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Identifier
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cpj0266
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Title
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The Cooper Point Journal Volume 10, Issue 9 (December 4, 1981)
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Date
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4 December 1981
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extracted text
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PAUL HORN, noted lor his exlraordinary
solo II ute recordings made in the Taj Mahal
and Egypt's Great PyralTJ.l ds, will bring his
quartet from British Columbia to Jazz Alley
for the remainder of the week, Thursday
through Sunday, three on Friday and Saturday . Tickets are available at all BASS outlets.
Jazz Alley Is located at 4135 University Way
NE, Seattle. Call 632-7414 tor more information .
The 1982 Graduatton Committee will be
meeting this Thursday in CAB 108 at 5 :30 fo
discuss the speaker format for 1982 graduation .
SATURDAY NOVEMBER 21
a-
Jeff Schafer will be performing al Carnegie's
this Thursday, Friday, and Saturday nights
with no cover c harge . Show begins at 9 p .m.
and w il l feature Jeff on acoustic six, and
twe lve stri ng guitars and vocals . Camegle's is
locat ed at S. Frankli n and E. 7th , downtown Ot ym pia .
Tonight only. at Popeyes , Alive w il l be
appealin g The show starts at 8 : 30 p.m . and
has" re,ver cost of $5. Alive is a nationally
kn o wn w')men's rock group. Best be t f or
tonight' ,. entArtainment . See you there l
An afternoon of Christmas Craft Demonstrations: w ith Diane Jones. Bev Jackson , Jan
Nutting. and Michelle Efhardt. Tlmberfand
Library . So uthgate Shopping Center. Tumwater . 1-4 p.m., free.
Fridd y Nite Films present s Petulia , 1968
Color 1l) ~. mi nutes . Dllected by Ric hard Lester.
Juli e Chlls t ie . George C . Sco tt , Richard
C ham berl.:l ln Set In San F ranc Isco. th is is
L ester' s IlTs t attempt at a psycho l og ic al
drama . all dtl empl to port ray the Imposs ibi lity
o f roma n tIC lo"e In modern 60's society The
fragme nlary nar lat lve tech niques-flashback ,
ium p-cuts. flash Im"ges-bril lianlly reflect
the sWin gin g world and It s di sioin ted relation ships IA lso glimpse appearances o f Jani s
Joplin ana the Grate ful Dead) . Plus . color
can oon King looney IV .
Singer ,o ngwriters, Reilly and Maloney , reo
turn to Olym pia and With th em bring fri end
and ma s ter s tee l-s t r in g gu it ar i s t , William
Ackerman . The date- Friday . Nov . 20. al 8 p .m . in the Library Lobby of TE SC . Ti cke ts
available at RainY Day Record s and TESC
Bookstore . AdmiSSion i s $450 For turther
intormati on call.357·4755.
Astrology, The 80' s and You: Thi s evening
lec ture w ith Gai l Fairfield exp to res the big
changes com in g up in this decade and how
we ca n prepar"! ourselves to meet the cha llenges of th e decade. Fallfield will also
exp lore with a few audience members how
th"se changes may apply to their o wn chart s :
Gr ing
yours
wi t h
you
for
an
excitIng
evening of ast ro logyl 7':30 p.m .. Recital Hall .
$3 gener~ l . $2 students .
The Harmonic Tremors w ill be appearin g at
Popeyes this Friday and Saturday nighl s.
Show is sched ul ed for 9 p .m . till 1 a.m. With
a door cove r o f $2 5G Popeyes i s located o n
Ham son Ave . o n We st side in Olympia : tele·
phone number is 786-9290
" Alchemy as ~ Sacred Science (and as a
FraUd )." Thi s Will take place in the TESC
Lecture Hall 4 1e.j co llee. and cookies will
be served in \lle ,,; Iunda at 3 p.m . pri o r to th e
3 : 30 pm lect ure ; t"", ng t ime
The Gnu Deli at 111 N . Thurs ton will present Eric Tingstad t'1 IS Friday nig ht. Cost 0 1
admiSSIOn IS $1 .50 and th e show start s at
9 p .m. Eric Will be play in \, c laSSical and
baroque gUit ar for your entertainment.
Also in Seattle ; remember the Heats? Well
they will be giving a free concert at Everybody's Records. The address is 130th and
Aurora, and the show is schedufed to commence at 2 p.m. Friday afternoon.
SATURDAY NOVEMBER 28
SUNDAY NOVEMBER 22
Get yourselves ready tor this one! The
Elbows and The Detenslons will be appearing
at the Gnu Dell in a special show this next
Saturday night. Cover is $2 and the music
beg ins at 9 p.m Both bands are f ormed of
local musicians and reflect the climate ot the
Olympia pop rock music scene. So be on
time, don't miss this one. The Gnu is at 111
N . Thurston , Olympia.
Appeaflng at Parkers this Thursday , Friday.
and Satu rday nights will be Ray Charfes .
Parkers is located at 17001 Aurora Ave. N.;
the pho ne number is 542-9491 . Ticket prices
are as foll o ws : Thur sday night, dinner
wlshow at 8 p.m . is $20. Thursday wlout
dlnn" r. at 11 p.m. is $10 . Friday and Saturday
nig ht s sho w With dinner at 8 p.m . is $22 .50,
Friday and Sa turday nigh ts show w l out dinner
either the 8 p.m. or the 11 p .m . show is
$12 .50 . Advance tic ket s may be purchased at
Parkers or via tel ephoning with a visa credit
card
Thi S Sunday and Monday nights , Winterhawk will be atPopeyes . Show begins at
9 :30 p. m. and carries a cost of $2.50 at the
door . The Winterhawk band plays original
rock 'n roll w ith a definite Native American
flavor to it..
.
For the week of November 28 to December
5, the Artists' Co-op Gallery at 524 S. Washington, will have as their guest artists, oil
painters, Tom Sholly and Cathertne McSweeney . The phone, il you need, is 459-0946.
Introduction to the Tarot is the topic of a
t 4-hour intensive workshop schedu led for thi s
Saturday and Sund ay at TESC . For registration , call 866-6144 . Cost is $45 per perso n and
the sIZe of the workshop is limited to 15
prople o nly. so In sure your place with a $15
regis tration deposit
Julian Priester Quintet featuring Carter
Jefferson . Contemporary mainstream sounds
from a trombon ist who has recorded three ·of
hi s own album s on ECM as well as with Art
Blakey. Herbie Hancock , Max Roach, and
Dinah Washington . Carter has iust returned to
Seattle "fter touring with Elvin Jones .
Parnell ' s , 313 Occidental Mall. Pioneer
Square . Seattfe. 9 p.m . showtime .
The ..tWill be appearing at the 4th Ave .
Tav thi s Friday and Saturday n ights . Thp·
shO"' start s at 9 ' 30 p. m . and ends at 1 :30
The Olympia Film Society presents on Sunday . Nov . 22 To Be or Not To Be, USA , 1942,
99 min. B&W . Directed by Ernst LUbitsch .
Starring : Jack Benny and Carol Lombard . The
place is Warsaw . The time is the outbreak of
WWII . The action is Benny and Lombard as
they dress up and try to fake-out the Nazis .
Sophisticated and politically pertinent Lubitsch comedy. Showtimes : 7 & 9 : 15 p.m . at
Capitol City Studios, 911 E. 4th (between Pear
and Quince) . Members $1 .25 ; nonmembers
$2 .75.
d in .
and cos ts $2 . OWl is a "sem i-co untry
rock" band featuri ng Danny Wymm s.
Th e Harmonic Tremors w ill be appearing al
Popeyes thiS Friday and Saturday night s. The
sho w IS bo und to be o ne of their best yet
Sho w start s at 9 p. m . and carries a cost 01
$2 50 at the door Popeyes is located o n Har·
IIson Ave .. WestSide. Olympia.
The Evergreen State College has filed an
appeal in Superior Court against the
Washington State Higher Education Board's
(HEP Board) certification of the Washington Federation of State Employees (WFSE)
as the sole bargaining unit for TESC classified staff in contract negotiations.
TESC claims that the board's ruling of
October 28 was arbitrary ;;Ind capricious
and was made contrary to the preponderance of evidence. In addition it claims
that the decision violates Higher Education Personnel Board rules . Evergreen also
claims unlawful procedures were followed
and that the law that the decision is
based on is in error.
Most of the classifi ed staff are members of the Federation of State Employees '
AFL-CIO, whi ch was certified as exclusive
bargaining agent for staff employees in
July of this year.
Out of 204 classified staff, 114 or 56%
are union members although all staff, with
a few areas exempt, are bound by any
contract negoti.ated by the union as a
result of the HEP Board ruling.
Director of Personnel Rita Cooper, who
is appealing the certification on behalf of
the college, when asked about the appeal,
explained that a number of non-union
members have expressed the view that
they expected an opportunity to vote on
whether they wished to be represented by
the Washington Feder3tion oL State Employees or not.
An election never took place and the
HEP Board ruled that the 52.3% of the
staff that submitted consents for union
dues deductions from their paychecks
constituted a sufficient majority of interest in approval of WFSE as their representative.
Cooper says that a 60% majority is
appropriate in this type of situation and
that the HEP Board rule is contrary to
good collective bargaining practices.
Director of the Higher Education
Personnel Board, Doug Sayan, stated that
he beli eved the college was trying very
hard to keep the union out. He said that
in the short term the college was probably
hoping to have the union forced to call
In Seattle , at the Showbox Theatre , Iggy
Pop will be perform ing this next Frid ay night
after Thanksgiving. For ticket prices, showtimes , etc., call Corporate Records in Seattle
at 625-9834.
IC;013BI_E GOBBLE GOBBLE . . Happy Thanksgiving!
For a special show . go on over to the
Rainbow Reslaurant this Saturday night to
see linda Waterfall . She will be performing a
so lo acoustic show l or a cost of $3 . The show
begins at 9 p.m .. Col um bia an d Fo urth ,
downtorm .
By Shelley Baxter
The 1st Annual Popeyes JIZZ Festival takes
place this next Friday and Saturday nights ai,
of all pfaces, Popeyes. 2410 W. Harrison,
Olympia. The show both nights begins at
7 p.m . and goes until at least 1 a.m . Many
different N .W. iazz performers will be present;
to name a few, Don Chan will be there , along
with Oberdor, Barbara Donafd , etc., elc . The
cover Is $5. For more info , call 786-9290.
The Gnu Defi will be having a N .W . new
rock show th is Sat urday night starting at
9 p.m. The bands perf o rmi ng wi ll be the Neo
Boys, Twin Diet , and Jumbo Zen . All original
new rock and roll for a cost of o nly$2 .50 . The
Gnu IS located at 111 N . Thurston. Otympi a.
Regislratlon Age People , an anti-war group
of draft-age men and women has begun a new
fall meeting sched ule . They meet Sundays at
noon , at the UW Ethnic Cultural Center, 40tl1
NE and NE Brooklyn, Seattle. Registration
Age People, P.O . Box 31314, Seattle 98103.
MONDAY NOVEMBER 30
The one, the only, King Crimson with
Robert Frfpp and Adrian Belew will be appearing at the Showbox Theatre this next Monday
night . For all the necessary details, call, in
Seattle, 625-9834.
TUESDAY DECEMBER 1
The Medlevaf, Etc, Film Series presents
Catherine The Great . U .K .. 1934, 97 minutes,
Band W . Directed by Paul Czinner; screenplay by Laios Biro ; Cinematography by
Georges Perinat. Places, battlegrounds and
royal chambers were all carelully re-created
for the camera, with the end result being a
film with remarkable rich detail and sense of
presence. Shows at 3 p.m . , 7 p .m. and
9:30 p .m .. with a cost of $1 .25 . The show is
Tuesday in the TESC Lecture Hall number one.
WEDNESDAY DECEMBER 2
The Gnu Dell, 111 N. Thurston, will have an
Open Mike Session for Irfsh musicians Wednesday the 2nd. This show is set for
musicians who would like to perform with
other musicians who play traditional Irish
Participation andlor attendance is Iree
Show
•
~~I
" '.
I
..
COMING SOON:
Sunday, Nov. 22 - VVlnterhawk
Wednesday, Nov. 25 - Open mike acoustic night
Call to sign up by Monday, Nov. 23
Nov. 26 - Happy Thanksgiving! (Closed)
I
I
!
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TtiA~I\'C3IVI~C3
JAZZ r:~'TIVAL
~()v. ~"""I ~ ~S~ """Ipm~ 1:3()
Now comes Millertime.
Locally Distributed by, capitol Beverages. Inc,
f
!
Friday and Saturday, Nov. 21 & 22
HARMONIC TREMORS
R&B $2.50
$2.00 Giant pitchers until 10: 00 p.m.
IIIIft nl DlII'I: 11,2410
WASH.
formal elections to determine who is to
be the bargaining agent for the s.taff.
Union members have expressed the
view that the college is using stalling tactics.
" We are very angry about the harassment from the administration . They are
spending thousands of dollars on court
appeals, disciplinary actions, and challenges to the legality of our bargaining
unit, and we have to pay for it. Our payroll taxes go to their legal fees and administrative salaries, and we have to use our
union dues to defend ourselves. We pay
for it all, and we pay for it twice," said
union member Steve Kant.
Rich Montecuco, attorney for TESC
stated that the Washington State Attorney
Gen~ral's office charges over $27 an hour
and that an appeal generally costs around
$500 in legal fees.
TESC is budgeted $18,000 per year for
legal services based on past expenses,
according to Myrna Aiken, accountant for
the Attorney General's office. The legal
fees for the fiscal quarter, June-September
were $9,347.25, over double the usual fee.
AI Warber, Budget Coordinator for TfSC
Library and one of the s.even union shop
stewards, in a letter to the Board ' of Trustees of the .college indicated some of the
reasons why many staff members felt a
union was necessary.
According to Warber an accumulation
of instances of questionable c ircumstances in the college has demoralized
the staff.
He said the first incident leading to
union organization was the dismissal i)f
two em ployee~ fror n fauli tles d!. a result
of a general reduction in force (RIF) of
the college. Some staff contend that the
employees were selectively cut as opposed
to standard procedures of reducing the
work force over the entire college on a
seniority basis .
Rita Cooper of Personnel claims that
neither of the employees in question , or
anyone else filed a complaint with her
office.
In addition Warber cites the instance
where a college custodian , Bruce Van de
Walker, was fired for an alleged theft
before a sufficient investigation was held .
Both the Higher Education Personnel
Board i;lnd a Washing~on State Supreme
Court judge found him innocent. Th(' college is presently appealing both decisions.
Another example of practices of the administration that the staff objects to
according to Walker were instances of
posting job announcement late or failing
to post them at all so that the positions
were competitively filled.
Cooper says that no complaint was filed
on this issue either.
Warber also contends that the administrat ion is spending money ,to appeal a
court aecl Slon 111 order t o hilra, 5 iI ~ta tf
member. He states that appealing a court
o'rder demoting another employee that
was found guilty of theft will cost th e
school more than the savings in his pay
differential as a result of the date of his
demotion being put back . The appeal is
still before the court .
Warber claims ' that the Evergreen counLil , whi ch is the voice of staff, faculty and
,tudents at the co llege, failed to hold
proper electio ns for the c lassified staff
positions on the council.
Dan Evans, in a memo last June, reminded th e Eve rgre en co mmunit y of
8&A Board Releases Allocation Process
B~'
All lady jazz tonight!
NONPROFIT ORG.
U,S. POST AGE
PAID
OLYMPIA, WA
PERMIT NO, 65
lESe Appeals Certification of Staff Union
The band 4 cast will be playing at the
Fourth Ave, Tav this next Friday and Saturday
nighfs. The cover Is $2 and show starts at
9: 30 p. m. 4 cast plays orig Inal pop rock and
familiar tunes. Fourth Ave. Tav is a 21 0 E.
Fourth , downtown Olympia, and the phone Is
786-1444 .
The Artists' Co-op Gallery , at 524 S. Wash·
ington, in downtown Olympia, w ill be leatur·
ing as their Artists o f the Week . Sumi painter.
Nobu Burmer , and oi l painter. Paul Lambert .
Hours of th e gall ery are 10 a.m . to 5 p.m .,
Monday through Saturday .
For yo ur l i stening pl easure . the SKI Col·
loquium will be presenti ng Charfie Teske . this
FnCrly aftern oon with a dl'l.CLlSsi on entitled
Appearing at the Gnu Dell this next : Frlday
'- nlght, not tomorrow, will be Eppo and
Rouett . An acoustic duo, performing country
and bluegrass tunes lamlliar to one and all,
these two rema ~ n an Olympia favorltli. Show
begins at 9 p .m. and costs $2.
The place: Lib, Lobby TESC. The time:
8:30 p.m. to 1 a,m, The reason : The fill
quarter Environmental RHOUrce Center
lit Da~ . The 'bands : Sundance Rhythm Band
and The Yacatlona. What day: This Saturday.
What else : Spirited beverages available. Etc.,
Etc. , : Reggie tram Sealtle and Progressive
rock from Olympia.
COOPER
December 4, 1981
Volume 10 number 9
,,'
FRIDAY NOVEMBER '0
The Muddy Bottom Boys : One of the
favorite bands leatured at the Tumwafer Bluegrass Feslival. Classic bluegrass and country
with emphaSis on the obscure songs to titillate and delight you . Come on down! If you're
a picker, check out the afternoon workShops.
Speciaf tnstrumental Workshops with the
Muddy Bottom Boys , 3 p .m ., $10 . Open mike:
8 : 15, main act follows, admission is $3 .
Appfeiam, YWCA, 220 East Union, Olympia.
FRIDAY NOVEMBER 20
Jim Mclnnea will be entertaining audiences
at Carneglee, at S. Franklin and E. 7th startIng the 25th, and continuing through the
26th, 27th, and the 3rd, 4th , and the 5th of
next month. Jim's show begins at 9 p.m. and
Is free. He plays guitar, plano, and sings
while
wine and dine.
s and Entertain
Through November 21, The Artists' Co-op
Gallery, al 524 S. Washington , in downtown
Olympia. will be leaturlng as their Artists 01
the Week , painters, Florence Lemke and
Sharon Wallace . Hours 01 the gallery are
10 a.m . to 5 p .m ., Monday through Saturday.
so
The Evergreen State College
Olympia, WA 98s05
NOVEMBER 25
THURSDAY NOVEMBER 19
CALL (206)786-9290
.1
... ~-
.TESCs unique system of governance He
t'xpressed the view that the Washington
s.tate Federation of State Empl oyees represented outside involvement in the college, and would substantially ' change the
nature of Evergreen. He said that Evergreen's governance depends on an ex ten,ive mediation and hearing process and a
union would make personal re:ationships
of the co llege community mose formal
and distant.
Vi ce Pres id ent for Bu sin ess Di ck
Schwartz and Director of Facilitie'i David
Wallbom both decl ined to comment w hen
,.rsked HIClr vi ews o t t hp IITtpl il ~(i o m o t
qi\ff unioni zation on Evergreen 's philosophy of govern ance They both expre,sed
t he view that the employee, shnuld have
Ihe right to unioni ze.
\ n ntinllPd
q (1
p(l ~ P t\W)
Special
Session
Adjourns
Ijy John Bauman
F. W ,Fatseas
The Evergreen Servi ces and Activities
Board (S&A) will spend the remaining
meetings this Fall Quarter gathering student input and debating the process to be
used in allocating funds during the Winter
and Spring Quarters. The main function of
the S&A Board is the distribution of S&A
funds to various organizations on campus.
The funds are from student tuitions and
fees . Out of the tuition payed by each
full-time student, $60 goes to S&A .
Three proposals were introduced at the
November 25th meeting of the Board, and
these . were later condensed into two
alternative proposal s.
One of these, offered by Theresa Connor, provided that the Board and all the
representatives, or " liaisons," shall be included in tlie decision-making process. It
states that budgets must be approved by
a co nsensus of both the Board and
liaisons, but provides that if a consensus
proves imposs ible to achi eve, the budget
could be approved by a two-thirds majority vote. No provision was offered as to
how the decision would be made to revert
to the two-thirds vote method.
This proposal was amended by Chris
Sulli van to provide for a "veto" power by
any member of the Board on a two-thirds
vote dec ision . The provision was added to
prevent the possibility of any large group
or coa l ition of groups from pushin g
through any act i ~n which would be un-
c
The spec ial sess ion of the Washington '
state legislature ad journed Idst Wednesdd)·
evening after passing a rev ised budget ilnd
Choose.
a one (ent increase in the sa les tax .
Thf' budget contai ns $286 milli on In
DB
( uts. The sa les tax is expected to r<l lSt'
DC
$52S million in add itional revenue. 1 hu,.
thf' legislature leavE'S, having put an $8{X)
million band-aid on a probl em that has
been es timated to 'amount to irom $1 1 to
$15 billion .
