, whether
residents of Idaho or not will be $50.50
per credit for undergraduate students in
undergraduate courses and $66.50 per
credit for graduate students and graduate
courses.
The
change
in
thE!
undergraduate and graduate fees were
among changes made by the Regents of
the University at the April, 1984 meeting .
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Be an Idaho resident
•
May 17, 1984
Evcrgrecn faculty artist Jean Mandeberg
and her students will discuss their "Communications Towers" in ECCO's final program of the 1983-84 academic year on Friday, May 25, beginning at noon in rool11
t 10 of the College Activities Building a t
The Eve rgreen State Co llege.
.-".
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/,-,::r:;.. ,. - .
-.~
- .
.v, . - ~, . '
$24.95
. ~\; --
~
.
~.,
~~~_
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The Cooper Point Journal
2. The recommended parking fees increases
are as follows :
,
al I ncrease the cost of daily permits from
$.55 to $.75.
b) Increase the cost of annual pe-rmits from
$40 to $54.
c) Increase the cost of quarterly permits
from $16 to $22.
d) Increase the ccst of quarterly motorcy cle permit from $8 to $1 I and the cost of
an annual mOlOcycle permit from $20 to
$27.
A meeting is scheduled on Monday, May
21 in CAB 110 at II :30 a.m . lO I :30 p.m.
to answer your questions and bea r your input. If you prefer, you may send any written comments to C hief o f Security, Gary
Students
explain
Towers
Project
June 11 - August 3, 1984
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117 NaIh Wool. ogIoi I Streel • ~ WoshinQlon 98501
l1li41 Shop 943-1997 • M<u1tan Shop 943-lIt4
Olympia community members from attending plays, concerts, and lectures . Since
most of these events begin at 7:30 or 8:00
p.m . , a balance is proposed by recommending 7:00 p.m .
..-summer
plsession
1821 Harrison Ave.
Olympia, Wa 98502
·
zones are utilized in accordance with the
parking policy, as well as to provide security through high visability of patrols in
par-king areas. Parking services provided
through the student patrols include jump
starts, getting keys out of locked cars, and
other services. This is done free of charge
as opposed to · the $20 service call if
assistance were summoned from off campus. The parking office also pays $8,000
to StUdents & Activities Fund each year as
a partial subsidy to the bus system.
There are twO
major changes
recommeneded:
I. Extending the hours of charging for
parking from 4:00 p.m. to 7:0Q p.m.
weekdays. (Russell and Jacob are not proposing to charge for parking in the summer .) Some students and employees have
complained that it is unfair that day
students and employees pay for parking,
and evening students and swing-shift
employees do not. At the same time,
Study this summer in Idaho
at NO EXTRA CHARGE! *
HOUSE OF ROSES
Reporters: Brad Aiken, Dean Batali, Mike
McKen zie, Lea Mitchell, David Scott Gary Burris
R G R E E N
Footage of
Cable TV conference
Western swing
bands shown
LECTUr..E l3Y
One thing seems clear; it is hard to hire
a 'new president a ft er havi ng one as
politically innuentia l, and as understanding
of the , political hi story and educational
meaning of thi ~ school a s Dan was. I
s peculate that George McGovern would
have a t least some of that fi rst qualification, probably lilli e of the seco nd, but
perhap s an excellent understandin g of our
ed uca tional philosophy (if, as I further
specu late, his poli tica l ideals arc ak in to hi s
ed uca ti ona l ideal s) .
So, despite the ievit o lls nature of the
ori ginal suggest ion , perhaps we s hou ld in clude George in the next round of invit a I ions for .. Pre s idency."
Sen ior Editor
Allison C. Green
Managing EdilOr
Franc isco A . Cha teaubriand
Pruduction Mal/ager
C urt Bergquist
Graphic Editor
Eric Martin
Photo EdilOr
Shannon O'Neill
Business Manager
Margarct Morgan
Advertising Manager
C hri stopher Bingham
Advisor
Mary Ellen McKain
Typist
Karla Glanzman
Dislribution
Michael Martin
E
Parking fee increase proposed by Jacob
J. Barker & J. Jcach
Earthfair
E ' V
li stening to music, over 150 people <1.ttended workshops, panel disucssions, filmsand ~
speake rs . When reporting events in the
future please takc a little more time to get
the facts st raight.
Presidency
Dear Ed ilOr :
You misspelled a word within one of our
GREE NERSPEAK questions. The word
was a cr ucial one, and ·the misspelling in va lida tes the meaning of the question. So,
once more for posterity (and integri ty):
Is it difficult for yo u to resist boasting
abo ut how INEXPENSIVE your clothes
are when com plimented?
With extreme sincerity,
M
May 17, 1984
For a copy of th e Summer Bulletin containing com·
plete information including an appli cation . call or
write immediately .
O'Universityofldaho
Phyllis Veien, Asst. to Director
Summer Session
Moscow, Idaho 83843
Telephone: (208) 885-6237
..I
,
~I"
Torque Wrench Dual Scale
$14.00
Charging System Tester
$25.51
AAIEO
s~udent
this summer
Page 3
•
1984
1984 Spring Symposium
"1984" program brought controversy and community to TESC
George O rwe ll 's fr ightening vision of a
world of totalitarianism prompted four
facult y members at Evergreen to organize
what became o ne of the most intense programs on campus this year: " 1984." Ma tt
Smith, Susie Strasser, Virginia Darney a nd
John Aikin led a group of students through
a study o f socia l control, utopias and
dysutopias, manipulation with language,
technology and many other aspects of our
modern world. These two pages attempt to
explore, very brie fly, some of what happened and some of what stude nts learned.
Students in the program attempted to
understand the institutions of power and
authority and learn to make a positive influence on them. I n order to encourage the
growth of community, students organized
two "Wednesday Wizardries;" campus
and community workshop days, featuring
open seminars, lectures, films and dramatic
representations of dysutopian visions.
Campus reaction was remarkable. When
"1984" students donned uniforms and attempted to ticket everyone with stickers,
a group of students conducted a sit-in
demonstration at the registrr ion table.
When posters saying "Big Brother is Watching You" began to appear, some people ripped them down, according to at least
one student in the program.
Randy Tillery .. a "1984" student, said
the program succeeded almost too well in
provoking people to respond to the misuse
of power. When people protested so
vehemently, he and his colleagues felt a little upset that they would focus their anger
about totalitarianism so narrowly on the
"1984" program.
Struggles within the program, too, surprised everyone with their intensity . During the last half of fall quarter, a group of
Festival Kickoff Day
munica/ion system, the "1984" siudenls sel
up a computer note file in the compuler
cenler. A nyone could enler the computer
and respond /0 previous noles, express
dissatisfactions and "discuss" the pro- ,
gram. The following are excerpts from the
computer file during the "revolution,"
when student dissatisfaction was at a peak
and a jew even Ihought they were /}eing used for a social conlrol experiment /}y the
facullY. In Ihese noles Jolin A ikin and
Susie Strasser respond to student nOies.
Note title: PROGRAM PROBLEMS???
- Written 11 / 8183 - I :33 p.m.
I have come to understand that there is
a problem within the program. Not my
problem you understand, but a problem
that others have been feeling . Without
sounding callous 0r uncaring I would like
to suggest that these problems have their
proper place in program evaluations. I, like
a few others in the program, am simply trying to do the best I can with the work that
is assigned and if I have problems with the
present format of the program they will
surely ap pear in the evaluation I write. I
don't feel that "revolutions" have a ny
place in thi s program ... especially in the 7th
week of the program. Come on folks, let 's
just do the best we can and if there are pro-
blems that YOIl don't think can be solved
then it's possible you belong in another
program.
