The Cooper Point Journal Volume 4, Number 21 (March 11, 1976)

Item

Identifier

Eng cpj0113.pdf

Title

Eng The Cooper Point Journal Volume 4, Number 21 (March 11, 1976)

Date

11 March 1976

Evergreen Subject

Student Organizing and Activism

Food and Dining on Campus

Racial Justice

Media Studies/Arts

Curriculum

Description

Eng Pg 1: The Cooper Point Journal (front page): Orcas Captured in Budd Inlet (image: trapped orcas in net and trawler (by Evans);
Pg 1: (announcement) First International Orca Symposium;
Pg 1: Int. 315 Nuclear Safeguard Rally;
Pg 2: Letters: (image: SeaWorld cartoon (by Chupa));
Pg 2: Letters: From Red: 3 - Penny Lumber;
Pg 2: Letters: ...And Dick Gregory;
Pg 2: Letters policy;
Pg 2: Journal Staff Openings;
Pg 2: Classified Ads;
Pg 2: (advertisement) TESC Bookstore;
Pg 2: Staff credits;
Pg 3: A Disappearing Art: Frescos Flourish at Evergreen (images: two murals painted by Lucienne and Stephen Dimitroff);
Pg 3: Hassle-Free Houseplants (images: a Dumb Cane and a Spider Plant);
Pg 4: In Brief: SAGA/Bookstore to Pay Rent;
Pg 4: In Brief: New Dean Appoint. Monday;
Pg 4: In Brief: From Media;
Pg 4: In Brief: 'Midsummer' Auditions;
Pg 4: (advertisement) Dirty Dave's Gay 90's;
Pg 4: (advertisement) Morningside Industries Gift Shop;
Pg 4: (advertisement) Intitute for Creation Research (for free packet of literature on creationism);
Pg 4: (advertisement) Overlake Properties;
Pg 4: (advertisement) The Colony Inn Apartments;
Pg 4: (advertisement) Raudenbush Motor Supply;
Pg 5: the Demiurge (Volume 1 Number 3) Literary Supplement to the Journal (poems) (images: trees (by Krall));
Pg 6: the Demiurge (Volume 1 Number 3) Literary Supplement to the Journal (poems) (images: sketch of headless person (by Jeanne Ferron) and sketch of desk in office (by Chupa);
Pg 7: the Demiurge (Volume 1 Number 3) Literary Supplement to the Journal (poems and prose) (images: person pulling chair (by Ferron) and abstract lines (by Dan Owens));
Pg 7: the Demiurge contributors credits;
Pg 8: the Demiurge (Volume 1 Number 3) Literary Supplement to the Journal (poems and prose) (images: flowers sketch (by Barbara Sussman) and woman with leaves (by Ferron));
Pg 9: '...the student body prez...': S&A Board Exec. Sec.;
Pg 9: Greatest Hits: From One Extreme to Another;
Pg 9: (advertisement) Rainbow Deli;
Pg 9: (advertisement) Aaction Upholstery;
Pg 9: (advertisement) Olympia Sport Shop;
Pg 9: (advertisement) Copper Kettle Restaurant;
Pg 9: (advertisement) Evergreen Coins and Investments;
Pg 9: (advertisement) ELD Equipment;
Pg 9: (announcement) TESC Men's Center viewing and discussion panel of "Men's Lives";
Pg 9: (advertisement) Hendricks Rexall Drugs;
Pg 9: (advertisement) Peterson's Foodtown;
Pg 9: (advertisement) Olympia Greenhouses;
Pg 10: News From Career Planning/Placement;
Pg 10: Videodiscs-The Newest Medium;
Pg 10: Sounding Board Assess;
Pg 10: (advertisement) SeaMart Drug;
Pg 10: (advertisement) Rags' Internationl Hair Designers;
Pg 10: (advertisement) All Ways Travel Service;
Pg 10: (advertisement) KAOS Radio;
Pg 10: (advertisement) D-Stix;
Pg 10: (announcement) Save The Whales discussion;
Pg 11: Entertainment: general area listings (image: painted woman (by Buster);
Pg 11: Eating Out (continued on pg 12);
Pg 11: (advertisement) Farmers Insurance Company of Washington;
Pg 11: (advertisement) Word of Mouth Books;
Pg 11: (advertisement) South Sound National Bank;
Pg 12: Eating Out;
Pg 12: Re-doing TESC Communications;
Pg 12: (advertisement) TESC Housing Office

Creator

Eng Cameron, Bill

Eng Judd, David

Eng Speer, Rick

Eng Reber, Rori

Contributor

Eng Locke, Ti

Eng Stewart, Jill

Eng Milton, Curtis

Eng Dodge, John

Eng King, Doug

Eng Buster, Doug

Eng Gilbreath, Ford

Eng Meighan, Kathleen

Eng Gendreau, Joe

Eng Morawski, Joe

Eng Wright, Molly

Eng Norrgard, Lenore

Eng Cowger, Chris

Eng Groening, Matthew

Eng Shore, Stan

Eng Feyk, Jim

Eng Riddell, Catherine

Eng Lozzi, Craig

Eng Shelton-Mason County Journal

Eng Sperling, Matthew

Eng Rose, Shirley

Eng Sussman, Barbara

Eng Kaufman, Kim

Eng Imfeld, Teresa

Eng Butt, Cynthia K.

Eng Ferron, Jeanne

Eng Bloom, Shellie

Eng Foster, John S.

Eng G., Bruce

Eng Levenson, Marcia

Eng Pokorny, Brad

Eng Matthiessen, Constance

Eng Owens, Dan

Eng Shore, Stan

Eng Chupa, James

Subject

Eng Whale hunting

Eng Student protest

Eng Marine wildlife

Eng Nuclear power

Eng Lumber

Eng Restaurants

Eng Communications

Eng Fresco painting

Eng Murals

Eng Botany

Eng Houseplants

Eng Evolutionism

Eng Creationism

Eng Faculty appointments

Eng Evergreen curriculum

Eng Theater auditions

Eng Equipment loan

Eng Poetry

Eng Short stories

Eng Student government

Eng Art shows

Eng Videodiscs

Eng College funding

Eng Entertainment

Eng Goldsberry, Don

Eng Gregory, Mel

Eng McDade, Graham

Eng Bigg, Michael

Eng Magnuson, Warren

Eng Overland, Mark

Eng Evans, Daniel J.

Eng Gorton, Slade

Eng DeBus, Bemi

Eng Fairchild, Jill

Eng McQuillen, Mary

Eng Balcomb, Ken

Eng Tillman, Michael

Eng Gornall, Tag

Eng Newby, Terry

Eng Hillaire, Mary Ellen

Eng Mohney, Russ

Eng Delany, Stuart

Eng O'Donnell, Jim

Eng Hoyt, Erich

Eng Lynette, Bob

Eng McBride, D.

Eng Powell, J.

Eng Spong, Paul

Eng Hubbard, Richard

Eng Milne, Dave

Eng Beug, Ann

Eng Lauritzen, Peter

Eng Gregory, Dick

Eng Yost, Colleen

Eng Barnard, Bob

Eng Beck, Gordon

Eng Carlson,Craig

Eng Humphreys, Will

Eng Kormondy, Edward

Eng Harrison, Randy

Eng Dodge, John

Eng Imanaka, Dave

Eng Michelangelo Buonarroti, 1475-1564

Eng Leonardo, da Vinci, 1452-1519

Eng Dimitroff, Lucienne

Eng Dimitroff, Stephen

Eng Dimitroff, George

Eng Renoir, Auguste, 1841-1919

Eng Schillinger, Jerry

Eng Moss, John

Eng Stenberg, Larry

Eng Allen, Walker

Eng Hunter, Sally

Eng Wilhelm, Ken

Eng Davies, Chas

Eng White, Laurel

Eng Tsai, Andre

Eng Alm, Geof

Eng Palaia, Connie

Eng Ingram, Brent

Eng Norrgard, Lenore

Eng Clabaugh, Dean

Eng Jones, Rindetta

Eng Speer, Rick

Eng West, Mae, 1972-

Eng Fields, W. C. (William Claude), 1880-1946

Eng Bressieux, Jean-Pierre

Eng Kelbel, Peg

Eng Nichols, Dick

Eng Von Volkenburg, Don

Eng Thomas, Stone

Eng Moon, Louise

Eng Christie, Julie

Eng Bates, Alan

Eng Losey, Joseph

Eng Wells, H.G.

Eng Massey, Raymond

Eng Hardwicke, Cedric

Eng Mauro, Claudia

Eng Selkirk, Rennie

Eng Brown, Sid

Eng Bartlett, Jon

Eng Voss, Jane

Eng Laine, Cleo

Eng Dankworth, John

Eng Renoir, Jean, 1894-1979

Eng Bergman, Ingrid, 1915-1982

Eng Murphy, Joe

Eng Burton, Gary

Eng Greenpeace Foundation

Eng University of Washington

Eng U.S. Marine Fisheries Department

Eng Sea World

Eng American Cetacean Society

Eng SeaLibrary

Eng Moclips Cetological Society

Eng National Marine Fisheries

Eng Pacific Search

Eng Seattle Marine Aquarium

Eng Capitol Museum

Eng UBC Department of Anthropologies

Eng Pacific Killer Whale Foundation, B.C.

Eng General Electric Company

Eng Cooper Point Journal

Eng TESC Bookstore

Eng Dirty Dave's

Eng The Colony Inn Apartments

Eng Morningside Industries Gift Shop

Eng Raudenbush Motor Supply

Eng Rainbow Deli

Eng Aaction Upholstery

Eng Copper Kettle Restaurant

Eng Olympia Sport Shop

Eng Evergreen Coins and Investments

Eng ELD Equipment

Eng Olympia Greenhouses

Eng Petersons Foodtown

Eng Hendricks Rexall Drugs

Eng TESC Mens Center

Eng SeaMart Drug

Eng Rags' International Hair Designers

Eng KAOS Radio

Eng All Ways Travel Service

Eng D-Stix

Eng Farmers Insurance Company of Washington

Eng Word of Mouth Books

Eng South Sound National Bank

Eng TESC Housing Office

Eng TESC Gay Resource Center

Eng Jo Mama's

Eng Artichoke Mode

Eng Rib Eye Restaurant

Eng Institute for Creation Research

Eng Seattle University

Eng Arts Directory Committee of Allied Arts of Seattle

Eng Overlake Properties

Eng Big Bend Community College

Eng Sundance Expeditions

Eng Universal Pictures

Eng National Association of Broadcasters

Eng TESC Sounding Board

Eng ASH Coffeehaus

Eng TESC Center for Poetry in Performance

Eng Friday Night Films

Eng Applejam

Eng Vancouver B.C. Folk Club

Eng Sunny Side Folks Art Center

Eng Seattle Opera House

Eng Davis' Brown Derby

Eng Port Cafe

Eng Ranch Kitchen Restaurant

Eng Olympia Hotel

Language

Eng eng

Place

Eng Puget Sound (Wash.)

Eng Canada

Eng Budd Inlet (Wash.)

Eng San Diego (Calif.)

Eng Oregon

Eng Moses Lake (Wash.)

Eng Olympia (Wash.)

Eng Seattle (Wash.)

Eng Chehalis (Wash.)