Governor Spellm an signed thf' sales til>.
bill yesterda y and the new rate beca me
full consideration could be given to these effective at 1201 this mornin g.
and other options, including input from . Evergreen lost' about 5 percent of ItS
S&A liaisons and other students, before budget. amounting to $1 .3 mill ion. Thi s is
about half the 10 perce nt cut the college
deciding on a final allocation process
planned for early this fall. St ill, there is
Speaking in favor of res tricting the
little chance any of the cut funds wi II be
process to the Board only, Ted Buchart, a
restored .
Board member who will be retiring next
° 1 don't see any changes this year,"
quarter, said, " By defining the community
sa id Evergreen Business M anager Ken
as only those groups getting the money,
Winkley. " There wi ll probably be some
it creates a strong emph asis on factional revision of the plans for next yea r,O he
ism , eve n in c ludin g accusations of
added
.
n
racism .
The Board of Trustees is due to reconsider TESC's budget at its January meet ing.
Bu chart expl ained that the interests of
Among the bill s that didn't pas s thi s
the various li aisons were often narrowly
session were House Bill 793, w hi c h wou ld
concerned with their own groups, making
have closed Evergreen , and House Bill 784,
a con census dec ision diffi cult to achieve.
which would have raised tuition at state
He went on to say that if groups receiving
colleges and univerSities, ti ghtened resi fund s had a voice in the disbursement
dency requirement s, and allowed 4-year
policy, then representatives of the student
instituti ons to put a 10 percent surc harge
body at large, whose money was being
!On tuiti on.
spent, should also have a voice.
0"
fair to minority or less well-represented
interests .
The other proposal before the Board
was a " des ign-loop format," in whi ch the
Board, after setting aside its reserve fund,
would review all budget requests, prepare
a preliminary budget; and then present it
to the liaisons for debate and approval.
The liaisons would then make voluntary
changes in their requests, and re-submit
them to the Board. The Board would draw
up another budget plan, after discussions
with Byron Youtz, Dean Perkins, and
Richard Schwartz, and submit that to the
liaisons for approval. Finally after another
round of debate and reductions, the Board
would draw up a final budget. The final
authority for approval of the budget in
this plan would lie with the Board itself.
The Board decided at its November 25
meeting to delay discussion of any monetary allocations until next quarter, so that
.j
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Shakes pear 'Troupe
Gives Good Show
"Stop The World" Gets Off
B,. Martha Wolfe
By Katie Lieuallen
The Oregon Shakespearean Festival's
presentation of sample skits provided a
delightful even ing of varied entertainment
. Tu esday, December 1, in TESC's Recital
Hall.
Using minimal props and q>stumes ,
festival actors Kevin Loomis and Sam
Pond skipped smoothly through a twohour re rforman ce of scenes from various
plays by playwrights ranging from Shakespear~' to Dudley Moore and Peter Cook
The jJrogram, entitled " Friendships and
Favorite Fanatics, " in cluded outstanding
performances of short scenes from Romeo
and Juliet as well as Neil Simon's God's
Favorite, proving Pond and Loomis to be
discipline,d , professional actors , The swift,
flowing character transitions were executed with care and control, keeping the
audience continuously focused , never
allowing a moment to lose the fast pace
of the sequence or skip a beat between
scenes.
available at Yen ny's and the Evergreen
Almost all of the selections were
Bookstore. Reservations can be made by humorous and light, and Loomis and Pond
calling 866-6070 during regular business
made use of the intimacy 0f the small,
hours .
packed Recital Hall with il:ustrative facial
expressions and body mCllements . The
visual effects kept the audience captured
and laughing most of the evening.
Several of the characters seemed somewhat underdeveloped, as in the case of
Pond's interpretation of George from
Steinbeck's Of Mice and Men , The character lacked the subtle, almost neurotic
personality implied by his words and
actions as he copes with his idiotic companion. Likewi,e Loomis' portrayal of
Brutus in Shak~s peare's lulius Caesar lost
its necessary intensitv al I ;'T1es.
It was made clear, ' ,)\ " ·/er, that the
program was meant t, ,.": ,'rtain and
please, and in this it S'.'> : ,~eded marvelously. Because the audit !lee was shown
on ly samples of a variety of theatrical
styles, they are left purposely unsatisfied .
From this it is obvious that the per, formance is meant to encourage interest
and stimulate curiosity for the Shakespeare Festival, not provide a comprehensive reproduction of it.
All in all the two actors provided a fun,
informal evening free of all but a few
moments of intensity and fewer moments
of instability.
The evening performances begin at 8
o'clock and the two matinees, December 6 and 13, are at 3 o'clock , Tickets are
$4 general and $2,50 for students and are
~ Another
Record for TESC
_
I
By Lewis Pratt
From a dar k corne r of Eve rgree n ',
8-t rack studi o, Drew Ca riul et t e come~
furward to snub out another Lu cky Strike
As he crushes it sullenly in a faded Mardi
Gras as htray , he begins, " The deadline for
, ubmissions is next Monday . . ." Then ,
reconsiderin g, he strikes another match
d~ainst his shoe and laughs " Ask Ben
"
The dead line ior the t hird Evergreen
album project ;s next Monday, December
7, at '1 p.m . At that time , the 13-membel
selection committee wil l begin auditing
all cas_ette and reel tapes for originality
compos itional strength, and producibility .
" These are just demo tapes we'll be
going over. They do n't have to be finished
qua litv or anything, they ju st have to
repre se nt the composit ion ," sa id coproduce r Ben Goldfarb.
Due to the tremendous vo lume of submiSSions, musical scores and sheet musi c
wi ll not be accepted . " We just don't haw
the t im e to mull over a lot of sheet
mu sic by itself," he added.
From the re , ill l se lect io ns will b!'
aud ited and mull ed over again and again .
In the first meetings of the selection com
mittee almost a month ago, Drew CanLllette outlined t he goals and process of
s!,lpction as being "the most equitable way
of insuring that this album will contain a
va ri ety of musical st les which meet our
Staff Union
pressed that Evergreen facilities aren' t
fully used . He also said you never see
complete organized projects .
Both producers sa id their first goal is to
He explained, "The generous exposure to
gather a cross sample of the music being
media time and facilities can have the
produced in the Evergreen community
effect of creating a certain atmosphere of
that represents Evergreen musi cians.
complacence . The facilities we have here
The producers also explained that they ' offer a potential to create excellence. The
album projec t seeks to create a work
want to organize a technica l project that
which
reflects depth and excellence and
will fully utilize Evergreen faci li ties to
is in itself a work of excellence."
their intended
tential. Canulette exstandards of compositional and product io n excellence."
... - - - «.111:;&.':1_-- _ ,
•
I
:
ELD
EQUIPMENT
$4.00 HAl RCUTS :
I
Ih
I
:
rpgularly $550
I
h,lIllPOO, airwavE' in c luded) I
Ih appointment on ly
I
Thi<; o tt l'r eXl' lre<;
[)pt elllfwr 15, 1YH 1
:
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continued from page one
Rita Cooper did not wish to express any
opinion on the s~bject.
Members of Evergreen's staff union
have been meeting twice a week for the
past six weeks to hammer out a union
contract to present to the college .
Shop stewards and other union members have been utili zing the Department
of Labor and Industries bargaining agreement as a model as well as the Washington State Department of Personnel , the
Department of Social and Health Sel1liices
and the Human Rights Commission
Employee's agreements, accordin g to AI
Warber .
The fina l form will have to be agreed
upon by representatives of both the college and the union .
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352-1645
Near Peterson's Foodtown
----------
l
\
'A three-r ing circus in one ring ." That's
how one stagehand described " Stop the
World - I Want To Get Off, " which will
be playing in the Experimental Theatre at
The Evergreen State College December ..
4, S, 6 and 10, 11 , 12, and 13. Through
mu, ic. acting, juggling, singing ,. and mu ch
1110re, the fourteen member chorus fills
t hi s shoy... with irresistibl e activi ty .
The play , directed by Ruth Palmerl ee, is
rumored to be the hottest thing to hit
campus sillce the 100 plus weather this
summer.
" We had a run -through last night and it
looks like it's going to be a great show,"
sa id one cas t member.
Stop the World follows the life of Littlechap on his journey, birth to death, It
explores the choi ces he makes in order to
become a SUCCI''' and the gains and
losse, he experi ences as a result . The
actress who plays hi s wife also plays three
o tllPr wome n he becomes involved with
as well as her ow n role .
I
I
I
KAOS Gets Off Too
By OS DeZube
. __.-_.__ T.woJ<A.Qs..programmers were dismissed
last week from the radio station for smok·'
ing marijuana in the station and broadcasting slanderous material. Jim Skutt and
Andy Vengrove admit they ' were smoking
marijuana in the studiO, but they say
the reporting of the incident was an act
of vengeance on the part of another programmer, who they slandered over . the
airVvaves.
The problems started during the two
programmer's show, which began late in
the evening of Sunday, November 22, The
two claim that KAOS staffer James Finley
was in the studio when they arrived jmd
had begun to verbally harass them about
the type of music they had chosen to
play, They say that they had smoked a
joint, during the long side of a Grateful
Dead album. After that they claim that
Finley tried to call Security and report
them,
Vengrove said that he pushed Finley
aside when he reached for the phone.
"I couldn't believe he was doing it. I
pushed him out of the way and hung up
the phone. I said, 'Deal with it here,'" he
said.
Finley said that as he was leaving the
station, after trying to call Security, he
y
'Food Co-op Hits Hard Times
By Sue Skillman
,
,I
A near-<:risis for the Olympia Food Coop was averted two months ago, but to
continue to survive in the current economic climate, emergency measures still
need to be taken by the store.
"We were close to the brink," said' Cher
Stuewe-Portnoff, training coordinator for
the 921 N. Rogers food store. But after
making several changes. in operation, she
said, 'We're holding our own now'"
An emergency meeting for the co-op' s
members has been scheduled for Dec. 10
to discuss how to continue to keep the
store alive.
Stuewe-Portnoff explained that the
Olympia Food Co-op has expense problems other businesses don't have. Primarily, these result from the discounts
given to members. Membership is attained
either on a simple . paying basis, or by
working for the store. Senior citizens are
given an automatic membership and ten
percent discount.
lassifieds
FOR SALE: A luxurious 1987 Lincoln Continental for the unheard of price of $500, This
car needs wor!<, but with a little time and
money, this could be an excellent restoration
project. New battery and brakes, and good
tires, make this auto ready to drive away,
Contact Michael at the CPJ 011 ice of at the
Exp. Theatre or at 866-5191 ,
OR SALE : One News and Notes, Arts and
vents Editor. High mileage, but still runs
reat. Best oller. Contact Dona at the CPJ
!fice,
EGATIVE ION GENERATORS, Clean and r&italize dead air in home, office or car. Study
Ith increased alertness in refreshed environ. ent. Nagalive ions are what makes oulside
eel better than inside! Replace the negative
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2 ThE> Cooper Point Journal : December 4, 1981
JOB OPPORTUNITYl Great for business student or student with bookkeeping experience,
Tl\lk to Karen at the CPJ or call 866-8070.
. MANDOLIN TEACHER wanted for beginning
student. Call Kathy, 943-7873 (eves .) or 7536B94 (:lays),
'
5' 1" petite ladles clolhes for sale. Sizes 9-12 .
Ladies shoes. size 5. 505 N. Division Apt. .18.
Dec . 5 and 6. 10 a.m,-6 p.m.
FOR SALE: An excellent condition Intermediate levef stereo systen1! (1) ONK YO Recel"rTX·2500MKII ; 40 watts RMS, very clean and
solid. (2) SONY Cass.tte Recorder·TC-K6;
servo controls, excellent specs, nexl to top of
the line, (3) MITSUBISHI Speakers-OS-25B; 75
watts each, very efficient and uncolored, All
new 1180, bought at a discount for $850 .
listed for $1000. Will sell for $600, no less!
Contact Michael Zwerin at the CPJ office or
at. the EXP. Theatre or at 866-5191, Must seW
Skutt, though , wants to continue working with the station, even if he will not be
allowed back on the air.
" I feel like I can benefit them. I don' t
have a grievance against the station . My
grievance is against the attitude of harassment on Finley's part,'" he said.
Finley ~aid that he cares about the station and will keep working there .
"I feel like the station has a lot of programming that doesn't go along with
station policy. I'd IlkI' to help programmers without disturbmg them ," he said .
S&A Proposals
continued from page one
One exarlJple cited by Buchart to
demonstrate how groups ~ould block the
pmcess was a manifesto presented to the
Board last year by several S&A funded
groups. The document threatened to take
iegal action against the Board and the
',chool,if "any more funds were cut from
the budgets of organizations in the 'human
rights' category."
Several members of the Board want to
retain the system used in the past, however, and speaking for this group, Bob
Davis. who iust ioined the Board, said he
and others on the Board "favored the
preservation and extension of participatory democracy." They want to continue
to include the liaisons in the allocation
process, but they stressed that restrictions
would have to be placed on the old
wstem to prevent past abuses .
Some of the proposed restrictions include requiring attendance at most, if not
Learn about Assembly Languages
and System Level Programming
Take the Computer Architecture
Module Winter Quarter
Cheek in the winter class offerings
all. budget di scuss ions as a pre 't'quisite to
a voice in the decision . That, said Davi s,
would ensure knowledgt'ilbl" partiCipation
by the liaisons . Also, he ,uggested that
each organization would haw only one
designated li aison, who would be briefed
on the processes used by the Board, and
would therefore be able to work w ithin
th!' strurlure of the meetings .
All oi the proposals, 'as wf'1I as a proposal to adopt a "Structure for DeclsionMdklng Pro<:ess," a sort of de-tormalized
Robert's Rules of Order," were to be open
for discus~ ion for the next two mf'etings,
or until the Board feels it has received
~n()ugh input to decide on these measures .
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For information, Please Call :
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7:30-15:30
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Olympia Westside
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754-7666
TESC Bus stops at Division & Bowman
Walk two blocks east to Co-op
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When earlier this fall the Co-op found
its sales were much lower than predicted,
the staff implemented a training program
for store workers, ·Stuewe-Portnoff said .
Staff hours were then able to be cut back
because of the increa~ed worker efficiency.
Also helping the Co-op pull out of its
financial crisis was the negotiation with a
large grocery supplier for better prices on
a wider selection of goods than had previously been found, :'tuewe-Portnoff said
customers (an now truly do all their shopping at the Co-op,
The Co-op shelves hold everything from
granola to flannel sheets, and a frozen
food sectior) offers organic mea.ts. StuewePortnoff suggested customers consider
buyi ng gi fts from the co-op's selection of
pottery, books and household utensils.
The Olympia Food Co-op was originally
a buying club, then moved to a storefront location downtown, and has been at
the Rogers St. location for two years.
breaking the long-standing policy of the
station, there is no choice but to enforce
station policy, " said Shirley .
Shirley said that a little more than three
years ago the station started to make an
effort to eliminate the use of marijuana
and alcohol at the station, He said that
other people have been dismissed from
the station since that time,
Vengrove said that he doesn't want to
be a part of the radio station anymore.
"I'm fed up with the station and the
people who work there, " he said.
NAT'L MEO BOS
ECFMG • FLEX. VQE
NOB. NPB I • NLE
J
W£aTaIOE
told the two that they would have to cantrolthe amount of Grateful Dead music
they were playing . ..
KAOS has a music policy which emphasizes independently produced music as
opposed to major labels,
Security was eventually called and told
that two persons were stealing records
and vandalizing the station, Security's log
says that .the complainant, Finley, seemed
to be the one causing the problem and
there is no mention of marijuana in the
log entry.
Meanwhile, Skutt and Vengrove went
on the air and explained the situation to
the listeners, After telling their listeners
what was happening, they began to play
more Grateful Dead music, saying they
hoped it would "mellow out" Finley.
Finley said that he had gone over to a
friend's house and had listened to a tape
of the show, and had heard the programmers go on the air again, calling him
names and attempting to ridicule him.
Skutt and Vengrove were reported to
have said, "This is what the crowd thinks
of your fascist policies," and then to have
turned on 30 seconds of crowd laughter.
After the incident, . Skutt said that
it was Finley's attitude which had upset
him, adding that his fascist statement may
have been uncalled for.
Station Manager Bob Shirley said that
incidents like this one are hard on a volunteer organization
"However when peo~le freely admit to
SITS
It" 10 I ,!
$6 43
........ LIIIIe .......
7 a,m,-12 p.m .
365 days a year
2)10 Division N.W,
~++r--.~H
Olympia. WA
~~
IIIMIll JIiIIII
--
'5·.!
Handy Pantry
December 4, 1981 The Cooper Point Journal page 3
,.
.E 1I·ERSLE 11ERSLE 11ERSLE 11ERSLE 11ERSLE 1IER~
B Donn's Beef
Dear CPJ:
We are sick and tired of all the bad PR
that B Dorm has suffered at the hands of
Jealous off-campus squatters! As inhabitants of the tranquil dorm situ ated under
the watchful armpit of Dorm A we have
united to defend ourselves .
First and foremost, rarely has this vest~
.bulp of placidity broken the sound barrier
w ith the soothi ng tones of Johnny Rotten
and Sid Vicious of the Sex Pistols .
A lthough we may march to a more
,yncopated bea t, and occas ion ally get
happv fee t ilt odd hours of the moon ,
npver have we been known to yel l Marxist
comm(' nts at the poor Pepsi man . (We
!lllt i( ed you don 't cilll the garbage man
,1/1 old ca pitali sti c pig.)
Rather th zlI1 make harsh unfair judgements on us. why not stop by and chat.
Wp·re lUst li ke the kids next door; we sit
arou nd the tablE' di sc uss ing the Romant ic
a,; pec" 01 Nihili sm and li ste ning to the
Wl1.l rd 01 Oz on nur r lose-a nd-play
phn nngrdph
Lets be friend sI
Your pals in 8 203,
Terry Reasor
Wendy Byers
Polly Pur('
& Raoul
Response To Response
Dear CPI
I am r('s ponding to the stupid and lame
r"'pon se to the r('sponse to the response
to the letter about the fe ll ow taking hi s
shirt oif at the dance. It's stupid , hypocritic,d and pett\, to hassle someone over
SU ( h a matter . Cou ldn't ya just see itboth sides argulllg, essentially waxing
their polemi cs , as the whole dance goes
up In a nuc lear explosion (and no one
even remembered to write a letter')
TJking your shirt off " is not a matter of
guts'· we are told, yet later in the letter
we lind the writer afraid of being stared
at . haV ing someone think sexua l thoughts
about her or hass le her, hey wait a minute
isn't that what they did to th at
poor guy at the dance I
Also . the w ri ter neatly sidesteps the
idea l of civ il disobedience (" I cou ld be
arres ted ") in her attempt to smash the
p,l\rl archy (and simil ar boring rh etori c),
VE' rv lame Indeed .
TruE' , iI'i a male, I can ' t know what it's
like not to bp able to take my shirt off at
a da ric e, but she'll never know what it's
I,ke to have long hair in Missi sS illpi in the
earl y 70'" (" Kill the queers" ). So, let's all
sit down, bp pati ently outraged and tell
eiil h other about our burdens - but not
at the dancp
An extremely bored man
Problems
Dear Editor :
Re · the Student Union Editorial :
In an otherwise obscure and ambivalent
pi ece of writing, the author stumbled
upon a real issue. The Student Union has
discu ssed this issue at length and is now
coming to terms with it How can a handfu l of students take the title Student
l)nion and claim to represent the interests of the students at large? What justification do we have to do this?
Evergreen is a unique institution with
unique problems. Unlike other schools,
there is a structure provided for direct
student participation. The problem is students, either because of apathy or lack of
awareness, do not take advantage of the
structure. Thi s is the problem the Student
Union wishes to address.
How then does a small group of students go about confronting the problem
of apathy? If, before we ca n act, we must
engage the support of a majority of students, then we are stu ck in a Catch-22we must first overcome apathy among the
students in order to begi n to approach the
problem of apathy among the students.
We mulled over thi s problem several
times before d eciding upon another
approac h. As a group of con cerned stu dent s we would seek and act upon issues
whi ch we felt were important to ou rse lves
as students and to the student body as a
whol e. We wou ld claim to represent no
one but ourse lves . W e w ould do our best:
with the limited resources available to us,
\0 pub li ciLe ou r meetings and soli cit suppo rt from the students at large.
Our hOlle is th at as we begi n to st ru ggle
with the issues and with min or vi ctories,
tht> <;\udents will see that they ca n influpnlE' events, and that there is a group of
<;(lpporti ve students who are willing to
hplll them do '0 . I person ally believe it is
d sound strategy, and one that has already
paid-off The Union has already had a
major influpnce in both the $103,000 s&A
gift dec isi on and the organization and
co nsequent success of the s.O .RJ . rally
held recently at the state capital.
Contrary to the impli cations of the
Student Union ed itorial, we do hold our
mec tings in a publi c place (Lib. 3200) and
we do publiciLe our meeting times in
advance (usually Tues . 7:00 p.m.) . If the
stud ents feel the Union fails to represent
their interests , then I say to them, please,
Dear Norma :
I have wanted to (you know) with a guy
who was in my se minar class (last year)
for quite some time now . But, if I do, and
it doesn't work out, then I'll have to see
him again and again and again , because it
is virtually imposs ible to avoid someone
on this campus . I don't think that I could
sustain a relationship with another student
because I start to feel trapped because I
also always see him wherever I go, again
and again and again . What can I do? I am
beginning to really want to, but I don't
want to, but I don't know how long I can
hold out.