Laura
Response I - 11/8/83 -.:. 2:14
We think you're right. We LOVE the
program . We feel that those responsible for
inciting this "revolution" have seriously
and personally insulted the faculty by accusing them of being less than honest with
us. First of all, we trust the faculty; second,
respect the faculty as professors and as
people. The devotion and commitment of
the faculty' seems to us to be ABSOLUTEL Y UNQUESTIONABLE.
-
Response 3 - 11 / 8/83 5: 12 p .m.
Much as I would like to leave the
paranoids with their paranoia and ignore
them, I don't believe I can. I thought one
of the tasks of this program was to try to
build some kinduva feeling of community, within the program, cam pus, and community. Their fears, insofar as they affect
their outlooklperformance in seminar,
workshop, etc_. affect me. A Jot of structural problems have been discussed, and
proposals put forth, at the impetus of the
"revolutionaries." I do not wish to alienate
them, and if in my speech and myactions,
I do, Ihan it is I who am an obstacle to
community . The most important thing is
that we establish an atmosphere of mutual
trust and respect, so that we ALL may
heal. I want to personally apologize to the
folks who set up Monday's meeting sans
facully for blowing .my cool. I think the
meeting was productive overall. It is time
now to be friends. HAL 9000
-
7:30pm - EP IC film "On Company
Bu.in..... aboullhe CIA's subversive role in U.S.
foreign policy; Leelure Hall \.
Response 6 - 11 /9/83 12:44 a.m.
TO THOSE WHO FEEL ALL IS FINE
AND DANDY, ALL I WOULD LIKE TO
SA Y IS HOW DO YOU SPELL NAIVE??
FROM
MR
PET E
WINBLAD
THANKS .....
Response 7 - 1119/ 83 1:22pm
Oh, boy; oh, girl; what do I say and
where do I start. You spell naive just like
that, but that's beside the point. Although,
as those who spoke with me Tuesday weB
know, I was more than a bit upset then,
-
mitbfield
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.
ees * delj s~u1dwjcbes "* s
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at half price!Call Chris 866-6000
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The Cooper Point Journal
(lU I{ l' I.EASI:lU'
Idr.1n :\ l~ \\,' {)flo. Of
('f
Ct'ntc r
arou nd
10:30 - II: 300m - TES( Facully Thad Cutt. on Men
Woman and 8,oken
1984 Film "Ticket ta
Heaven" 4.7:30& tOpm $2.00
12:15-12:45pm film "Evolution
of a Yogi" Lecture Hall t
Proml," in DI.·utopial ltcturr Hall 4
12:3Opm CompLW Smash in R<d Squm. Get bo:k II To:booIogy'
1 - 2:30pm Perry Syk.. from Boeing on "Boeing'.
Vllia" about the World In the Year 2000" Library
Lobby
2:30 - 3:30pm '-
BeHy
Kutter on qenetic
3 : 30 - 4:30pm - A rrpresrnlilive form 1M Slate liquor
Control Board on Stat. Liquor PDlicy.l...cdu~ Hall 4
7 - 9:30pm Discussions with reps from The
Stat. Patrol, American Civil Liberties Union on issues of Privacy, Civil Liber·
lies and Social Control in Modern Life.
ltdu .. Hall 2
Group Health Cooptf'lUVt on
Th. In.titutionol U•• ond Mi.u •• of Drug.
l...cdurt hall S
All events are free unless otherwise indicated
'WEEK TWO
Tuesday, May 29
Wednesday, May 30
Thurs., May 31
ISlue. of Community
Noon Communilies
preview; slide lape show on Ihe
Rain •• sh Puram
Communityin Oregon:
Leelure Hall 3
1984 Film "Janah Who
Will Be 25 in the Year
2000" 4.7:30 & 10pm
Lecture Hall t, S2.00
10:30am - 12pm - Leelu" and Video
by Rajnee.h Puram Intentional Com·
munitylcclUre Hall 1
12: 30 - 2pm Keynole kcture by Pollard
Dick.on City planner for N. Bon neville. Libray
Lobby
2 -
3pm Pre:5(nlation by The Love
ly Lecture Hall t
Fami-
3:30 to 4:30pm PTe><1Italion by Ihe
Chinook learning Community
ltdUT. Hall I
7 - 9: 30pm Panel discussion modcraled by
Cheryl Wilkie
ltd" .. Hall 1
12 & 12:30pm 2 Showings
of a slide tape presenlauon by faculiy
John Aikin on his experiences in
Ihe U.S.S.R. CAB t08
2pm Lecture by Lewis Hyde;
"The King Who Wauld Be
Fried: Artis.. in the
Modern World Recilal
Hall
Friday, June 1
10:30 -12pm Jolene Unsoeld
will speak on "Activism and Personal
Responsibility" Leelure Hall I
12 - 1 pm Performances by
The Interweave Street Theatre and
The Neurolinguistic Ensemble.
1 - 2:30pm Special Guest
Speaker to be Announced.
·2:JO - 4pm Jon Nelson peace aclivist. Lee·
a day later I'm pretty well convinced that
Monday's meeting, and its developing
aftermath, is producing good results - and
maybe even better community - for all of
us.
I do want to say some stuff about
paranoia, though, and about group-wide
emotions. I spent yesterday watching my
own paranoia: because I only heard bits
and pieces of what was going on until late
in the day, I spent most of the day freaked every time I saw someone from the pro..
gram, wondering whether she or he was
One of Them. Meanwhile, my defensiveness mounted , as did that of others. By
t he end of t he day, it all seemed beyond
belief ....
['m still stuck on what to say and where
to start, but one point seems clear. There
ARE such things as group emotions (AKA
mass psychology), and we are all responsible for observing them and doing what
we can to make them feel good. Solidarity, for example, is group emotion. I want
to learn how to work on it. Love, Susie.
Response 8 - 11 / 10/8 3 8:23 a.m.
Mybe this calls can do some studies in
"mass psychology" at some point? It's a
little late to start suggesting MORE books
for Winter, bllt something along the line
of [Eric) Hoffer' s The True Believer would
be appropriate :~.
Incidently, thanks again Susie - and many
other people as well - for being so open .
Has anyone else noticed there seems to
be a correlation between honesty and trust?
Let's keep the DIALOGUE going, gang.
P.S. I' ve seen many families that don ' t get
along this well. Perhaps we HAVE community, but we're looking so hard for a
Platonic ideal of "community " that we
don't see the community we've got.
Love, HAL 9000
a
Seen he:r::BU.t
was
n
sufYival
. ...-ca'.1'.-r
lure Hall \.
Response to depressing films: People suck
JANET NUDELMAN: PAWNBROKER
I have been harassed by a nagging question since the start of the 1984 film series
that I had been unable to answer until I saw
"The Pawnbroker." After each film I
found myself to be a physical and emotional wreck. I understood that the films
were "heavy" and that they were "depressing. " I just couldn't understand why they
were so emotionally painful for me to deai
with.
Trying to define why I was feeling like
I was proved to be more difficult than I
had anticipated. I wasn't satisfied with the
pat explanation that the subject matter of
the film was of a "troubling" nature. Why
-
Response 9 - 11 / 10/ 83 5:46 p.m .