Publisher

Eng The Evergreen State College Board of Publications and members of the Evergreen community

Extent

Eng 12 pages

Temporal Coverage

Eng 1976

extracted text

Orcas Captured in Budd Inlet
by LenNI' Norrgard,
Rad ica l Women and
Frt't'tinm Socia li st Party
. Rt'vt'rq' discriminatio n 7"
" Oppressed st rai g ht white
md It'~ ?"
These statements h ave been
b.lntered around camp us freljuently in the past few months ,
In reactio n to the demands for
r('presenta tion and adequa te cur ric ul um by oppressed gro ups on
umpu s. Those who make suc h
Q,1tem'ents are afraid of losin g
t heir privi lege as whites o r as
male, .
\ VI' TlWTl . ra cial a nd sexua l miIwrlt i.. , ,olnd the poor ha ve been
di,criminJted against t hro ughout
til(' hi st,)ry 1)1 America on every
le\'el: emplllYme nt. h ousing, po lIIICS
educ.1 tion . In th e struggle
fp r equ.l l treatment, an important
~.li n was w on : a tfirmative action
I,'r racia l 11lIr.ori ties an d women.
Attirmative action , in a broad
'en,e . mean< taking positive acI Il)n II' Cl'IT('ct the ineq uiti es of a
, \'«em that has been hi sto rically
r.KI,t and sex ist. 1I. Iore specific.,11\· .1tttrmatlve ac ti o n means

gov ernment requirements for
bo th govern me nt and private
b usi nes s agencies to ed ucat e,
train and hire racial minorities
a nd women.
Why d id women and racial
minorities figh t fo r the establish ment of these requirements? Beca use the best-payin g jobs were
monopolized by white ma les;
ed uca tional in stitutions turned
out primarily white male graduates for the job market.
Affirmative action serves to
spread o ut the ava ilable jobs and
training more equally so that
more women and racial minoriti es are educa ted and employed
in the job market. To accomplish
this balance , prefe rential treat ment of historically di scriminated
against wo rkers is required. " Reverse discrim in ation 7" Hardly!
White ma les are simply getting a
tas te of o ne of the fact s of life
for wo men and min o riti es in
cap it a li st soc iety : too man y
wo rke rs for too few jobs, an d
not enough room at the top .
Unfortunately , th ere are no af firm ati ve ac tion guidelines for
gay people at Evergreen, a nd

those for women and racial mi norities are o nly ru :es on paper
with no provisions for enforce ment. We hear nice chitchat
from th~ administration about
racial minorities, and now and
then about women, but the iss ue
of affirmative action for gays is
never mentioned . The affirmative
action for all oppressed groups is
mere tokenism .
Evergreen is not an isolat ed
co mmunity that overcomes the
problems of racism and sexism ,
regardless of the administration 's
ultra-liberal facade. The lack of
affirmative action at Evergreen is
only a reflection of the general
lack of enforceme nt in govern ment and business at large.
Affirmative action is an important gain on paper, but is
mea ningles s without enforceme nt . Affirmative ac tion for
wome n must include provision
for free , quality , 24 -hour child
care for it to be meaningful.
Women w ith children to care for
ca n't take advantage of affirmative ac ti on programs without
child care, and as long as women
have to pay for child ca re out of

their wages, there is no such
thing as equal pay . In order for
affirmative action to be meaningful , women and racial minorities
must join together in a struggle
for enforcement. Enforcement requires education in the community, unity based on mutual support , and oftentimes court battles.
Affirmative .action , if enforced,
wo uld help in exposing racism
for the irrational system that it
is . Affirmative action would help
expose sex ism as a way to get
two workers for the price of one
through the free labor of women
in the ho me . Spreading the jobs
o ut evenly and providing free
ch il d care for working mothers
could make the class lines clearer
to the more privileged white
male workers: the lines between
the working class and the ruling
cap it alist class.
It is this awareness, this revo lutionary potential that could be
unleashed , that the ruling class is
afraid of. This is why the capita li st class refuses to enforce affirmative action. The ruling class
knows better than anybody that

the way to keep the working
class down is to splinter and divide us, to keep women in the
home. Racism and sexism are
primary tools for accomplishing
this .
The Evergreen administration
is co nstantly telling the campus
community that "special interest
groups" (their name for oppressed
groups) only serve to "divide"
and "factionalize" the "community ." Through confusing the issue
of race and sex discrimination
with "t he good of the community," the administration is able to
giv e us, the doubly and triply
oppressed who arc the majority
on th is campus, token gestures
and get away wi th it.
In fact , it has always been the
work and struggles of the most
oppressed sectors of campus that
have bro ught the community together by seeking out the support
of the rest of the community.
"Reverse
d iscrimina tion 7"
"O ppr esse d
straight
white
males?" It' s time women and
racial minoriti es and all the discrimina ted against have equal
right s in a ll aspects of life, educat ion , training , and employment. We must organize and
str uggle for affirmative action
programs for all people who
have suffered discrimination in
this soc iety . Call for affirma ti ve
action programs with real enforcement powers.

by Bill Cameron
You couldn't tell the players without
the scorecard . Tuesday afternoon, a
quarter- mile out on Budd Inlet, the lineup
went something like this:
• Five or six orcas, or killer whales,
inside a pen about 50' square, where
they've been since they were captured last
Sunday;

• One or two more orcas, circling the
nets at a respectable distance ;
• 50-60 Evergreeners, in canoes, kayaks
and dinghies, protesting the capture;
• A number of la rger boats carrying press
people;
• Two traw lers, the "Pacific Maid" and
the "Genius", chartered by Sea World
Inc., w ith abo ut 20 crew members, d ivers,
scienti sts, PR men, etc. on board.
• Sheriff Don Redmond and four or five
of hi s me n (o ne of whom was videotaping
the w hol e thin g ); and
• Fo ur boatloads of Sta te Fish & Game
Wardens , who were t ry in g to keep
everything orderly .
The sce ne a t th e capt ure s it e was a
navigati o nal nigh tmare. Fifteen sma ll and
not- so-s mall craft were zippin g around in
a bizarre parody of th e crowding that the
imprison ed o rcas were experienci ng.
Meanw hile, the orcas in the pen were
arcing ha lfw dY out of the water, then
diving aga in, an in c re dibly graceful
maneuv er for a creat ure weigh ing maybe
five tun s.
Don Go ld sh e rr y, Sea World's c hi e f
w hale hunte r, rla ns to li ft them ou t of the

• Th e r e wi ll be a t a ble to
distribute 3nd ga th er info rmation
on Sex Discrimination at Evergreen o n Tuesday, March 9th
between 11 a. m. and 1 p.m . in
th e CAB bui ld ing, sponsored by
the women's coa lition committee.

TIRES - CARLOAD PRICES

was paying him thirty dollars an hour to
do just that.
McDade asserted that Sea World, Inc "
while a profit-making corporation, is also
acting in the interests of the general public
and the orcas themselves, by capturing
limited numbers of them for study by
marine biologists . One of the "Budd Inlet
5" is slated to be turned over to the
University of Washington, which will put
a tracker on it , then release it and follow
its movements, The rest, if they are
within the 11-to-18-foot range, will go to
Sea World's aquarium in San Diego (they
also have aquariums in Seattle, Ohio and
Florida). Sea World already has three
orcas, and one reason they need more,
said McDade, is that they are sociable
a nimals and like company . He admitted
that the support that Sea World gives to
orca research could be provided by a nonprofit corpo ration.
Sea World 's four-year four-whale
permit from the federa l Marine Fisheries

CLASSIFIED ADS
for 1 person in
sma ll house 3 miles
frofY1 school. 'T','IO men/
me at- eate rs/J azz /
Sports/Politics/nice
P00~1

carn ivorous mammals left in the entire
Puget Sound-Georgia Strait-Juan de Fuca
Strait area .
After fifteen minutes of confusion , the
Evergreen flagship , the "Gandalf," arrived
bearing a Bicentennial Bad Citizen Award
plaque for presentat ion to Goldsberry.
Unfortunately Mr. Goldsberry was not
a round to accept it in person , a nd
ine xp li ca bly , n o one o n the "Pacific
Maid" seemed to want to take it on his
behalf .
Of CO llrse, it is no t proper to hold a
demonstration without a folksin ger, so
the megap hone o n the "Ga nda lf" was
turn ed over to Mel Gregory , from
C,m ada's Orca-saving Greenpeace Foundation. He sang an or igina l song about
how - orcas -like - to - make - love - on - the ocean - floor - and-we- sho uld - leave - th em a lo ne .
Soon afte rward<, most of the Evergreeners headed for sho re. VI; e stopped to
as k some quest ions of the only person
w ho was willing to say mu ch, Gra ham
McDade, owner of a Sea ttle p u b li c
rela tions age ncy. It wasn' t surprisin g that
he was willing to talk. since Sea World

MADE BY AMERICA'S NO, 1
!;HOCK ABSORBER COMPANY

(36 Monlh Pro Raled)

IV Number 21

ONE YEAR
FREE REPLACEMENT
Standard

Heavy Duty

(48 Monlh Pro Rated)

~

/ ""- / ' /\----1
LIFETIME
FREE REPLACEMENT ~

TWO .YEAR

Exira Heavy
Duly PIa"

FREE REPLACEMENT

Rear Roadmllter

AI Long II You tJwn

Ullra·LlIt'·

1 The Automobile
~

I

. .'\. '

Air Adjult.ble
1·3/16"

OLYMPIA
.5Z......'icA ... s.e .
Locey, w•. Il81503
Phon.:

I2IMII.el-t172

8,ALLSERVICE PERFORMED BY FACTORY TRAINED SPECIALISTS.

QUALITY and SERVICE at the LOWEST COST
"

• on standard steel rims

U I \,1 ilO ~ I '" SINI

ARE LnnKIN(; for

persons interested
in t eachinp, ~rench
to kind ergarten and
first grade at L.P.
Brown School, 2 hours
a week, durinp, spring
quarter. Contact
Deanna or Anita 8663529.

Info rmation and registra tion tab les
wi ll be se t up in the library Lobby
s tar tin g at 10 a. m . on Thursday ,
March 11 . For more information, ca ll
the Evergreen Information Center at
866 -6300.
FRIDAY MARCH 12
9:30 a .m . - Library Lobby - Mark
Overland, Symposium coordinat or
10:00 a.m. - Bern i DeBus - American
Cetacea n Society

BUSPTESS nppORTUNITY.
The Square Deal
Trading Post is avail able with or without existing business.
Inquire during business hours Wed-Sat
11:00-5:00. 202 W.
4th AVt:::L1'.1!'!.
YOlrnG MARRIED couple
desirous of locatinp
house-sittinp. ~os­
ition for upcofY1inp.
summer. PJ.enty of
references. r.all 3573829.

~

11 :00 a.m . - Lib. Lobby - Jill Fairchi ld - SeaLibrary in Los Angeles cetacean film maker

by Chris Cowger
Vo ices aGOSS the country are calling for
increased regulation of nuclear power,
a nd a statew id e Nuclear Safeguard
Initiati ve petition drive will raise the
v,)lume of the protest starting t hi s
Sat urday , March 13.
The kick-off ra ll y for the pet iti on drive
in Olympia wi ll feature as speaker
Richard Hubbard of Ca lifornia, o ne of the
nuclea r enginee rs - known as th e "GE
Three " - w h o res ign ed from Genera l
Elect ric Company February 2. The trio
made the joi nt move to call att ention to
w hat o ne termed in hi s le tter of
res igna ti on th e "serio us danger to the
~ut ure of all life o n thi s planet" posed by
prese nt nucl ea r energy sys tems.
Hubbard wi ll speak at 10 a.m. on the
steps of the ~ta t e cap it o l.
A Seatt le o rga ni zatio n called the
coa lit ion fo r Safe Energy (CASE) is
spo nsoring Initiat ive 315 , w hich wou ld
co ntrol the co nstru ction of nuclear power
plan ts no t licensed before February 10,
1976.

12:00 noon - Lib. Lobby - Mary McQu illen / Native American dancers lunch
2:00 p.m. - Lee. Hall 1 - Ken Balcom b - Moclips Cetologica l Societywha le photographer
3:00 p.m. - Lee. Hall 1 - Michael
Tillman - National Marine Fisheries,
Seattle
4: 00 p.m . - Lee. Hall 1 - Tag Go rna il - consulting NW marin e mamma!
veterinarian
5:00 p.m. - Lee. Hall 1 - Terry
Newby - Marine mammalogist
6: 00 p . m. - dinner
7:30 p.m. - Lib. Lobby - Mar y
Hillaire - Lummi tribe / Evergreen faculty - Mel Gregory - Greenpeace

Members of CASE pla n to gather
150 ,000 s ignatures o n th e ir initi a tive
peti tions from March through Ma y. They
hope tha t this nllmber will guarantee the
117,804 valid signatures needed by July 1
to place the initiative o n the ballot.
Between 7,000 and 9,000 signatures will
be sought in Thurston County . Those
interested in circu lating petitions sho uld
contact Dave Milne , cou nt y CASE
coordin ator and Evergreen faculty mem.,er, at 866-8015; or Ann Beug, area
captain for W es t O lympia, at 866-0927.

nll i

SA TURDA Y MARCH 13
9 :00 a.m . - Lib . Lobby - Russ
Mohney - Pac ific Sea rch magazi ne
10:30 a.m. - Lib. Lobby - Don
Goldsberry - director, Sea ttle Marine
Aquarium
12 :00 noon - Lec. Hall basement Stuart Delany - folks inger w / traditional w haling ballads - lunch
1 :00 p.m. - Lib. Lobby Wash.
Enviro. Council meeting / Mohney pro posal
2:00 p.m . - Lee. Hall 1 - Jim
O'Donnell - underwater habitat/Orca
research
2:45 p.m. - Lee. Hall 1 Erich
Hoyt
3:00 p.m. - Lec. Hall 1 - Bob Lynette -- Coal iti on Aga inst Oil Pollu tion
3 : 30 p.m. - Lee. Hall 1 - Jim
O'Donnell
4: 15 p.m . - Lee. Hall 1 - Panel
D. McBride, cura tor, Capito l Museum
- J. Powell, UBC Dept. of Anthro.
5:30 p.m. - dinner
7 :00 p .m. - lib, Lobby - Paul
Spong - Pac. Killer Whale Founda ti on, B.C.
There will be a film ser ies shown a t
various times during the sympo sium .