Help'
Dear Help,
Assuming that you are female, read
on .
Production Manager: Jennifer E. Knauth
Production Director: Carrie Gevirtz
Photogs: Dale Wambaugh
Graphics: Pablo schugurensky, Lauren
Childs, Curt Marsdeh, Matt Love
Advertising Manager: Matt Love
Business Manager: Karen Barryman
Arts, Events, News and Notes Editor:
Michael Zwerin
The Cooper Point Journal II publlahed ..... Iy arts end _ t s It..... mu.t be .-Ived by noon
T~ 101' that week'. publk:atlon. All artk:lell
lor the students, I.:ulty end 118ft 01 The E_g _ state College. VIewS expnlSMd ... not . . due by- 5 p.m . Friday 101' publk:atlon the
_ _lIy thoee 01 the College or 01 the lotlowl'fll week. All contribution. must be
JOUfNIl's at8ll . Ad-,Islng material contained . signed, typed, dou~apeced end 01 ~I.
length. Nema will be withheld on rwqueet.
hafein 00. not Imply ..
II ~ Ihls
The editor. _
the right to ~ material
~ . OIfIca ... located In the College
and to edit any contributions 101' length, conActivit_Building, CAB1CM. " ' -: -.&213.
lenl, and atyle.
All ..... to the editor, ~, end
1dorwM,.
p.lt-!t' 4 The Cooper Point Journal
Sexual ·Nonsense
Dear Angry Woman :
I must begin with your ending: your
letter loses considerabl e credibil ity without a signature. You're angry but aren 't
sure enough of that anger to sta nd behind
it with a name? Something just doesn 't
quite ji ve for me there .
When m en first started taking their
shirt s off in publi c they could be, and
were, arr ested for ind ecent exposure . My
grandmo ther, a woman, to thi s day, will
not permit a shirtl ess m an in her presence.
If th at isn' t oppress ion , what is? By a
woman. There's a man on this campus
who ca n, and I dare say would , vou ch for
that fact.
When men first took their shirts off,
they were " hass led, sta red at" and not all
because of thoughts about "some sexual
nonsense." WHAT is "sexual non sense?"
I think largely out of curiosity and because it was something new and different
to look at. Human curiosity is unmatched.
I see shirtless men being .greeted with the
same, to this day.
If we as women want what men have, I
think we should expect to have to fight
for and p ay the same price they've had to
pay. So, go to jail, if you try , you'll maintain some semblance of perspective, and
emerge from the experience a more enlightened member of our human raceDear Norma:
I came to an Alternative College seeking the Alternative experie'lCe. I have
been here a week, so how come I haven't
been asked out yet by any of the alternative women?
An Alternative Male Student
The Cooper Point Journal
ditor: os DeZube
sociate Editors: John Bauman, Carrie
evirtz
Preface Editor: Victor Cummings
riters: Sue Skillman ., Frank Fatseas,
rtha Wolfe, David Henderson, Lewis
Pratt, Norm Gallaci, Katie Lueallen, Matt
Love, Richard Gentzell, Shelly Baxter
come to our meetings and let us know
your viewpoint. W e need to know how
you feel about campus issues and what
your problems are before we can help to
solve them .
Sincerely yours ,
Michael Barnes
Student Union member
December 4, 1981
Dear Male :
You are suffering indirectly from the
effects of post-coital tension, and a
phenomenon known as smothering."
There is only one solution for most peoplE'
and that is to go to Seattle and take a
room in the YWCA, and try to meet a
nice person of the sex of your choice.
Weekend relationships are great. You
won't get sick of your new pal, and if it
doesn't work out, you'll probably never
see your pal again . Happy hunting.
Norma
Dear Norma:
I am in this dream reflection seminar.
Every night we have to write down our
dreams and bring them in to seminar so
we can discuss them. For the last month
this guy in my seminar (he is a hot
number, I mean he makes my earlobes
tingle) has been bringing my dreams to
class .
I have never talked to him ever and it
is awful because he tells things that I
would never tell. But, I really did dream
T
. and not just about the fight for shirtlessness.
We can't be "FORCED" (caps. mine) to
do anything unless we let ourselves be
forced . If society has control over your
life it's because YOU let it have control.
Doesn' t your own membership in society
carry any weight? Practice what you
preach -don 't iust give it lip service .
" Unti I it feels safel" I don't accept thai
attitude that men should be expected to
mak e us feel safe. As I said in my first
letter - take your share of the responsibility for being in the rol es you're in.
Re : rape: Are you so naive that you can
claim unawareness of the raping of men
by women? The raping of women by men
is what we're all so aware of because it' s
that whi ch the media has chosen to playup.
" How long will we have to be patient
before violence and oppress ion against
women goes away?" As long as we keep
res ponding with the same. In my book,
anger is very violent and very oppressive.
The vessel that harbors it is the one that
is suffering the brunt of that vio lence and
oppress ion . You're oppress ing yourself.
"What goes around comes around ." " You
get what you give." " Do unto other what
you would have others do unto you ." It's
called the Golden Rul e.
I ask you as a woman to recognize that
YOU, as a woman , have freedoms that are
not men's . Both sexes share a multitude
of freedoms as members of the humane
race. Concentrate on those and more will
evolve.
I rest my case,
Kathleen Granger
Ed Note: It's obvious this question can
not be solved on the editorial page of the
CPI. May I suggest that the interested
parties take themselves and the argument
to a quiet corner of the Oly Food CO-<Jp?
them so when it is my turn I don't know
what to say and I just say I couldn't sleep
or that I forgot or I make something up I
read in science fiction .
So, last night I had this nightmare and I
am so shaken and if he tells this one,
what does it mean? I mean I can't even
tell you about it.
Can there be something to scientology
after all?
Dear Dreamer :
There could be something to scientol ogy, but it has nothing to do with your
nightmare.
I had a nightmare the other night I
spending the night at a friend's Modular
home, sleeping on the sofa. At 2:33 a.m.,
I had this dream about some worms .
When I rounded a corner there was a
huge snake coiled . When he unleashed
himself and lunged at me I screamed.
Must have been a loud scream because
my friend and her three roommates all
ran out into the living room, thinking I
was being axe murdered.
Well, sweetie, I don't know what my
dream meant. And if I don't understand
my own dreams how can I understand
yoursl I say next seminar, 'make sure you
tell your dream first, and see what he
does .
Sweet dreams,
Norma
H
E
s
A
Ii
THE PROGRAM GUIDE IS PUBLISHED BY 89,3 FM RADIO, OLYMPIA, WA 98505
VOLUME 8. NUMBER 11
DeeelDber~
·ves in 01
Jazz
by Kathy Davis
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Olympia may be mainly thought of as
a small, quiet, conservative town where
the big stars are the three-piece suited
politicians. But a recent event held at a
west Olympia club should give us pause
to appreciate the immense musical talent
that exists right here in our own backyard.
November 28 and 29 marked the fir~
Annual Thanksgiving Jazz Festival held
at Popeye's Tavern. Over two consecutive evenings some of the very best
musicians from Olympia and beyond took
to the stage to promote the style of
music they love-JAZZ!
The event was the brainchild of
Barbara Donald, trumpet virtuoso, who
said she got the idea from something
jazz great Anthony Braxton once said to
her. "I felt from past experience, especially in jazz," she said, "that it's not
accepted because there's no chance for
people to hear it." Braxton told her that
musicians should get together and cooperate to perform so that people can
become exposed to jazz.
Through the efforts of Donald, and
the financial gamble of Popeye's manager, Patrick McGrory, a virtual who's
who of the area's jazz artists were lined
up for the event. Names included Obrador, Bert Wilson, Barbara Donald, Jan
Stentz, Don Chan, and Barney McClure.
Obrador (which consists of Michael
Olsen, Michael Moore, Tommy Russell,
Steve Lucino, Steven Bentley, Manuel
Pinson and Paul Hjelm) played a lively
and diverse set of numbers, each with a
distinctly different flavor from the one
before. They included several original
numbers, which will be contained on an
album set for release next month,
The seven-member group formed in
Olympia about three years ago and, fortunately, have chosen to remain here
rather than seek their fortunes in L.A.
or New York. Member Michael Olsen
gave two reasons. One is the "economics
of it, It's real expensive in a big city for
a seven-piece collective," he said.
The other reason is the supportive environment for musicians in Olympia,
which was very apparent at the Jazz
FestivaL "We couldn't get this kind of
support in other places," Olsen said.
"There's not a heavy competitive atmosphere here."
Largely through the efforts of members of Obrador, sax player Bert Wilson
came to Olympia in 1979. He was in a
bad situation he said, "stuck in the
woods in New York (state) with no
transportation." (Wilson is confined to a
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Friday evening, December 11, from
Due to clamorous demand from the
audience, a special edition trivia show
will be aired Friday evening, December
11, from 9:30 until 11:00 or so. All new
questions! Lots of fun for the whole
family.
To whet your appetite, here are just a
few of the dozens of questions that will
be asked over the air:
What was the family name of Germany's Kaiser Wilhelm?
Name the actor who played Mr,
Miniver in the movie, "Mrs. Miniver."
In the movie, "The Gold Rush," Charlie
Chaplin ate something not generally considered food. What was it?
What was the original name of Liberty
Island in New York Harbor?
kAOS 89' I FM
OLYMPIA , WA 98505
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wheelchair.)
When his plans to move to the Big
Apple fell through, his friends here held
benefits and garage sales to raise the
money for him to make the move. "They
had been playing my music on KAOS,"
he said, "and assured me that I already
had an audience here, which I found out
was true."
Wilson has played and/or recorded
with some of the most extraordinary of
jazz men such as John Coltrane, Dexter
Gordon, Joe Henderson, Linc Chamberlain, and Smiley Winters. It would "take
hours and hours" he said to name all the
people he's played with.
His music is outside be-bop jazz in the
tradition of Coltrane and Charlie Parker.
Along with his group Rebirth, consisting
of some members of Obrador, Wilson
added a hard-driving set of his own
unique style of music to the festival.
Barbara Donald came to Olympia in
1980 because she "needed to get away
from California," she said, "and Bert
(Wilson) said "C'mon up here." She said
she felt jazz was not as appreciated on
California and "people reacted more to
music here,"
She is happy with the community of
musicians she has found in this area.
"Some are a little snobbish and they
know who they are," she said, but "most
are real supportive."
Playing along with Donald and her
group Unity (Irvin Lov ilette and Mike
Besio) were Carter Jefferson and Victor
McCadd. Jefferson, who has played with
Jimmi Hendrix, Art Blakey, Roy Haines,
Trivia Time at KAOS
9:30 until U:OO or so-
1981
What old-time radio show offered
whistling rings, secret decoders, and
hike-o-meters as prizes?
Lefty Grove, Joe Heuing, and Fritz
Ostermuller were the leading lights of
what 1939 baseball pitching staff?
Stage star Anna Held married her
famous producer. Who was he?
What is the national song of Puerto
Rico?
From whom did the United States
purchase the Virgin Islands?
What auto manufacturer made the
Erskine?
Get your team organized and put on
your thinking cap. Tune in to KAOS on
the 11 th and pit your wits against your
fellow fans. See how far your trivia mind
will take you,
i
Woody Shaw and others, was "the most
international figure" according to Donald.
He has recorded with Unity in New York
and his family now lives in Seattle.
Donald met McCadd while playing in
a club in Tacoma, where he was visiting
family . When he got up and jammed
with them, she thought "Wow, he plays
good," and she asked him iC he would
perCorm at the festival.
Also playing piano with Unity was
Don Chan, a. proCessor of music at Evergreen. Chan, who in his early days
played with the likes of Shelly Mann and
Clark Terry, now spends his summers
conducting with such performers as Joel
Gray, Florence Henderson and Gene
Kelly. Along with his other teaching
duties at Evergreen, he started the jazz
ensemMe and chamber choir.
Another group who performed, Flute
Madness, featured flutist Nancy Curtis,
who rearranged such non-jazz composers
as Debussy. The supportive atmosphere
of the close-knit musical community was
typified by the fact that backing Curtis
were Russell and Lucino of Obrador and
Lov ilette of Unity. Indeed, several oC
the musicians played in more than one of
the groups.
Representing a mellower form of jazz
were pianist Barney McClure, and vocal·
ist Jan Stentz, McClure, who also happens to be mayor of Port Townsend, is a
central figure in that city's annual jazz
festival. Stentz (whose husband, Chuck,
is also a highly respected local musician)
is known for her work with Olympia
legend Red Kelly and pianist Jack
Percival. Together, the duet soothed the
audience with warm, romantic, and
sometimes humorous, numbers charac·
teristic of nightclub jazz,
All of the musicians who participated
stressed the importance oC exposing the
public to good music. Donald said, "th e
public is getting brainwashed by what's
on most radio. There's no jazz on the
radio, except KAOS." (She pointed out
that Lov ilette, the drummer for Unit v
volunteers his time to do a jazz show ~~
KAOS,)
"Record companies want to keep
people in ignorance," said Wilson,
"They're into marketing. They don't
even want to know about music." And he
added, "Jazz is the only art America
created on it's own. Think about it."
Stentz stated, "There's lots of good
jazz musicians based in Olympia and
there is a nucleus oC jazz fans who stay
aware oC what's happening, but it's a
small nucleus."
For the people who came away utterly
entertained the event was a roaring
s uccess, but unCortunately, Popey e's
came out in the red. All of the per·
formers praised Patrick McGrory for his
support. "Patrick at Popeye's was beauti·
ful!" said Donald, but "he didn't come out
ahead." She has offered to do a benefit
to help recoup the losses. Still, asked if
he would do it again, Patrick said, "Yea,
I would."
Overall, the event showed what a
group of people dedicated to their art
could do. Said Michael Olsen of Obrador,
"It's real important that so many people
were willing to put in so many hours ·for
so little money to promote jazz in the
community."
All of the musicians expressed a desire
that a jazz festival become a recurrin g
event in Olympia.
Workshops Explore
Broadcasting
by Michael Huntsberger
Beginning in January, KAOS will be
offering two workshops Cor those of you
who would like to get involved at the
station. The workshops are offered
. through Leisure Education at The Evergreen State College.
"Radio · Cor Everyone," offered once
agai n, this six -week class provides you
with the easily learned skills for producing live and taped radio broadcasts,
Taught by Michael Huntsberger, the
class will begin Tuesday, January 12,
from 7 to 9 p.m., and will run for six
weeks. The cost is just five dollars to
cover the cost of the training manual for
the class. Graduates of the last class
offered enthusiastic praise for the class,
as well as having a great deal of Cun.
"Advanced Topics in Radio" is for
those who have already completed the
basic workshop or have comparable experience. The workshop will focus on
specific topics in music and spoken-word
production and broadcast administration.
Coordinated by Marjori Schmugler, the
class will be taught each week by a
specialist in one aspect of broadcasting,
and will begin Wed nesday January 13,
from 7 to 9 p.m. The cost is just te n
dollars,
Registration for both workshops begins December 28 and ends January 15.
You must register in person at the
Campus Recreation Center room 302.
For those of you who can't register during the day, four evening registration
times will be offered: 5 to 8 p.m" Mon·
day through Thursday, January 11 ·14.
For more information, contact KAOS at
866-6073, or Leisure Education at 8666530.
Com munity radio is fun and education ·
al; get involved through KAOS training.
Non· Profit .
OrganiutiOn
U. S, POSTAGE
Ofympl•• WL
Permit H.. 65
Pro rail. Deseri
7:00-10 a.m.
CLASSIC HICK SHOW
Bill Wake
JUST SO STORIES
Debbie Roraba.ck
10:00-noon
Music. stories and foLktaLes, including selections from C. S. Lewis' chronicles of Narnia.
Noon-2:00 p.m.
POETRY THEATRE
Robin James
Lorraine Tong
TheresaTruu
An expLoration of poetry. Each show is very different. A theme is explored in a
variety of fashions. Some coming themes: Bird Calls, the Dance, War, Forgotten,
Miracles. Birthdays. Listeners are invited to get involved. Original material (poetry
and stories) is always weLcome. Contact through KAOS, Box 26.
2:00-4:30 p.m.
A BAG FULL OF SOUL/FOLK, ROCK AND BLUES John Thon
Incandescent bLues iJIuminary w/keen native intelligence edits collectors edition of
black cat bones, Zen tones, mojos and goofer dust from idiomatically viable, rhythmically resilient hallucinatory scrap heaps. Uncanny power, inspired abandon: Turn
on, tune in, trip out.
4:30-6:30 p.m.
ANYTHING GOES
Annie Jaeobs
Mary Deraitus
Broadway melodies
6:30-7:30 p.m.
VIETNAMESE PROGRAM
Vern NltUyen
This Vietnamese PubLic Affairs and Music show is sponsored by the Vietnamese
Mutual Assistance Association in Olympia. The show features news from Vietnam,
world·wide news relating to Vietnam, and news from the local Vietnamese Commu·
ni ty. A variety of Vietnamese music is aLso played.
7:30-10:00 p.m.
Music news and literature.
GA Y SPIRIT SHOW
Major Tom
10:00-midnight SLIDEWHISTLE-THE POOR PERSON'S TROMBONE
Dennis Bloom
David Rosenfield
Variety, a mixture of music, from all genres; conversation, interviews, book recom·
mendati!JJ1S,Jnd bedtime stories on which to stay awake-plus THE TAJ EXPRES~
BY ZBS Media.
Dec. 6-This Is Impossible by Himanshu Joshi
This story concerns one man's perspective of the social upheaval in India
during the Moslem and Hindu clashes.
-After the Storm by Attia Hossain
A young girl's perspective of the fighting' taking place in her homeland and
her life since then.
Dec. 13-Jahanavi by Madhur Joffrey
A young woman goes against tradition and pays for it.
Also-Two Men of Different Sizes by Giriraj Kishore. The relationship oj
two men in conflict with themselves.
Dec. 20-The Daughter-In-Law by Attia Hossain
A strange girl is disturbing the ethics of a family lifestyle since she entered it.
Dec. 17 - The Co-professionals by Satyendra Sharat
The Storm by Sharawan Kumar
No Shoulder to Cry On by Sunita.
These short stories are by three of India's finest authors.
12:00 a.m
Variety
INSIDE MONDAYS
Paul O'Brian
Pro raJI. Desert pttons
tiODS
WRITERS FORUM
Diverse programmers
9:30-10:00 p.m.
Local writers reading their own works
10:00-12:00 a.m.
LOST DOG ROCK
Rhoda rueshman
alternates with
WAXY BUILD-UP
Kathy Wanda
The Waxy Build·up show features rock and o.ther goodies with emphasis on women
composers/performers. Each week one band is covered in·depth fo.r 15-20 minute
segments, including live tapes, ,nterviews, etc.
12:00-3:00
SHOCK TREATMENT
RJek Maughan
The Doctor takes your sick body and pumps new life into. it. This show is not for
those who don't like Punk, New Wave, Heavy Metal, Oldies. If you suffer from lack
of get up and go, tired blood, dragging limbs and just don't have the music to. get
you goin' then this show is what yo.u've been searching for. Tune in and get the
feelin' again!
3:~:00 .
"
COUNTRY FM SHOW
Riek Maughan
ThiS show IS for the origInal country music fan. E. Tubb, Bill Mo.nroe, Patsy Cline,
Grandpa Jones and true bluegrass and Grand Ole Opry music and stars. So wake up
to good country music and have a good feelin'. The Country FM Show!
6:30-7:00 p.m.
10:00-noon
CORNFIELD SHOW
John Heater
Folk and ragtime music. Also Paul Tinker and David Wilke live each week at 11:45.
PUBLIC AFFAIRS
Noon-I:30 p.m.
Interviews with guests, news, and community affairs.
"7:00·9:30 p.m.
JUST JAZZ
Irvin Lovilette
Jazz from the 1940's to the present. This show also features live and taped inter.
views, and tapes of live performances.
9:30-10:00 p.m.
READERS MYSTERY THEATRE
James C. Finley
Join James each Wednesday evening for a story in the macabre. Return to your
seats; do not be alarmed. His show is a half·hour long saga·episodal science fiction
readers' theater program. It is intellectual and philosophical. Each week details one
character's reactio.ns to the strange and unusual worlds he visits - in his travels
through asteroids and suns as if he were witho.ut flesh and bones. After your disembodied host introduces the program, the narratio.n begins, o.ver the eerie sounds
~ the Bitter Suites," Music o.n a Long Thin Wire," and other New Music selections
from the KAOS library.
ROCK AND NEW MUSIC
David Hoskin
Midnight-?
Ventures will be made into the arenas of experimental, live, and new music by local
artists, and listener participation (i.e. call in, requests, etc.). Something different
every week.
A blend of ethnic music spiced with co.ntemporary classical (new music) and tradi·
tional classical music.