That's (Hal's mass psychology idea) the
second good idea for topics and books I've
heard today; the other was one from Paul,
abo ut looking expl ici tl y a t the 1984
presidential campaign - use of media , images, etc. The latter can easi ly be incorporated into the new current eve nts
seminar; maybe the former ca n be incorporated into the new workshops . Ce rtain ly the topic fits; I don ' t know abou t assig ning more reading , though . .. .
I a lso want to think about the last comment in Hal' s not e re: possibl e already existing commun ity and Platonic forms. May
come back from Seattle with something
profound to add to "want to think
about ... ," but hope ot-hers will think
about, too. 'What is community, anyhow?
Who says it is fun??? Love, Susie .
MANDY GOLDBERG: HIGH SCHOOL
This memory was brought back after
The bell rang . There was a rush up the
seeing the film " High School," which
stairs to the big wooden doors . They swung
made a normal high school look like the
open and we piled in. Along with the
lir$t American totalitarian state. The
others, I began to climb the first set of
. stlid¢nts had no rights and no opportunities
stairs. As I reached the top, I 100ke4..lljl
'. to make. their own decisions.
and saw a girl twice my age wearing bug~;
b;i'Am~ri~;~!1<:ational institutions are
glowing orange belt. I tried tol.x)I(/~waY .. ,
and pretend I had not
she . -afIln4amAAlai (l;)f<;eJrt the shaping and
moI4ingof'(;niidfe:q:'Tbeir personalities,
stopped me. "W~ere4QYO'll thirtkybt!'Ie
thou~ts,~rufld<:as : 1t inisually in the
going?" She w~sne.~ngi;~
scajed:
school tM.ty;.e fir$~ .· etpeli.e~e long days
I told her in~~mall v~jce~t lw~ jU$t
with; ~r~.under Ii sth.idQie with a difgoing to c1ass: :<tp~:)JI~ttallf t-ome;\~. she
said, "or YQu'te,g(lipgio oeineVenmore .. leteritset of rules than thl\;se~tbe home.
iii in the school that ch~' learn not
trouble. y'-Op§klpped a step. Walk up and
oniy academics, but socUdt .tnodes of
down those#ali:$fiyeti~es. now." Ilookbehavior and the laws of
in the
ed up athei-,l b~dri't . skipped a step. I
culture. But American schdt)b; much like
hadn't doh~~ii~ijigwion&; ~'I didn't ... "
the Brazilian schools describ¢ij ·by Paulo
I began.'·&~art *~~iig:;~he barked. I
Friere, often serve not to '~of~ with the
though sh·~iiiUght~i~p me. 1 didn't know
student, but to work ON h.irQ;lrUPosing an
what to dOf/i'iLw:verbeen in trouble
order which he has to ~«{)modate."
before. I h~~11 '(4:9ne~ytl}.ing wrong ... 1
(Education for a Cdtical Con• turned and b~ganwalkinglJ,,~d down the
ciousness, "p.3!)
grey staiTca$e~::'And don't run, or you're
We are taught. fro1D childhood on, to
going to hav~Cto
allover agaiii!' The
unquestioningly obey authority, even to
tears came; iio matter how hard I tried to
succumb to injustice; to do as we are told
stop them, they still came, rolling down my
and let others do the thinldng for us. But
cheeks, 1 could barely see. By now
un fair treatment should not be tolerated,
everyone had gone to class and we were
particularly in the schoolS, where children
alone. I W3.5 already late. "What did :lbe
shiver under authority. 1 am not saying that
do?" I heard a teacher's voice say . "Aw,
this is the case for all schools, but it is for
she skipped a stair," said the safety patrol.
many. Institutions that are unjust and
"Oh," the voice said and went away_ I
characterized by abuse of power should be
went on doing my punishment as if r had
critically analyzed and consciously resisted,
actually committed the~rime. AliI hoped
rather than accepted as "that's just the way
for was that she not say I'd done sOmething
thing are."
else and make me walk the stairs again .
It is difficult to stand up to an unjust
This was quite an ordeal for a ·five-yearsystem, especially when it is strong . Peoold child . Authority had simply made up
pk usually accept institutions if we can live
a lie for which I had to suffer. I don't know
within them by playing on their weakness.
why the girl picked me. Maybe it was
Only if an institution becomes too opbecause I was so small; maybe it was
pressive to cope with do a large number of
because she knew she could scare me. The
people organize and challenge its authorifact that this incident is etched in my
ty. This is true, at least in our culture,
memory is significant: it was my first runwhere the majority of people are concernin with authority. From then on I knew it
ed with simply getting through the day
was not enough to follow the rules, but to
rather than looking to the existing strucstay out of the safety patrol's way and look
ture as a possible cause of their problem
as inconspicuous or as tough as possible.
.start
Persanal Responsibility
Tabling by a wide varie1y of activ~1 groups from
11am - 2pm in Library Lobby
Films and Videos all day in Ledur.
Hall 5
New Hours! Mon.-Fri. 7am-8pmSat.1 Oam-8pmSun.1 Oam-6pm
Info labt. In CAB from lOam _ 4:30pm
3:30 - 4:30pm - Manfr.d JDre. A psymiatrilt from
-
-
Thurs., May 24
Engln••ring. l«1ure Hall.
The works on these pages are from the .
forthcoming document on the program
which Jack Gillis is organizing for publication. Next week, May 21-25, is the apex of
the "1984" program: the Spring Symposium. It is open to the public free of
charge. A schedule is printed below.
Response 5 - 11 /8/83 5:53 p.m .
Apparently there are a number of people who have some difficulties with the
·l.984 program as planned and implemepted. Most of these problems seem
lobe fairly specific and can be dealt with
(once they are made known to us) .
However, it is reported that there are at
least some students who feel that the facut ly (to putit bluntly) are teaching "1984"
by example.
To all of you I have the following suggestion:iostead of waiting till the pot boils
over, why don't you bring concerns to us
as you discover them? I think we are all
prepared to listen to your ides, though I
have to be honest and say that you won't
always convince us and that we do feel
there are some kinds of program decisions
that we can't relinquish 10 students. In such
cases, you deserve and will get an explanation of the reasons why.
John.
Noon EPIC film
CAB tOll
(See Monday)
PBS Video"Good Morning Orwell"
10 be shown in library Lobby andlor CAB building .. .
3 - 5pm Atty. Randy
Look for il!
Komisar will speak on
"Compute,. and the
12 - 1 :30pmLanguage presenlJllion by 1984 Law: Protecting Interests
program,Leclure Hall \.
in Proprietary Informa2 - 3:30pm -Keynole speaker Haig
tion" CAB \08
So.majianon "Orwell.1984 and the
Pow.r of Languag."; Ltcture Hall \.
Computer notes: Program problems
In order to demonstrate a positive use of
technology and create an accessihle CO/11-
WEEK ONE
Tues., May 22 Wednesday 'Wizardry
May 23
Monday, May 21
students suspected they were an experiment
in soc ial control by the faculty. After a
week of high emotions, these students and
others who were increasingly uneasy about
program structure communica ted with the
faculty and worked out new guidelines to
continue the program. Of course, there was
no experiment going on. But the week is
an interesting study of paranoia and how
one group used their emotions to work
together and actually create a better
community.
El!rly run in with autho,rity ":
Note Title: Technology News - written
10/ 19/8 3
- Hi, technology watchers. After a great
deal of trial and tribulation, I think that
I-am finally able and ready to tell you the
story I have been wanting to tell for several
day s. This machine has not wanted me to
put the word out about the other machines,
bllt I am getting the better of it. Here's the
word: this weekend, I saw my first talking
Coke machine at the University Village
Safeway in Seattle. When I gave it a nickel,
it said to me, "H i. I'm a talking vend ing
machine. Th anks for shopping at
Safeway." Then it took my nickel, but the
nice lady gave me another one. It made me
wonder about the modern world.