March 11, 1976

Nuclear Safeguard Rally

co I I co

\1'\10 11:'<-11

evergreen
state
college

Int. 315

4 SALE: Kyak w/float
ba~s a nd skirt. $140.
R66-l992.
IJE

But the fate of the orcas which are now
. swimming in endless circles in their tiny
enclosure, strangely enough , appears to
depend o n a measuring tape .

URNAL

$55/month. 866-0704.

SHOCK ABSORBERS

sanctuary for the whales. Considering the
widespread public outrage at this mass
capture, it a ppears unlikely that any more
permits will be granted, at least to take
orcas from Puget Sound. Also on
Tuesday, it was reported that Evergreener
Mark Overland filed suit against Sea
World to release the ones it is now
holding. And, a spokeman for
Governor Dan Evans said that Evans is
asking Attorney Slade Gorton to file suit
against the "whalers ."

.s COOPER POINT

~uvs/washer-drve r.

BATTERIES

Dept. expires at the end of this year.
whether or not they have caught their
orcas . On Tuesday , the Washington State
Senate passed a resolution, sponsored by
Sen. Warren Magnuson , to request that
Marine Fisheries declare Puget Sound a

the

• The Gay Resource Center will
have its next genera l Membership
meet in g a t 6 p .m. on Wednesday, March 10t h in lib . 3219,
the GRe. All welcome.

TIRE MARKETERS

water with a derrick on a special
platform, in order to get a better look at
them and measure them.
Sea World has a federal permit to take
four orcas from Puget Sound, which
stipulates that they must be between 11
and 18 feet in length, and not pregnant or
nursing . In a recent study, Dr. Michael
Bigg, a Canadian biologist, estimated that
there are only about 65 of the big,

ra

()

• Methods 0 1 handlin g and ~toring
radioactive wastes would have to be
proven safe . Pluton ium , one of the plant
wastes, is deadly and mu st be isola ted
from the environment fl)f 500,000 years .
• Ev acuation plans for the a re;) around
each reactor wou ld have to be published .
Theoretica ll y , a serious rea ctor accid ent
wo uld cause' harm within a 50 - mil e
rad iu s. CA S E says th a t cit i('s with in range
of existing or proposed plants include
Bellingham, Olympia , Tacom a. Everett
Cheha I is , and - wi t han unta vo ra b I,·
wi nd - Seatt le.
Initiativ" 315 wo u ld dlsn requ in
two - thirds of the legislature to certdy that
a ll the above cond it ion s had been mel
(except in the ca ~ e of finan cial li.) hd II \'
w h ic h would b e autom a ti c) b e ll" " .l
nuclear plant cou ld be li censed

"We are not s eeking a b an ,' r
moratorium on con stru ction of nuc le..H
powe r pla nt s in our stat e," says Dr . retN
Lau ri tzen , president of CASE. "We are
simply asking the nucl ea r industry to act
responsibly like any other business.
'
Hubbard was manager of the qua lity
assurance section of GE's nuclea r energy
depa rtment whe n he resigned . He was
employed by that departm ent for 12
yea rs.

ilR

Initi a ti ve 315 co ntains five major
requi'tements for fu tu re nuclea r plants:
• Nuclear energy developers would have
to demonstrate that there was an actual
need for the pla nt and tha t reasonable
alternatives did not exist.
• Plant owners would be financially liable
for a ll damages resu lting from a nuclear
accident. The Price Anderson Act, just
exte nded by Congress until 1987, limits
owner li ability to $560 million, while
CASE claims such an accident could
produce $17 billi on worth of damages .
CASE says Co n gress passed the ac t
because insurance companies otherwise
ref used to underwrite nuclear power.
• Actual testing of emergency safety
systems would be required.

Next vveek's .Journal
vvill be published Tuesday, March 16 instead
of Thursday, March 18.
Please get all last-minute notes, letters and
announcements in before Monday noon,
March 15.

Orcas Captured in Budd Inlet
by LenNI' Norrgard,
Rad ica l Women and
Frt't'tinm Socia li st Party
. Rt'vt'rq' discriminatio n 7"
" Oppressed st rai g ht white
md It'~ ?"
These statements h ave been
b.lntered around camp us freljuently in the past few months ,
In reactio n to the demands for
r('presenta tion and adequa te cur ric ul um by oppressed gro ups on
umpu s. Those who make suc h
Q,1tem'ents are afraid of losin g
t heir privi lege as whites o r as
male, .
\ VI' TlWTl . ra cial a nd sexua l miIwrlt i.. , ,olnd the poor ha ve been
di,criminJted against t hro ughout
til(' hi st,)ry 1)1 America on every
le\'el: emplllYme nt. h ousing, po lIIICS
educ.1 tion . In th e struggle
fp r equ.l l treatment, an important
~.li n was w on : a tfirmative action
I,'r racia l 11lIr.ori ties an d women.
Attirmative action , in a broad
'en,e . mean< taking positive acI Il)n II' Cl'IT('ct the ineq uiti es of a
, \'«em that has been hi sto rically
r.KI,t and sex ist. 1I. Iore specific.,11\· .1tttrmatlve ac ti o n means

gov ernment requirements for
bo th govern me nt and private
b usi nes s agencies to ed ucat e,
train and hire racial minorities
a nd women.
Why d id women and racial
minorities figh t fo r the establish ment of these requirements? Beca use the best-payin g jobs were
monopolized by white ma les;
ed uca tional in stitutions turned
out primarily white male graduates for the job market.
Affirmative action serves to
spread o ut the ava ilable jobs and
training more equally so that
more women and racial minoriti es are educa ted and employed
in the job market. To accomplish
this balance , prefe rential treat ment of historically di scriminated
against wo rkers is required. " Reverse discrim in ation 7" Hardly!
White ma les are simply getting a
tas te of o ne of the fact s of life
for wo men and min o riti es in
cap it a li st soc iety : too man y
wo rke rs for too few jobs, an d
not enough room at the top .
Unfortunately , th ere are no af firm ati ve ac tion guidelines for
gay people at Evergreen, a nd

those for women and racial mi norities are o nly ru :es on paper
with no provisions for enforce ment. We hear nice chitchat
from th~ administration about
racial minorities, and now and
then about women, but the iss ue
of affirmative action for gays is
never mentioned . The affirmative
action for all oppressed groups is
mere tokenism .
Evergreen is not an isolat ed
co mmunity that overcomes the
problems of racism and sexism ,
regardless of the administration 's
ultra-liberal facade. The lack of
affirmative action at Evergreen is
only a reflection of the general
lack of enforceme nt in govern ment and business at large.
Affirmative action is an important gain on paper, but is
mea ningles s without enforceme nt . Affirmative ac tion for
wome n must include provision
for free , quality , 24 -hour child
care for it to be meaningful.
Women w ith children to care for
ca n't take advantage of affirmative ac ti on programs without
child care, and as long as women
have to pay for child ca re out of

their wages, there is no such
thing as equal pay . In order for
affirmative action to be meaningful , women and racial minorities
must join together in a struggle
for enforcement. Enforcement requires education in the community, unity based on mutual support , and oftentimes court battles.
Affirmative .action , if enforced,
wo uld help in exposing racism
for the irrational system that it
is . Affirmative action would help
expose sex ism as a way to get
two workers for the price of one
through the free labor of women
in the ho me . Spreading the jobs
o ut evenly and providing free
ch il d care for working mothers
could make the class lines clearer
to the more privileged white
male workers: the lines between
the working class and the ruling
cap it alist class.
It is this awareness, this revo lutionary potential that could be
unleashed , that the ruling class is
afraid of. This is why the capita li st class refuses to enforce affirmative action. The ruling class
knows better than anybody that

the way to keep the working
class down is to splinter and divide us, to keep women in the
home. Racism and sexism are
primary tools for accomplishing
this .
The Evergreen administration
is co nstantly telling the campus
community that "special interest
groups" (their name for oppressed
groups) only serve to "divide"
and "factionalize" the "community ." Through confusing the issue
of race and sex discrimination
with "t he good of the community," the administration is able to
giv e us, the doubly and triply
oppressed who arc the majority
on th is campus, token gestures
and get away wi th it.
In fact , it has always been the
work and struggles of the most
oppressed sectors of campus that
have bro ught the community together by seeking out the support
of the rest of the community.
"Reverse
d iscrimina tion 7"
"O ppr esse d
straight
white
males?" It' s time women and
racial minoriti es and all the discrimina ted against have equal
right s in a ll aspects of life, educat ion , training , and employment. We must organize and
str uggle for affirmative action
programs for all people who
have suffered discrimination in
this soc iety . Call for affirma ti ve
action programs with real enforcement powers.

by Bill Cameron
You couldn't tell the players without
the scorecard . Tuesday afternoon, a
quarter- mile out on Budd Inlet, the lineup
went something like this:
• Five or six orcas, or killer whales,
inside a pen about 50' square, where
they've been since they were captured last
Sunday;

• One or two more orcas, circling the
nets at a respectable distance ;
• 50-60 Evergreeners, in canoes, kayaks
and dinghies, protesting the capture;
• A number of la rger boats carrying press
people;
• Two traw lers, the "Pacific Maid" and
the "Genius", chartered by Sea World
Inc., w ith abo ut 20 crew members, d ivers,
scienti sts, PR men, etc. on board.
• Sheriff Don Redmond and four or five
of hi s me n (o ne of whom was videotaping
the w hol e thin g ); and
• Fo ur boatloads of Sta te Fish & Game
Wardens , who were t ry in g to keep
everything orderly .
The sce ne a t th e capt ure s it e was a
navigati o nal nigh tmare. Fifteen sma ll and
not- so-s mall craft were zippin g around in
a bizarre parody of th e crowding that the
imprison ed o rcas were experienci ng.
Meanw hile, the orcas in the pen were
arcing ha lfw dY out of the water, then
diving aga in, an in c re dibly graceful
maneuv er for a creat ure weigh ing maybe
five tun s.
Don Go ld sh e rr y, Sea World's c hi e f
w hale hunte r, rla ns to li ft them ou t of the

• Th e r e wi ll be a t a ble to
distribute 3nd ga th er info rmation
on Sex Discrimination at Evergreen o n Tuesday, March 9th
between 11 a. m. and 1 p.m . in
th e CAB bui ld ing, sponsored by
the women's coa lition committee.