3:30-6:30 p.m.
WINGS OF THE FOREST SHOW
Jeffree Stewart
A variety of classical works interspersed with acoustic guitar. lute and harp music as
well as other harmonious pieces. Very lively. moving melodies and inspirational
themes are featured. Requests from listeners are welcomed. Another component of
this show is a weekly series of informational addresses on environmental themes. In
the weeks ahead, the Alaska Wilderness, Whales and World Oceans, Development in
Thurston County and others will be discussed. Jeffree blends the information into
the total format to bring you an enjoyable afternoon of music through which we can
learn about environmental concerns.
6:00-9:00 a.m.
9:00-0oon
noon-I:OO p.m.
7:00-9:30 p.m.
J MEANS JAZZ
Joel Davis
Alternates with
SWING AND OBSCURE JAZZ
Doris Faltys
:J Means Jazz" airs on the first and second Tuesdays of the month, and brings the
best in jazz by the not·so-famous. We also present musical salutes to the Birthday
pe op Ie of the week."
The guitar and its roll in music today is a far cry from the simple rhythm instrument
tha t was imported from Spain two centuries ago. American guitar stylists such as
Charlie Christian, Riley Puckett, Robert Johnson and the Reverend Gary Davis,
among many others, have had a profound effect on the development of the guitar.
PUBLIC AFFAIRS
MINESTRONE SOUP
lO'OO-noon
LONESOME COWBOY SHOW
OUT OF THE BLUE
Larry Champine
Jonathan Scheuer
3:30-6:30 p.m.
CLASSICAL FEATURE
Dec. 7 - Music of Ruth Crawford Seeger (1901·1953); string quartet; two movements
for chamber orchestra; nine preludes for piano; woodwind quartet; three songs of
Carl Sandburg; chant for women's chorus.
Dec. 14 - "Jonny Spielt Auf'-Ernst Krenek's 1926 jazz·influenced opera.
Dec. 21-"Missa Sub tuum Praesidium" by Jacob Obrecht, 15th' Century Flemish
composer.
6:30-7:00 p.m.
NEWS
The KAOS news department brings you state and local news, as well as sports and
weather. National and international news is provided by the Pacifica News Service.
The news is a daily feature at this time. Monday through Friday.
7:00-9:30 p.m.
NEWSMAKERS
Features guests, panel discussion, and call·ins.
Ethan KeUy
John Priee
U~ually a mixture of bluegrass. country and ~olk. The. folk realm consis~s ?f anyt~in.g
from Bodie Wagner to Irish music. One consistent thing about the musIc IS that It IS
900Al acoustic traditional folk and country music with an authentic sound to stir the
or ancestrial spirits!
Noon·l:OO p.m.
MET APHYSICAL REVIEW
GeoH Kirk
Dr. T. Trite
Call in and talk about anything! Past editions have included features on television,
suicide, and physics. We review records, movies, and books in a manner that must
be heard to be believed. Call in at 866·5267.
1:00-3:30 p.m.
AUTOMATIC MEDIUM
Jeffrey Bartone
A survey of contemporary composers, performance artists. and poets of the '50s··80s,
investigating the extraordinary variety i? process: style, concept, performan~e, and
aesthetic. The 20th century has seen the introductIOn of new forms, sounds, silences,
instruments, media, and methods in music, resulting in greater complexity, new
meaning, and expanded purpose in all the (musical) arts. Tune in.
Doug Grumwald
1:00-3:30 p.m. THE WORLD SONG-BAREFOOT (or NEW AGE RHYTHMS) Cauli
alternates with
ISLAND MUSIC
Amy Levinson
NEW AGE RHYTHMS spans contemporary and classical music from India as well as
the classical, spirituaL, and ritual music from Zimbabwe, Bali, Japan, China, South
America, and the Carribean Islands. Allow your heart to sing and your body to move
to a worldly celebration as we walk together, freely.
6:30·7:00 p.m.
KAOS News Team
KAOS NEWS
Tom Riley
HAPPY COW '
7:00-9:30 p.m.
The Happy Cow Talk Show is an open format, call·in talk show in which the audience
participation plays an instrumental role. Tom Riley hosts the show which runs from
7 p.m. to 9:30 p.m. every Friday night. The content of the Happy Cow Talk Show
varies from a documentary style of presentation to interviews with local and national
figures . Riley's unique perspective is the basis for original presentations of a variety
~ subjects, and issues.
The main objectives of the show are to give listeners information that will heLp them
understand the world better, and to stimuLate active communication among people.
The Happy Cow is dedicated to dialogue. Future programs include:
Friday, Dee. 4. ''The Wall Street Influence." Featuring D~nnis H. Peter~n, Vice- I
President of Foster and Marshall; and bank representative to be determined.
December 11. "Generosity and It's Measure." A look at Christmas, and it's economic
relationship with business. Guests to be determined.
9:30-10:00 p.m.
Comedy!
RADIO THEATRE
Radio Theatre Club
Matt Love
DR. STRANGELOVE
alternates with
LOCAL BANDS
Pamela Meritzer
Dr. Strangelove features independent singles album -!=JJts, and requests.
10:OO-midnight
9:30-10:00 p.m.
READER'S THEATRE
December 8: Religion and Inner/Outer Space: Genetic Engineering and Quantum
Physics."
Host for the special: Joel Davis
6:30-7:30 p.m.
Reader's Theatre with Doris Faltys returns on December 15.
7:00-9:30 p.m.
10:OO-midnight
9:30-10:00 p.m.
Radiotheatre Variety
5:30-6:30 p.m.
CLASSICAL MUSIC
TALK AND INTERVIEW
KAOS NEWS
JAZZ WITH A SMALLS FLAVOR
To. be announced
John Shepherd
KAOS News Team
Pam has been bringing the music of local bands to Local Bands is just that; live and
studio re.cordings of talented area musicians. Mostly jazz and rock.
Albert Smalls
Midnight-3:00 a.m. ONE LIGHT DREAD-NIGHT SESSIONS
POY MEETS GmL ROCK
Calvin Johnson
alternates with
THE BLUES IS EVERYWHERE
Dave Corbett
This exciting upbeat program combines the best in contemporary/historical electric
blues and R&B with a littLe rockabilly thrown in for flavor. Listen in and join the fun.
Midnight-3:00 a.m.
THE MIXER
Geoff Kirk
Geoff alternates with Dr. T. Trite. Geoff plays soul, jazz, new rock and old rock and
rockabilly. Plus the patented 20 turntables at once and other surprises after two.
3:00-7:00 a.m.
Cauli
BAREFOOT NEW AGE RHYTHMS
?THEATRE
Radiotheatre Club
10:00-midnight
Dave Raub
SAME TIME NEXT WEEK
alternates with
Tucker Pertertil
ADV ANCED ROCK AND ROLL SHOW
The Advanced Rock and Roll Show features independent rock and related good
music with an emphasis on accessibility. Quizzes are optionaL
....
Midnight·?
LATE NIGHT WHATEVER
Rusty Boris
Michael Zwerin
Jo.hn l-iJn" Gauvzer
Sister Amy Levinson
Has Thomas George
Reggae is music for the body and soul. The voice of the do~npressed. in all Third
World countries, a cry to unity. The words of the One Most High, Selassle L Dubbed
with the shanty-scenes of the island Jamaica. With its roots in R & B, So~, Rock,
their Mento, and grounded in the African music, it moves many people m many
ways. A music for the body and soul. Dial us in and we'll cue you up to Reggae,
Rockers and Rasta. Selah.
3:00-7:00 a.m.
Blues, rock variety
THE NIGHT HAWK
Bob Gamma1ir,
~~~~~~~~~~~~~~~~~~~
III I~,.~!!~~m~l !!~ok;
01
happy KAOS subscribers. now's
the time ... DO IT NOW.
~ ___ $25.00 Regular subscription
~ ___ $15.00 Renewal or Low
income SUbscription
Other Donation
THE F'LY AWAY SHOW
Jesse Peters
7:00-10:00 a.m.
Listen to the Fly Away Show for an alternative in the morning. Folk and variety.
10:00-0oon
MISTY MORNING
American variety music, influenced by the weather for moods.
I
I --IS PLease
enclose check or money
order, o.r check here if you wish to
I
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Editor's note: Bob's last show will be December 9. Misty Morning's repLacement wili
. be announced . Thanks for the memories, Bob.
I
§
Noon·l:00 p.m.
TU BORA LATINO AMERICANO
Fernando y Pablo
Latin American music and language. Features rare South American and Spanish
recordings.
EARLY MUSIC
N_an Soh)
-1:00-3:30 p.m.
Early European music (pre-1619) is featured with a strong emphasis on the medieval
period, including works by Dufay, DUnstable, Machaut, as well as the troubadours
and trouveres, as interpreted by 'groups such as the Studio Der Truhen Musik and
the Lo.ndon Pro Cantione Antiqua. When possible, some time ia also given to modern
European music in the folk tradition, such as the music of Brittany, or Scandinavia,
where medieval instruments will survive and are played in the traditional fashion.
Host Norm
SohL is a builder of historical woodwind instruments in Olympia..
Dave Corbett
(continued on back page)
,...............................................................................................
experiences.
1:00-3:30
Rohin James
Traditional homegrown music. soul music, Latin musi.c, trucker music. marching band
music. breed music (Native American), rockabilLy music, some public affairs shorts,
and so on. There will also be new voices from time to time; this is a regular training
slot.
10:00'noon
CRAB PINCHER SHOW
Dave Hakala
This show features Irish American, new and traditional folk music, and local acoustic
musicians.
Noon·l:00 p.m.
FACES OF THE MOON
Lorraine M. Tong
This show devotes its hour to the various audio flavors of poetry and sounds using
original material from local and well known writers. Sometimes there are guests
reading live or on tape, sometimes stories are read. One hope is to air collaborations
between writers and musicians working to create interesting sound·voic!! pieces.
Dan Sullivan
ISLAND MUSIC includes ethnic, reggae, and world folk music.
Dr. T. Trite
Today, this tradition is being carried on by musicians such as Duck Baker, Stefan
Grossman, Norman Blake, Sam Mitchell and countless others. Unfortunately, most of
these innovative musicians do not receive exposure to broad listener groups. Listen
to till' American Guitar Philosophy Show to hear the music of these pathfinding
musicians.
STAY TUNED-TO BE ANNOUNCED
Goo Melville
Phoebe Fine
We will explore the rich and diverse history of the musicians from the Deep South
and progressively onward to the great cities of Detroit, Chicago, Kansas City, StLouis, and elsewhere. The guitar, both electric and acoustic. plays an enormous role
for these poets of the souL We hope to convey the great versatility of this instru·
ment both past and present. We shall see the cross-cultural legacy that indigenous
American music has had on modern music from its roots through contemporary styles.
Live music will be featured on occasion.
NEWS
7:00-9:30 p.m.
EASY MORNIN' COUNTRY AND FOLK
Featuring good music that won't jangie your nerves.
3:30-6:30 p.m.
CELTIC LARKE SHOW
Kate Simmons
Irish Scottish and Welsh music. Celtic and gaelic legens and folk tales. Poetry by
nati~e sons and daughters. History and descriptions of areas Kate has visited in
Scotland, Ireland and Wales, and the traditions of tl ~ countries. Reviews of current
and classic books about the CeLtic countries. Annou. cements of events around the
Sound area of Celtic clubs and organizations.
AMERICAN RETROSPECTIVE: RHYTHM AND BLUES
3:30-5:30 p.m.
Jeff Clark
7:00-10:00 a.m.
AMERICAN GUITAR PHILOSOPHY SHOW
On the American Guitar Philosophy Show, we will listen to the beginnings of the
development of the American guitar style in its various forms, and also explore the
music of modern American·style guitarists who are carrying the tradition a step
further.
Nacho Bravo
Eric Strandberg
December 1, Billy Strayhorn (11/29/15) and Brownie McGhee (11/6/15)
December 8, Dave Brubeck (12/6/20) .
Monday
To.ni C. Holm
Puhlic Affairs Department
INTERNATIONAL VARIETY
Friday
9:30-10:00
LlFE'S A GAMBLE
alternates with
NACHO'S PARTY
Toni features new singles, and Nacho plays rock and roll.
6:00-10:00 a.m.
COUNTRY MORNING SHOW
Gordon Newby
The best sounds from Nashville and all over. Country western music.
6:30-7:00 p.m.
KAOSNEWS
10:OO-midnight
Tuesday
1 :00-3:30 p.m.
3:31).6:30 p.m.
GO FOR BAROQUE/BROKE
Petrina Walker
In addition to playing classical music, Petrina Walker shares info.rmatio.n o.n what is
-happening in the arts-locally, natio.nally, and internationally. She gives art updates
co.ncerning a variety of controversial issues. She plans to do live and taped interviews in the near future.
be billed.
___ $5.00 per month for the
amount above
Name _____________
Whether you are off "In Search of
Reagan's Brain" with Garry Trudeau,
or hunting Dragon treasure wi.t h Frodo
and the gang, books can be your pass- We have the visuals to match the
port to adventure. We stock highdrama of the written word with great
quality books that can open the door
gift calendars. Whether you fancy
unicorns or unicycfeS, w"e have something to match your ta.~tes.
TESC Bookstore; we have the stuff
dreams are made of.
Address ___ _ _ _ _ _ _ __
Zip
Mail to: KAOS FM
. <MympJa, W A 98505
Program DeseriptioD8
Saturday
Static
7:~lO:00 a.m.
COME SATURDAY MORNING
Jim Patrick
Three hours of the best in classical and jazz listening pleasure! In contrast to many
other classical and jazz programs, COME SATURDAY MORNING rarely attempts to
develop a programmatic theme or synthesize a specific class~al or jazz era-it's
much too early in the weekend for that type of intellectual exercise. CSM simply
presents excellent music to start your weekend on a positive note.
Classical music is presented between 7 and 9 a.m. and jazz is heard from 9 to 10. Try
COME SATURDAY MORNING-you'lliove it!
10:OO-noon
A WOMYN'S PLACE
Kathy Mason
This is a show for and about women. Producer/DJ Kathy Mason would like to provide women of the Puget Sound Community with programming that you feel is
important. She encourages you to leave a message for her at 866-5267 and she will
return your call. Future programming includes: Health, Music, Nurturing, Physical
Culture, Women Loving, live interviews.
Noon-2:00 p.m.
CINEMA THEATER
Ford TbaxtclD
Ford Thaxton's "Cinema Theater" has been appearing on KAOS longer than anyone
can remember. This soundtrack-oriented show occasionally leans toward the bizarre.
December 5th. Music for World War II"
Music from such films as The Great Escape" by Elmer Bernstein; In Love and War"
by Hugo Friedhofer; The Battle of Neretva" by Bernard Herrmann; Patton" by
Jerry Goldsmith; and John Williams' march for the film Midway."
December 12. "Composer Spotligbt: James Horner"
Music by this young screen artist from such films as "Humanoids from the Deep":
''The Wolfen"; ''The Hand"; "Deadly Blessing"; and "Battle Beyond the Stars."
December 19. "We Wish You a Merry Christmas"
Mikla; Rozsa's song cycle based on his scores for "Ben Hur" & "King of Kin~s";
Edward David Zeliffs score for "The Living Word"; and Alfred Newman's claSSIcal
score for ''The Robe."
December 26. "New Releases"
Among our new releases will be "Heartbeeps" by John Williams; "The Final Conflict"
by Jerry Goldlimith; and others . Have a Happy New Year!!!
2:00-3:00 p.m.
3:00-4:00 p.m.
Raphael Villegas
EL MENSAJE DEL AIRE
Lisa Levy
LATINO AMERICAN PROGRAM
4:06-5:00 p.m,
LA ONDA CHICANA
Jose Pineda
5:00-7:00 p.m.
SUBTERRANEAN POP
altern" ting with
NEW RELEASES
Bruce Pavitt
Ken McNeil
Rock Variety
7:30-10:00 p.m.
EVENING DREAD
Amy
Jobn
Thome
Playing Jah music upon creation for an irie meditation . .. featuring Rare Imports and
other good stuff.
10:OO-midnight
ROCK IN OPPOSITION
Mark Porter
Progressive European Rock
MidDight-4:00 a.m.
OLDIES REV IV AL
Rick Maughan
This show is dedicated to the TRUE Rock 'n Roller. If cruisin' in your '55 Chev, thp
Duck Tail, Blue Suede Shows, and Allen Freed is your life style than join the Night
Owl, Mr. Hollywood 1 & 2 and the Whole Revival Gang for a Rock 'n Roll Party.
Give up the Punk and be reborn! Rock 'I ' Roll, Roek 'n Roll, Rock 'n Roll!!!
MAXIMUM ROCK 'N ROLL
CONSUMER FORUM
On December 16 at 10:15 p.m., KAOS
will air the first of two "demo" editions
of Maximum Rock 'N Roll. This is a bard
core punk show with interesting documentaries and interviews .
This show contains a now semi-famous
debate between Bay area concert promoter Bill Graham and anchorman Tim
Yohanon.
Tim and a variety of cohosts (inciuding
J ello Biafra) present obscure and largely
unknown records and basement cassettes
from all over America ~nd elsewhere.
Maximum Rock'N Roll contains no offensive language, is non-sexist and antifascist. Tune in! If you like it; if you hate
it; call up and let us know.
Consumer Forum, a new public affairs
feature, will be broadcast at 7:30 p.m.
Tuesdays. This 10-minute spot, hosted
by Doug Shadel will present information
on the legal rights of consumers in the
marketplace. Subjects include: Landlord/
Tenant Law, Women and Credit, Mail
Order Schemes, Collection Agencies,
New and Used Car Sales, How to Establish a Good Credit Rating, and much
more.
Consumer Forum is sponsored and
written by the Consumer Protection
Division of the State Attorney General's
Office.
TAJ EXPRESS
Each week, a fascinating picture is
painted in sound, Go with u~ to the big
cities of India, Bombay and New Delhi:
these are just some of the places where
the stories actually took place. Go as
well to Rishikesh at the foothills ' of the
Himalayas, down to the tip of southern
India. K.A.O.S. and the Taj Express present a story each week by a contemporary Indian author. Sound effects and
live recordings were recorded in India
by ZBS Foundation of Ft. Edward, N.Y,
Check the Program listings inside this
guide for details. Sunday evenings at
10:00.
Radio
A e t i V_'----L.----I
GET INVOI,VED AT KAOS
Are you interested in being a volunteer at KAOS? If you can type (neatly,
but you don't have to be fast) and have
an uncanny ability to say the most with
the fewest words, then we have the position for you. KAOS is in need of an
assitant PSA director to type the community calendar twice each week. This
position requires approximately I) hours
per week, or more depending on how
much time you have to offer. This is a
great opportunity for you to become involved at KAOS, listener-supported
community radio. Help make it happen
by calling 866-6073, Leave a message for
Margaret or Dave. There are numerous
opportunities to help in management,
public affairs, radio drama, and production. Call KAOS today for more information .
RADIO THEATER CLUB
EVERY MONDAY: OPEN MIKE ................. - .. SOc:
The Radiotheatre Club is accepting
scripts for broadcast on rrheatre, broad·
cast 9:30-10 p.m. Thursdays. Your ideas
and comments are welcome. Contact the
club through Box 26 at KAOS .
THE FOURTH TOWER OF INVERNESS
Entering it's fourth week, the Fourth
Tower of Inverness is broadcast three
times daily, Monday through Friday:
7:30 each morning, noon, and again at
7 in the evening, just after the news,
Join the programmer as he enters
another adventure with Jack, Lady
Jowels, Little Frieda, Dr. Mazzola, Old
Far Seeing Art, and the Madonna
Vampira as well, as each day we hear
yet another episode on K.A.O.S. 89,3 FM.
Feedback
Dear KAOSians:
According to the terms of our phone
conversation this afternoon, I enclose my
check for $25. I trust that I will not
again hear any 'of you use the word
"real" as an adverb, i.e. "real good program." Should this occur, I may call for a
refund. I suggest that an appropriate
measure might be to threaten a 25t fine
for each violation. I have too high regard
for the Evergreen State College to condone the use of the college air-waves to
transmit bad grammar.
With very best wishes,
Bernice L . Youtz
Thank you for your letter, Bernice. As
you probably know, KAOS is an open
access station; we do not discriminate on
the 'basis of race, sex, age, sexual preference, or the ability to articulate ideas
clearly. We have programming in
Spanish and Vietnamese as well as quasiEnglish. I think that your 25¢ fine is a
real good idea, though.
THE PROGRAM GUIDE STAFF
EDITOR: Matt Love
ASSOCIATE EDITOR: Kathy Davis
PRODUCTION: James Finley, Robin
James, Corine Love
TYPESETTING: Shirley Greene
Featurlna the Breadwlnne... '
EVERY THURSDAY : JAZZ JAM. .
