cpj0192.pdf
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Part of The Cooper Point Journal Volume 7, Issue 2 (November 2, 1978)
- extracted text
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arts& events
, COOPER
Cloning seen as answer
to Journal staffing
problems
Staff members ~f the Cooper Point
underwent
a successful
cloning last week when it was
concluded that such a procedure was
a feasible answer to perennial
staffing difficulties. •
"Well, what the heck, many
hands make light work, my mother
always used to say, .. said Brian
Cantwell, editor of the newspaper
published at The Evergreen State
College. Each of the core staff
members had two exact replicas
cloned from tissue samples scraped
from the inside of their cheek with a
toothpick.
The controversial procedure was
performed in thP- Lab Buildings by
students of the college known for its
willingness to recognize "alternatives" in learning.
The idea for the cloning originated from Elizabeth Ulsh, busin':55 manager of the Journal, "Well,
Journal
\ l)"'
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)11('\
,., 1th
SonyoSugga/-
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C,0 ....
/Friday Night review
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~~ontinued
from page 1,5--• look hke they could have been done
! in the 40's.
:
Even if this was made in the 40's
: with Cary Grant and Katherine
• Hepburn,
nothing
would have
: helped the weak script with its
! dumb gags that consistently fall flat.
~
heading toward the nearest door,
depending on your ability to laugh
at idiocy.
TRANS-EUROPE EXPRESS Only ..Adventures of Gerard" was
worse than this. Novelist Alain
Robbe-Grillet has some idea that he
can make films and here he even
shows himseU (on film) planning
~!
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Oci. 23 l 24 - EPIC _,_
n.
WOftl1, Oul, an lnl.,...tlng documentary
In whk:h 28 gay peopfe .,. lnt.-vtewed
about tr.r 1"'81. It'• bNn lhowtng a lot
recently on the local PSS stations, Just
In time for se.tue•, lnlt~tve 13 fight.
L.H. One 7:30 pm Oct. 23, and 10:30
am Oct. 2C. FREE.
.
Oct. 25 Light FentHtlck,
a
collec:Uon of fllm1 from the Natlonat
FIim 8oerd, of Canada, ptua 2 ehorts,
Orfeo and Sendnwl. Pr"Nented bv the
Academk: FIim s.n., 1 :30 and 7:30
pm, Lee. Hall One. FREE.
Oct. 'Z1 - Friday Nlte Fllmt: preeent1
Nlchotu Roeg's ahattertng ESP thriller
Don't Look Now, starring
Donald
Sutherland and June Chnltle. Roeg'a
other fllma Include Walkabout, TIN Man
Who Fell to Eantt, and Pwhw,116.cA.
Plus: Nlghtcata by expertemental fllm
pioneer Stan Brakhage. Lee. Hall One 3,
7, and 9:30. $1.00.
Oct. 30 l 31. Loni Thing, about a
Chicago street gang, and VIN La C..u,
concerning repre11lon aouth ot •the
border are befng lhown by EPIC. Lee.
Hall One, Oct. 30 at 7:30 pm and Oct.
31 at 10:30 em. FREE.
Nov. 1 - The Academic FIim Series
presenta Frank Perry', 1982 box office
auoceu, Onkl a U..,
an llbaurttly
outdated film about Iha relatlonahlp
between 2 mentaUy disturbed INnagerl
In a special Institution. Often unlntenUonally tunny. Lee. Hall One, 1 : 30 and
7:30 pm. FREE.
••
Hawks' direction here is his most
lethargic and it was all too obviously
shot in a studio, especially the
outdoor scenes.
Paula Prentiss tries hard and does
a lot better than Rock Hudson, who
is inept and repulsive as usual.
Hawks himself has stated that he
does not care for this film.
SHOCK CORRIDOR-An investi•
gative reporter poses as a nut in
order to check out some evil
goings-on In a mental ward, but
Insanity
turns out to be as
contagi~
IS a cold. One of the
most ul.
ionally hilarious films
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The
: ((els.you
• :In the "nympho" ward
r rolling on the floor
or
.
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SIXTEEN
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one.
So ther~ you have the cream of
the crop and the barrel bottom
scrapings of last year's FNF offerin~.
I like to know what others feel
about certain films and hope, in
order to give an illusion of
democracy around here, y'all will
come and talk to me about what
films you would like to see. We all
learn from our past mistakes, so I
think this year's series will be the
best ever. And I encourage disagreement. See ya in the peanut gallery.