TIRES - CARLOAD PRICES

was paying him thirty dollars an hour to
do just that.
McDade asserted that Sea World, Inc "
while a profit-making corporation, is also
acting in the interests of the general public
and the orcas themselves, by capturing
limited numbers of them for study by
marine biologists . One of the "Budd Inlet
5" is slated to be turned over to the
University of Washington, which will put
a tracker on it , then release it and follow
its movements, The rest, if they are
within the 11-to-18-foot range, will go to
Sea World's aquarium in San Diego (they
also have aquariums in Seattle, Ohio and
Florida). Sea World already has three
orcas, and one reason they need more,
said McDade, is that they are sociable
a nimals and like company . He admitted
that the support that Sea World gives to
orca research could be provided by a nonprofit corpo ration.
Sea World 's four-year four-whale
permit from the federa l Marine Fisheries

CLASSIFIED ADS
for 1 person in
sma ll house 3 miles
frofY1 school. 'T','IO men/
me at- eate rs/J azz /
Sports/Politics/nice
P00~1

carn ivorous mammals left in the entire
Puget Sound-Georgia Strait-Juan de Fuca
Strait area .
After fifteen minutes of confusion , the
Evergreen flagship , the "Gandalf," arrived
bearing a Bicentennial Bad Citizen Award
plaque for presentat ion to Goldsberry.
Unfortunately Mr. Goldsberry was not
a round to accept it in person , a nd
ine xp li ca bly , n o one o n the "Pacific
Maid" seemed to want to take it on his
behalf .
Of CO llrse, it is no t proper to hold a
demonstration without a folksin ger, so
the megap hone o n the "Ga nda lf" was
turn ed over to Mel Gregory , from
C,m ada's Orca-saving Greenpeace Foundation. He sang an or igina l song about
how - orcas -like - to - make - love - on - the ocean - floor - and-we- sho uld - leave - th em a lo ne .
Soon afte rward<, most of the Evergreeners headed for sho re. VI; e stopped to
as k some quest ions of the only person
w ho was willing to say mu ch, Gra ham
McDade, owner of a Sea ttle p u b li c
rela tions age ncy. It wasn' t surprisin g that
he was willing to talk. since Sea World

MADE BY AMERICA'S NO, 1
!;HOCK ABSORBER COMPANY

(36 Monlh Pro Raled)

IV Number 21

ONE YEAR
FREE REPLACEMENT
Standard

Heavy Duty

(48 Monlh Pro Rated)

~

/ ""- / ' /\----1
LIFETIME
FREE REPLACEMENT ~

TWO .YEAR

Exira Heavy
Duly PIa"

FREE REPLACEMENT

Rear Roadmllter

AI Long II You tJwn

Ullra·LlIt'·

1 The Automobile
~

I

. .'\. '

Air Adjult.ble
1·3/16"

OLYMPIA
.5Z......'icA ... s.e .
Locey, w•. Il81503
Phon.:

I2IMII.el-t172

8,ALLSERVICE PERFORMED BY FACTORY TRAINED SPECIALISTS.

QUALITY and SERVICE at the LOWEST COST
"

• on standard steel rims

U I \,1 ilO ~ I '" SINI

ARE LnnKIN(; for

persons interested
in t eachinp, ~rench
to kind ergarten and
first grade at L.P.
Brown School, 2 hours
a week, durinp, spring
quarter. Contact
Deanna or Anita 8663529.

Info rmation and registra tion tab les
wi ll be se t up in the library Lobby
s tar tin g at 10 a. m . on Thursday ,
March 11 . For more information, ca ll
the Evergreen Information Center at
866 -6300.
FRIDAY MARCH 12
9:30 a .m . - Library Lobby - Mark
Overland, Symposium coordinat or
10:00 a.m. - Bern i DeBus - American
Cetacea n Society

BUSPTESS nppORTUNITY.
The Square Deal
Trading Post is avail able with or without existing business.
Inquire during business hours Wed-Sat
11:00-5:00. 202 W.
4th AVt:::L1'.1!'!.
YOlrnG MARRIED couple
desirous of locatinp
house-sittinp. ~os­
ition for upcofY1inp.
summer. PJ.enty of
references. r.all 3573829.

~

11 :00 a.m . - Lib. Lobby - Jill Fairchi ld - SeaLibrary in Los Angeles cetacean film maker

by Chris Cowger
Vo ices aGOSS the country are calling for
increased regulation of nuclear power,
a nd a statew id e Nuclear Safeguard
Initiati ve petition drive will raise the
v,)lume of the protest starting t hi s
Sat urday , March 13.
The kick-off ra ll y for the pet iti on drive
in Olympia wi ll feature as speaker
Richard Hubbard of Ca lifornia, o ne of the
nuclea r enginee rs - known as th e "GE
Three " - w h o res ign ed from Genera l
Elect ric Company February 2. The trio
made the joi nt move to call att ention to
w hat o ne termed in hi s le tter of
res igna ti on th e "serio us danger to the
~ut ure of all life o n thi s planet" posed by
prese nt nucl ea r energy sys tems.
Hubbard wi ll speak at 10 a.m. on the
steps of the ~ta t e cap it o l.
A Seatt le o rga ni zatio n called the
coa lit ion fo r Safe Energy (CASE) is
spo nsoring Initiat ive 315 , w hich wou ld
co ntrol the co nstru ction of nuclear power
plan ts no t licensed before February 10,
1976.

12:00 noon - Lib. Lobby - Mary McQu illen / Native American dancers lunch
2:00 p.m. - Lee. Hall 1 - Ken Balcom b - Moclips Cetologica l Societywha le photographer
3:00 p.m. - Lee. Hall 1 - Michael
Tillman - National Marine Fisheries,
Seattle
4: 00 p.m . - Lee. Hall 1 - Tag Go rna il - consulting NW marin e mamma!
veterinarian
5:00 p.m. - Lee. Hall 1 - Terry
Newby - Marine mammalogist
6: 00 p . m. - dinner
7:30 p.m. - Lib. Lobby - Mar y
Hillaire - Lummi tribe / Evergreen faculty - Mel Gregory - Greenpeace

Members of CASE pla n to gather
150 ,000 s ignatures o n th e ir initi a tive
peti tions from March through Ma y. They
hope tha t this nllmber will guarantee the
117,804 valid signatures needed by July 1
to place the initiative o n the ballot.
Between 7,000 and 9,000 signatures will
be sought in Thurston County . Those
interested in circu lating petitions sho uld
contact Dave Milne , cou nt y CASE
coordin ator and Evergreen faculty mem.,er, at 866-8015; or Ann Beug, area
captain for W es t O lympia, at 866-0927.

nll i

SA TURDA Y MARCH 13
9 :00 a.m . - Lib . Lobby - Russ
Mohney - Pac ific Sea rch magazi ne
10:30 a.m. - Lib. Lobby - Don
Goldsberry - director, Sea ttle Marine
Aquarium
12 :00 noon - Lec. Hall basement Stuart Delany - folks inger w / traditional w haling ballads - lunch
1 :00 p.m. - Lib. Lobby Wash.
Enviro. Council meeting / Mohney pro posal
2:00 p.m . - Lee. Hall 1 - Jim
O'Donnell - underwater habitat/Orca
research
2:45 p.m. - Lee. Hall 1 Erich
Hoyt
3:00 p.m. - Lec. Hall 1 - Bob Lynette -- Coal iti on Aga inst Oil Pollu tion
3 : 30 p.m. - Lee. Hall 1 - Jim
O'Donnell
4: 15 p.m . - Lee. Hall 1 - Panel
D. McBride, cura tor, Capito l Museum
- J. Powell, UBC Dept. of Anthro.
5:30 p.m. - dinner
7 :00 p .m. - lib, Lobby - Paul
Spong - Pac. Killer Whale Founda ti on, B.C.
There will be a film ser ies shown a t
various times during the sympo sium .

March 11, 1976

Nuclear Safeguard Rally

co I I co

\1'\10 11:'<-11

evergreen
state
college

Int. 315

4 SALE: Kyak w/float
ba~s a nd skirt. $140.
R66-l992.
IJE

But the fate of the orcas which are now
. swimming in endless circles in their tiny
enclosure, strangely enough , appears to
depend o n a measuring tape .

URNAL

$55/month. 866-0704.

SHOCK ABSORBERS

sanctuary for the whales. Considering the
widespread public outrage at this mass
capture, it a ppears unlikely that any more
permits will be granted, at least to take
orcas from Puget Sound. Also on
Tuesday, it was reported that Evergreener
Mark Overland filed suit against Sea
World to release the ones it is now
holding. And, a spokeman for
Governor Dan Evans said that Evans is
asking Attorney Slade Gorton to file suit
against the "whalers ."

.s COOPER POINT

~uvs/washer-drve r.

BATTERIES

Dept. expires at the end of this year.
whether or not they have caught their
orcas . On Tuesday , the Washington State
Senate passed a resolution, sponsored by
Sen. Warren Magnuson , to request that
Marine Fisheries declare Puget Sound a

the

• The Gay Resource Center will
have its next genera l Membership
meet in g a t 6 p .m. on Wednesday, March 10t h in lib . 3219,
the GRe. All welcome.

TIRE MARKETERS

water with a derrick on a special
platform, in order to get a better look at
them and measure them.
Sea World has a federal permit to take
four orcas from Puget Sound, which
stipulates that they must be between 11
and 18 feet in length, and not pregnant or
nursing . In a recent study, Dr. Michael
Bigg, a Canadian biologist, estimated that
there are only about 65 of the big,

ra

()

• Methods 0 1 handlin g and ~toring
radioactive wastes would have to be
proven safe . Pluton ium , one of the plant
wastes, is deadly and mu st be isola ted
from the environment fl)f 500,000 years .
• Ev acuation plans for the a re;) around
each reactor wou ld have to be published .
Theoretica ll y , a serious rea ctor accid ent
wo uld cause' harm within a 50 - mil e
rad iu s. CA S E says th a t cit i('s with in range
of existing or proposed plants include
Bellingham, Olympia , Tacom a. Everett
Cheha I is , and - wi t han unta vo ra b I,·
wi nd - Seatt le.
Initiativ" 315 wo u ld dlsn requ in
two - thirds of the legislature to certdy that
a ll the above cond it ion s had been mel
(except in the ca ~ e of finan cial li.) hd II \'
w h ic h would b e autom a ti c) b e ll" " .l
nuclear plant cou ld be li censed

"We are not s eeking a b an ,' r
moratorium on con stru ction of nuc le..H
powe r pla nt s in our stat e," says Dr . retN
Lau ri tzen , president of CASE. "We are
simply asking the nucl ea r industry to act
responsibly like any other business.
'
Hubbard was manager of the qua lity
assurance section of GE's nuclea r energy
depa rtment whe n he resigned . He was
employed by that departm ent for 12
yea rs.

ilR

Initi a ti ve 315 co ntains five major
requi'tements for fu tu re nuclea r plants:
• Nuclear energy developers would have
to demonstrate that there was an actual
need for the pla nt and tha t reasonable
alternatives did not exist.
• Plant owners would be financially liable
for a ll damages resu lting from a nuclear
accident. The Price Anderson Act, just
exte nded by Congress until 1987, limits
owner li ability to $560 million, while
CASE claims such an accident could
produce $17 billi on worth of damages .
CASE says Co n gress passed the ac t
because insurance companies otherwise
ref used to underwrite nuclear power.
• Actual testing of emergency safety
systems would be required.

Next vveek's .Journal
vvill be published Tuesday, March 16 instead
of Thursday, March 18.
Please get all last-minute notes, letters and
announcements in before Monday noon,
March 15.

STUDY STUDENTS ARE ENCOURAG ED TO APPLY.
APPLICATIONS WILL BE
ACCEPTED UNTIL WEDNESDA y, MARCH 17, 5
p.m. WITH INTERVIEWS
ON THURSDAY, MARCH
18 AT THE JOURNAL OFFICE, CAB 306 . (earlier
interviews dates .can be arra nged with Jill Stewart at the
Journa l office or 866-6213 or
6214)
• Colleen Yost from Financial
Aid wi ll be staffing a table in
front of the Bookstore T uesdays
and Thursdays to prov ide assistance in filling ou t financial aid
forms (such as SFS, BEOG, etc.).
Available from 11 a. m . to 2
p.m., Colleen will be unable to
prov ide need ana lysis or techn ical
help. However, she w ill be able
to he lp you complete those
comp li cated aid forms.

A DISAPPEARING ART

CLASSIFIED ADS

P,e-.~o-.

BUSINESS OPPORTUNITY .
The Square Dea l
Trading Po st is available with or without
existing business.
Inquire during business hours . Wed . ll:OO5:00. 202 W. 4th
Avenue .

Plou,i-.h at EYe''I,eeft
Lucienne explained that the students have
had to adjust to the subdued colors.
" At first the students were disappointed
because they were so used to the ijcrylic
colors wh ich are brilliant red, brilliant
purple, violet, blue-turquoise and bright
yell ow. You can't use those colors . There
is no bright red or yellow, there are only
earth colors ..
"But once the fresco is done and it's been
painted on the wh ite lime base, the brilliance of the white lime shows through.
It's a matter of using the right colors toge ther to crea te a feeling of brilliance ."

EXP. HOUSE painter;
tree & ornamental
trimming . Quality
work. 357-4963.

they vvant to have
the option of removing
the murals and restoring the vvalls to their
beautiful duff cement
color . . . "
II

T he Board of Trustees will
mee t Tuesday, March 16 at
10: 30 in the Board Room .