. ... . .. 99c
Featuring Trumpet Lady Barbara Donald
2, '16/IRISH MUSIC SESSIONS --&pm ..... .. . DONATION
Join In as player or listener
4/ ROBBIE BASHO & SPECIAL GUESTS4 ADV/55 DOOR
Windham Hill recording artist plays steel-string guitar
51 LATIN NIGHT, ... . , .. . . . ....... , .. . .. ,., ........ $1
. Benefit for radio KAOS featurinl areat
and
special open mike performers
9/ PRESTO CHANGO . . . . . . . . . . . . . . .
. ....... .. . 52
New Music/Art performance by A. Woodruff, Jeffery
Morgan & Robert Heywood, An odd Wednesday.
111 StOTT COSSU , . ... ........ ... , . " .. ...... .. ... $3
Seattle bated Jau pianist will Indude Hlectlons from
hi. lateat Windham Hill album
12/ REGGAE PARTY ..... . . .. . . . . ...... ..... . . ..... SOc
D.J , Richard Mott plays rare imports
181 AN EVENING WITH MARK TWAIN, .. , .. , .... A.50
Family favorite Bill Moeller In a vivid portrayal of
the literary leaend Sam Clemens
19/ SAHARR & MILLIONS OF BUGS . . .. . ........ ... . 52
Exotic mid-Eastern belly dance troupe plus oriainal
pop/rock combo
25, 26/ MERRY CHRISTMAS I [CLOSED]
31/ WHOi YOUI AT THE GNU IN '821 . . . ... . . . .. . ... 53
Live rock & roll party featuring PELL MELL from
Portland & the always popular BREADWINNERS!
Menstrual Disorders
ER
PhYSical Exams and Paps
PR
Menopause Diagnosis and Treatment
Pregnancy Detection and Referrals
Birth Control Counseling and Prescribing
Women's
Sports and Insurance Physicals
Pat Shively
Sexually Transmitted Disease Detection
C.R.N.
and Treatment
DELI la open Monday thru Saturday all day
from 11:30 am to 9 pm
Dellclou. Sou.., Sal•• ,
Sanct.1chea and Dinner SpecIal.. Open untf1 MkWIht
EVENINGS AND NOON HOUR APPOINTMENTS
AVAILABLE
for lCheduled musk.
PHONE 943- 5127 FOR APPOINTMENT
recGI.
GNU
'Ot'
N
E
w s
Weeknights
6:30 p.m.
...
0
The Program Guide is published
monthly by 89.3 KAOS FM, listenersponsored community radio. The
views in the program guide do not
necessarily represent the views of
KAOS or The Evergreen State
College. Please address editorial or
advertising correspondence to: .
The Program Guide, 89.3 KAOS Radio,
The Evergreen State College,
Olympia, W A 98505.
Permission is not required to re print
articles in the program guide as long
as proper credit is given.
Printed by Shelton-Mason County
Journal.
THURSTON WOMEN'S HEALTH CLINIC INC.
146 N . Plymouth
Olympia, Wa . 98502
Opinion
~-....
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.
.
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."\ ( :.1 (' )
rJ
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Open,,- Letter
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_PEAR HUSKIES:
It was sure keen the way you won that football game. Now if you . could only
show our legislators how to do the same thingl
DEAR RICHARD ALLEN:
So you put $1.000 in YO'Jr safe and forgot about it, ehl You know, we do th at a
lot too.
DEAR JIM BARNE I I :
You left your lun ch in our offi ce last week and we'd apprec iate it if you 'd come
and get it. It's starting to smell. and it's cha nged color sin ce you saw it las t. Are n't
you getti ng hungry?
Past Due Bill
DEAR ABBY:
Sometimes when I'm reading a column in a newspaper I'll suddenly seem to be
reading a different column . In fact, something like that is happe ning to me ri ght
now. It's ve ry discon certing, what can I do? Sign me confused .
DEAR CONFUSED:
We really can't help you, being ourselves confused ... A similar thing happens to
us when we write.
DEAR PET PARADERS:
Have you been taking your pet out on parade, like you were told? You all know
that you can't be lazy during the off season. Go put a leash on your pet, and parade
around, and parade every day, all day, from now on, or Santa won't come.
DEAR "DAILY (1':
Sure we copied this format from the "Daily 0 ." We freely admit It. We read your
"open letter" last weekend and we treated it like we treat everything we read, we
plagiarized it. And don't bother to get miffed, there's nothing you can do about it.
We all know that you can't copyright banality.
Nearly every year the CPJ does a story
about how the women's sauna is 40%
smaller than , and therefore unequal to,
the men's locker room , and hence, in
violation of Title IX.
This year we' re not going to do one.
The time for writing stories has passed.
We tried being nice. Sisters and compassionate brothers, the time for action
is nowl-!
It's time for some radial ism on this
campus . For a decade now, Evergreen has
been hiding beneath the facade of equal
opportunity and equal access while it has
silently been screwing over its women .
I'm talking saunaing on our back with
our feet on the walls . Nobody likes to
sauna on their backs, the sweat drips up
your nose. I'm talking switch here. Evergreen has a 10-year-old past due bi II
owing to the women of this campus . I say
don't let the m slid e. We want the men's
loc ke r room , a nd we want it starting next
qu arter.
And if Facilities won 't give it to us, I
say take the m on a personal tour of the
sauna . Take the m on a tour that lasts until
they shrink two feet and lose twenty
pounds Show no mercy, make them
sauna . on their backs, until they dry up
like ,lugs in the sun.
Don 't let them tell you that the re's a
new gym being built and that we can wait
until it 's done. Because we can't wait any
longer. That gym won't be finished for
another four years . And if we have to
extend the tour of the sauna into a fouryear enterprise, then I say let's do it. It's
time to unite and demand your rights to
equal fac ilities!!1 And remember Facilities,
we'll be waiting for you afte r break
D.5.o.
Stealing Grapes C:ln Put You In Jail
By
Jennifer Micheau
Jennifer Micheau is an Evergreen student
and IMJrks at Self Help Legal Aid (SHLAP)
There are lots of reasons to shoplift. It's
one way to get all those great little items
you can't afford . It may be a personally
satisfying way to "get back at" a store
that's offended you with obnoxious prices
and more obnoxious salespeople. It might
even fit in with your scheme of politically
correct behavior for the oppressed classes .
My purpose in this article is not to judge
the validity of these reasons, but to present another aspect of shoplifting that's
equally worthy of consideration : It's
against the law.
In Thurston County, shoplifting is
classified as theft third degree, a misdemeanor. The offense carries a maximum
penalty of $1000 and one year in jail.
(RCW 9A.56.0SO.). The standard penalty
for the first offense is a $250-$275 fine, a
day in jail and a criminal record . For the
second offense, the jail sentence is increased to a week. Self Help legal Aid
has dealt with shoplifting cases involving
Safeway, Yardbirds, Peterson's and Mark-It
within the last two years. All of these
stores prosecute shoplifters, including firsttime offenders.
Some people, with the help of an
attorney or a knack for looking repentant
or innocent and un-Greener-like in front
of a judge, manage to reduce these penalties substantially. Others are not so
lucky. Attorneys aren't cheap ($60/hr. in
Olympia), and your chances of securing a
public defender are slim indeed unless
Advertise in the
you face a possib1e jail sentence and can
prove indigency. Indigency requirements
are strict in Thurston County and the city
of Olympia - iI house, a car, or job may
disqualify you, even though your actual
financial situation could not possibly
carry the burden of attorney's fees. It's up
to the judge to decide if you qual ify for
free counsel.
If risking $275 and a jail sentence for a
couple of dollars worth of groceries still
seems sporting to you, there's another
aspect of shoplifting you should give
some thought to. A conviction tor shoplifting goes on your record . This could
have a serious effect on your future,
especially concerning your eligibility for
certain jobs. A bad record may adversely
influence a judge or jury if you are ever
tried for similar offense. Don't underestimate the significance of having such
a conviction on your record .
In addition to the criminal charges (the
fine and jail sentence), the store can press
civil charges against you for damages.
They cannot impose an additional fine or
jail time, and are restricted to suing for
actual money damages and court costs .
This means, that is you steal ~ 25~ apple
tht!y can only sue you for 25~, costs that
are a direct result of your stealing the
apple, and their attorney and filing fees .
Filing fees are $20 or $10, depending on
whether the case is filed in District or
Small Claims Court. Attorney's fees will
depend on how mu-ch time an attorney
spent preparing the case.
There are also some things you should
know about store policies and court
systems in Olympia. One is that you need
not leave the store with unpaid-tor merchandise to be cited for shoplifting.
Opening a package in the store and eating
the contents while you browse may be
Greeners than on other citizens. I have no
considered shoplifting, eve n if your intent
<;tatistics or doc umentation to back up
was to present the empty package to the
this kind of assertion. But, it might be in
cashier and pay before leaving. Similarly,
your best interests in this situation to conyou may be c harged with shoplifting if
side r your spec ial status as a Greener in
you leave the cashi e r or check-out area
Olympia. If in doubt about a store's
and move toward the door with unpaidpolicy, ask the manager.
for merchandise. The judge mayor may
If you are cited for shoplifting, you
not believe that you were merely looking
should have some idea of what to expect
out the window to see if your ride had
in court. While I wouldn't go so far as to
arrived yet, and that you intended to recall the Olympia court syste m "antiturn to the cash register and pay for the
Greener," it should be noted that the
merchandise. You can be charged even if
courts cannot be expected to entertain a
you were carrying the merchandise unspecial lenie ncy towards students. The
concealed -this is not necessarily evijudge is not likely to be impressed by the
de nce of your good faith .
Another thing to be aware of is that the fact that you were too pOor to buy food ,
or that you're new in town and weren't
price and quantity of goods taken has
aware of the strictness of the law. S/ he is
little to do with the amount of the fine
likely to feel better about you if you are
and the attitude of the management and
conservatively dressed, respectful in court,
the judge. You can be arrested and fined
and very repentant. You may feel that
$275 (or up to $1(00) for stealing an
judges shouldn't have these kinds of
apple, and many stores will press charges .
biases, or that it would be compromising
According to the experience of SHLAP
your principles to dress and act a certain
clients, Olympia courts often attach more
way. If your goal is to reduce your fine or
Significance to the act of shoplifting than
get the charges against you dismissed, I
to the price of the goods stolen.
don't recommend this attitude.
Those "free samples" out of the serveA final point to remember is that it is
yourself barrels, or the three grapes you
NEVER a good idea to ignore a court
nibble to make sure they're fresh, are also
action being taken against you . If you fail
no-no's. Maybe "sampling" was encourto appear on criminal charges, a warrant
aged at Ye Olde Family Store where you
may be issued for your arrest. If you try
used to shop with Dad and Mom, but in
to elude someone who is attempting to
Olympia it's shoplifting. And yes, the
serve you with a civil summons, or fail to
management will be unfriendly enough to
appear in court on civil charges, you
press charges about such a petty thing.
could lose the case by default.
An extra caution here: don't assume, beIf you are cited for shoplifting, or have
cause you see Olympia hou~ehusbands
other legal problems or questions about
nibbling, that it's okay for you to do it,
legal matters, contact the Self Help legal
too. One of the pleasant little honors of
Aid Office to find out what your options
being a Greener is that the Olympia comare. The office is located in Lib. 3224.
munity doesn't always think of you as just
another citizen. This is not to say that any Weekly drop-in hours are posted on the
or all of the Olympia area merchants hate . 'office poor, or you can call for an appointment. The phone number is 866-6107.
Greeners, or that the courts are harder on
C PJ
WHY?
Because we'll like you,
and you'll like liS .
Think "bout our
-loon (·irnJI.ltion:
The Evergreen campu's,
state office huildings"
and the Olympj ,l aretl .
December 4, 1981 The Cooper Point Journal p;"\ge 5
,r:
BWS
& Notes
The National Science Foundation plans
to award approximately 500 fellowships in
the spring of 1982. Awards are made in a:1
fields of science, including interdisciplinary and multidisciplinary areas. Minority
students are encouraged to apply. Application deadline is December 18, 1981.
Call or stop by Career Planning and Placement Office, Lib. 1213, 866-6193.
A free Animation Film Festival will be
held Wednesday, December 9, in Lecture
Hall 1 at 7 p.m . Sponsored by the Beginning Animation Module. The class film
will be shown along with Cosmic Zoom,
Closed Mondays, The Nose and others.
FREE.
"
The Explorations of the Future Cluster
Contract is seeking interested students for
winter quarter. The group is involved in
two areas of activity: (1) organizing a
regional conference for April, 1982; the
Northwest Community Stewardship Conference . (2) Reading and seminaring of
current and historical trends in global,
personal and community-based change.
Part and full-time options are available.
I nterested persons or those with questions
can contact Tim, Darrel, Kris or Eileen at
Innerplace (x6144), or Lib. 3226.
With the addition of the new pool
manager' s position this quarter, there's
been lots of action and lots of plans for
things to come at TESC's beautiful ll-lane
pool. Since September a staff of mostly
new guards has been hired and trained,
three swim teams have been organized
and begun practice, a variety of leisure
education swimming courses have begun,
and special events have been planned .
The swim teams include an AAU. age
group team coached by Don Martin, the
TESC intercollegiate team also coached by
Don Martin, and an A.A.U. Master's team
for swimmers 20 year~ old and over.
The Leisllre Education courses to be
0ftered next quarter will provide an inviting variety of aquatic activities ranging
from preschool lessons, lifesaving courses,
scuba diving, kayaking and much more.
The talented and energetic aquatic staff
has also made plans to promote special
events such as monthly stroke clinics for
adults who want to improve their swimming through films and video taping
The first pool party for kids has been
set for November 28 from 10 a.m .-noon
and volunteers are welcome to help out
Beginning next quarter the aquati,
schedule will. also feature a therapeuti(
swim program in conjunction with IOC,ll
physical therapists for those who need
speCial attention for orthopedic injurie··
or other health problems
Plans are also being made for undt'r
water nockey workshops, intramural pool
" bashes" and a giant marathon fundraise,
for spring .
What eve r your aquatic interest s 01
needs, we are now offering it or will b"
glad to se! It up for you . Simply contaci
Rick Cherry, who is acting as Assistan :
Pool Manager through an individual can
tract or Pat Schaffer, new pool manager
at 80&-6534 . The pool program is also
seekin g lifeguards and instructors for next
quarter .
For all lovers of Handel's "Messiah,"
there w iII be a Read-I n Performance,
sponsored this year by the Masterworks
Ensemble, to be held on Sunday, December 6 at. 2 p.m . in the Abbey Church at st.
Martin's College. All interested singers
and instrumentalists are invited to come
and join in the performance, which will
be direc ted by Dr . Wayne Hertz . Singers
should bring music, if possible, though
there w ill be a limited number of copies
avai lable for use . Dr. Hertz will 'begin
promptly at 200, so plan to arrive before
that time .
Thi S event is primarily for performers,
but an audience is also welcome, subject
to avail able seating Anyone having question, may ca ll Jane Edge at 943-1205 or
Rarbara Th eiss at 357-8934 .
Marilyn Ske rb ec k , r.eproductive right s
activist, Lillda Roman of the Line of
March's Women's Commission, Deborah
Gay, member of Women Acting Together
and Megan Cornish , representing Radica l
Women. The forum starts at 8 p .m . at the
Central Area Motivation Program (CAMP),
722 18th Ave. For childcare or information
ca ll Jean at 323--0162 or Susan at 783-1539.
.& Notes
The Draft, Resistance, and creating
positive alternatives; A Participatory
Workshop. Dave Bullock, member of the
National Resistance Committee Will speak
on the history of draft resistance in America, current policies and actions by the
Selective Service aimed against those who
have not registered, and finally, building
creative alternatives to military conscription thrtlugh individual and collective
resistance. Wed., Dec. 9, 7 p.m. CAB 108.
If you have received a National Defense/Direct Student loan while attending
Evergreen and you p lan to graduate, withdraw, or go on leave next quarter, you are
required to go through an NDSL Exit Interview before leaving. This will not only
meet Federal requirements, but will benefit you greatly by informing you as to
toal amount of your loan(s); date payments begin ; repayment schedule; procedures for applying for student deferments, teacher postponements and cancellations; and other ways we may help
you in your understanding and successfully completing repayment. Please contact the Student Accounts Office at 866M48 to make an appointment for an Exit
Interview.
The Admissions office is seeking Evergreen students who have graduated from
high school within the last two years and
are returning to their home town for the
holidays
They would like volunteers to meet
with students and counselors at their o ld
high school, and share their "Evergreen
Experience. "
If interested, please contact Ann or
Christine in Admissions as soon as possible . Lib 12m, 866-6171.
Health ServicesIWomen's Clinic will be
closed December 17 through January 4. If
you will need birth control refills or other
supplies during our closure, you should
make arrangements to come in prior to
December 17. There will be no practitioners working during this period.
A referral list will be posted on the door
of Hf'alth Services and at the Information
Center for those 'reeding medical care
and treatment durink"our closure.
Our entire staff woura like to wish you
all a happy, and safe Holiday Season.
White Pass and the fvergreen Ski Team
are offf'ring discounted lift ticketS at ·
White Pass for Evergreen students, this
year. Lift t ickets good on Mondays and
Friday~ will bf' available for $7 .50 each.
A l'lI-hour lesson is included with this
prin' it individuals want i,lstruction
White Pass also has· two interconnecting
3 '/,-ll1iie t ross-country ovals which form a
7-mi le figure eight. This is available for use
at $1.(X) a day for students. Transportation
will be in private vehicles at an estimated
cos t of $4,(X) per person, for gas.
for more information come to the E.5.T .
met'lings ilt b :30 p .m . on Tuesdays and
Thursdays in eRC 202 or call Jeff Clark at
86&-9487 or Dilvid Henderson at x'i193
FAMIL Y PLANNING CLINIC OPENS
IN OLYMPIA : Women and men of all
ages have a new source of sex education
information and co ntraceptive care when
Planned Parenthood of Thur.;ton County
opener! a new cli ni c in Olympia .
The dinic , located at 10th Ave and
Columbia Street, is open three days a
week. Medical appointments, supplies and
counse ling are available on Wednesdays '
and Fridays from 8:30 to noo n. In addition , clinical se rvi ces, including pregnancy
testing and physical exams are available
on Thursdays from 12:30 to 8:30 p.m .
Appo intments can be made by calling
754-5522.
The Tacoma-Pierce County Civic Arts
Commission announces that it will p urchaset:xisting works by Washington State
arti sts for t he Pierce County District Court,
6th Floor, Coun ty-City Building, 9th &
Ta co ma Ave, Ta co ma . Well-mounted
works in any medium are acceptable.
Arti sts are requested to subm it up to
ten sl ides of available work and resume
by 5 p.m., Friday, January 8, 1982. A
project prospectus may be obtained by
calling the Civic Arts Commission at
591-5191 .
page 6 The Cooper Point Journal December 4, 1981
Waterfall, Armatrading, and Faithfull,
Sing It With Style.
SUNDAY FUNI!! The Evergreen Alumni
Association presents a special Sunday
matinee performance of t-.nthony Newley
and Leslie Bricusse's smash hit musical
"Stop the World-I Want To Get Off."
Word is out that several notorious local
theater critics are finally in agreement on
one point: "Stop the World" is destined to
be the theatrical highlight of the Olympia
season. "Glorious" proclaimed one calloused critic. "Outrageous" bellowed
another.
Come join this gala event .. . 3 p.m.
Sunday afternoon at the Experimental
Theatre. Admission is $4 general and $2.50
student and senior citizen. You'll be glad
you didil
Students covered by either of our health
insurance plans have the option to be
covered by the same plan during one
quarter while on leave or during summer
vacation , Anyone desiring this coverage
needs to fill out an insurance card specifically for that quarter and submit it to
Student Accounts by the 5th class day,
and also pay for the premium no later
than the 30th calendar day of the quarter
to avoid having it cancelled for nonpayment The 5th class day of Winter
Quarter 1982 is January 8; the 30th calendar day is February 2, 1982. See Anna
Mae Livingston in Student Accounts
(866-6448)
Graduation Committee met Thursday,
Nov. 19, to count the ballots. Gary
Trudeau came in first, tied for second and
third were Bill Cosby and Reverend Hunthausen, tied for fourth and fifth were
Giovanni Costigan arid Elizabeth KublerRoss.
A Ceremonies committee was set up to
arrange the schedule for graduation. The
issues of money to pay the speaker, the
possibility of a catered reception and
having a classy but informal graduation
were raised. We want a reply from our
speaker as soon as possible, before New
Years.
By David Gaff
CPI Music Critic
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MEDIEVAL, ETC. FILM SERIES
WINTER QUARTER
january 5 Yojimbo
january 19 A Man for All Seasons
january 26 Beauty and the Beast
February 2 Alexander Nevsky
February 9 Brother Sun, Sister Moon
February 16 A Tale of Two Cities
February 23 MacBeth
March 2 The Celtic Triology
March 9 The Private Lives of Elizabeth
and Essex
March 16 Start the Revolution Without Me
The Medieval, Etc. Film Series will now
be every Tuesday instead of every other
Tuesday. The films will be shown at 4, 7,
& 9:30. Admission is $1.25.