Love, Susie
was it troubling? It was the why that I
needed to understand.
"The Pawnbroker" served as an apex,
a synthesis for all of my pain to surface and
come to light.
Why did "The Pawnbroker" tear me to
pieces, worse than any other film I saw, yet
also make me understand why the res t of
the films had also prese nted me with
similar emotional turmoil? I'll tell you
why . "The Pawnbroker" made me understand wha t I was feeling. That people suck!
I suddenly came to the realization that if
there are people in the world, or if people
can actually exist that would torture me in
a concentration camp because I'm a Jew,
or stab me to bits because I'm anti-facist,
or pump my bladder up with water a nd
punch in the stomach because I have information that they want, then I want no
part of the human "r ace . I refuse to
associate those people with my kind a nd
if I am forced to admit that they are people, or were people, then I don't want to
be a person. I reject the human race, I will
have no part of it.
And then there's Sol Nasserman (in
"The Pawnbroker"). Sol hated people and
distrusted and disliked all that he met
because of the pain he had suffered in the
concentration camp. He lost hi s children
and his wife to crazy mad people. But they
were people. Humanity had dealt Sol a raw
deal and his hatred of humanity was a
byproduct of the abuse he suffered.
I ca n accept Sol's behavior because I feel
empathy for the situation he lived through
and I feel like I understand what contibuted to the nasty person he beca me. He
tortured people through his si lence, his
sn ubbing of them and his unfriendly
nature. People reached out to Sol and he
discounted their need for him . In that way
he tortured like th e torturer in the camp.
But, when do excuses stop being valid?
Wou ld I need to equally accept why the
concentration camp torturers tortured if
they came from broken hom es or were
beaten viciously as children?
Wilderness Field Studies
Earn College Credit
Natural history,field ecology, wilderness history and
management, wilderness instructor school. Courses
for 1984 in the Pacific Northwest,Sierra Nevada,
Utah, Hawaii. Spring/Summer/Fall quarters.
,,-..--...-..For information call:
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SANTA CRUZ CAe 95604
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On-site explorations to preserve:
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Course details:
WILDLANDS RESEARCH: (408) 427-2106
407 Atlantic Ave., Santa Cruz, CA 95062
May 17, 1984
The Cooper Point Journal
Page 5
E N T E R T .A I N MEN T
BULLETIN
BOA R D
Travelog: The next great American fad?
b
Sh
O'N '11
annon
el
y
[ recently spoke with that up-andcoming local band, Travelog, about their
own special brand of Rock and Roll music.
The boys have an exciting show coming up
May 24 at 9:00 p . m. in the Recital Hall.
It' s gomg to be much more than a regular
little concert; there will be fancy lighting
and a slide show to accompany the music.
And it's FREE.
With this big show just aweek away, I
figured now was a good time to get to
know Travelog. What are they about?
Gregg Lerner, Drums
HI. 6' 1" WI. 190
Sign: Gemin i
Favorite Color: Brown
Favorite Sha pe : Round, of course!
Favorite Food: Anything
Favorite Drink: Anything non -alcoholic
since the first of the year.
Turn-Ons: Good personalities, being tickl ed in just th e right spots. and definitely
large drumsets .
Turn-Offs: Booger in the nose that goes in
and out as you breathe, and anything else
along those lines . You know, the kind of
thing you can't stand looking at but you
can ' t take yo u eyes off of.
Hobbies: Everyt hing else [ like doing other
than playing the drums.
Who do you admire? Michael Martin
Where do you stand on drugs? [ guess on
the critical list.
Musical Influences: Danny Saraphin from
Ch icago .
What IS Travelog? Travelog is real fun,
spaced ou t music that allows me to play my
drums loud and radical-like.
Life Philosophy: E vcrybody should take
up the drums.
Mike Martin, Keyboard, Guitar.
HI. 5'11" WI. 150
Sign: Pisces
Favorite Color: Turquoise / blue-green
Favorite Shape: Angular
Favorite Food: Macaroni and Cheese
Favorite Drink: Killian' s Red
Favorite Animal: Dolphins , because they
are smarter than most of the other fish .
Turn Ons: Ladies underwear section of the
Sears catalog.
Turn Offs: Politicians and people in the
media who lead us to be lieve that Russians
are the enemy, also people in the express
lane who write checks for 9 items or less.
Which Beatie do you most identify with?
The species Coccinellidae.
Musical Influences: J. T., anything by Gene
Autry, Gene Pitney or Gene Simmons.
Who do you admire? Floyd the Barber
from the Andy Griffith Show.
What IS Travelog? It's the next major
American fad. .
Life goals: To diffuse th e bomb.
Personal Philosophy: Try to shut up and
listen once in awhi le.
Who are they? [spoke with their producer,
Patrick Ryall: "Travelog has lots of potentia!' They are a very tight band . The only
thing they lack is Bob Barker on vocals.
[f they had Bob, they ' d ~e nu.mber one.
But senously, they are gettIng bigger every
day. They are a lot better than AC/ DC."
Barry Fournies, Bass Guitar
HI. 6' I " Wt. 150
Sign: Aquarius
Favorite Color: Somet ime s grey,
sometimes not
t'avorite Shape: Hyperbolic co ne
Favorite Food: Not pizza. Anything but
pizza.
Favorite Drink: Milk
Favorite Animal: Squid, because they have
such a rough life, they grow up never
knowing their parents.
Turn-Ons: Emotional Music, sunshine,
clouds, hyperbolic cones.
Turn-Offs: Pizza, empty toilet paper rolls.
Beatie you most identify with? Who?
Musical Influences: Rimsky-Korsakov,
Camel, Julie London, Gang of Four.
Who do you admire? Michael Palin
Life Goal: To be an ancient philosopher.
No, just to be able to make it all work .
Personal Philosophy: Yeah.
What IS Travelog? [n one way, our creations are a log of our travels through life
together. Our music is also emotional imagery ... a kind of travelling.
After speaking to Patrick Ryall, [
managed to track down the busy members
of Travelog. Below they give answers to the
questions thar really count in the Rock and
Roll business.
Eric Martin, Electric Mandolin
HI. 6'0" WI. 130
Sign: Pisces
Favorite Color: Blue
Favorite Shape: Any snack cracker shape.
Favorite Food: Same as above.
Favorite Drink: Any chaser at this point.
Turn-Ons: Daisy stickers that you can put
on your volkswagen.
Turn-Offs: Agrees with Gregg.
Who do you admire?
Paul Hagar - Weather.
What IS Travelog? It's a band where
musical dexterity and seeing how fast you
can play is not as important as trying to
capture a mood with our music and
hopefully create a kind of music for people who want something honest and
diverse, and make lots of money.
Favorite Bands: If [ told you that, you
could listen to their recor.ds and find out
what riff I stole from them! Heh, Heh, uh,
yeah.
Favorile Video: "Kal Kan"
Which Bealle are you most influenced by?
- The fifth Beatie, "Murray the K."