-T.J. Simpson
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IN OLYMPIA
The Cinema la preeentlng a min~
festival ot sorta, with soma things
deflnllely WOf1hchacklng out. On Oct.
21-2C, we have Nlc~u
Roeg's Walk•
about, a baautlful mm about two
children st,.nded amongst the lbof1.
glnes. Oct 2t,-,27glvel us Smtte, Mlchaef
Ritch!•' eometlmM IUCCeNful utlre on
beauty pageant1 and Iha ec>c'-ly that
creatH them. Some brllll9ntly comic
moment, hara. And on Oct. 28, Richard
Dreyfun In the contnweralal lnNrte wlll
be coming ou, w.,, Thia 1975 x-raled
tltm bewildered
both critics
and
audiences alike when origlnalty 1'91NMd,
but maybe now we're ready for II.
tqytun
playa ''1he boy wondet"(which
WU the natna of hll neml1la In ..Duddy
Ktw!tu1,
a •~
chlncter who mekN
l)0mO fllm1 In hl1 apartment In the -,ty
1930'e. Cati the Cinema to, detail■ and
tlmee. 9'3-e81C.
The other thH .. ra In town wlll
be ahowlng the uau ■ I claptrap of
commercial entertainment■. Wa'w got
tour new clnemat In town at • pleca
oollad lho Capito! Mell, whk:11 ,..,,.
COOPER POINT JOURNAL
ft'II haw tw~ u many Dl1ney and
Burt Reynolda productions to ... Word
haa It that Bt1an OIPalma'a
Fury wm
be there 1tartlng Oct. ~ (■ lot of crttica
llke It) and tho lluddy -,
Story may
atlll bl therw by the time this 11 printed.
Check th Inga out for youraetf, u the
people at the·thNtera are uaually unaure
when • new fllm will open.
IN SEATTlE
Twrenoe MaUCk'I Dllp of HeN1n 11
&hawing at the Music Box In gorgeous
70mm and lncndlble dolby sound. Thl1
11 1lmply one of the flneat American
mm, aver made, and In term, of
crattmanahlp, pemap, the belt. NeY9r"
before haa thlt reviewer 8Nfl better
cinematography. (It makN DoNu Un.
k>ok like a home movie). The editing la
br1111antand the dialogue II IDWN and
aconomlcat, with • wondllffully Nrthy
narration by a young glrl. Mallek'•
aec:ond fNture (hla first WU ladllndl, •
few yNra back) la tha story of an
unusual trio of migrant wontera In the
whNt flelda of the Texaa Panhandle In
1918. At times the Ylaual beauty of the
fllm may teke your mind oft the story,
which In eome way1 maybe"the" Qr'Nt
American novel written on film, ao you'll
want to aee It at le■ at twk:e. With thl1
fllm, Mallek hu Ntabllahed hlmaetf u
the mo■ t Important American fllmmaker
or the 70'a,
At the Varsity, Robert Altman'a new
mm A Weddtng la atlll playing. lt'a not
one of Altman'a beat, but atlll Altman
nonethelHa.
There are 1ome tine
momenta here, and Altman 11the maat..or mlH••n-acene,
but the fllm 11
technically hll INlt competent. It'• a
'18MmOUI attack on Iha mlddl.cl■u In
which he may not bl tefllng UI anything
we don't already know, but lt'a atlll g,_t
to see the bourgeois get their tumpa.
Altman Hema to bl Nylng that they'll
deatroy themHIVH
anyway, 10 why
worry al>ou1thorn. Al llmoa, throughout
thf tllm, one la reminded of Dylan'• "All
Along the Watchtower." A Wadding 11 a
flawed, yet WOf1hwhUep..,. by one of
ou, moat or1gln■J ■rtl1tJ:.
Jack Nk:holaon and John Belushi are
In Going, South a humorous weetem &110
directed by Nlcholaon. lt'1 probably
packing them In at the H ■rY■rd Exit.
WOOdy Allen'a new mm tntlflora la at
the Rldgemont and King. Woody doean't
appHr In this, hie 11,11 10-called
..eertoua" film. (I thought· an hla fllma
....,. Ht1oua). It's gotten good revtowa
and hu _,
10 Be,gman.
hoa Gitt ,_
by
n.
ClaudlaWeill. Frtendawho '-
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uy tt'• actually fflOf9 about being a N.w
YOfMf than ■bout betng a worn.t .