Linda Waterfall, Joan Armatrading, and
Marianne Faithfull all have new albums
out They are all good albums, and I
recommend each of them. These three
women have several similarities. They all
have disti nctive voices, write most (if not
all) of their own material , and they each
are established artists with several albums
out Joan Armatrading and Marianne
Faithfu ll differ from Linda Waterfall in
that they are internationally known artists
on major labels. Linda Waterfall is
basically known on the West Coast and
records on an independent label.
Linda Waterfall's new album, Bananaland seems to be a random collection of
songs at first listen. With each additional
listen, a clearer understanding of Waterfall's styles becomes apparent. On the first
side, Waterfall's. singing is simi lar to Judy
Collins and joan Baez. Linda Waterfall,
like Collins and Baez dominates the music
she makes w ith her remarkable voice . On
side two, however, Waterfall's vocals take
an equal part to the music. This method
seems to suit Waterfa ll better.
Waterfall ends side one with Wyoming
Boys, a song which she obviously enjoys
doing. This is one of the three best songs
on the album . Long Hard Road and Eye of
the Cyclone are also excellent songs. The
production is surprisingly good and clean,
considering it is an independent record-
WAlK lOEB LADOEHS
,!T
AAlNED foP.
~tl
AtJv
11'1'"
~A2E
Assistant Exhibits Coordinator
Olympia
Student intern will .do research for displays
for public information and education pertaining to ecology, conservation, etc., with emphasis on marine biology and wlli help construct such exhibits.
Prefer student with work experience or academic background in one or more of the following areas: graphic arts, photography,
writing, biology, geology, oceanography, and
alternative energy. Student must be committed to conservation.
1-2 quarters. 20 hours/week. Volunteer
position.
eereer Counselor
Lacey
Supervise the formal career planning function at a high school; including coordinating
and assisting teachers with the unit of study,
coordinating the .career center in the library,
.counseling individual students, and researching the project .
Prefer student interested in working with
high school age clientete.
3 quarters, hours negotiable, volunteer
position.
Legislative Intem
Seattle/ Olympia
Monitor activities of ,natural resource committees, research environmental bills and
issues. write for newsletter, work with W.E.C.
staff and volunteers.
Prefer student wi th academic background
in environmental studies and/ or political
science.
1 quarter, hours negoitable (up to full-time),
volunteer position.
Publication Program Intem
Olympia
Assist with Ihe publication program of a
state office corporation division . Intern will
researCh , write, edit. design and otherwise
prepare text and materials for a planned series
of informational pamphlets I inlormation
sheets.
Prefer student interested in pre-law or
iournalism . Exposure to non-fiction publication processes would be helpful . Good writing
skills are essential.
1-2 quarters, 20 + hou rs (f lexible), pay
negotiable.
fire
<)0(1
TiLvE [YEO GU~PJltt. vlftJr£r:>
HtALTHY .. .
10 G€f
f>MALL,
./" H~ ... To M"~f
CoLLtGE
(OM_Nt'TY. S"TVD£f')TS
"PAo on ...
~':l'4''':::-At.-';'I,'
WEltE foRcED To
G~op-¥' I f'J\
i~iuATER "I-..L-I.....-u...:::
rt-lfl.AfE 1'IfEIA.
Pr<YPAct:S f()~
f(..()TI\'%ON v~'.tc£S.
Men's Advocate
Port Townsend
Intern would be responsible for client advocacy for battering males; and will promote
and inlorm Ihe communlly of the'· batterer's
group.
Prefer student who has a strong commitment to end the cycle of violence, has a creative flair for problem solving, Is familiar with
systems requirements and obsessive with
recordkeeping.
3 quarters . 15 hours/week . Vo lunteer
position.
Leglslallve Aide
Seattle/ Olympia
Intern would be responsible for legislative
issues research ; collect, read and digest
legislative bi lls; attend committee hearings,
and write summaries; draft press releases
and/ or weekly news summaries ie : legislative
activities : assist in preparation of legislative
testimony ; and assist in the other duties as
necessary .
Prefer student with some academic background in political science, journatism, social
services and English .
1 quarter , hours negotiable, volunteer
position .."
r----------,
HWe sell them;
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For further information, contact the Office
of Cooperative Education and schedule an
appOintment with a counselor, LAB 1000 ,
Ext. 6391 .
in a Position of'
(PC)W{3~?
Be. the AD'MANf\6ER for
Intern,ship
Ifo
NITEr
Qo~ff
Public Affairs Intern
Olympia .
Intern's responsibilities wi ll consist of the
full spectrum of public relations activities performed by policy-making public agency. Production of news releases and feature articles.
Producing/editing monthly newsletter. Preparing, editing, producing and broadcasting
twlce-weekty sport / commercial fishing hotline broadcast for toll-free telephone network.
Research compose/edit/produce written material on department activities.
Prefer student with academic background In
Joumalism, broadcasting, pubtic relations,
sociology and psychology.
2 quarters, 32 hours/week, volunteer (possibte paid position).
TY1teyested
the CPJ !f! Good
weathered , and her wflting brought about
a wave of both controversy and acclaim.
She has just released a new album,
Dangerous Acquaintances . Faithfull is not
as visibly angry two years later, and it
shows. Most critics have decided that
since she has lost her anger, her songwriting has lost its power. I disagree with
·his viewpoint. Nobody can be expected
o stay angry for over two years. Milrianne
. aithfull has changed, and her music
., hould be taken as it is now. Her writing,
i, ju st as good as ever, but it is different.
Dangerous Acquaintances is an excel lent album. ~or Bea uties SaJ"e, writt en by .
ing. These three songs shou ld have no
problem finding their way onto the airwaves. The independent production will
probably guarantee airplay only on alternative stations such as KAOS.
One annoying aspect of Waterfall 's
musi c is that she does both lead and
backing vocals. She has a great voice, but
she should get a backing vocalist to help
her out. Overall , though , it is a good
album.
Two vears ago, Marianne Faithfull appeared from the ruin s of the 60's to record
one of the years surprising albums, Broken
English She was angry, her voice was
Faithfull and ex-Traffic member, ~tevle
Wi nwood, is an obvious standout. Faithiull is attempting to deal with her past on
thi s album. Faithfull 's remembran ce of
the 60's are qUite evident on Intrigue.
whic h sou nds similar to the Rolling
Stones ; You Can 'l Always Get What Yo"u
Want. She must be getting even with the
Siones for Sister Morphine Wh en was the
Iilst ti me the Rollin g Stones ca me up with
Iwo consi stently powerful albums like
Marianne Faithfull has?
.
Joan Armatrilding's last album, Me
Myself I catapulted her to worldwide
recognition , success, and airplay . Her
newest album, Walk Under Ladders
,hould continue her success . One important choice that Joan Armatrading
made after her last album, was to change
producers Her new producer is Steve
Lillywhite, who has produced many
widely acclaimed albums, including
records by U2, the Psychedelic Furs, XTC, .J
and Peter Gabriel .
Armatrading, has also added some
excellent musi cians including : RI CO
Rodrigues (horns) from the Specials, Andy
PMtridge (guitar) from XTC , and Siv
Dunbar (drums) and Robbie Shakespeare
I guitar) who back up such arti sts as Grace
lones, Peter Tosh, Black Uhuru, and loe
Crock er. Ri co Rodrigues' horn s make
Romancers a great song. Eating the Bear
is another favorite . Armatrading's only
prohlem with hE'r npxt album , will be In
kl'l'ping up the qUdlity she has continued
in this illnulTI.
SdJ~Y!1-
Pos~ihjlities
CAB loLl
,
You paint them"
Large selection
of statues,
world decor,
and Christmas
merchandise.
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We sell brushes,
paints, and other
supplies, too
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When you need big favors
you ask good friends.
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DINNERS, WED.·SAT.
•
SUNDAY BRUNCH
AMERICAN COUNTRY FARE
SERVED IN VICTORIAN EUGANCE
EXCEUENT WINE. BEER SEl.ECTION
FRESHLY PREPARED MEAlS S6.50-112.5O
\,
P1mM call_ NMI"flIdow'
"
SEVEN GABLES RESTAURANT
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When you ilSk good .
(rit'nd ~
\'(lU
J.M. STATUARY :
w.
210
4th Ave
__ ..7~4..7E~
:
___ J
fo r ;1 f.jvor.
\ 'OU
know
wh:lt Iht.'y'r L' going 'to say. SO
tdl tlwm vou'rt' moving
;,gCiil1 and [~ ~ wait for the
j..,rroans to stop. Th~y may not
like tht- icka. but you know
they're going to bt- the re .
When you're finished. these
people art.' going to deserve
something special . l (,night,
Locally Dlstrfbuta:l by
CapItol
a..sages,
. December 4, 1981 The Cooper Point Journal page 7
·1
DECEMBER 4
.. 1
SUPPORT COLLEGE DAYCARE: DRIFTWOOD IS HAVING A TOY PARTY! II Open to
all parents, friends, faculty and stalf. Learn
about toy safety, appropriate toys for different
ages, and even buy one or two for Christmas
presents . PLUS!! a party for children 2-6, with
games, pinatas , peanuts, popcorn and juice.
3-5 in CAB 110, 50t donation is asked to
cover refreshments .
Arts'andEntertain
DECEMBER 12
Saturday, December 12, from 8:30 p,m, to
1 a_m.. In library 4300 dance to tile sounds of
THE NORTHWEST ORIGINAL ELECTRIC BIG
BAND . . _"THE NATIONAL BAND, " straight
from Seattle, for a celebration of the Christmas season . Let's not forget what Christmas
is all about-peace, love and unity . Come and
hug your fellow greeners, get mellow, and
celebrafe! 6:30 p.m. to 1 a.m . Lib . 4300_
$2.50 at the door. Refreshments aVailable . ..
all ages welcome!! I !
DECEMBER 15
Mar!< Papworth in a discussion entitled " The
Dimension of Man ." Tea , coffee and cookies
wi ll be served in the Rotunda at 3 p .m. before
the colloquium . The lec ture will start al 3:30
p .m. in Lectu re Hall 4.
MUSICA VIVA CHAMBER PLAYERS PRESENT: A Ch~istmas Concert-seasonal seleclions featuring DUE VOCI (Barbara Colfin,
soprano, and Caro lyn Mia, meuo-soprano)
with Henrietta Mastenbrook, piano . Also ,
BRAHMS lIebeslieder Waltzes for vocal
quartet and piano . Concert begins at 6 p .m .
1153 John SI., Seattle , corner 01 Fairview N .
and John .
Stop the World, I Want To Get OIl? If not
tonite.' Donny & Marie Osmond will be playing
In Seattle at the Paramount Theatre . Special
prices for students are in effect for thi s show .
Just think , you can get $10 off any $19.75
ticke\. Donny and Marie w i ll be playing
through the 6th .
opened last night at TESC Ex perimental
Theatre is the show of the season, " Stop the
World, I Want To Get 0" ." The musical that
captured the hearts of Iheatregoers in London
two decades ago plays ten performances
under the direction of Evergreen's own Ruth
Palmertee . Known tor its classic hits. " What
Kind of Fool Am IT "Once in a Lifetime," and
"Gonna Build a Mountain," this enduringly
popu lar musical by Anthony Newtey and
Leslie Brincusse brings "lillie Chap " to life
with a cas t and chon .s that appeals to audiences of all ages . Tickets : $4.00 general ,
$2 .50 students and senior citize n s. Performances are scheduled for Thursday through
Sunday, December 3 to 6. and December 10 to
13 at 8 p .m . ptus 3 p m . matinees Sunday the
5th and 13th . To get yo ur lickets , ca ll 8666070 dUring bu s iness hours. TESC Experimental -Theatre_
THE ARTISTS' CO-OP GALLERY . at 524 S.
Wash i ngton . in dow ntown Olympia, will be
featUri ng as their Artists 01 the Week. oi l
painter s, Catherine McSweeney and Tom
Sholly , through December 5th . Hours of the
gal lery are 10 ~ m . 10 5 p .m .. Monday through
Saturday
0119 '. ,a l pianist Jim McGuiness will be at
Carnegies Th ursday th ro ugh Saturday, December
4.5 and Decem ber 10. 11 . 12 . 9 P m _
no cove r FO l k. blues: 12 -st ring guitar and
plano . 7th & Frankli n . Ol y.
YOU'RE A GOOD MAN , CHARLIE BROWN!
8 p .m .. December ' 4.5, 10.11 . & 12 _ At th e
Cabaret Theatre , Chinook Center for fhe Performing Arts . Bldg . 12- 6-14 . N . FI. LeWI S
0 00" open at 7 :30 p.m . For advance tickets
and " , Iormalion call 967 -3085 Ti cket s are ' $3
rn advance and $3 .50 at the door. Produced In
coope rat io~ wr tn Tams-Witmar!< Music Library ,
view progress on the Speaker Committee and
to discuss any subjects that the students care
to show up and express an Interest ·fn .
Photo by Carrie Cevirtz.
FRIDAY NITE FILMS PRESENTS: Notorious
1946 B&W 101 minutes. Directed by Alfred
Hitchcock (YE AH! I) . Cary Grant , Ingrid Bergman , Claude Rains . This classic Hitchcock
(YEAH!! ) film is abou t WWII Nazis, atomic
bombs, fugitives in Brazil , and romance,
naturally . Come early for good seats! Plus :
Mr . Magoo color cartoon WHEN MAGOO
FLEW.
THE ART ISTS' CO-OP GALLERY , at 524 S.
Washington, in downtown Olympia, will be
fea turing as their Artists of the Week watercolor painters , John Cash and Claudia 'Marsh
Hours of the gallery are 10 a.m. to 5 p .m .,
Monday through Saturday.
The Graduation Commltt. . will meet Thurl10 In CAB 108 at 5:30 to re-
da~ DecernIMr
The Sleepy J will be on vacation this' month . We will be back in mid-January and
we hope you will join us then ...
DECEMBER 6
REGISTRATION AGE PEOPLE, an anti-war
group of draft age men and women has begun
a new fall meeting schedule . They meet Sundays at noon, at the UW Ethnic Cultural
Center . 40th NE and NE Brooklyn , Seattle .
They meet every Su nday at 12 noon.
The Olympia Film SOCiety presents on Sunday, Dec_ 6 : STEELYARD BLUES, USA, 1973,
91 min . , Color. directed by Alan Myerson.
Starring : Jane Fonda, Donald Sutherland,
Peter Boyle . An ant i -establishment romp,
complete w ith music by Paul Butterfield ,
Michael Bloomfield, and Maria Muldaur .
Fonda , Su therland and Boyle, as outlaws, join
together in this comedy about America's
military- industrial comp lex . Showtimes at 7 &
9 : 15 p.m . at Capitol Cily StudiOS, 911 E. 4th.
Tickets : $1.25 for members, $2.75 for nonmembers .
This ne xt Wednesday evening, fall quarter's
"Wor!<s in Progress " dance performance will
be in the CRC at 8 p .m . The show will inc lude
performances by Evergreen students, choreographed solos and group dances . All are invited to come and enjoy some new TESC
dances . Donations will be accepted to raise
funds for a major show next year.
MEDIEVAL, ETC. FILM SERIES PRESENTS :
THE LION IN WINTER . 1968 134 minutes .
Color. Directed by Anthony Harvey; produced
by Martin Poll: screenplay by James Goldman , based on his play; photography by
Ooug las Siocombe ; music by John Barry.
With Katherine Hepburn, Peter O'Toole, Jane
Merrow , John Caslle, Anthony Hopkins .
Twelfth-century England is the selting for this
story of love, ambition, conspiracy and politlics . It is the tale of the lusty Plantagenet
family , specifically the rivalry of Henry II 's
lour so ns as they scheme for control of the
throne. Playwright James Goldman'S dialogue
is swift and authentically medieval without
becoming labored or anachronistic . The New
York Film Critics voted this the best film of
1968.
The Artist in Residence Program presents :
WORLD WATCH, Through the Eyes of Dr_
Bish . A "Newsreel " collection of films by
Evergreen students . Potluck at 6:00 , COM .
Bldg . 322. Film show al 7 :30 in COM . Bldg .
Recital Hall. FREE .
Alun Francis and The Northwest Chamber
Orchestra present "Messiah ." An authenti C---Baroque performance of Handel's masterpiece
with SI. Mark's Cathedral ChOir, December 10,
11 , & 12th. Northwest Chamber Orchestra,
1205 E. Pike, Seattle . For more information
call 326-2550 .
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Presents
Friday and Saturday, December 4th and 5th
THE AUZZIE GRABBER BAND
Rock 'N Roll
$2.50 Cover
2410 W_ Harrison, Olympia, WA 786-9290
L
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Join David Grisman at the Moore Theater
in Seatt le al 7 p .m. l or an evening filled with
an explosive int erp lay 0 1 innovative , improv; ·
sa ti onal jazz
Tickel s for this concer t are $9 .50 reserved
on sa le at all u sual Ti cket Place
25e Schooner, 9-10: 30,
every Wednesday and Thursday
t ,
M
A
THE RETURN OF PRESTO CHANGO: A
so und ·v!s ua l exposure featuring : Robert
Heywood, Jeffrey Morgan and A. Woodruff.
Wednesday, December 9 at 6 p .m . Admission
i s $2 at the Gnu Deli.
THE STEELERS
Rock 'N Roll
J
DECEMBER 10
The Wilmar 8, a documentary concerning a
unron fo rmed by eight apolitical women who
start the first bank st rike in Minnesota history
The him deals with the grassroots of feminism and is a relevant study of condi tions that
are darl y evenls in Ihe lives of working women .'
Direc tor : Lee Granl. 55 minutes . Shown at
7 : 30 . Lec ture Hall 1. also Tuesday , Dec . 9 at
noon . CAB 110.
THE VACATIONS
with
MILLIONS OF BUGS
Thursday, December 10th
f
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DECEMBER 9
Sunday, December 6th
STUDENT NURSE
and one other band
Wednesday, December 9th
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STOREWIDE SALE!
25% 0 FF list price all records
$5.98 list and up
Everything else in stock 10% OFF
Sale ends Sunday Dec. 6, 5:00 p.m.
THANKS for your support these last 9 years!
Olympia's only locally owned record store
Westside Center, Division & Harrison 357-4755
T ABLE OF CONTENTS
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Sestina
The Boneyard
Shall I Compare Thee To A Triple
Play?
Holland Blue
The Dancer
Dust In The Corner
Haiku
Too Many Windows
Pa~cal Wagers At The Two-Mile
House on A Wednesday Night
Harbor Storm
Photo , "Reflections of a Sailboat"
Photo
Photo
Photo, Strassburg, France I
Photo, Strassburg, France II
Photo
Photo, "Madame Butterfly"
Photo
Blithering Slights
A True Baseball Story
In The Margins
Getting To Sleep
Laudanum
Agoraphobia
Sight
A Woman At The Laundromat
Pegaslls
The Face
Rocks
Donald Nitchie
Bill Gravengood
Keith Eisner
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Allison C. Green
Donald Nitchie
Carrie Gevirtz
Cara Bryar
Kate Crowe
Steve Hunter
11
12
12
Curt Marsden
Steve Hunter
Geoff Kirk
cristine c. gilmore
Carol Tucker
Bill Gravengood
Carol E Butler
Carol E. Butler
Nathan Jones
Evetree Tallman
Michael Helms
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26
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27
28
28
29
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THE CPJ ARTS ISSUE December 7, 1981
/
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Julia Taussig
Jennifer E. Knauth
Brian Williamson
Peter Mumford
Jennifer E. Knauth
Jennifer E. Knauth
Suslich
Petrina Lynn Walker
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6
Edited and Designed by
Carrie Gevirtz and Kate Crowe
co ver by Jacques Zimicki
This publication has be e n made
possible by a grant from The Evergreen Fow/dation . We will be publisl,il'g again next quarter and w e
w e lc o m /! s llhmiss ion s at th e CP]
Office , C AB 104 . W e wish to extend
a special tl,aliks to tI, e artists w ho
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SESTINA
By Donald Nitchie
Take any six words you find in the heart .
(One or more of them perhaps will be broken . )
That's O.K .; language, like America , hea ls
itself by momentum - making a road
where there was none, following it hom e .
In this fashion we encircle a world.
Slag heaps in the rain. Barges from another world
of commerce and coal tar push into the heart
land up blackened rivers past the battered homes
on the outskirts of cities . Broken
men, mute and defeated , litter the road
to the ocean . The town where you come from heals
to a scar. Follow the tracks to where the healing starts: the bitter ends of towns - worlds
of shanty-time and low-down - gravel roads
that turn to dirt. where girls from school , (with good heart s)
ride porch swings, crochet samplers saying: "Home
is where my love lies" -still pretty , unbroken
after two kids . Maybe you liked one o nce, broken
muc;ic from a juke-b'o x whining down the heart
of Frid"y night :,\lain strel'l .:J;O thp world
in a girl's quick eyes in the maldl tIMt' . Home
by twelve, she likeJ )luu too mu ch to heal
your eager silence with a word . Roads
you never drove down, and familiar roads
you did, will someday intersect like broken
promises that come true years later. Whose heart
knew it all along? Though tendernesses heal
not always tenderly. But faith in this world
is always a question of coming home.