Art book challenges perceptions
By J. Bartone
Si nce going over Seallie Sub(ex( I've
really been wondering just where the 8 y,"
X II" paper . format comes from. It's
everywhere. The format pervades our current society (future anthropologists, assumin g any quantities of our 8 y, " X II" pulp
survive, will be forced to posit vast cultural
significa nce to o ur obsessive utilization of
thi s particular standard). Paul Berger has
just published "Seattle Suhtext," a post modernist (read: format addresses itself)
publication, whose point of departure is a
weekly news magazine formal. "The , !rugglc of man agains t power is Ihe struggle of
memory against forgeltin g" (Mil a n
Kundern). Seattle Subtext could he lp you
remem ber .
...............
•
•
~
•
•
••
•
•
ISaturday I
·
•
J
•
I
•
•
I
I
I
=
1
5
I
i Pints of Oly I
:
Afternoons
.30 ~
=
:
••
••••••••••••••
••
•
120 N.Pear 943·9849
Page 6 ,
•
"Seattle Subtext" is a visual journal a magazine - a one-time-only art artifact.
An artist'S book. It is difficult material ,
ha rd-art if you will. It evolved from a series
of photographic prints of the same title.
The book and the series on which it is based are " ... an elaborate attempt on the part
of an art ist to se nsitize his viewers to the
power of mass media design and information disseminat ion which assaults us co ntinually." (Ned Rifkin)
In this sequence of images, Berger
mimics the layo ut and design of the most
popular cOnIemporary news magazines
cenIering eac h two-page photographic
spread around a particular IOp ic. He begins
with top ic headings fo und most notably in
TIME magazine, s uch as World, Nalion,
Featuring
Rock & Roll
with
·Kinetic' 5
Fri. & Sat.
May 18 & 19
$2.00 Covel
210 E 4th
786-1444
Sex and Cinema, and moves on to mor e
generalized or personalized areas, such as
Reading and Memory. Instead of conventional text, columns of overlapped television imagery accompany the somewhat
more conventional photographs , presenting a captivating travesty to the viewer that
is intriguing, challenging and funny, a
book whose pages more resemble film,
television, or computer display, than the
sta tic printed page of the contemporary
news magazine.
On the title page are the words
"SEAMLESS RECURSIVE AUTONOMA:" the artist's vers ion of
journalistic jargon suggesti ng, "It blends
these various media into each o the r, it goes
on forever, and it is m ach ine like ," respeclively. Sealfle SII!Jtex( is then, a n elabo r ate
critiquc of mcdia, very visual mcdia, looking at it self. I mcan, it look s like an anti USA Today; a litera l ent anglement of news
feeds , various television cutaways, and the
browsing sec tion a l the dentist's office .
There is satire and cr itique, though
aesthetkally -oriented because it gives you
no cog niti ve "answer" to the complexity
of handling information coverage
(honest / dishonest - accuratclinaccurate),
get it? Hard -art, right? Anyway, it might
look more like art if the material were on
th c walls in its original form (context). In
th e manifestations of "magazi ne " it re quires a diligence to puzzle together, to
reach into the sub-text , of the visual
lan guage of this synthes ized hybrid.
Ultimately, the context of Seaflle
Sublexi resounds on a person level. Progress ivel y, the cap tion s , "text,"
photographs, and design reveal more intimate information. Under the Memory
heading one finds a photograph of the artist's ex-wife paired with an image of junior
high-school cheerleaders printed from the
first roll of film Berger ever shot. The captions are suitably sujective: the former is
a poem about the pain of separation; the
The Cooper Point Journal
. ~h.oul~ Evergeen
a policy pro~lbJllng Investment of institutional funds
The Ever~reen Council is forming a
study com~Tl1ttee.to discuss thi s question .
The commIttee Will review the TESC
.
mu 't'
.
com. nI Y.s attItudes toward the need to identIfy ~o~lal responsibilies as pan of the college s mv~st~e~t policy. If sUPPort for
such a policy IS Indicated , preparation of
a workable proposal for consideration by
the Board of Trustees would follow
.If you are interested in communic~t
;Ith the C.ouncil on this issue may do so
Y contactIng Lovern or Thomas, or may
;;0
, OSton L '
CiSCO D
..-"'jiI:.i~'
,0ulsVIIIe and oth
'enver '
cr ma-
•••••••••••••••••••••••••
••
Images From Under the •••
••
•
Cloud'
••
•••
•
,
·•• Hours 8-9 Daily .••1
A community multi-media project
Sponsored by the
Peace and Conflict Resolution Center
To facilitate sharing of individual images
of what it is like to live in the Nuclear Age.
-Pictures
-Slides
-Songs
-Music
-Quotes
May 17, 1984
a sUmmer h ' enter WOuld Ilk
a need for ~u'ldcare directory
del'e/op
dent who' mmer chiJdca . You have
on a VO/un/;:~~tereSted in d~~r are a St u_
tacl Patti
Or Paid ba' g chlldcare
at the P
5(5, Pie
Or calI eXt arent Center' as~ con_
In Library
. 6145.
sr
We invite you to submit any and all images that speak
to you about the nuclear arms race, the human race,
and the struggle to remove the threat of
- nuclear weapons
tion, which is
course,
passive reception that characterizes contemporary mass media. Jerry Mander, in
hi s book Four Argumen tsjor the Eliminalion oj Television, cited the story of the
"influencing machine." It seems that in
1919, Dr. Viktor Tausk, a colleague of
Freud's, wro te an amazing article ca lled
"On the Origin of the 'Influencing
Machine' in Schizophrenia." Dr. Tausk
reports that the victim cannot distinguish
information - feelings, thoughts, sensations, memories - that have been recieved from this "external" source from those
that have been personally generated or are
the result of personal experience and
discovery. The schizophrenic wants to
believe that something else is responsible
for their own perception. The lesson in
Seall/e Subtext is that it's your work .
You'll have to do it.
~"-.........l
How appropriate are a ll the
claIms to the individual?
. Nutrition Information and Referral
~Ices helps students sort through cur
Is.sues and controversies in nutrition
dlvldualtty is the key component of t
program . One person's health food can
another person's junk food.
Publ'
At the Nutrition Center, located i
F
Ie Meet'
SemIn.ar 3154, two students from
ederal Arts ,;~g
Visual A .
The Nat'
/rectors
rtlsts With NutrItIOn, Culture and Community Heal
program are available from 10 a.m. _ I
Visual Art: onal Endo wmen t
. Seattle Trust has
drews and P,:ogram Direc fOr the Arts, ~.m. on Tuesdays for discussion and
~:ns
for its Guarante:~~~e~ Ihe qualifica_
bion wiII h~sSlstant Directo:or Benny AnIng of nutrition and health information
Th
m
and ;s acti\'e/y Seek' u ent Loan Prothwest visu lid Public meet' MIchael Fau_
noon they participate in a lunch hour n~
e new C'I .
Ing ap I'
.
da 06
a artist .
lOgS t:
V
S
'. fI ena reqUire
II Icallons.
t.~on support group . The Center has a
. y, wlay 23
s 10 Seattle
Or Nor_
ev' I' Clflzens (althOugh onlYapPlicants be
PlOe. All Vis' 5 P·m. at East on Wednes_
~lle cabinet which is open to everyone
II a uated on a case-by non-clllzens wiII be
attend the s Ual artists are Hall, 915 Ease
Includes such topics as Nutrition
enrolled as f~~al s(e baSis), and that
qUleaYI'fbe
to learn a~SSlon, Which Of;,ncouraged to
AthletIcs, Children's and Women's Special
I led u '
. .