-r., . ._
OCTOBER 23, 11178
-:- ...
you know," said Ulsh, 'Tm into
efficiency and making money-you
know, you can thank me for all that
free shampoo-and
it just occurred
to me that, with the paper having
trouble getting enough committed
staff people, well hell, clones are
economic dynamite!'"
Cantwell agreed. "Seeing our
needs For people who already know
how to put the paper together, and
the sudden drop in staff numbers,
we figured clones would be a neat
and tidy answer to the problem!"
Cantwell confided also that certain
top ranking administrators of the
college had expressed an interest in
the success of the experiment. ..,
understand running around to all
those Rotary meetings can get pretty
dulll"
said
Cantwell's
clone,
winkin,i;.
Sonya Suggs, photography editor,
,•-w,,s another
supporter
of the
cloning. "It was either get a group
contract together to put out the CPJ,
or clor.e. We chose the later. This
way I can take pictures of myself
taking pictures of myself taking
pictures of myself," said Suggs.
"We've
started
calling
it the
CCCPPPJJJ."
The only objections to the action
were voiced by Production Manager
Sherry Buckner. "It really does get
to be kind of a pain when I'm trying
to put the ads together," she sald.
''There I am leaning over the light
table trying to stick on some of that
-,k'inn)vskinny
border tape that
alway, twists around 100 times, and
these damn clones keep getting in the
way, and peering over my shoulder.
-/)hotos
by Sonya Suggs. Sonya Suggs & Sonya Suggs
It really can !(et to be a nuisance! I
think of it as sort of biting the hand
that cloned them. 1•ou know?"
Buckner express~d an interest in
pursuinJl
alternath·es
such
as
obtainin!( a faculty or staff person
who would work closeh- with the
Journal and help attraci people to
work for academic credit.
Cantwell summed up the situation
at the Journal by relating it to the
larger picture. "You know if thi~
works out for the Journal. it could
be very useful to all offices and
departments at the school that mi~h,
be short-handed ... he suggested. "In
fact, the Admissions Office is looking
at this very closely. It may be the
answer to those naK~ing enrollment
problems I"
[For the inside story. see page 2.]
Journal halts
publication: a
protest for support
Business Manager details situation
by Elizabeth Ulsh
This year the Cooper Point
Journal
has several
financial
problems. We are faced with a
slender budget which has made
revenue-raising more of a challenge.
This year (July 78-June 79) we
must raise $7,371, with a scheduled
16 publications. At first this does not
sound
The front page of this paper is aimed at catching
, 011rattention. and perhaps helping to make a
point: without more people and support. the
Cooper Point Journal cannot (or perhaps should
110I) continue publication this quarter.
To giw the reader some background, the CPJ
staff consists of a small core staff plus volunteers
and people who work for the paper on individual
contract through The Evergreen State College. The
core staff consists of the editor and two associate
editors. photography editor, production manager,
business manager and advertising salespeople. The
highest paid of these positions receives $45 per
week when the paper is coming out. The budget
for the paper comes solely from student funds and
was cut to a minimum last Spring in S&A
allocations.
Last week found the Journal with no one filling
the two Associate Editors positions-on the one
hand, due to an unexpected resignation (for
personal reasons), and on the other due to the fact
that no one took the available job. There is no one
on the staff ready to take those positions.
While this constitutes an immediate crisis in
terms of producing the paper, it serves to point out
a larger and long-standing problem: we need more
help-in the form of committed writers,
production people, etc. We also need someone
qualified and willing to give instruction in those
areas.
While it might be possible to continue
publishing-and
this staff does not discount the
importance of a newspaper in a community such as
Evergreen-we say that we shouldn't at this point.
It would not be fair to the Journal's readership
"·ho should expect and deserve a degree of
competence and quality, nor to the remaining staff
who deserve reasonable rewards and valuable
academic experience. Without some additional
academic/faculty support for the paper to provide
in.,.truction and support to the core staff as well as
the establishment of a pool of interested, involved
students committed through a group contract or
the like. the Cooper Point Journal will continue to
face the same perennial problems of understaffing
and lack of skills.
Finalh·. when it all boils down, this is a protest
for quality. While it has been flatly stated by
, ariou.s people around the college that "you have
to accept the resources you have and work with
thr111. \acrificing
quality if necessary," we are not
"illing lo do that when it seems that with a
concerted effort now the .situation might
c han~e<l for the future.
be
While it ma,· be unfortunate that publication be
halted mid-quarter due to our specific
c·irc11m,;tance,;;, it could be turned into something
po\iti\'c if the present staff spends this time
pur..,uing the \upport
for the Journal that i.,; sorely
needed. \Ve propose doing that by talking to the
1'11blicationsBoard. the college administration,
other people around the college, looking for
,upport in the form of interested faculty or staff,
the organization of something like a group
contract, or simply the procurement of more
money to help hire interested staff people.