When you arrive, the lit windows of anyone's home
will beckon through the trees . Exhaustion heal,
us in its lap of deadened-ends - broken
fences that the storm knocked down. In this world
of aimless acres, windbreaks of poplars till the road
comes clean, I know what we travel on is heart.
Take any well-healed way to the junk-yards,
word-heart, worlds with nothing left to ruin ,
while the road back home forever breaking before you.
)
SHALL I COMPARE THEE TO A
TRIPLE PLAY1
(Thou Art More Lovely With Each Passing Day)
THE BONEYARD
By Bill Gravengood
Wendy felt good beside him. For
the first time in her life, she felt as if
there were someone who understood
her completely. She took his arm and
led him slowly along the gravel path
past the old warehouse and down to
the railroad tracks. They walked past
stranded boxcars where working men
stood, laughing and smoking, and
further down to where . the 'tracks
moved outside the base of a high cliff
and all the way to the river. The night
was clear and cool, and the stars
glowed white over the darkness.
She could hear the sound of ·feet
tapping quickly behind her. It was a
sound she'd heard many times before,
but never quite like this. Tonight it
was different - more pronounced,
affeCted, almost as if someone were
dancing.
Her hands came tight around
David's wrist. "Do you think they'll
notice us gone," she asked. Her eyes
shifted from his face to the tracks
ahead.
''I'm not sure they noticed us in the
first place. Besides, what difference
does it make?"
Wendy turned to look at the river.
Her dark hair fell over the shoulders
of her wool sweater. She could feel
David looking at her body.
"None," she said softly . .
They climbed the scrawny hill to a
plateau where the grass was dark and
brittle from the heat of summer.
"Look at the water," said David.
"I've never seen a river so inviting.
Does anyone ever swim here?"
"When I was ,little," she started,
"my father would bring me here on
Sundays. There was never anyone
else around. We'd dive in the water
and follow the current down to the
abandoned mill. There's a stream that
comes off the main, and leads round
back of the house where there's a
little clear pool. It was 'always warm
in summer, we'd stay for hours someti·mes. But you can't do that now.
The water's dirty. There was a big
flood a few years ago."
"A flood?" said David.
"It was a bad one. It dug up all the
land along the banks. There were
fence posts and old tractor tires float-
ing in the water, a lot of things.
People's furniture, dead farm animals,
some of the cottages were ripped up
completely. People had to sell what
was left and move away. I haven't
been swimming since, nobody has."
After another small climb, they
reached the top of the hill. David saw
what it was she wanted to show him.
It was a boneyard-a small cemetery
that had been in disuse for several
years. Many of the graves were
ragged , the weeds were overgrown
and some of the stones were on their
backs . In the tall grass a cricket sang
its usual night song. They saw lights
from the refineries and distant towns.
Wendy guided him slowly through
the shadows, her hands were dry and
calm. They brushed old leaves from
tombstones and read the names out
loud: Grace, McMicheal, Owens,
Mirlano.
"Sometimes I come here alone at
night," explained Wendy. "I look
through the graves with a flashlight
and wonder about the peoples liveshow they looked, what they remembered, if they loved their kids, all
that,
I feel a little out of place you
know, like I was meant to live some
other time , I stand by the tombstones
and think about the bones beneath
me.
David was quiet, ""atching the ex~
pression on Wendy's face. She pulled
him down to a grassy spot where the
moonlight came through the leaves of
a cypress tree.
"How did you come to this place?"
David didn't answer. He pushed her
back to the moist ground and guided
his hand over the curve of her belly.
The sound of the dancer's feet were
loud in Wendy's ear.
"How did you come to this place?"
"I heard there might be work," he
said . ''I'm looking for work."
"What do you do? What kind of
work?"
"I work in the oil fields," he said.
''I'm a roustabout."
"What's that mean? What's a
'roustabout'?"
''I'm the low man - the gopher.
connect the pipes that dig the wells,
carry the heavy chains. Anything the
toolpusher says , 1 do."
She asked him if he liked it, though
she already knew the answer . She
thought by the way he spoke he was
much older than he seemed. He was
confident, worldly, she admired that.
''I'll be twenty-one in August," he
said. "But I've been away from home
for almost six years. My mother
threw me out."
"What for7" she asked. "Why did
she do that?"
"We never got along at all 1 guess.
Not really. One day we had a fight. 1
said some things I should never of
said. She screamed for me to get the
hell out of there, so I did."
For a long time they lay watching
the stars and listening to the wind
blow through the graves. When he
reached over and placed his hand beneath her cotton dress, the dancer
started up. It's steps were loud and
erratic, and Wendy thought surely
David could hear them.
But David was not there. Uke all
the boys before him, he was some_
where else ,
By Keith David Eisner
Yes, they cut down the flowers in the
outfield and the flowers grow again;
a miracle under our feet everygame,
everyday; and the power that grows
in the green grass grows in you.
Yes, the infield rests with power; on
the clean dirt and over the basepaths,
the air is sweet vibrancy. The infield
rests like God. It is a grace and that
grace rests in you.
You are tender and soft and kind and
warm and hard when you need to be
and this has nothing to do with the
baseball poem but it's true.
Down below us on the field - the real
field with sunlight and clouds and
warmth on the wet grass and the little
flowers that have escaped the mower
and the breathless infield-down
below us on the field dying bodies are
dressed in bright colors; close your
eyes almost shut and they merge with
the grass, the bodies leap out of the
grass like birds like dreams without
names or regret-it touches my heart
-it takes me away from sorrow, and
this, too, is you.
r
r
I
We sing the anthem and the game
begins and I am amazed at your kisses
that are as direct as line drIves. You
stretch 'singles into babies, you bang
the doubles into the alley, triples off
the waU. And then as delicate as
breath, you place the bunt where no
man can reach it.
Out in the field you know what to do
with the mean hit, the low drive, the
ball over your head. Your glove is
new and oiled and old and true .
And now you hit the ball so hard and
so high and so deep that it leaves all
gloves, strategies, fences, parks, cities,
shadows and gravities. "It will fly, fly
away!" Everything is changed. No
body moves except the one mdn
rounding the bases. And that man is
nl(: <,I,lggpred with jov
running and
rUnnll1t; ,.111(\ rUllning around the bases
as long as I live .
HOLLAND BLUE
By Allison C. Green
smooth the edges of this cracked and
broken bottle
as you smoothed and soothed the
jagged blue chips of china
My father told me, once this island
was not of saints
but when the saints rose
their robes were woven browt;l
and soil
and they spun the holland blue
in their earth hands
it shone like the polished bones of
their fingers
'
blue saucers
spun and sung through the air
great discs of holland blue
spinning and spinning
and everywhere a blue confetti
that now
the celebration would begin
My wide blue eyes
saw the saints dip in the ocean
swells
and still the polished
smooth
stones
of holland blue,
washed over by tides,
lie glass-faced up
with the round brown bottle
stones
and· the green glass bottle
stones
and some clear violet bottle
stones
once they were the crust of this
platter island
now the shiny steppingstones
of saints
all cloaked in
holland blue .
• •••• J
THE DANCER
By Donald Nitchie
She could have been a good ball
player. I should know because I'm not.
Sometimes what is clumsy intrudes
like offensive words, pick-up games
we played for keeps, fouls that left
me bruised and stiff for days after-
0
wards. And then sometimes the world
is a back-court play. Men on the make
don't hesitate, but move right in
their own glad graces: Frazier
greased angelic down the center
like a beautiful lie I learn to love
to believe. The truth is not always so seductive. All I know is,
music tumbling through the hall,
we move to do just one thing
well . She moved because she didn't
care, though I could never prove it.
DUST IN THE CORNER
By Carrie Gevirtz
From behind thf> book · he reads a
sentence or so and then pauses. He
holds the tattered pages in one hand
and strokes his face with the other.
But the words fade . The anger that
builds in the blurred letters is sparked
by the dust in the corner near the
stereo speaker. He had only vacuumed
yesterday and he must have missed
that spot. He rubs his cheek firmer
now a~ if the friction would clean the
dust from the comer . But the dust
takes him to the women.
The women aren't clean like
vacuumed floors. Especially the
young ones. They have fantastic
energy and enthusiasm for life. They
don't have to worry about dirt in the
comers. Why can't he have complete
control over them? W.hy should they ·
have the freedom to go around with
whomever they please? He wants
them all to himself in a secret way.
None of them can know about the
as the pages in his b ook. They fall
out with abuse. He tries to bring himself back to his book, the words. But
they blur without his full attention.
And with half-attention he grabs
words here and there that inspi re
thoughts.
Now he compares his constant
woman with the enigma. They are
both vivacious. They both s tand
strong with what they think. But does
the enigma really ' think original
thoughts? Or does she latch onto
ideas that walk into her life? She
doesn't seem very trustworthy. He
remembers the project that they all
worked on. She seemed at the beginning to be a drifter, and then to be
struggling to be consistent. She listened with wide ears. And he loved it
when people listened and treasured
the words that he spoke. He' felt that
he knew how to use words more se ri ously than most. He likes to be a sage
to people. They always swoo n at
him . He's used to it and he thinks he
deserves the speciality . And he isn't
afraid to argue hi s insights into truth .
Arguing . Ah, yes. The conflict between the thoroughly youthful. starryeyed woman and his normal woman.
The sensitivity in the mystery is
wrong to begin with . It doesn 't seem
real. But then it goes further. The
enigma falls at hit; arguing as if he,
and only he, knows what is right. He
likes to think that the world , life has
order like that. It's like the dust in
the corner: if he'd been as orderly as
he could be , the dust wouldn 't be
there . Although the du st and th e
vacuuming are different. He wasn 't
vacuuming alone . Again he delved
into another aspect of youth: th e ten
year old thelt boredly helped him
cleanse the rugs . She reminds him of
his time that runs o ut. It runs elnd he
chases. He is exhausted and flops
deeper into the chair, losing his lo ng
limbs to the leather .
These thoughts are o ut of control.
The women that motivate him aren 't
normal. How could they be normal?
Maybe if they were like his first lov e.
If he could be oblivi ous like he was
with his first love. But the woman
herself brought th at on . They have
the power when he gives it to them.
And he gives it to them when he
can't see the pocket they keep th p
others. They won't confuse him because he will have the power to
demolish confusion. He will keep
their lives clean. They won ' t have to
run for shelter when th ey make mistakes with other men. There won ' t be
other men. And he will have them in
unfrightening amounts.
All the women are young. His flings
with youth, as the psychologist says.
Yes, and he is growing out of it
rapidly. But the current ex trav agances
that grow in his mind make him hope
that he won't grow too mature for
this type of satisfying lust. It 's the
kind of lust that makes masturbation
exciting; the dreamy unclarity .
But she's coming for dinner tonight .
He feels protective toward her even
though he never has anything to say
to her. But she will get broken soon
and he can't stand th e thought of her
spi lling out, bloody , on someone
else's sheet s or the cold sidewalk. This
picture makes him scra tch the bumbly
skin under his chin that got abrasive
and itchy from shaving . His nails
move in quick , circular strok es th a t
relieve th e peeling sensation and release his anxiety toward the destroying of this young woman.
The motion slows. He sees the
color of her hair in the streaming sunlight o n the pile of dust . It falls just
short of her neck and he imagines
nuzzling her untouched skin with his
freshly shaved cheeks. And he can't
let go. He can't speak either. Her enthusiasm melts into naivete and he
sta ys buried in her soft, floating hair.
S h ou ld h e even fantasize about
seduci ng thIS young woman? Or is
that get ting sick?
It's n(lt only the hair, but the close
way th a t she looks at him . The sun
on his shoulders reminds him of her
breath as she tells him about the
existential novel. His head lifts higher
than the book and he realizes that his
knowledge is superior to her beauty.
Maybe he shou ld just leave her as a
physical enigma.
The my~I~'1 y in thi~ woman ' ~ n<.llvete
pull s him toward her. It '., hard to tell
is she\ as innocent as she ,lppears. He
sec!'> hi s l'gll <1<' if it w\'rl' as se nsitive
power in. Those women are sly. They
aren't to be trusted. Instead he should
let th em p lay their moody, passionate
games and take from them only what
is offered.
The dirt and the women. Where
had the book gone? The dirty women
and their power over him to stop him
from reading; his real passion.
When would he take control of
himself anyway? This addiction to
... women was go ing o n too long. They
walk into his mind and he can't find
a place for them to exit. They are
poison. And ye t, laying in the arms
()~ one that has become comfortable
makes the uneven fut ure roll instead
of jag int o hi s mind.
W hy did he invite her over to dinner tonight? He is tired of people and
boosting him self up to their levels. He
is exha usted and no matter how much
sleep he ge ts he still feels tired .
The ex haustion comes from trying
to contro l the women. He tries to
organize them in his mind but he falls
off th e tra ck into a sed uctive fantasy.
Again , why is she coming for
dinner? She is much more exciting in
a bank line than for a few hours at
hi s h<..)me . And the ot her woman will
be there . They wi ll walk on each
oth er and touch, nuzzling like cats.
But the y hate each other. And he
wi II ha ve to wa tch, humorously.
What else can he do? He could just
leave th em a lone to be kitties. He
eith er gets a ll or none. The one will
wa lk on the. other. And he will have
to sweep up their messes like the
dust. That goddamned dust. Why did
he mi ss it?
He s tand s up, lanky and long
again . The women fall to the bottom
of hi~ pockets and he feels the weight
around his groin . He walks over to
the du st with his arms still in the air,
stretching, alm ost hurting. And he
bends down very stiffly. The stiffness
reminds him of the many hours that
he spends in chairs behind books .
The dust won't sit in his hand . It
sprinkles ont ( the clean rug like the
yo un g \-" o men when they leave his
h nLl~l' c.l ft e r d inn er.
•
HAIKU
TOO MANY WINDOWS
By Kate Crowe
By Cara Bryan
Spelling comes breaking,
Through syllogisms of windows,
We are partners,
While dark dumps its load,
The pain has not arrived,
He wants to cry with me. . but
beneath the sparrow
the tombstone faces the wind
and forgets to cry
Doggie on the stairs
Doggie on the stairs
I fought with old bones
Skirting his beard
Be good chocolate
For Christmas sake .
My only black suit
Will remember his face
On town sidewalks
My brain would chill
To cellophane
Seeing him
In Winthrop town .
the summer suns died
the autumn rusted and bled
and the snows blew dark
Never will happen.
Never will happen.
Black trains move through blue .. ..
Why can't we?
We murmured and murdered
In the Paris bordello
Saucey spoons of us
In mid-morning gravity ..
Straw earrings on male sheets
Snoring, snowing and pink
A slit of satin.
Pillows off to sacredness
V\'hy can 't we sneeze capers?
Snickers do last in that booth
I caught envelopes there last week
A fever of fools
Took forever , then croaked.
the lover's heart sighed
and like the drizzle of rain
chilled each heart that heard
a harvest moon dripped
slivers of diamond crystals
through the nights dark cloak
Mirrors do hold
Mirrors do hold
Smells of smallness
entered his mind
He loved her anyway
Underwear picnicing
Through Thanksgiving minds
Prayers imploding
In those shoes
Wickedness Whistles I
So fly it!
Take the big ride to
Moo-train madness
The farm loved rock and roll
Potatoes out back
Trucks held up front . . rumbling
the fl ower petal
lay torn in the statue's hand
the wind looked away
Through basement windows
We stacked piles of purple / black pieces
Monsters from below
Big thick chunks of meanness
Thundering amid
Sock-stink smells of
Grandpas relievings.
Grandma canned cherries,
For March wind screams.
l1ucket it up!
Bucket it up!
I like the color ,
You can't go wrong with relivings,
So rumbles are nice!
Knock me some cabbage
Over here!
And some beer goddamnit!
I'm German this afternoon,
Come groan with me
Summer memories
My birthday was the ocean
and kelp didn't die in her
die in her .
Come .. . Lome .
Make smirks by me
The moon might roll
Into our mouths
Someplace in motel gristle
Our love will glisten
Neon trains .
Pulsing toward Jupiter
Whirly-o's of domination
Flying left corners
Hearaches braked by engineers
Pulling love through the
Cell-block guts of tomorrow
You can't spank me tonight
You can't
Maturity lies hidden
B~hind TV's and .. .
The waves are too high
Slapping,. slapping
Against the glass, .. .
I could break!
I could break!
The house has too many windows .. .
Too many windows ...
To gather the dark
From our true true minds.
11
...
,.
.~J
PASCAL WAGERS AT THE lWO-MILE
HOUSE ON A WEDNESDAY NIGHT
By Steve Hunter
Rutabaga-Rutabaga
Bromo-Seltzer Bromo-Selt zer
Dice
The Dice!
Probability
in coatlinings and carriage rides,
triple pot winners:
Buy the House a Round!
Buck-toothed and lard-asses Gracie ,
I love you and our incantatio ns
over the dice table .
Rutabaga-Rutabaga
Animal Pleasures Animal Pleasures
We become more than the sum of our parts .
Oh, can't we buy a thrill Gracie?
Can't We?
HARBOR STORM
By III/ill Tli lI SS is.
When the air st<lrts tu move
They SWJY sof tl y
Tethered to baybottnm
Riggin g pi cked d eem
Tlwn with the blow in g . the blowing ,
Like star tl ed horses th ey fight their leads
Lifting and dancing , pulling a nd plunging ,
Ti l th e shroud song becPll1es a cry , a wail,
And they keen o la III 0 la lu
They are ch ildren in a crowd
Only hand on mother's hem
To keep from drifting , lost
In knees and boots and hips.
And S ll surel y comes the fe ;) r . that they loose their grip
And they weep , dnd weep ing fills the day,
And they keen 0 la lu 0 la lu
.
12
And one, in middle , weakens and she cries:
"I am weary, ! cannot hold! " bursts free
And she spins like a leaf in swift rivers
And she whirls, and she soa rs until caught
By the reef she is eaten
Chewed and spi t, chewed and spit
And bits co me back to rub the others,
And they keen o la lu 0 la lu
Jennifer E. Knauth
13
I,
Peter Mumford
14
1
.
.
II II
,
"
le nnifer E. Knauth
knnifer E. Knaut l ,
Petrina Lynn Walker
"Madame Butterfly"
19
BLITHERING SLIGHTS
By Curt Marsden
Brian Wi lll amsl)n
20
1901- I have just returned from
completing the registration procedures
at Earnshaw Community College. If it
were not for the fact that I have already invested my savings in the purchase of my tuition, I would not be
bothered with the place! When leaving from just beyond the moors, I
dreamed of arriving at a place which
would tantalize my senses with unceasing newness. Instead, I arrived at
Earnshaw Campus-a dreary place
devoid of anything stimulating, (>ither
physically or intellectually. The
Earnshaw Building itself is unusually
small for college use. It is well structured, however, as it must need to
be, imagining the moor winds billowing upon this area in times of storm.
The stone foundation and reinforcement beams projecting throughout the
primarily cedar construction supercede their intended purpose and tend
to significantly <;:ontribute to the air
of oppression. The situation was not
improved upon at my first confrontation with Professor Heathencliff. An
odd man, his eyes are almost completely concealed beneath bushy, unkempt eyebrows. In addition, he went
as far as to pick his nose just to avoid
shaking my hand.
"Prof. Heathencliff?" I said.
A blank expression was the answer.
"I am to be a new student hert: at
Earnshaw Community College. This
is my first opportunity to complete
my registration requirements, and my
first chance to meet you, my new
professor. I heard yesterday that you
would be available tor acquaintance
today at the Academic Orientation
Fair-"
"I am the head professor here at
Earnshaw Community College, sir,
and I do not wish to be inconvenienced by any damn freshman, but if
it must be-enter my office!"
The "enter my office" was uttered
with a scowling, twitching upper lip
which consequently exposed an array
of rotting yellow teeth and gray lifeless gum tissue .
We walked up a set of cold, dark
stairs.
'What is this cold, dark feeling I
experience as I walk up these cold,
dark stairs?" I ejaculated.
"Perhaps it is caused by the fact
that old man Earnshaw (the original
dean here) died on the spot, practically where you stand now, Mr.
Balsawood." He read my name tag
with beady, soulless eyes, for he did
not know my name, and Mr . Balsawood is what it is and is what is
written down there.
"How did he die?" was my inquiry.
"You ask annoying questions,"
hissed the dark, ape-like devil, "and
if I was to hear that you are not a
paying student and consequently a
contributor to my salary, I should be
inclined to shove your long, zitty
nose in an electric pencil sharpener
until it was reduced to a chewed,
bloody piece of offal." (We did not
have electric pencil sharpeners in 1901
or did we use the term, "zit," but
Prof. Heathencliff was ahead of his
time, as I was destined to discover.)
We entered his office, and there
was a pacified old dunce sitting near
the large desk.
.
"This is Jowlsuff, my assistant,"
snorted the villain.
"Zo, y'is anuuderwan uv doze
vvrezsamin dat de pruffessa iz
alaways coisin' aboit!" babbled the
old dunce . Don't ask me what he
said, because I certainly did not
know!