- Im e st d
tech '
. nlVerSJl/es, Coli
11 ems at
fellowshi
OUt NEA 0
ers the chance
Needs, Medical. Self-Care, Nutrition and
nlcal/nstitutes
'
.
eges, VOcational
viSual art~S~ matching p~POrtunites for
sc h 0015 r
,avlar/
on
'h
AgIng:
VegetarIan
Living,
Nutrition
and
A
lorum
oJect f
.
and
S tudelll lOr healt/l -care P SC t· ools
.'
" ndrews, Fa s and more
Undlng,
~ehavlOr and many more. Also available
.
5 mU s t be W
. ro esslonals
Representat ' ubl on and NE
IS a groWIng list of loca l nutrition conresldenls
ash/ngt'
S tate
about how IVe Terry Melt A Regional
sult?~ts and other hea lth practioners. In . Wasl'lJngtonorSt enr o ll ed'In scon
hool .
Wo k
th e N'
On W,ll
Und
ate.
In
ad?IllOn
to
Tuesday's
office
hours,
ap1'k r \, What the ratIonal End
take
$2
erg raduates m
pOIntment s. can be scheduled through .
t~ e In tile paSt t: Un dIng climate howment
500 per school
ay borrow up
Health ServIces (sem inar Bldg., ext. 6200)'
th e POssibilitiesew years, and W,ll as been
Graduate Or pr:;ar or a tOlal of $ 12 5~0
rOUg h the NE open to .
explore
please leav~ you r name, number and ~ . borrow up to $5000csSlonal SllIdelll S'
.
tOtal of $2
per SchOol
ma y
short message. We will gel back to you
gram aWards fel(' The Visu~;s~al arCJsl
PLUS I 5,000. SeatrJe T
yea r Or a
WOrking In a
owsll1p~ to'
rts proAnyone that has access 10 nUlritionai
ad
Oans
for
st
uuenrs
~~St
also
offers
need
makes gran ls Wide range o/,su al . artiSts
matenal s or mformatlon that mIght be
of t
dI[lonal financin
parenrs who
Ihem. There ~Iorganlzallons %e dla and
usefu l to others is encouraged [0 , harc it
Phe G uaranteed StUd g beYond th e limils
ques!ions
be an 0
a( aSsist
wIlh the Center.
lease call
en l Loan Program
Pub},e mee~nd answers. A Pporrunlty fOr
(206-2 23-6009) f . Ms.
Eddie L
.
,es
last two Yea~ngs has taken
of SUch
01 answers I
°Pez
. 0 YOUr qUesChicago B s 111 San Fran P aCe oVer the
WESTSIDE S~NG CENTER
•
latter is a remIniscence of intellectual
revelation from childhood.
So Berger wants you to actively control
the ways you receive and perceive informa-
SUMMER FOLIC"
, The Parent C ...
In South Africa?
diet. And while some of us are
to the latest fads in nutrition, not all personal pat.terns of eating are easily
by nutntlon Information in the ri'I d'
local health food stores and ~nl a,
numerous publications generated
year.
- Trivia
-Original Art
-Insert your Image Here
-Posters
-Cartoons
L-----_-A-n-y-t-h-in-g-!- --.J - Sculpture
:
10-7 Sundays
~
WT· MCAT • GRE
GRE PSYCH· GRE BID
lilT • GMAT • OAT
OCAT· PCAT • VAT
SSAT • PSAT • ACIHEVEMEIITS
SAT • ACT· TOEFL· MSIP
UT'L MEO BOS • ECFMG
FlEX • YQE • IIOB • RII BOS
CPA • SPEED READIJIG
•
:
.................. .
~4I.MPUlN
EDUCATIONAL CENTER
Tut Prep,fll ion SpeClofl.sa
"-rei
Sinct
For ,,,,,,,,",,r,o,.,
J 938
Ple3s~
Call
(206)632-0634
We Have Equipment for
All Your Yard Care Needs
Lawnmowers
Rototillers
EQUIPMENT RENTALS AND SALES
Thatchers
2413 West Harrison • Olympia,Wa.98502 • (206)357-3314
.
ALL WAYS TRAVEL SCRVICC. INC,'
We will coordinate a showing at the end of
the quarter: June 4th and 5th. (You can help
if you like)
WESTSIOE SHOPPING CCNTER
There will be gallery space for artworks.
943-8700
.......................................
*RENT 'AViDE03~iAYER *
i
Please contact Cliff Missen 866- 7400
er
or
The Evergreen Peace and
Conflict Resolution Center
TONITE
*VIDEO PLAYER & ONE MOVIE $5.00*
Basement Lecture Halls Ext.6314
I coupon per rental
Monday thru Thursday
over 1200 titles to choose from
•
Images Need Not Be Original!
May 17, 1984
943 · 8701
OLYMPIA. WASHINGTON
2306 W. Harrison, Olympia
The Cooper Point Journal
943-1393
M - F 9-8
Sat.I2-6
Sun.12-5
Page 7
..
ENTERTAIN M E N T
Travelog: The next great
b Sh
O'N ' 11
annon
el
y
I recently spoke with that up-andcoming local band, Travelog, about their
own special brand of Rock and Roll mu sic.
The boys have an exciting show coming up
May 24 at 9:00 p.m . in the Recital Hall.
It's gomg to be much more than a regular
little concert; there will be fancy lighting
and a slide show to accompany the music .
And it's FREE.
With this big show just aweek away, I
figured now was a good time to get to
know Travelog. What are they about?
BULLETIN
A~erican
Who are they? I spoke wllh their producer,
Patrick Ryall : • 'Travelog has lots of potential. They are a very tight band . The only
thing they lack is Bob Barker on vocals.
If they had Bob, they'd ~e nu.mber one.
But seriously, they are get ling bigger every
day. They are a lot better than AC / DC. "
fad?
BOA R D
.... ·'f ·
After speaking to Patrick Ryall, I
managed to track down the busy members
of "F!avelog. Below they give answers to the
questions that really count in the Rock and
Roll business.
. ~h.oul~ EVergeen ha've a policy pro~lbltlng Investment of institutional funds
diet. And while s~me of us are suscept
to the latest fads m nutrition, not all
sonal p~t.ter~s of eating are easily swayed
by nutntlon mformation in the med'
la
local health food stores ana- in ,
numerous publications generated
year.
In South Africa?
The Ever?reen Council is forming a
stUdy com~lltee W discuss this question.
The commtttee Will review the TESC
m 't'
'
com. um ys altitudes toward the need to identify ~o~lal responsibili es as part of the college s mvestment policy. If support for
such a
I'
"
.
. po ICY IS mdlcated , preparation of
a workable proposal for consideration by
the Board of Trustees would follow
,If you are interested in communic~tillg
:Ith the C,ouncil on this issue may do so
y contactmg Lovern or Thomas, or may
How appropriate are all the health
cla'im s to the individual?
. Nutrition Information and Referral
Vices helps students sort through curren
Is.sues and controversies in nutrition I
dlvlduality is the key component of
program, One person's health food can
anolher person's junk food.
At the Nutrition Center, located i
PUblic l'tf
Federal A eeting
".