This is also a protest for fairness. Until more
,11pport is found for the paper, it is not fair to a
,taff or a group of editors to expect publication of
a decent college newspaper given the resources. We
are not clones, we are people who want to do
quality work and not climb the walls in the
process.
We are meeting with the Publications Board this
afternoon to discuss this situation. Ultimately, it is
up to that body to decide the fate of the Journal.
If they want to retain this editor and staff in an
advisory role for the remainder of the quarter, we
are interested in pursuing that. We are willing to
publish a final edition at the end of the quarter
.summarizing our results. If they want to continue
publishing the Journal before that time, it is their
prerogative
too
alarming.
However,
putting it in historical perspective,
last year the Journal was able to
raise $8,600 out of an estimated
revenue of $10,000. This was done
when we published 32 times during
the year, coming out every week.
There are several periods during
the year when the Journal raises a
lot of revenue through ad sales. One
of these is the period during Fall
Quarter
through the Christmas
season. By not publishing this fall,
we realize
we would
lose out on a
valuable
opportunity to raise the
need to sustain the
paper through those periods, such as
Spring, when revenue is harder to
come by. For that reason, it is
important to understand the current
difficulties that are challenging the
sunrival of this newspaper.
The first challenge that faces the
Journal is the difficulty with the
set-up of the paper. There are no
faculty or staff who closely oversee
or instruct
in the journalism
functions of the newspaper. This
allows students freedom to use the
newspaper as they choose, which is
fine and valuable. At the same time,
however, people could be bencfitting
from a valuable journalism class or
revenue
we
program, that could function also as
The role of a desperately needed
a resource for the paper.
faculty person would be one of
The core staff at the Journal is a
teaching new and interested students
small one. Each person learns the
the ropes of the Cooper Point
skills of doing layout, photography,
Journal. This person would work as
and copy editing. But this same
a facilitator to new staff and be
staff is so small that it is almost
available to deal with problems in
impossible to hire anyone who hasn't
personnel, and offer suggestion/
had the experience necessary to
direction in journalism. The Journal
begin working right away. We
should have a module or program
haven't got editors who teach, we
w h ic h o ff ers credit
in writing
have editors who write. Consequentarticles. And we need ideas. Most of
ly when we need volunteer work we
a II this seat of the pants operation
have to expect the students to
has got to stop. It is a thing of the
already know how to write for a
past. It is time for us to become a
newspaper.
journalism resource for students who
The Cooper Point Journal asks
have to learn about journalism
a lot of a student. Since we are so
writing at a college newspaper.
small, we form a tightly knit group,---------------------.!
of people who are specially geared
for specific responsibilities. There is
no one staff coordinator who joins
Editor:
together all the separate responsiI agree with Willi Unsoeld and the
bilities, except the editor. The ad
old decision not to implement requir~
sales people do not feel directly
ments for graduation from Evergreen
related to the decisions of the
into the school policy. It would remove
journalism editors and writers and
a great deal of the flexibility that one
the business decisions are made
finds at TESC, as well as limiting too
separately from the expertise of the
many (even if too many were to be
editor. The editor concentrates on
one) people's education. This education
getting materials to the typesetter on
we students seek is OUR education
Tuesdays and Wednesdays,
must
and f feel that we should be able t~
deal with photo services, write and
make of it what we choose to be right.
keep track of what articles are being
What is right for you may not be right
turned in and edit them. He also is
for me: if I want four years of pottery,
In charge of the mechanics of doing
with modules in Spanish, or something
layout which involves an overnight
-I could choose Evergreen because I
stint (from 6 p.m. to 6 a.m.) on the
could follow this decision through
night before we go to press. In
short, the editor hasn't the time nor
there. And because I know that if I
were to change my mind in my third
the energy to hold workshops in
Journalism writing.