"What is that you wished to confer
about?" belched Heathencliff.
"Well, I am not exactly sure!" I
ejaculated, "I was hoping you would
be in the position of offering me information that I might find useful in
preparation of your classl"
"Ass," he wheez(>o, "I have no inclination to 'indulge your sophomoric
endeavors. "
"Sophomoric? But I am a freshman, sir.
.
"Get out!"
"Blugmuknasoodal" said Jowlsuff.
I got the hint, and quitted the
room. In fact, I quitted. the whole
building, and the campus too, but it
was my initial inclination to assume
you would derive these points. I returned to my dormitory, nearly two
miles away.
'"
Upon my arrival to my room, I
settled down to examine my new
books for my classes. Many of them
were, in fact, not new but used copies
(which were cheaper than the unused
equivalents). Inside of one of the
more ancient volumes was written the
name Kinky Earnshaw. A little ways
underneath it was also written Kinky
Lintbasket. I was unmoved and tired .
Then, at the back, I found an amusing cartoon drawing of Jowlsuff. Suddenly, I was obsessively interested in
Kinky . I thumbed through the book ,
examining all possible doodles in the
margins until I collapsed in a restless
sleep . (I even forgot to brush my
teeth.)
It was then that my mind floated
into a bizarre nightmare . I heard a
scraping at the window and was
startled to see a young lass in a ponytail, cashmere sweater, poodle-skirt,
and bobby-socks with color-coordinated pom-poms . She was strange,
even ghostly-looking . I could not
comprehend her clothing, since none
of these things were due to be in style
for another fifty years . I grew quite
frightened of her, and opened up my
windo,w to shoo her away. This did
not work, and I proceeded to violently rub her mascara into an unsightly
mess. She did not budge, but instead
met my eyes with an unceasing gaze
of demonic want!
I screamed and awoke to discover
the noise was being caused by a
swaying branch just outside my pane'
I was not able to return to a state of
unconsciousness again that evening.
I was aroused by ' a maid lettmg
herself in to clean my room .
"Excuse me, Mr. Balsawood! " said
the old hag, "I did not realize . you
had arrived as yet!"
"It does not matter, old-weatherbeaten-one, I compel you to commence your activities." I retorted .
Soon, I was seized by a desire to
question this wench.
"What is your name?"
"They call me Smelly, "
"Are you or were you ever familiar
with a girl named Kinky?"
"Miss Earnshaw? -oh, I mean Mrs.
Lintbasket?"
"Why yes, I suppose. I had a
terrible dream last night, in which I
think she was present."
Uh, I wish you had not told me
that! I don't like to hear of such
things. I"
"What?" I ejaculated.
21
"Mrs . Lintbasket is long since
dead-at least physically. I have been
an attendant of the area for many
years, and it would be difficult to
relate her story without going indepth."
.
"I am interested in hearing it," and
I walked over to wake my roommate,
who was unusually still in his bed .
He was dead.
"Too bad penicillin hasn't been invented yet." said Smelly.
The carrion was removed from the
room by some cooperative members
of the maintenance office. I was not
too alarmed, I hadn't got a chance to
know my roommate, and people die
a lot in this story.
"Please, Smelly, tell me about the
Earnshaws," I reiterated.
"Certainly, although it goes beyond
merely the Earnshaws!"
She commenced.
The year was 1869, and a young
girl named Kinky Earnshaw was one
of the first students to enroll at her
father's newly established Community
College; in fact, she was the only student disregarding her brother, Spindley Earnshaw.
One morning (it was a Saturday,
and there were no classes) Master
Earnshaw, the self-appointed dean
announced he would be taking a trip
to Liverpool in order to recruit some
students for the college. He did, however, leave his children with the
assignment of reading Burrough's
Tarzan of the Apes, which was
strange, considering it was not due to
be published until 1914.
Master Earnshaw did not return
until late Sunday evening. With him
he dragged a bound and gagged
youth.
"It was quite a job bringing in this
loutl You thinkhe would have happy
thoughts regarding a pending college
education," he expelled.
The youth was freed and stood up.
He started yelling curses in a foreign
language .
"I did not realize he was foreign!"
cried the Master, "I suppose I might
have guessed at his dark complexion
and Algerian headgear. Oh well, 1
presume he shall be our first foreignexchange student!"
To avoid problems concerning the
unwilling youth, Master Earnshaw
chose to grant him a tuition scholarship for the year. Also, having no
regard for the boy's native tongue,
the master created a name for him:
Heathencliff. In an unfortunate accident shortly thereafter, Spindley unavoidably dropped a large slab of
granite on his head. Upon his recovery, he didn't seem to recall any
of his memories, and any desire to
return to his native land had subsided.
The three students studied diligently and learned quickly. Master
Earnshaw spent extra time with
Heathencliff due to his deficiency in
the English language . Spindley Earnshaw resented this, as he had resented
Heathencliff's pretense from the beginning. And, although Kinky's initial
instinct was to also resent Heathencliff, she grew attached to him. As
the second year approached, and
Heathencliff had no scholarship to
lean on, Miss Kinky found it stimulating to help him with his expenses
from out of her own savings. Soon
after this, Heathencliff discovered
some small but valuable gems among
his original clothing. So, for a time,
he and Kinky basted in each other's
mutual wealth .
Finally, the second year came to
pass . That spring, Master Earnshaw
died. Spindley Earnshaw appointed
himself the new dean of the Earnshaw
Community College, despite the fact
he had only had two years of unorthodoxed post-secondary education.
Aware that she could not learn anything from Spindley, Kinky transferred to the nearby Thrushcross
University. I, as her pers,o nal maid
went with her. Heathencliff was
unable to pass the admittance examination to TU, and was forced to
remain at Earnshaw College, hoping
to gain proficiency in the English
language.
Thrushcross U was a new experience for my lady and I. Kinky was
befriended by the institution's president and his wife, Mr. and Mrs. Lintbasket. They were very nice, and had
a fine accumulation of material
wealth, but died. They had a son and
daughter both enrolled at TU; Vulgar
Lintbasket and his sister, IIIizabitch
Lintbasket. All of them being fine and
preppy, the three young Republicans
grew fond of each other and talks
concerning money.
Heathencliff came to visit often,
but it was apparent on each subsequent appearance that his finances
were quickly depleting. I guessed that
Spindley must be draining him quite
thoroughly, considering HeathencliH
was the only student, and was the
only person putting any money into
the place.
Two more years passed . Both
Vulgar and Kinky graduated. They
coincidentally were voted most-Iikelyto-remain-wealthy . The night following the graduation ceremony, Kinky
came to me.
"Smelly!" she ejaculated with a
nervous flutter in her voice, "Vulgar
has asked me to marry him! I love
him very much and I have accepted!"
"What about his money?"
"Of course he has admirable funds
at his disposal!"
"I realize he has been receiving a
monthly supply of money since his
parents have died, but isn't it true
that a final settlement of the estate
will take place only after IlIizabitch
has graduated also?"
"It is a provision in the will. but I
am not worried for our material comfort!" cried my companion.
"What about - Heathencliff?"
"Heathencliff?! I could not marry
Heathencliff now, for that would degrade ,me! 1 realize it has always been
Heathencliff who was first to share
his wealth with me, but as you know,
his funds are depleting!"
It was storming outside, but 1
clearly saw Heathencliff running
away from the complex, out into the
dark. He must have been listening in
on our conversation. I was startled,
but said nothing to Kinky.
"Smelly," continued Kinky, "1 had
a dream the other night. I dreamed I
was in heaven, but it was full of poor
people! I did not belong! Finally, the
angels grew so disgusted with my
love of material wealth, that they cast
me out! Down' I fell and I lit upon
Earnshaw Campus. I awoke and I
wept for joy, for I was once again
among tho,,"E' ih'ms of luxury which
meant so much. HeathencliH understands this too, for we both relate to
comfort in the same way, and have
enjoyed spending money together.
Smelly, I am Heathencliffl We will
always belong together, in the hallowed halls of Earnshaw Community
College, impractical and lasciviously
decorated! "
Despite 'the fact it made no sense to
me, Kinky became Mrs. Vulgar Lintbasket. Heathencliff had vanished!
That following spring, Illizabitch
graduated. What a shock it was to
find that 95 % of the estate had been
left to her! The explanation given by
the deceased parents was that they
felt Vulgar, being a man, was capable
of creating his own fortune, and that
IlIizabitch was indeed such a bitch,
no man would ever marry her and
support her. What an incomprehensible tragedy! Vulgar and Kinky had
a true love , but what can that buy?
They were virtually penniless! I took
a position back at the Earnshaw
campus .
Years passed . But ' the day came
that Heathencliff returned! With him
he brought a horse , Minny. Heathencliff was still a pauper , but did not
suffer lack of "pleasures of the flesh" .
as he admitted to being an avid practitioner of beastiality.
The brute 's return upset Kinky
greatly , for I overheard one of their
conversations at the Earnshaw Col lege .
"Come with me , Kinky ," moaned
the devil. "apart , we have nothing,
but together , with our combined
ingenuity , we could gain and create a
fortune of material treasure! "
"No , Heathencliff , for I am married
to Vulgar! " sobbed his ejaculating
companion , " I did not wait and
marry you , I know , so punish me, if
you must! "
"I will punish you, bitch, " he retorted , "I will marry Illizabitch , for
such is her desire . And I will spend
her money , and each time 1 hold the
bills and coins in my hand , 1 will
imagine them to be ours! "
I knew as well as they did that
material wealth gained through such
a marriage would be ultimately hollow to . Heathencliff , for he would
not be sharing it with the women
who loved it as he did. Only Kinky
could brin g any meaning to Li ~
wealth, not llliza bitch .
Nevertheless, IlIi za bitch and Heathencliff married, and with her fund s,
they bought the Earnshaw College
and its campus from Spindley, who
had hardly any money left , and died
anyway.
The college declined, for it meant
nothing to Heathencliff without
Kinky . The day came when Kinky,
like just about everyone else, died.
She had a cold, or something to that
effect. And I do remember Heathencliffs words!
"I do not pray at your death,
Kinky , for you are not one to go to
heaven! Once there, you would no
longer have the chance to enjoy
wealth! You would never again see
the shine of pure gold, or the curvature of fine, carved crystal! You must
wait for me, Kinky, for it is only I
who would be willing to share my
material wealth from beyond the
grave! This is my college, Kinkyl Let
the other fools go to heaven, but let
us stay here and own foreverl"
Since that day, Heathencliff has
led a lonely life , After his wife, Illizabitch died, Heathencliff went back to
school and gained the proficiency to
become a professor. This has done
little to enhance his hollow life,
however .
At that moment, Jowlsuff burst
forth into the room. Smelly was
startled .
"Mr . Baaliofheyb kifjjry jh j ieudn
hi y lopon! JoPP se d'jiounbbgtu
yoiishegvbyr . 1 waathdcedd za tim
lop din a hootl" blubbered the fool.
"I understand!" exclaimed Smelly,
"Mr. Balsawood, it seems that Heathencliff is dead! Jowlsuff found him in
the vault, counting money, with a
young lady at his side, - but at a
's econd glance, the lady had disappeared , and Heathencliff was not
active , but dead! Don't you see, Mr.
Balsawood? HeathencliH and Kinky
have just begun to live! Heathencliff
isn 't really dead, and neither is Kinky!
Their <;pirits will continue, in blissl"
1 left the college, trying to figure
::l ut what the hell all that crap was
about , and trying to decide if I really
cared. I came to the conclusion that I
had been using too much marijuana,
and have been an avid user of cocaine
ever since.
•
,v
IN THE MARGINS
A TRUE BASEBALL STORY
By Geoff Kirk
By Steve Hunter
.. A Blackball and a Beanball" hollered
G. MulHalland, my sixth-grade teacher
balding unto death
from behind homeplate,
Which he managed shortly thereafter,
but not before
he sold me his swell '62 aids
with electric antenna and six-way seats
in which I tried inexhaustibly to diddle
Jenny P,
became practiced in the art of skipping school
and accustomed to Winstons.
As Dougie Dew,
president of our class,
reclasped his hands frustraneously
'round the base of his bat
hoping he didn't blow it in the clutch.
Dougie was breeding cats in his spare time ,
personally, with an eye-dropper,
(l never did understand why he couldn't
hang on to a bat better considering
his interests outside of baseball.)
IJougie swung,
with the furor made infamous
by rumors of his dick-fights
with Jim Swenson
in the bushes of Scout-O-Ramas,
and missed.
Dougie swung .. . and missed .. .
and let go of the frustraneously held bat
wielded in rumorous turor
striking my then balding, soon to be dead
sixth-grade teacher and ump
on the left ankle,
to which he responded by chasing Dougiewho being no one's fooL
was already running like hellthrough right field
to the diamond at the other end of the playground .
24
A great artist died last week . As is
the case with many, he was alone,
and in poverty . Many of , the details
of his life would have forever remained unknown except for the
patronage of his brother." This paper
will discuss the man and his art on
two levels, the level of an art critic,
in which lengthy prose with lots of
visual words will · be used, and the
level of the biographer, in which
under the cover of a shield of objectivity, a series of rendering melodramatic interludes will be explored
for the purpose of finding the "cause"
of his art.
We shall never know exactly when
he first began to draw, the first
records begin in the later junior high
school years . Before that he passed
through most of the "normal" stages
of development . Birth , childhood in
the Midwest. Suburban aluminum- '
sided houses were among his first
sights. Those who knew him remember an ordinary-looking boy with a
passion for reading. He can be safely
imagined walking home from school
staring with probing eyes at the
scenes which would one day form the
basis of his art.
Looking at his first draWings now,
they still seem as fresh as when he
first scrawled them in the margin of
his notebook during some boring
biology lecture. Already his distinctive sty\(' is present although his
subject matter is still limited to
doodles. The curling lines and jutting
angles speak to one across the barriers
of time and space. The lines are bold
..md debnik , with subtle shadings and
nuances that tell of the talent to
come. Thl'y pn""ess the intensity that
was t(l h 'come a trademark.
A" I~ commonly known today, he
r lInted nothing and scorned m~dern
drt to the point of never using artists'
pencils or paper. Yel his legacy (a
total in excess of 1000) will forever be
linked with thl' nnteb()()ks of eternity " All nt hi s work is untitled and
mu ch i... /I'rl'ver Ill,,!. About 75% of
t Ill' pill ( .... III rll ...... (·... :, llIll hd Vl' been
l<l l a l ()~l'd ,tnd it i" hdbitual to refer to
thelll by nllllliwi Numbl.' r 321 5 is
tl t;I'. " I " , \I : '"
t~ I( ' ,I : IH '(\ lI11prl·""\lln i"ti e, ('(\11 :, 1111 It 1.1nd ... , . q l( · ... . '1" ::1\ Helds
of grass flow into the distance, breaking on a peasant's house. Trees bend
and twist in the unseen breeze and
whispy clouds float in the sky. Beginning with abstracted scrawls and
moving into the now well-known
landscapes, small twisted trees, tiny
houses and people, vast miniature
panoramas, covering no more than
inches in space yet encompassing
acres of land and infinite vistas of
human experience, that ebb and flow
on the consciousness of the reader,
his total output boggles the mind.
Never popular in school, he was
now openly scorned. An incident
occurred with a neighbor girl, and
while the details are sketchy it is
known that she rejected him. He
never recovered.
In spite of the personal depression,
it was here that his art matured.
Everyday his margin was filled with a
new masterpiece . His work turned
maniacal. Trees which bebre curled
gently now were bent and broken.
His skies, formerly so gentle and containing only a few puffy clouds now
became filled with black evil lumps
that loom over the charred tree
stumps and houses. One of his last
drawings was recently found. An
immense· work depicting a school of
fish with a bearded devil in the
center.
After high school the outpouring
abruptly ceased as he began to work
in a department store. His brother
secretly planned a small book of the
drawings but he never lived to see it
finished. Just two days before it was
to have been completed he drove
over the line and crashed into a highway wall. He made life here a little
bit more beautiful.
"Without whom's assistance this
paper would not be possible.
.. It is a pity
where he
the almost
SOO-person
ture.
he never reached college
could have experienced
tribal-like intensity of a
Business Dynamics lec-
.. Almost six inches across.
•
25
AGORAPHOBIA
GEITING TO SLEEP
tor Laura
By cristine c. gihnore
BI/ Bill Cravengood
1
A
tomato.
Ripe red flesh
bursting seedily
with each
downward
thrust.
2
Thick-nailed fingers
press firmly into my stomach.
These yellow nails seek
pelvic boneI dreamed last night: teeth
loosened, ready to fall.
My flesh gives like blanched
onion skin.
You trust. You don't trust. You trust.
Sweat (frozen) beads
across my back.
Is the window open 7
I would have gestured
through the filmy, muslin
but. ..
the brush
my shoulders,
shivering.
Relax.
Your skin is translucent, fruit.
The moon is digesting
all-Yet, I do not see a shadow.
I am here, at "the still point,"
world is turning.
I open my eyes and don't know
where to look.
3
They were slit, I remember,
as he pushed. Then open.
Slit. Open
as he breathed.
Fluorescent lights as they burn out.
He wanted breakfast.
Thick oatmeal, raisins.
He ate.
Oh, the smell-I pressed my cheeks high.
Clogged the sink.
The thistle creep, the flurry
of flesh along my backlike a hummingbird, a soft chemise.
So hard to deny,
ignore.
My hair, my skin ... his fingers
and the damp porcelain
dug to bone
again.
LAUDANUM
By Carol Tucker
Mama, 'member
we'd bring pillows out
on the porch
and sometimes you'd say
get the salt
when another slug
oozed onto a step.
You'd talk long about slugs
and about your brother.
Then we'd shadow tag
in the streetlight.
Those hulking Cotoneasters
by the porch
attracted cat piss
like the last long shadows
attracted moist dusk.
Lift up your thin gown again,
I've returned for your favorite game.
One will play the slow red summer,
one, the deep revenge of fall.
Draw the curtains back and watch;
our bright. sun falls over every thingover lawns and rooftops,
over the silent men that gather to work.
Over shoes, bedposts, blankets,
over the forests and oceans
that isolate this room.
Our own pasts are covered with light,
mothers and tat hers naked, mute .
If you remove your dark glasses
you will see our disfigurement
with your own eyes:
we are the shadows of hands and feet,
WE.' are the caretakers
ot a place long abandoned,
in league with a distance
we could never afford.
Listen :
there is no small mystery
for the confusion you feel,
look again at the black crown
between your thighs.
Another shadow.
Now we are half way home,
so close the sweat runs again
that was coated, minutes ago
o~er the length of your belly.
Take hold of me here.
Will you take hold of me here?
Polish this until we gleam,
we move toward something:
the heart ot your fragrance,
tht· heart of your fragrance.
SIGHT
By Carol E. Butler
women
when not in love
when without a man
suffer themselves insufferably
I want that pain of freedom
that torment of selfness
twenty-four hours a day and at night
too
when the moon smiles taunting
watching my bed and the
white sheets spread smooth
when the moon moves to see it all
but sees me instead
quiet breathing steady
I want the moon to know my dreams
of close elbows and touching faces
through resting eyelashes
on green and purple and blue pillows
that my\ hands have woven
with threads of cotton pain endless
27
...
A WOMAN AT THE LAUNDROMAT
THE FACE
By Carol E. Butler
By Evetree Tallman
A woman at the LaundromaJ
near the river which was meant to be
a diversion
and isn't
said, No, Adrian, shut up." and looked
at the clock instead of at the
little girl with a nun's name .
not the sound of a stick thin bored
mommie's helper
Everything kisses and burns.
There is light on the face
in blistering night, so cold
you could snap
but such wind and sweat you hang on
to the face, to ice and sharp stone.
In the night your face blisters
with cold. And everything burns,
everything kisses; you bend to the face
made of stone and you're cold,
beyond reach, and you're glad .
It is you who lights the face;
there is no other place
you'd rather be.
The woman's face never smiled
spirit weary eyeing the machine
then smoothing, folding, creasing
a man's shirts
clicking clogs say smartly "Adrian!
Get away from the door!"
On her face a visible absence of youth
in the heat moistened pores
above tightened lips bitten
while folding, folding
It seems this bitterness was with her
even in the beginning
to have gifted her daughter with so
forbidding a name
the lights on the machines go out
leaving her with boxes of folded
sadness
to be put away neatly at home
PEGASUS
By Nathan Jones
is a horse. One
riderless in a field
unfenced. His feast
is bee's plume and blue lupin:
the blossoms of the deer.
The stream of things, although
occasional and broken
comes from the undoing of ice,
comes from that hot breath
that steams the flanks
of Pegasus
as his tongue sweeps
in the crevice of salty stone.
You can see how
conversation here would be
meaningless,
how under the sun
even a horse in brightly flowered
meadows
must fly a flag of shadow .
(for Karen)
28
I
ROCKS
H.lI Michael Helms
Rocks are big
And rocks are hard
You sometimes find them
In your yard.
GOING HOME THIS CHRISTMAS?
i
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