Seml,nar 3154, two students from t
The N ~ts Directors ,sual Artists
Nutntlon, Culture and Community Healt
r:
, A atlon a I endow
vISUal
program
are available from 10 a.m, _ I
Seattle Trust h
rts P
ment (,
drews and
:ogram Dire
Or the Arts'
p.m. on T~~sdays for discussion and sha
for it~ Guara~~:e~~~e~ the qualifica_
bion will hASSlstant Direct~tor Benny Anmg of nutntlon and health information. A
Th
and IS actively seek' u ent Loan Prothwes/ visuaolld public mee/I' Michael Fau_
noon they participate in a lunch hour nut
U ; new criteria require IIlg applications.
day 'A
artISt,
ngs fo N
lion suPPOrt group, The Center has a la
, "Y1ay 23 5
s 1IJ Seattle
r
Orev' I' CllIzens (although onlY,applicants be
Pille, AJJ Vis' P·m. at Easl
on Wednes_
file cabmet which is open to eVeryone and
a ualed on a case-b nOn-Cl/lzens wilJ be
arlend Ihe
Ual artists ar HaJJ, 915 East
mcludes such topics as Nutrition ana
sessi
e ene
lhueaYI'fbe
enrolled as {.U-c/al sl: baSis), and that
q
10 learn ab On, Which of(; Ollraged to
Athletics, Children's and Women's Speci
- Ime ·t d
I red'
le,h'
unIversities coil
S u ents at
fellowshi
OUI NEA 0 ers the chance
Needs, Medical, Self-Care, Nutrition and
nl
ea
l
mstitUles
a'v'
,eges, v OC31io na l
S
viSual art~S; matChing p~POrtunlles for
h
Agmg~ Vegetaflan Living, Nutrition and
cools
r
'Iallon s h
O)eci f
.
ls and
A ndrews 10rum
S Iudent · Or hea/til -care p coo
r
.'
Beha Vior and many more, Also availabl
F
S and mOre
UndllJg
,
s musl be W
. ro,e.sSJonals
Re
,aub
.
'
IS a grOWing list of local nutrition conprese nral'
IOn and NE
aShlllglon S
'
reSId ent s 0
W h' '
r enrolled .
tale
abo llt how tve Terry Me/l A Regional
sultants and other healt h pra,tioners, In
as
Ingto
n
Slale
In
.
>
choo
l
in
Wo L
the N '
on WI/I
ad?ltlon to Tuesday's offi,e hours, ap{' r, s, What th
allonal E
lake
Undergraduales'
pomtment s. ca n be sc heduled through
t~ke 111 the Pasl ; funding Cllmat;~OWmenl
$2500 per schOol . may borrow u J
Health Services (seminar Bldg" ext. 6200)'
th e POlsibilillescw years, and WIll las been
Graduale or pr Yf:ar Or a 10tai Of$ I/5~0
please leave yo ur name, number and ~
rOUgh the NE open 10 v'
explOre
borrow up to a ess ronal Studen ts'
.
gram aWa rd . A, The Vis ISUa l arllst
,Iotal of $25 00~5000 per sc hOol ye ma y
short message. We will get back 10 you ,
Working iu s fellOWShips 10' ual Arts proPLUS I
'
. Sea l tie Trusl
ar Or a
Anyone lhal, has access to nutritional
, oans for St ud
a lso offers
m k
a Wid
vIsua l ·
a cs g ranl s I
e range of
. arlI,Sls
maten a ls or IIlformatioll that mi ght be
~~~~ additionaf financfn~ sb or parents who
them , There ? organization media and
u~el ul to ~thers is encouraged to sha re it
P e Guaranteed Sludcn eYond Ihe limils
qUeslions
WIll be an 0
s thaI aSSist
With the Center,
lease ca ll M
t Loan Program
publIC me and answers A PPOrtunily for
(206-223-6009) I'
s. Edd ie L
.
l asl Iwo ellngS has lak'
sen es of SUch
.
or answers t
opez
years'
en
pIa
, 0 YOUr qUesChicago B
In San Fran
ce oVer Ihe
tUdent
, OSlon L
'
CIsco D
' .
,oulsvill
' e n ver
e and olh
'
er ma-
S Vl'tf l'tf E
T
R FOLK"
, he Parent C ..
a summer eh' enter WOuld Jik
a need for sulldcare direClory ;;0 develop
denl who is mmer chi/dcare ' YOu have
on a vOlun[e~~teresled in dOi~r are a Sl u_
Palti al the ~ Paid basis, ~e~hlldcare
Or calJ e
arent Center' Se COl)_
Xt. 6145 .
In LIbra ry
:r::
Gregg Lerner, Drums
HI. 6'1"' WI. 190
Sil(n: Gemi ni
Fa\'orite Color: Brown
Favorite Shape: Round, of course !
Favorite Food: Anylhing
Favorite Drink: Anything non-alcoholic
si nce th e first of the year.
Turn-Ons: Good personalities, being tickled in just the right spots , and definitely
large drumsets,
Turn-Offs: Booger in the nose that goes in
and out as yo u breathe, and anything else
along those lines, You know, the kind of
thing you can' t stand looking at but you
can 't take you eyes off of,
Hobbies: Everyt hing else I like doing other
than playing the drums,
Who do you admire? Michael Martin
Where do you stand on drugs? I guess on
the critical li st.
Musical Influences: Danny Saraphin from
Chicago,
What IS Travelog? Travelog is real fun,
spacec out music that allows me to play my
drums loud and radical -like .
Life Philosophy: Everybody should tak e
up the drums.
'
.
Mike Martin, Keyboard, G uitar.
Ht. 5'11" WI. 150
Sign : Pisces
Favorite Color: Turquoise / blue-green
Favorite Shape: Angular
Favorite Food: Macaroni and Cheese
Favorite Drink : Killian 's Red
Favorite Animal: Dolphins, because they
are smarter than most of th e other fish.
Turn Ons: Ladies underwear section of the
Sears catalog.
Turn Offs: Politicians and people in th e
media who lead us to believe that Russians
are the enemy, also people in the express
lane who write checks for 9 items or less,
Which Beatie do you most identify with?
The species Coccinellidae.
Musical Influences: J. T., anyth ing by Gene
Autry, Gene Pitney or Gene Simmons.
Who do you admire? Floyd the Barber
from the Andy Griffith Show.
What IS Travelog? It 's the next major
American fad.
Life goals: To diffuse the bomb,
Personal Philosophy: Try to shut up and
listen once in awhi le.
Barry Fournies, Bass Guitar
HI. 6' I" WI. 150
Sign: Aquarius
Favorite Color: Sometimes grey,
some time s not
Favorite Shape: Hyperbolic co ne
Favorite Food: Not pizza . Anything but
pizza .
Favorite Drink: Milk
Favorite Animal: Squid, becallse they have
such a rough life, they grow up never
knowing their parents.
Turn-Ons: Emotional Music, sunshine,
clouds, hyperbolic cones.
Turn-Offs: Pizza, empty toilet paper rolls.
Beatie you most identify with? Who?
Musical Influences: Rimsky-Korsakov,
Camel, Julie l.ondon, Gang of Four.
Who do you admire? Michael Palin
Life Goal: To be an ancient philosopher.
No, just to be able to make it all work.
Personal Philosophy: Yeah.
What IS Travelog? In one way, our creations are a log of our travels through life
together. Our music is also emotional imagery ... a kind of travelling.
Eric Martin, Electric Mandolin
HI. 6'0" WI. 130
Sign : Pisces
Favorite Color: Blue
Favorite Shape: Any snack cracker shape.
Favorite Food: Same as above.
Favorite Drink: Any chaser at thi s point.
Turn-Ons: Daisy stickers that you can put
on your volkswagen,
Turn-Offs: Agrees. with Gregg,
Who do you admire?
Paul Hagar - Weather.
What IS Travelog? [t's a band where
musical dexterity and seeing how fast you
can play is not as important as trying to
capture a mood with our music and
hopefully create a kind of music for people who want something honest and
diverse, and make lots of money.