year, and decide that a whole year in
Spanish was necessary to me-I
could
Continued on a e 3
do it at Evergreen. Very few college
level schools offer this freedom
No requirements
letters
Dear Editor:
I am a very lonely white male
presently confined in Attica Correctional Facility with 9 months before
release, and I am looking for a liberalminded, understanding
woman who
would be willing to write and be my
friend I am 23 years old, 150 lbs.,
5'11" with
li&ht brown
hair and
considered average lookmg. My hobbies
and special interests are arts and crafts,
bicycling, reading, music in general,
good food. interesting conversation and
meeting people
I am home-loving,
understanding, loyal, honest and affectionate person I know there must be
~omP nice lady out there who has some
love in her heart that she is willing to
share with me and be my friend I am a
for real person and I want you to be
the same way
If you feel that you are interested in
me, please write and let's get to know
each other better i will answer all
sincere correspondence. This could very
well be the start of a meaningful
relationship
Sincerely yours,
Editor:
There is a major problem at the
Evergreen rTlail room.
I am an Evergreen student currently
working on an individual contract in
California. I mailed my completed
contract for this quarter to Robert Sluss
on September 30, 1978, by Special
Delivery,
Certified
Return Receipt
Requested (S4.00 postage). It was
signed for, by someone at the mail
room on Monday, October 2 certainly
within enough time to meet the new
deadline for individual contracts to be
filed, October 9. The envelope conthe contract
did not reach
Sluss' office
until Tuesday,
October 10. (2 days US mail SF to
Olympia, 8 days from Evergreen mail
room to faculty member I J
I understand the reason for havmg
deadlines, but lefs inform the mail
room of these deadlines.
I sincerely hope something can be
others who
have experienced
I want an education
that will prepare
me for life, not a degree that will help
me slide through doors with more ease.
-Magie
McD~niels
P.S. I think, at least I hope, that most
Evergreeners are ·willing to defend their
education, if the need be.
TEACHERS WANTED
Hundreds of Openings
Foreign and Domestic Teachers
Box 1063 Vancouver, WA 98666
Tapes
&
Records
We have lots of the lowest
prices
in town
on LP'5,
Tapes, Accessories,
Para·
phernalia.
Concert Tickets
(no service
charge 1) and
more.
And
don't
miss
great
deals
on cut-out
tapes and records!!
"The Uptown Store with the Low Down prices.··
OIi 41'_II
It.I
DEAD U..
);:.,.,-:: :
••pr•no,
9'-'
·,t;.
2IO E 4th Ave
H11DDY
l'IIDTRY.
1 ''12
TESC
:::.::-::~
~
8.00 pm
Why Nol Tavern
James Sabrlal Santos
71
DAILY
Special Cllallon •
Washington State Concrete Formers Association
President.
Fri-Sat 11-10
Mud Bay Debating Society
•urop•an coff•e•
tHs •ncl paatrie,
Shop Steward -
GROCERIES FRESH MEATS
BEE~ & WINE PRODUCE
SUNDRIES MAGAZINES
SELF-SERVE GAS
Int. Brotherhood of Towelmeti Local 231
Graduate
carolyn ,tr_t
proprietor
Olympia, W11hin9ton
Next to the Stat(' Tht'alc>r
-
°78-l9 Vocational Student of !he YNI
1tarbuck'1 coffee, and teH
to choose a new editor.
OPEl:'l 7 UAYS A WEEK. 11 A.M.-2 A.M
HOMEMADE
SANDWICHES
FREE POOL ALL DAY SUNDAY
SHUFFLEBOARD
STEREO - SOUND BY CONDOR
CARD ROOM
.jt._;
'77 Fine Woodworking Design COmpelltlon
Mon-Thurs 9-7
;;~
~-~
·59-74 Frank Zappa LOOk-a-tlkeContest (trophy retired)
ca e intermezzo
Git ,I . t4J-t1I1
Chatterbos:
Tavern
Winner ol -
•
Simp..,on
Come Join with us In wishing this Illustrious son of
- D•vid A. Millh•user
• ••••
-T.J.
No More ChlCh!Chl ...
similar
14011
COOPER POINTJOURNAL
school.
problems will let themselves be heard.
#76-C-461
P.O. Box 149.
Attica, New York
212 We,t Fourth
ideal, so that the students will have an
easier time getting a job or into another
done about this problem, and I horc
Arthur B. Ordiw•y
new hours:
anymore. It is important that Evergreen
stick to its guns, and that it doesn't go
the way - 0 so --many liberal-minded
schools; Quit striving for an educational
taining
Robert
-Brian Cantwell
TWO
.,, ...