FLEETWOOD MAC

T he Dimi troffs have found tha t one of
the most difficult concep ts to relay to the
students is the basic phi losophical difference between creating a fresco mural and
an "easel painting" or regular small painting.
A mural is a semi - permanent or permanent part of a bui lding and is not
moved from p lace to place, u nl ike a small

Includes

Monday

FROM RED:
3 - PENNY LUMBER
T" the Ed itor :
I woul d like tn suggest that in
th(' lut ure when a set is ma de
Ir"m lumbe r. lik e the one for
The Three-Penn" Opera, tha t
Ihe ,crap lumbe r left over be do".lted to so meone who can 'Jse if
I,' r Ilrewood or so met hing.
It is a shame in these days 01
derressio n that we can afford to
'I"e'''' aW<lV three dumpsters full
,'I usabl e lumb er (fi rew ood ,
>. indlin g a nd eve n so m e that
cl'uld be used for buildi ng some:hi ng l. A n an noun ceme nt beforeh.lnd wou ld surely ha ve prodL;cec\ so meo ne w ho wo uld have
h('l' n wi llin g to pick thi s wood
"I'. Some of the wood wa s sal\' ~ ged, but not much .
Also th ere were enough nai ls
" 'J sted in that se t tn build a
el11 all hn use. I k now it 's s- -"'ur" to h,l ve to pick up used
nail s. but someday there may be
a sh ortage o f na il s (I m a Ca ncer
r ack ra t) . If I had the time I
\\'l)u ld ha ve picked them up.
Some times it reall y shows just
h(n·\' middl e-cl ass Evergreeners
CJn he. A lso. I didn ' t know Director., w('rf' exe m pt fro m clean up detail.
Red

. . . AND DICK
GREGORY
1 (\ th e Editor :
I'm respondi ng to th e article
written in last week 's CPJ about
the Dick G regory speec h. The
tone of the art icl e disturbed me
beca use it didn ' t rea ll y say much
about the man. It did not men t ion th at he has written three or
tou r very good books, that he
s pend s mu ch time intructin g
people abou t the nutrition of
their bodies - a vital issue that he ca n talk for three hours
no n-stop , does extensive research
work to prepare hi s material ,
tours the country regularly dis semi na ting impo rt ant fac ts for
surviva l and is a cha mpion of
black peop le.
He did menti on spec ifical ly
that he was no t a black leader in
this count ry, but I think he is .
He was even misquoted. His

words were "Yo uth has a big job
today ." He may have said "Youall" but I don 't remember hearing
that.
Perhaps the CPJ could ha ve
en listed a Third World person to
write that article and it wo uld
have been more in touch with
rea lit y. If the deadline hadn 't
been so close (Tu esday noon) I
wo uld have written one. Such is
lifc.
Red
LETTERS POLICY
Tl1e Tournai welcomes all
signed letters to til e Editor
(/lames will be withheld 011
reques t ) and prints them as
space permits. To be consid e red for publication tlla t
week , lett ers rmlst be received
by 5 p . m. on th e Tuesday befo re th e Thursday of pub licati o n Le tt e rs rec e ive d after
deadlin e will be co nsidered
for til e next iss ue. Letters
must be typed, double -s paced
and 400 wo rds or less. Th e
Editor reserves the right to
edit If' tt ers over 400 w ords.
Ge nerally , a photo or orig inal art is also run on th e let ters page. To be co nsidered
for pub li cation , pho to s / ar t
from th e co mmunit y must
also be submitted by 5 p . m .
T uesday before th e Thursday
o f p ubli catio n . Submission
size,' 5 " x 7" 01' 8" x 10 " although oth er sizes are acceptab le. Name, address and
phone mlt st be on all submis sions and all orig inals will be
returned.

Journal
Staff
Openings
CO RE STAFF POSITIONS
ARE AVAILABLE AT THE
COOPER POINT JOURNAL
FOR SPRING QUARTER.
NEWS STAFF APPLICANTS
MUST HA VE WEDNESDAYS
FREE AND PREVIOUS WRITING EXPERIENCE. ALL POSITIONS ARE POSSIBLE INTERNSHIPS.

~JOURNAL
:TOR
Ti Locke

NEWS EDITORS
IiII Stewart
Curt is Milton

FEATURE EDITOR
loh n Dodge

staff

PHOTOGRAPHY

NEWS STAFF
Joe Morawski
Molly Wrigh t
Lenore Norrga rd
Chris Cowger
Catherine Riddel l
Matt Groening
Stan Shore

Doug King
Doug Buster
PRODUCTION
Kathleen Meighan .
Joe Gendreau .

Morn ing

HAN AGING EDITOR
- 15 hrs. / wk. (actual work time 40+ hrs ./ wk.)
DUTI ES: Respons ible for
much of the day to day
opEration of the Journal.
Responsibl e for ed iting, and
so lititin g copy. Mu s t be
prepared to write commentary, in -depth stories and lastminute stories.

$.~.45 / hr.

Crystal

Soy You
Love Me

~
~®

Landslide

NEWS EDITOR
$2.45 / hr . 15 hrs . / wk . (actual
work time 25-30 hrs . / week)
DUT! ES: Respons ible for
ca mpu s news, sol icit ing writers, assigning / writ ing /editing
news s torie s/ bri efs, photo
ass ignments, etc.

TED NUGENT
including :
Stranglehold /Stormtroopin'
Just What The Do ctor Orde red
Snakeskin Cowboys/Motor City Mad house

FEATURE ED ITOR
$2. 45 / hr. 15 hrs. / wk. (act ual
work time 25- 30 hrs. / wk.)
DUTIES: Write and solicit
featu re stories an d reviews.
Responsible for enterta inment
page . C rea ti ve writ ing ex pertise helpful.
AD MANAGER
Sa lary and commission
DUTIES: Sell and design ads
in coo p e rati on w ith loca l
businesses. Work wi th production manager, and business man ager a nd maintain an
ad log. Transportation and
fl exible hours necessary. Stude nt or non -s tudent int ern
preferred.
PRODUCTION MANAGER
$2.45 / hr. 15 hrs . / wk.
DUTIES : Must have design
abil ities and interest in creative ad composition . Responsible for ad paste-up , setting
headlines on typositoT and
working on layout of paper.
Will train.
PHOTO EDITOR
$2.45 / hr. 15 hrs . / wk .
DUTIES : Take photographs
and soli ci t and edit all photo
copy. Responsible for equipment and s upplies. Must have
complete photographic skills.
Must have Wednesdays free .

~

II

e
eI

~

II

~

e

EAGLES

Take It Easy
Peaceful l
\
Easy
Feeling
Take It To
The Limit
Lyin'Eyes
One Of
These Nights
Already Gone

pamtmg . Murals are also meant to be
seen by a great deal of people, while a
regular pa inting is often w ithin a private
home.
"We have made small and large panels
so the students can learn to paint, not on
a table or easel, but perpendicularly, because it's very difficult . A mural painting
is something that is usually going to be
seen from a distance , and this must be
taken into consideration when planning .

really substantial and adds to the building
- you can't do it in a rush ."
However, George seems confident that
at least a few works will please all the
groups concerned . "I th ink we can expect
a couple of indoor m urals at Evergreen by
the end of spring quarter," he said.
Perhaps Evergreen can look forward to
not only a little less cement, but some
great art work in its place .

.".

JONI MITCHELL
The Hjssing of Summer Lawns

Hassle - Free Houseplants
by David Judd

"I

Craig LOZli

The Journlll news lind- business offices lire locllted in the College Activities Building (CAB) rm. 306.
\. N~\\'s phones : 866-6214 lind -6213; IIdvertising lind business 866-6080 . .

final mixture coat of plaster, sand or
marble dust , and lime.
Wh ile the final coat is still wet the pa int
must be app lied, otherwise the color will
come off like powder.
.
If the paint is applied correct ly the lime
crysta lizes over the co lor, bonding it perma nently to the wa ll. T he colors are not
affected by ra in or sun, in fact the on ly
way to remove them is to actually cut
them fro m the wa ll .
Its indestructible na ture probably contri buted to the popu larity of fresco in
a ncient times. T he techn ique itself hasn' t
changed much over the centuries, according to George Dimitroff.
"With t h ~ exception of a few refinements that we have today in the modern
industrial age, the kind of fresco these
students are doi ng is the same kind people
have done for hundreds and thousands of
years. The st udents grind their own colors
with a stone and ' glass - there is no
machinery for doing it. They m ix their
own plaster and plaster their own boards ,
T he technology required for doing that is
stone-age technology ."
EARTH COLORS
_ In fresco pain ting there are no manufac tured" colors - a ll the colors are earth
tones, as they have been for centuries,

QQ QJ

ADVERTISING

ISilJourrtal

Fresco - the technique of old masters
like M ichelangelo and Da Vinci; luminous,
beaut iful, and in th e Uni ted Sta tes, dying.
Lucienne a nd Step hen Dimitroff, w ho
may be the only professional fresco painters left in the United Sta tes, have co mmitted themselves to passing the art o n to
younger genera ti ons. The co up le is teaching the tech nique in the "M ura ls and
Architectura l Art" program, coordi nated
by their son , facu lty member George Di mitroff .
Lucienne Dimitroff speaks with pride
about her skill. She is concerned that the
a rt not die out, as it has in the past .
"There were a lot of fresco painters in
the 1930's . .. but it was too much work
for the ma jority of the artists so they
stopped. We fe lt very a nxious that we
could pass it on to younger people - it's
got to be passed on . Otherwise it will die
out like it d id when oil painting was in vented back in 1500. Oil was invented
and suddenly nobody did frescos any
more . Renoi r said he wished he knew
how to pa int a fresco - they are so
luminous."
Fresco is a process of building up thin
layers of plaster on a surface, letting each
coat harden one by one, and applying a

Tequila
Sunrise
Witchy
Woman
Best Of
My Love

Jim Feyk

PRINTER

by Jill Stewart

Their Greatest Hits 1971-1975

TWO OF THE SIX POSITIONS ARE WORK -STUDY
FUNDED (AS YET UNDESIGNATED) AND WOR K-

BUSINESS MANAGER

•

'~ Painting a large panel requires a philosophical attitude toward the mural. After
all the preparation work for a fresco, you
really want to do something that has
meaning of some kind. Mura ls require
something with more substance , like
bricks being built up - it's hard to explain ."
According to George a few students
have had qui te a bit of success with the
mural format and have begun steps to get
approval for doing inside wall murals at
Evergreen.
"The students will go through the Vis ua l Environment Group and probabl y
Jerry Schill inger and the admin istra ti on.
T h e adm inistrat ion is be ing cautious
abou t us, b ut I th ink tha t's good, " he
said . He continued, "T hey do n't want us
to work direc tly on cement. They want to
have the op tion of removi ng the mural s
and restor in g the walls to their beau tif ul
duff cemen t co lor ."
Lucienne emphasized tha t mura l art is
part of architecture and should be related
to the architectufe . She exp lained that the
best situat ion for creat ing a mural is when
they can work directly with the architect .
She feels the administration shou ld be
cau tious in accept ing the ir art work.
"Until we can show that we can do
good things I don' t blame the administration for bein g wary . They have beautiful
buildings he re. To get something that is

$4114
REGULAR $5.79

When select ing a house plant
it might be helpful to first consider the loca tion , the amount of
li ght ava il able, and moisture lev el of the a ir in the room. Then
find ou1 what sort of conditions
the pla nt you are considering
needs. By doing this you can
save money spen t on exotic
plan ts tha t end up succumbing in
dark corners,
Start off wi th a good quality
plant fro m a plant sto re that you
can trust. An a lrea dy we11 grown plant is go ing to have a

much better time acclima ting it self to a home's env ironment.
Have a good understanding of
the pla nt's light a nd water re quirement, when to ferti lize, and
how and when to repo t.
Consider purchasing a plant
that requires the amount of a ttention you' re willing to give it.
Some plants do not requ ire much
care ' and sometimes do better
when just left alone, while others
require special care that is not always available.
Here are some hassle- free,
easy-to-care-for house plants to
consider :

• "Path os" (Scindapsus aureus)
is a vine with green a nd yellow
leaves that can either be hanging
in a pot or trained to climb
around you r house. Pothos will
s urvive the dry air of most
homes and ca n adapt to indi rect
low light.
• " Heart -leaf philodendron" (P .
oxycardium) is a vine with solid
dark green leaves. It is similar to
the "Pothos" in that it can hang
in a pot or be allowed to climb
up a pole. Most varieties of phil odendrons are able to survive
the dry air and low light found
in most homes.