Favorite Bands: If [ told you that, you
could listen to their recouls and find out
what riff I stole from them! Heh, Heh, uh ,
yeah.
Favorite Video: "Kal Kan"
Which Beatie are you most influenced by?
- The fifth BeatIe, "Murray the K."
-~
•
·············IW
•
•
~
•
•
·
•
I
•
I
•
•
•
I
I
I
•ISaturday I•
:
Afternoons =
:
5
=
Pints of Oly I
i
I
••
•
1
.30 ~
120 N.Pear 943-9849
Page 6 ,
:
••
•
•••••
"Seattle Subtext" is a visual journal a magazine - a one-time-only art artifact.
An artist's book. It is difficult material,
hard-art if you will. It evolved from a series
of photographic print s of the same title.
The book and the se ries on which it is bas ed are" .. ,an elaborate attempt on the part
of an artist to sensitize his viewers to the
power of mass media design and information dissemination which assa ult s us continually." (Ned Rifkin)
[n Ihi s scquclKe o f ima ges, Berger
mimics the la yo ut and design of the most
popu lar contemporary news magazines
(entering eac h two-page photographic
spread around a particular topic. He begins
with topic headings fo und most notably in
TIME magazine, s uch as World, Nation,
Featuring
Rock & Roll
with
Kinetic' 5
Fri. & Sat.
May 18 & 19
$2.00 Covet
210 E 4th
786-1444
Sex and Cinema, and moves on to more
·
generalized or personali zed areas, such as
Reading and Memory. Instead of conventional text , columns of overlapped television imagery accompany the somewhat
more conventional photographs, presentin g a captivating travesty to the viewer that
is intriguing, challenging and funny , a
book whose pages more resemble film,
television, or computer display, than the
static printed page of the contemporary
news magazine.
On the t it Ie page are t he words
"SEAMLESS RECURSIVE AUTONOMA:" the artist's versio n of
journalistic jargon sugges ting, "It blends
these va rious media into eac h other, it goes
on forever, a nd it is machine like," respectively. Seallie Subtext is t hen, an elaborate
cri t ique of med ia , very visual media, lookin g at itself. I mean, it look s lik e a n anti:
USA Today; a lit eral entanglement or news
feeds, var ious television cutaways, and the
browsing sec ti on at the dentist' s office.
There is sa tire and critique , though
aestheti(ally-o riented because it gives you
no cogn itive "answer" to the comp le xity
of handling information coverage
(honest / dishonest - acc urate/inaccurate),
get it? Hard-art, right? Anyway, it might
look more lik e a rt if the material were on
th e walls in it s orig in al form (context), In
the manifes tatio ns of "magazine" it requires a diligence to puzzle together, to
reach into the sub-text, of the visual
language of thi s synthesi zed hybrid,
U ltimately, the contex t of Seallie
Sub text resounds on a person level. Progressive ly, the captions, "text,"
photographs, and design reveal more intimate information. Under the Memory
heading one finds a photograph of the artist's ex-wife paired with an image of juniGf "
high-school cheerleaders printed from the
first roll of film Be~ger ever shot. The captions are suitably sujective: the former is
a poem about the pain of separation; the
Cooper Point Journal
•
latter is a reminiscence or intellectual
revelafton from childhood.
So Berger wants you to actively control
the ways you receive and perceive informa-
WT • MeAT· GRE
GRE PSYCH· GRE BID
MAT • GMAT • OAT
oCAT • PCAT • YAT
SSAT • PSAl • ACHIEVEIIIEIITS
SAT • ACT· TOEFL· ISliP
NAT'L MEo 80S· ECFIIIG
FLEX • YQE • IIDB • RII BDS
fI
•••
From Under the •••
••
•
•
Cloud
••
••
A community multi-media proiect
••
••
Hours 8-9 Daily
Sponsored by the
:
10-7 Sundays
: "-If.
•
Peace and Conflict Resolution Center
••••••••••••••••••••
To facilitate sharing of individual images
Images
Art book challenges perceptions
By .I. Bartone
Since going over Seal/Ie Subtext I've
really been wondering just where the 8 'I,"
X II " paper format comes from. It' s
everywhere. The format pervades our cur·
rent socie ty (future anthropologists, assum in g any quantities or our 8 '1," X II " pulp
survive, will be forced to posit vast cultural
signifi ca nce to our obsessive utili za tion of
thi s parli(ular standa rd), Paul Berger has
just published "Seattle Subtex t, " a postmodernist (read: format addresses itself)
publication, whose point of departure is a
week ly news magazine format. "The st rugg le of man against power is the struggle of
memory agains t for ge tting" (Milan
Kundcrn) . Seatt le Subtext co uld help yo u
remember .
.......................
•
•
WESTSIDE SHCFPtNG ceNTER
.,
•
CPA • SPEED READING
~-IlMPUIN
EDUCATIONAL CENTER
Tul Prppar,II 0n $PtCI,HISls
Since 19JB
F:J , ,n!Olm.lI ·on
PICJj~
C .. If
(206)632-0634
We Have Equipment for
All Your Yard Care Needs
of what it is like to live in the Nuclear Age.
We invite you to submit any and all images that speak
to you about the nuclear arms race, the human race,
and the struggle to remove the threat of
nuclear weapons
Lawnmowers
Rototillers
EQUIPMENT RENTALS AND SALES
Thatchers
• Trivia
·Original Art
.Insert your Image Here
• Posters
-Cartoons
'------ .-A-n-y-t-h-in-g-!---..J· Sculpture
2413 West Harrison - Olympia, Wa .98502 - (206)357-3314
• Pictures
·Slides
-Songs
·Music
·Quotes
.
ALL WAYS TRAVCL SCRVICC,INC.'
'vi e will coordinate a showing at the end of
tion, which is of course, the opposite of the
passive reception that cha racteri zes co ntemporary mass media. Jerry Mander, in
his book Four A rgumentsjor the Elimination oj Television, cited the story of the
" influencing machine," It seems that in
1919, Dr. Viktor Tausk, a colleague of
Frcud's, wrote a n amaz ing article called
"On the Origin of the 'Influencing
Machme' in Schizophrenia ." Dr. Tausk
reports that the victim cannot distinguish
information - feelings, thoug hts, sensation s, memories - that have been recieved from this "external" source from those
t hat have been personally generated or are
the result of personal experience and
discovery, The schizophrenic wants to
believe that somet hing else is responsible
for their own perception. The lesson in
Seattle Subtext is that it's your work.
, You'll have to do it.
May 17, 1984
the quarter: June 4th and Sth.(You can help
if you like)
WE50TSIOE SHOPPING CENTER
There will be gallery space for artworks.
943-8700
.......................................
Please contact Cliff Missen 866- 7400
oller expires 5131184
•
i
*RENT' A VIDEO PLAYER *
or
The Evergreen Peace and
Conflict Resolution Center
TONITE
*VIDEO PLAYER & ONE MOVIE $5.00*
Basement Lecture Halls Ext.6314
I coupon per renlal
-.......•..........
Monday thru Thursday
over 1200 titles to choose irom
•
Images Need Not Be Original!
....
! .!!!!!!~!!! :23:0:6~w~.~H:a~r:r1S~·:o~n~. Olympia
~
May 17, 1984
943 · 8701
OLYMPIA, WASHINGTON
The Cooper Point Journal
943·1393
M-F 9-8
Sat.12-6
Sun.12-5
Page 7
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