Thia Friday (NO¥. 3), Friday Nlte
Fllm1 presents '"l..11Femme lnfktele"
('"The Unlalthtul WIie") by French New
Wave maater Claude Chabrol. Thia
1968 film la deacrlbecl In Sadoul'a
OlcUonary of FIims u ". .
one of
Chabrol'a moat aocompll1hed rums.
Hia debt to Hitchcock la moet evident
In the brllllant natratl\111touches and
carefully structured photography, but It
Is as a atudy In gullt and of aoclal and
sexual mores that the film makes na
Impact." Thia la also former FNF
coordlnalor Gary Alan May'a favorite
French fllm and coincldentally his flnal
selection for the series. Also a short,
"'Our Trtp to Ahfca" by Peter Kubeika.
Lee. Hall One at 3, 7, and 9:30. All
this for only a dollar.
On Nov. 10, FNF la proud to present
Francois Truffaut'a '"The ~ Blowa",
one ol the first three French New Wave
lilma, that were all released In 1959
(The other two are Godard's "Breathless" and Reenals' "Hiroshima Mon
Amour"). "The 400 Blows" la still the
moat popular ol the 3.) Although 'IOI
aa technically
Innovative as his
contemporaries In "The 400 Btow1",
Truffaut
created a new kind of
unsenllmetital aeneltlvlty and harsh,
yet poetic reallam. lt'1 largely ar.
autobiography or Truffaut'a own chUdhood, t0,d with humor Ind pain. Jean
Pierre l .. ud (In his tlrlt role) plays
Antoine Oolnel (Truttaut), a confused
adoteacent who cannot cope with his
equalld homellfe, Idiotic parents, and
authoritarian
teachers. (One great
eequence la when he falaely tells his
teacher that his mother has died IS a
COYer·UP tor his playing hookey, and
what happens when the truth Is
learned.) After getting in more trouble
for varlou1 things, lnchKllng trying to
sell• stolen typewrite,, Antoine la sent
to ,.,orm achoo. where life Is worse,
and manages lo escape. The ending Is
Justly famous, but If you haven't seen
It I won't 1poll It. And yes, It may
make you cry, even If you're a
hardened cynic. The fact that aomeone
could put their own life expenencaa
into a film !Ike this la Itself an amazing
feat. In lhe final shot, Trutfaut la
saying, "O.K. you butardsl
Here's
what you did to me. Now squirm In
your guilt.'' (At least that's how I see
Jean.Pierre Leaud went on to play
Truffaut'a alter ego, Antoine, In IIMMQ.t
other films, Including "Stolen Klsees"
and "Bed & Board". Besides his
numerous fllma for Trulfaut, he has
also bfe,'I In many by Godard and other
FrenclY 111mmakela.'Bertolucc;I paid
tribute to Truffaut by having Leaud
play the young rum mak8f In "Last
Tango In Paris".
Also on the same bill-Charles
Chaplin's 1916 classic, "The Rink".
Lee. Hall One 3, 7, and 9:30.
On Nov. 17 and 19, watch out for
"The Tenant", the finest fllm to date by
Roman Polanski ("Chinatown", "Repulsion", "Rosemary's Baby"). In this, hia
mos! recen1 fllm (made in 1976 before
his frame-up),
Polanski
himself
appe&r3
ln !he lltle role of a lonely
Polish office worker In France who
rents a new apartment whose previous
tenanl had committed suicide. He
starts to take on her persona and is
plagued by weird neighbors. A brilliant
study In paranoia and the Insensitivity
of the human race. This la the mos1
powerfully disturbing film I've ever
seen. A.tier walking out ol the theater, I
couldn'I talk for almost a day. 11
became difficult to distinguish !he real
world from the movie. Hope It has the
same effect on you.
Melvyn Douglas co-s1ar In Color Lee
Hall One Friday at 3, 7. and 9 JO
Sunday at 8 p m unty A Bugs Bunny
classic "Falling
H•r•··
11943)
1s
included on the bill
The cinematography
by Sven
Nykvlst, best known lor his won< With
Bergman, ls hla best thus tar (even
better than "Cries & Whispers"). We
bet18f gel a good print. Isabelle ("Adele
H.") Adjani, Shelley Winters, and
ON CAMPUS
Tel-hone
9♦3-7668
NOVEMBER 2, 1978
TESC, December 1978
Paid for by "Goodbye Jimmy Commlltee"
Doug Hitch, Chairmen
NOVEMBER 2, 1978
2010 DIVISION N.W.
COOPER POINT JOURNAL
357-7483
THREE