• "Dracaena" (Liliaceae) is the
famil y name of many ribbon leaf
plants that often are mistake n
for corn stalks. T he "Corn plant"
(D. fragrans massangeana) and
(D. marginata) are two of the
more com m on va ri eties so ld.
They need good bright indirec t
light , warm temperatu res, and
moist soil.
• "Sp ider plant" (Clorophytum
comosum "Vittatum" ) is a good
ha nging plant th at requires
bright indirect light. The main
plant produces runn ers that
become several feet in length at
!,he end. These are the new "Spi -

der plants ." The new plants pro duce roots whi le still in the air.
To propagate a Spider plant clip
the stem runner that connects the
main plant with the new plant.
Then pot the new plant in a separate container.
• "D umb Cane" (Dieffenbachia
segui na ) is a thick-stemmed plant
with huge e lephant -ca r - like
leaves. Dieffenbachias are known
to reach ceiling heights and some
can ad just to a low light env iro nment.
• "Norfork Island Pine" (A raucaria) is a slow growing sy mm etri cally shaped indoor tree that
grows we ll in brig h t indire ct
light. This plant makes an ex cellent indoor li vin g C hri stma '
tree. It does be tt er semi - roo tbound and prefe rs cool temperatu res (50 0 to bO ).
One common problem with
Spider p lants a nd other Dracaenas is for the tips of the l eav~, to
tur n b r ow n . Th is is usua ll y
cause d b y a white s ub s tan ce
called "perlite" found in so me
house plant so ils. Perlite ha s flu 0r ide in it a nd it wi ll ca use leaf
tips to turn brown. If this is hap pening to your plant, co nsid er
changing the soil to a mi x that
co ntain s no perl ite .
Beware of hou se pl ant sa les
tha t many superma rkets and department sto res have periodical ly. Before buying a plant that is
on sa le, consider the qua lit y of it
and question w hy it is on sa le.

STUDY STUDENTS ARE ENCOURAG ED TO APPLY.
APPLICATIONS WILL BE
ACCEPTED UNTIL WEDNESDA y, MARCH 17, 5
p.m. WITH INTERVIEWS
ON THURSDAY, MARCH
18 AT THE JOURNAL OFFICE, CAB 306 . (earlier
interviews dates .can be arra nged with Jill Stewart at the
Journa l office or 866-6213 or
6214)
• Colleen Yost from Financial
Aid wi ll be staffing a table in
front of the Bookstore T uesdays
and Thursdays to prov ide assistance in filling ou t financial aid
forms (such as SFS, BEOG, etc.).
Available from 11 a. m . to 2
p.m., Colleen will be unable to
prov ide need ana lysis or techn ical
help. However, she w ill be able
to he lp you complete those
comp li cated aid forms.

A DISAPPEARING ART

CLASSIFIED ADS

P,e-.~o-.

BUSINESS OPPORTUNITY .
The Square Dea l
Trading Po st is available with or without
existing business.
Inquire during business hours . Wed . ll:OO5:00. 202 W. 4th
Avenue .

Plou,i-.h at EYe''I,eeft
Lucienne explained that the students have
had to adjust to the subdued colors.
" At first the students were disappointed
because they were so used to the ijcrylic
colors wh ich are brilliant red, brilliant
purple, violet, blue-turquoise and bright
yell ow. You can't use those colors . There
is no bright red or yellow, there are only
earth colors ..
"But once the fresco is done and it's been
painted on the wh ite lime base, the brilliance of the white lime shows through.
It's a matter of using the right colors toge ther to crea te a feeling of brilliance ."

EXP. HOUSE painter;
tree & ornamental
trimming . Quality
work. 357-4963.

they vvant to have
the option of removing
the murals and restoring the vvalls to their
beautiful duff cement
color . . . "
II

T he Board of Trustees will
mee t Tuesday, March 16 at
10: 30 in the Board Room .

FLEETWOOD MAC

T he Dimi troffs have found tha t one of
the most difficult concep ts to relay to the
students is the basic phi losophical difference between creating a fresco mural and
an "easel painting" or regular small painting.
A mural is a semi - permanent or permanent part of a bui lding and is not
moved from p lace to place, u nl ike a small

Includes

Monday

FROM RED:
3 - PENNY LUMBER
T" the Ed itor :
I woul d like tn suggest that in
th(' lut ure when a set is ma de
Ir"m lumbe r. lik e the one for
The Three-Penn" Opera, tha t
Ihe ,crap lumbe r left over be do".lted to so meone who can 'Jse if
I,' r Ilrewood or so met hing.
It is a shame in these days 01
derressio n that we can afford to
'I"e'''' aW<lV three dumpsters full
,'I usabl e lumb er (fi rew ood ,
>. indlin g a nd eve n so m e that
cl'uld be used for buildi ng some:hi ng l. A n an noun ceme nt beforeh.lnd wou ld surely ha ve prodL;cec\ so meo ne w ho wo uld have
h('l' n wi llin g to pick thi s wood
"I'. Some of the wood wa s sal\' ~ ged, but not much .
Also th ere were enough nai ls
" 'J sted in that se t tn build a
el11 all hn use. I k now it 's s- -"'ur" to h,l ve to pick up used
nail s. but someday there may be
a sh ortage o f na il s (I m a Ca ncer
r ack ra t) . If I had the time I
\\'l)u ld ha ve picked them up.
Some times it reall y shows just
h(n·\' middl e-cl ass Evergreeners
CJn he. A lso. I didn ' t know Director., w('rf' exe m pt fro m clean up detail.
Red

. . . AND DICK
GREGORY
1 (\ th e Editor :
I'm respondi ng to th e article
written in last week 's CPJ about
the Dick G regory speec h. The
tone of the art icl e disturbed me
beca use it didn ' t rea ll y say much
about the man. It did not men t ion th at he has written three or
tou r very good books, that he
s pend s mu ch time intructin g
people abou t the nutrition of
their bodies - a vital issue that he ca n talk for three hours
no n-stop , does extensive research
work to prepare hi s material ,
tours the country regularly dis semi na ting impo rt ant fac ts for
surviva l and is a cha mpion of
black peop le.
He did menti on spec ifical ly
that he was no t a black leader in
this count ry, but I think he is .
He was even misquoted. His

words were "Yo uth has a big job
today ." He may have said "Youall" but I don 't remember hearing
that.
Perhaps the CPJ could ha ve
en listed a Third World person to
write that article and it wo uld
have been more in touch with
rea lit y. If the deadline hadn 't
been so close (Tu esday noon) I
wo uld have written one. Such is
lifc.
Red
LETTERS POLICY
Tl1e Tournai welcomes all
signed letters to til e Editor
(/lames will be withheld 011
reques t ) and prints them as
space permits. To be consid e red for publication tlla t
week , lett ers rmlst be received
by 5 p . m. on th e Tuesday befo re th e Thursday of pub licati o n Le tt e rs rec e ive d after
deadlin e will be co nsidered
for til e next iss ue. Letters
must be typed, double -s paced
and 400 wo rds or less. Th e
Editor reserves the right to
edit If' tt ers over 400 w ords.
Ge nerally , a photo or orig inal art is also run on th e let ters page. To be co nsidered
for pub li cation , pho to s / ar t
from th e co mmunit y must
also be submitted by 5 p . m .
T uesday before th e Thursday
o f p ubli catio n . Submission
size,' 5 " x 7" 01' 8" x 10 " although oth er sizes are acceptab le. Name, address and
phone mlt st be on all submis sions and all orig inals will be
returned.

Journal
Staff
Openings
CO RE STAFF POSITIONS
ARE AVAILABLE AT THE
COOPER POINT JOURNAL
FOR SPRING QUARTER.
NEWS STAFF APPLICANTS
MUST HA VE WEDNESDAYS
FREE AND PREVIOUS WRITING EXPERIENCE. ALL POSITIONS ARE POSSIBLE INTERNSHIPS.

~JOURNAL
:TOR
Ti Locke

NEWS EDITORS
IiII Stewart
Curt is Milton

FEATURE EDITOR
loh n Dodge

staff

PHOTOGRAPHY

NEWS STAFF
Joe Morawski
Molly Wrigh t
Lenore Norrga rd
Chris Cowger
Catherine Riddel l
Matt Groening
Stan Shore

Doug King
Doug Buster
PRODUCTION
Kathleen Meighan .
Joe Gendreau .

Morn ing

HAN AGING EDITOR
- 15 hrs. / wk. (actual work time 40+ hrs ./ wk.)
DUTI ES: Respons ible for
much of the day to day
opEration of the Journal.
Responsibl e for ed iting, and
so lititin g copy. Mu s t be
prepared to write commentary, in -depth stories and lastminute stories.

$.~.45 / hr.

Crystal

Soy You
Love Me

~
~®

Landslide

NEWS EDITOR
$2.45 / hr . 15 hrs . / wk . (actual
work time 25-30 hrs . / week)
DUT! ES: Respons ible for
ca mpu s news, sol icit ing writers, assigning / writ ing /editing
news s torie s/ bri efs, photo
ass ignments, etc.

TED NUGENT
including :
Stranglehold /Stormtroopin'
Just What The Do ctor Orde red
Snakeskin Cowboys/Motor City Mad house

FEATURE ED ITOR
$2. 45 / hr. 15 hrs. / wk. (act ual
work time 25- 30 hrs. / wk.)
DUTIES: Write and solicit
featu re stories an d reviews.
Responsible for enterta inment
page . C rea ti ve writ ing ex pertise helpful.
AD MANAGER
Sa lary and commission
DUTIES: Sell and design ads
in coo p e rati on w ith loca l
businesses. Work wi th production manager, and business man ager a nd maintain an
ad log. Transportation and
fl exible hours necessary. Stude nt or non -s tudent int ern
preferred.
PRODUCTION MANAGER
$2.45 / hr. 15 hrs . / wk.
DUTIES : Must have design
abil ities and interest in creative ad composition . Responsible for ad paste-up , setting
headlines on typositoT and
working on layout of paper.
Will train.
PHOTO EDITOR
$2.45 / hr. 15 hrs . / wk .
DUTIES : Take photographs
and soli ci t and edit all photo
copy. Responsible for equipment and s upplies. Must have
complete photographic skills.
Must have Wednesdays free .

~

II

e
eI

~

II

~

e

EAGLES

Take It Easy
Peaceful l
\
Easy
Feeling
Take It To
The Limit
Lyin'Eyes
One Of
These Nights
Already Gone

pamtmg . Murals are also meant to be
seen by a great deal of people, while a
regular pa inting is often w ithin a private
home.
"We have made small and large panels
so the students can learn to paint, not on
a table or easel, but perpendicularly, because it's very difficult . A mural painting
is something that is usually going to be
seen from a distance , and this must be
taken into consideration when planning .

really substantial and adds to the building
- you can't do it in a rush ."
However, George seems confident that
at least a few works will please all the
groups concerned . "I th ink we can expect
a couple of indoor m urals at Evergreen by
the end of spring quarter," he said.
Perhaps Evergreen can look forward to
not only a little less cement, but some
great art work in its place .

.".

JONI MITCHELL
The Hjssing of Summer Lawns

Hassle - Free Houseplants
by David Judd

"I

Craig LOZli

The Journlll news lind- business offices lire locllted in the College Activities Building (CAB) rm. 306.
\. N~\\'s phones : 866-6214 lind -6213; IIdvertising lind business 866-6080 . .

final mixture coat of plaster, sand or
marble dust , and lime.
Wh ile the final coat is still wet the pa int
must be app lied, otherwise the color will
come off like powder.
.
If the paint is applied correct ly the lime
crysta lizes over the co lor, bonding it perma nently to the wa ll. T he colors are not
affected by ra in or sun, in fact the on ly
way to remove them is to actually cut
them fro m the wa ll .
Its indestructible na ture probably contri buted to the popu larity of fresco in
a ncient times. T he techn ique itself hasn' t
changed much over the centuries, according to George Dimitroff.
"With t h ~ exception of a few refinements that we have today in the modern
industrial age, the kind of fresco these
students are doi ng is the same kind people
have done for hundreds and thousands of
years. The st udents grind their own colors
with a stone and ' glass - there is no
machinery for doing it. They m ix their
own plaster and plaster their own boards ,
T he technology required for doing that is
stone-age technology ."
EARTH COLORS
_ In fresco pain ting there are no manufac tured" colors - a ll the colors are earth
tones, as they have been for centuries,

QQ QJ

ADVERTISING

ISilJourrtal

Fresco - the technique of old masters
like M ichelangelo and Da Vinci; luminous,
beaut iful, and in th e Uni ted Sta tes, dying.
Lucienne a nd Step hen Dimitroff, w ho
may be the only professional fresco painters left in the United Sta tes, have co mmitted themselves to passing the art o n to
younger genera ti ons. The co up le is teaching the tech nique in the "M ura ls and
Architectura l Art" program, coordi nated
by their son , facu lty member George Di mitroff .
Lucienne Dimitroff speaks with pride
about her skill. She is concerned that the
a rt not die out, as it has in the past .
"There were a lot of fresco painters in
the 1930's . .. but it was too much work
for the ma jority of the artists so they
stopped. We fe lt very a nxious that we
could pass it on to younger people - it's
got to be passed on . Otherwise it will die
out like it d id when oil painting was in vented back in 1500. Oil was invented
and suddenly nobody did frescos any
more . Renoi r said he wished he knew
how to pa int a fresco - they are so
luminous."
Fresco is a process of building up thin
layers of plaster on a surface, letting each
coat harden one by one, and applying a

Tequila
Sunrise
Witchy
Woman
Best Of
My Love

Jim Feyk

PRINTER

by Jill Stewart

Their Greatest Hits 1971-1975

TWO OF THE SIX POSITIONS ARE WORK -STUDY
FUNDED (AS YET UNDESIGNATED) AND WOR K-

BUSINESS MANAGER

•

'~ Painting a large panel requires a philosophical attitude toward the mural. After
all the preparation work for a fresco, you
really want to do something that has
meaning of some kind. Mura ls require
something with more substance , like
bricks being built up - it's hard to explain ."
According to George a few students
have had qui te a bit of success with the
mural format and have begun steps to get
approval for doing inside wall murals at
Evergreen.
"The students will go through the Vis ua l Environment Group and probabl y
Jerry Schill inger and the admin istra ti on.
T h e adm inistrat ion is be ing cautious
abou t us, b ut I th ink tha t's good, " he
said . He continued, "T hey do n't want us
to work direc tly on cement. They want to
have the op tion of removi ng the mural s
and restor in g the walls to their beau tif ul
duff cemen t co lor ."
Lucienne emphasized tha t mura l art is
part of architecture and should be related
to the architectufe . She exp lained that the
best situat ion for creat ing a mural is when
they can work directly with the architect .
She feels the administration shou ld be
cau tious in accept ing the ir art work.
"Until we can show that we can do
good things I don' t blame the administration for bein g wary . They have beautiful
buildings he re. To get something that is

$4114
REGULAR $5.79

When select ing a house plant
it might be helpful to first consider the loca tion , the amount of
li ght ava il able, and moisture lev el of the a ir in the room. Then
find ou1 what sort of conditions
the pla nt you are considering
needs. By doing this you can
save money spen t on exotic
plan ts tha t end up succumbing in
dark corners,
Start off wi th a good quality
plant fro m a plant sto re that you
can trust. An a lrea dy we11 grown plant is go ing to have a

much better time acclima ting it self to a home's env ironment.
Have a good understanding of
the pla nt's light a nd water re quirement, when to ferti lize, and
how and when to repo t.
Consider purchasing a plant
that requires the amount of a ttention you' re willing to give it.
Some plants do not requ ire much
care ' and sometimes do better
when just left alone, while others
require special care that is not always available.
Here are some hassle- free,
easy-to-care-for house plants to
consider :

• "Path os" (Scindapsus aureus)
is a vine with green a nd yellow
leaves that can either be hanging
in a pot or trained to climb
around you r house. Pothos will
s urvive the dry air of most
homes and ca n adapt to indi rect
low light.
• " Heart -leaf philodendron" (P .
oxycardium) is a vine with solid
dark green leaves. It is similar to
the "Pothos" in that it can hang
in a pot or be allowed to climb
up a pole. Most varieties of phil odendrons are able to survive
the dry air and low light found
in most homes.

• "Dracaena" (Liliaceae) is the
famil y name of many ribbon leaf
plants that often are mistake n
for corn stalks. T he "Corn plant"
(D. fragrans massangeana) and
(D. marginata) are two of the
more com m on va ri eties so ld.
They need good bright indirec t
light , warm temperatu res, and
moist soil.
• "Sp ider plant" (Clorophytum
comosum "Vittatum" ) is a good
ha nging plant th at requires
bright indirect light. The main
plant produces runn ers that
become several feet in length at
!,he end. These are the new "Spi -

der plants ." The new plants pro duce roots whi le still in the air.
To propagate a Spider plant clip
the stem runner that connects the
main plant with the new plant.
Then pot the new plant in a separate container.
• "D umb Cane" (Dieffenbachia
segui na ) is a thick-stemmed plant
with huge e lephant -ca r - like
leaves. Dieffenbachias are known
to reach ceiling heights and some
can ad just to a low light env iro nment.
• "Norfork Island Pine" (A raucaria) is a slow growing sy mm etri cally shaped indoor tree that
grows we ll in brig h t indire ct
light. This plant makes an ex cellent indoor li vin g C hri stma '
tree. It does be tt er semi - roo tbound and prefe rs cool temperatu res (50 0 to bO ).
One common problem with
Spider p lants a nd other Dracaenas is for the tips of the l eav~, to
tur n b r ow n . Th is is usua ll y
cause d b y a white s ub s tan ce
called "perlite" found in so me
house plant so ils. Perlite ha s flu 0r ide in it a nd it wi ll ca use leaf
tips to turn brown. If this is hap pening to your plant, co nsid er
changing the soil to a mi x that
co ntain s no perl ite .
Beware of hou se pl ant sa les
tha t many superma rkets and department sto res have periodical ly. Before buying a plant that is
on sa le, consider the qua lit y of it
and question w hy it is on sa le.

8

.

Sf>

~

:r
(I)

~

::!

;:

CIJ

::!

'"
"'-

c
00
o
'~"

00

::!

"

o

"=>

""

~

!'

::::::!3il~~

...

V'.-II
CD

'" '" '" !" -o
",!" >e",
;

... , ~'"
.w
....
.. ""'.. - ...

a Match Buddy

Ca~

Kim K.ufmJo

m
.,n
m

II

-

_.
n"
~
G)

.(

C
:J
Q.

~

-

~~

C=a

~O
@i1lmm

3
en ~g
~~

8g~

II

...

I»
t:

.,.

I.
-<

Uti
C::r

0:::1

..

... o.. ~!!il) ::a
=
=~ .aiz8 , ca.
,.-...
C;'"
aCD

'" .........

m

tT

~

~

~~

~~
-

G) '

Q.

G)

~~

"_. :~

cs'
en

z~

-;; ~~
~Q

C
_.
r+

...--

-..,j

...

(..)

,

.;.

(0

Setting suns reflect your colors
harvest moons, feathered slippers
that you wear
when you ride
wind swept scarlet clouds to Winter,
slippery steps ; a road to freedom
frozen paths I used
to take to you,
I touched the colors of your season
lovely oranges, fading yellows
dropping like the lea ves
from a maple tree,
Yes Autumn Lady finding peace of mind at sunrise,

=.

c

Vl'"

:r::::-- ~

-

0

I,I'l

0..

Q0

::J

g

(")

:J_~m~c~

;:;.

o'

3 CD

»

3 0:

ii'
en

i~

a

::r:'
,,(1)

Di

~..

l

0..
-

:J

...,

0

rtI

-

cr
0

Q.

ro~

9..

V'>

5..

•

- .

;:.:

c::r..,

Q:)

;;

== 0
-. 0..' "D.l

o-'ro

__

0

::l :::..

0::::;-

V'l

.., 1'tI'"

'< DJ

I,I'l

"T'l...-r- a...

:l

_

~

3ro '"Ci"
_

0

Col

t

roo
c·
~::T33

_......

=: :l

~

rt)

"'O~
-.
'<
................ :J

~~

n'

~

~

!ll.

3_. :3~. ~

-.

=-

:s

~

c:

"0::;.

~,,-·l

=. =. _

ft)

"0

I'tlre~

m

s:
en

0
Z;::a

(/'I

3:::;' ...

...,'<n~"'O-~()

::lD>0:ln- 3 ... _,_

(JQ,.,

:>~:lo:>O~

ron::.-o_
-< _. 0 0 ....,...
.., <: "'"1
~ ~ ~ ~ ~""":T
::0 ::I::: ro
:::' ",,!:; C>. ao :::> C'l
::. Ul« ~ D> II>
::l. , , - ,
0. ~
_ ~
~

O'Q

-.l

bruce g,

~

nJ

OJ

'-<:

=r::J

QJ

Q)

ttl ::J

I

n

0

'"

n'
~

~'"
:5.
......

:

~ ......
;::..

~::t~::;-;:;::s;r
~
m '< 0. 0

:r < =- ro
rt> ~ '7 c...

~
:r < 0
...... Q) 0
<

I'"OfD'OQ..

c'" (D OJ ::I
~:;;5~:J

m - - " <:r
::!. o· (D' (t) ro
0::1 < :r fD

..,.

a; 2..=-,<
7f;'"
~'VI rtl
(D q VI !:!. ~
::1 ro r::r ftI ~

::J

!,fl"' ....,

U

~......

•

~

0

",

:J

~

o· Vl

....... OQ

:J"" 0

~;;- "<

Q)

~

~

C

::. ~

D.l

tv;;;

'"

~

~.

-00::

~c

,.. 0

~'"
9'::r

-CD f"D

~~

n 0

.., ~

o

00.

C

C

N

a

/'t)

n' 7'

7·

S!:.., i!i

~"O~

"'U~~

_. ,...,.. ~
:::I::r',...,..

~
III
mm:l
1"tI.., _.

I'tI

0 n <n'

ttl

~'" ~ rb '

ttl

=

_.

~

:::

0' <r ~

ItI

7'

~

0§-~5"'

~('I)Vl(D

~~"""":r

('I)'"
~
,...,...

<:

o;r
n' ""'"'
3",m o
""T"\

m ~ :,;

.:'l a- r.n _ .

~

n'-

~Q..;:;"~~:t~~

~~~VJ~-"'c::~

e-:

:s:

8
VI

1

.... W

,. °

,~

8

.. ::1.
0

~n

~-,
... ", :r: - '"
sOl03

'r;

'"

;:;.

S

8

~~

",
:;!
•

0: ='

0
:l ~OQt'D-:::;'

...

Po

:r:~c:{')

(')3::r

"0

'"

:l
..... '

(]'I,<

0'"

-0

~;s:

~

::. ~ :r ~ :To S' 3

'"1

::-

;.

:J"";3

(f)

C

Iii:::l
Iii Cll

... 0

n'

I

...U

~
fD

;:;.~ ~ ~:J

~.

'1"0 g~..,

Z:::T_
~. O ' :::l

"'-Q.
I: (f) CD

-'CJ)

--

:::l
:::l

~

..,o
(;)<0

-

!:\

::s

,..,...

0"

(t)

'"
'<

()

00'

::s

!:5

0

0 ~ ..... 0
..,.... o·
:J

::...

:J)

-l

_

•

I

~<.

I

~

:; iil ~ t.ln;"1;J
o _.
Ul 0
t'D

rt'

0

(JQ

:s

_.

g3

~
.... . ", (fI 0 I'tI
:::1 ~

I'tl

o ~
C;;'"
;':Ir:~ ,"
m Pog.!iit;;

~~ ::l ::ro.~"O

as·...-r-°:r o

-. - 0 ::l ..... $: ~
t;'~..,(fI~I»(D
~
3 _ 0 ... ",
;;-~ '" 0 _ " ::l

.,
0
~

-_(fI,.Y'''<
:0:. ~ '" :t.....
~ ""'"'a,o'~" ::::

"''''::l'''no.

r;VlO,...,...~O-i:r
"'1
"Oc
.... ·Cl'tl
Q.I _. a..
::J
rD "'1
.., ('I) f t ) ' "
til f"D
•

Greek Poem
Greece - of the white Islands resting like clouds on
she~s rain like
tears of joy.

I

,1 , / '

r ), ,-/"

~~rr

"

'{:::-~...:.. .:-...~., ,\.

\

~

""

-~

By Matthew Sperling and Shirley Rose

A lonely donkey walks steadily up a steep and rocky
mountain path, pausing at the top to watch the sunset
over the water colored horizon.

While the white marble of the Parthenon flutters
over the city, a flag surrendered to by as many hearts
as there are ships in Piraeus or islands In the sea.

through village streets by the pageantry of Easter
Sunday,

Olives black as the eyes of blind Homer squeezing
out golden tales. a yarn spun for listeners whose dinners of goat's cheese, flat bread, and rice wrapped in
grape leaves has filled their stomachs, but emptied
their ears of all else but a hunger for the thundering of
Trojan Horses whose bellies grumble with the Indigestion of swallowing Greeks in bronze armor. Zeus and
Poseidon both took sides, but Kazantakis wrote The
Last Temptation of a god whose Mass is stili carried

Olive trees, whose fruit may have been carried to
Troy by Agamemnon, wrap thousands of black eggs In
gnarled branches. Black beads woven Into strands of
golden oil lying coiled like the snakes who waited for
Penelope to finish her weaving, while Odysseus
threaded the needle-eye of suitors axes, the final tapestry of Cyclops.

White houses permanently pale from coats of paint,
and skirts of many colors twirl to the music of bouzoukis, while glasses of ouzo clink in the cafes till It seems
like glass birds are singing in perfect time to old songs.

A shepherd rests with his flock on the mountain top
of green grass, while grey boulders tumble down to the
port, caught in the nets of fishermen who sing as they
mend holes that fish as big and heavy as stones have
left behind.

....

~

co

g

~~

t'D

~,

.

til

",

::s0

O

...,

"...

::::.

"'1

""T"\

"0

c:

;:a.

<';

:;' c:n

0..-<"

Q)

~

00

0

..,....

-g

0

7" 0

rt)

::s

I

J .,D

~ ~

..,

til

n' --- VI- 0
rtl ~...
0 ::r U'I::S
::r c.. rtI
0::l'"
C"''''... Vl 0.
~
Q.. '" '"

til

00

=. 8..a

-.Q~
cr"
~ ItI ~

,...,...::.

Ul

;S:::l ~ rn ... .

:>

;.

(f)

:r

ti __

-

0 m
3
~

0 :t ~

:r t') VI rt)
~
"'£~~
_.00
::r :::-:- s: 0
~~Si:if

3" - ~
C _. ;;r ",

~ '"

6

. .-r- . . . . . S; 2.

::r OJ S <:r

g !f.g ;; ~ ~

_.

c ~-. -

(b

:-<.-.:a>(7"~
~:J "0

...

DJ "J'\ o , . Y '

~ ~ ~ ~ ~ ~
-()'Q-'
-~
o:lVl60<
n

"'~-

fti

00:;' - .

n:l" a ~

8..

-<tJ.c..~

"'3
£ ..... Vl
-'~"''''
=:'
;- ""'I

'"1

>- 0'

o:l

D.l -

::;:- (D

~ 0.. 0...

(/'I

D.l

~ ~

a

a =.

3

ro

0

0...00 0..

_

0:

0

g-

Q..
"-J
...,
;.
~
0'
~
~
ro ''''
..., ... <;

§ n'" _

It)

..,.. 0 ::r ~.
O'..L. ::;. :r

.~:=
. . '< ..~..,,...,..

~ ~ co 0 ::r

rJi

01 ... .

::J

"'1

0.. -

~

_. '"T1 C

'"1

'

o.",c
' ~o
Q)(')_.'"

c:~
,

.

__ I

I

0..

~

0.. I

. ,. .
~;--~C-rtl

0.3",
",:l::r
1:1,)
("'_.:::":'(JQ
) I ... ~
_'<

33-'
~
~::l-

_.

..... Q.l
;.::s-

March 11, 1976

Volume I Number 3

_

midnighl warch

'I

(t) .....

c.. ... 0lX

~~

\\,Iil in l'orner~.
'tou hide in ,llIe)~
on" d.1r!"m'~~ !"nmH hoth.
It sl'nds )OU meSS.1ge~
h\ ,! ~I.H!" i,lled fourier,
dr,!pl'd in crim<;on
'Iou In oul ,
\ OlH iingl'r~ tl'nSl' .1gainst the
hrick ",III.
T", 0 l'\ ('~ pil..'rce the night
,I rude .1'" .1kening.
i l' ,i t,
,,~ i "',Ilk,
n\\ h'pt miss the cr,l('!"s in thl' sidl'''',II!'' ,mother clue "a~ted,
Rori R.. hl'r

::I

-~
-.
-,
C tb cr
::J ... "<

~
~<Q.

C <'

~C~2 , -~

3::r ... '< 0.
-. c ~
..... O,Jrtl3
~rtI
~~-.- ,"
rn
-, ~ "''''0.
::l C e o
0
o '"
C 0 ::s n I'tI ~
~::J:l
-0 ...

'o~Q_~~~

<

(/) ....,

.,,,,'<"'3

~

0.."<

::s

'

t'D ..... t'D < t'D ~
n
~o-t'D_-,..o
_.""""
~.
v
~"O

(t)

--1<::J

= ft)_t'D~
(J)"'"
<'

o..o..::S c::r=-."<

~::s

I
'-l
::l 0 ro (f) VI - - 0
"'" n
_. 0-'"
!:l-...,..,t..IiV" '
o_U'!o~'"1'

f"D

:r

.0,,'"
<.;Jc".Jo_·--'''O

-..o~'"

I

IllNO....,.C~~.
,...,...

>-

~~~cl'tl~~~C1'Q~~g~O"~c..~~"'OC1'Q~

c-'
"'~~::lrn
m
~"
'"
c:r nr -g . t'D~<:rm'"
"< .., ~ V"J 0..,<
~C1'Q ::s"Q rD ,. ,. . ro 0
ro
=:
06'",,,,::l,,,~
~
",0 ... l"'3~:t
n O,J 0...., ti ~ 00 VI -.
,...,... 0.. -. 3 0.. ro .........
;:;:-c::r
::l_
-ti "'0
- CC::l
_
:J-

;:, :r ro ~

g.

m
0

';::;'»-

a

* '" : ;

2..

:J"" 0

_. :s t'tI
tJl . . . . =
~.
5' __ ~

t..I,..,

:::J

_. ~
", 3
;ii ~ Vl
n ;:!.
_. :::J- ,

~. ~ g 9...
2. S·
~ ~ §- ~ . <no ~
iil OJ' ~ ~ ;.
- ::l ()'Q ~ Q.. n ,,~
rn -l::l ::!, coo 3 c-;S:"'()'Q
",
o-::r~ ... ::r-N-·CC<::r'
tJlV'lIlJ:r-"'ro
C1'Q(DIllt'D:s~

e:
5....0 ..,

I

I
II
I

I

I

<no m
Vl
_ .
Ill:r
'
0... rtl
,...,...,
rtl (f) ,...,... • • • • • • •
~g::l'"
_'"
n~::r~::l,<~
... ::r.
_
"""''''''''0
~ ..,<rol'tla..·
DJO<t..I
n~
~
~
_mm
m
:
:
l
'
OOrt)
_(D,...,:l .......
0..
n

3

I'tI

:j" ~

~

III

...
,..

3n",~",~">C
0
0 .., <: ro to ~ "'Moo
til 0...
0 0

0

-1 3 c. . . -~
- . t"O <:'
VI :l ro "'T"\

:J""

ro:-'"

~:r
_.

~

"0:::;"';

~ ("') -

(» ::;.:. .

~

~

~

:l

...

0

:J
Cfl '"
- . ,...., I'D CL"'d

rtl

0'

'(

::; .

::s==-..,t'Do...

O'g;s:.-o:l
"'
0 0 '"
::T
me'"

~o.::l ::ro",,,,

g~g.~@a:~1

o:l~=~~"'O

...

..,

~

(f)

;:ri Ul .., ..,
c..'1:l ~
1lJ:!.
::r:-:~'<
"':D
I"tI
t'D .... ,
t'D

0

......

<:S

n

~

0

~

I

I
I

(Jl'"
_____
JI

en ('I) 0..........
OJ . . . II'
",
'" '"
-l
_v 'Il1o..
..,
:l'"OCUl~"
<.....
t')
t"O C . .

n'

-:

~;:::

'Tlnco-o.
....
~..
o::T"ft)
0
,..,
o~V1~~:;O
~
~()'Q'" O::l
_

:::l

~ ~ ~ ;; 3 O-~ ~. _
c:
mo::r 0:1
~ a- -. n x ""0

'J'l

t"D::r ~';'

..,::r' ~
,..'

~~~roo...o.vr

3:

'< 0 : l

Q.l

g; e"O

!fl ~::r
ro ('I) 0 0..
~"'::l
Q..:>, ()'Q _ o:l ~ -

i=i:l

~ c:
cr" 2 15: ~
"'...
- '<
0.~"'~~~3
"0
-0"'",,,,
..,
:r 3 (i) ::J:J

-..,.,.J

00

"O--"'-o."'C:

~
,
,J.:::::.. I't)
00 ..... "'0~Q.l
-O"'U'I::r
"'_"()'Q,,,0.'"
~Q)
I'tI
ro

It ;.3

,

<'ro

Q.. . . . . . . . . .

.......

(6

::!""'."" ~ ~ ~

('I)
..... - ::'
~ ~
~ ~

~",
c V'l ~ c
(f)

~

"'Cm",,,,-m_
~ rtl
0.. C 0 ""I

_

"'1

~~

~ ~

to

o " '" ;:;' ~ q '" n ~ !J1 <.n ~ $: '" ~ :-:'1';
~()'Q ~ -l C ", '< Q ;s:
C~:J "
",'<",,,, • •
~o"'",~
:t:>::r~
",

::l:JnVl"'w

(f)

(')~,

il- = s·

g•
- . ", :>
'!:" ~ ~

g

r~rtl~~
:l~::ri-'t'tI
~ ~. $:OQ:;' r" QJ ~~: ""0 ~

~

:!

-:J ~:J -l '" '<
-.
::l ~ '" '" ~
0, (D
< 0 ..,
~ ~ n'~
~ _.

.g

= :;' -

" 5'

iil

a blue Mediterranean sea where the sky

.

"'C

fI)

~~:;:

",~0;"'~ :J"'-=-~",~~;.!.~3~:ElJ::l3<:ro",q~~~~~~8'<
~ a a- --.~. Er ~ ~ 0 0 ~ ro .... 9:- VI 0 ro ~ ?' ~ . . =.:. 0 g. ~ '< :r ~ ~ ~ 3
D3
=-. ~ ::s ='0
.
'
- ..,......,.... 0
~ tu
OJ - .
<
. .-r- f"D "' ,...,...

=r"

9- "¥.
3

-.:('I)=O"'Ulrol-.

Z

o

r

OlCllCll

(]'I

;$;"O"';S: '"
'" '" :-: 3 n
:J ~ '" Q..::r
-l co.;.~"O
-l ~ ~ l ~
;:;l : . : : ~ ~ g n
~.
~ ~ < ~: ~ <n' ii ' A
~:J 0 n "0
n "0 "'3 Q..::l ., - . ... ~ '" " m '"
", ~ ()'Q :J <' ' c rn

'< '"

!:I
~
c... ......

'"

~.m::l"'3-~0
",:>o"'~
:t~.<:ro
::l
ii 0 .., :T _. 0 ~ :::1 ~ 0

- -

",
3
C
'"
(')
t.l
_. ::;:
"'''~0:J~mo,,_.

;S:-l~~~~""'~~

~ ~

I'tI

C
-.3 ::I ~ ..... ::=:

~ ~ ~ g -g,

<n' a-:;;

>-

tJ

::r":::r",---o.

~Z

= ~~

3 3

O~~OUl~O~~~~]

~ ~

:>-,

<

~~
Qo

»Z

(It

i

i

0

0
G')-.

.:.. g ~.
0
\.0
~
In:::l~.
c:
0
'
"
Ol
C>
""''<-'0
I '" o } >
to VI
0
(Jl'"
I .:. .
<
_. f)
~
~
II O!Y'
_______________

1 )(
1"8·~

~

DEMIURGE

0(/l,;","'3::lQlr
-='3
I\J
_.
_
ttl
o"'2"~-~rtI_]..<~~
:;
~ ~ ~ ~ ?- ~ Q 0" ;- ;:;. ~ ~ r.I ; . ~

- _·
U'I:S

Vi

ttI""'-l=N,<~~~-""~
-,
C>. ;. 0'- n ~, ~",:;' a "" ..... 0- Ul n
II> . II>
~ -ao ... ~ -0
.. 0 ""
~"' .,., C>. AI "O:s
~:::'8 _. com"",D>3Ul
..,
0"1 ~ ~
.-

Q..

.

VI

ft)

Q ~. _
c...

rt>

=a:. ~3

=
I-

1 g

1'8.;. t-

~.
:::l

en

C ~ .., ~ Ul
=-~ . ., ~
'< ~ 0 -0 Q.. 0
_ ~ :E -:'" ,-... '" g-:t 3 ~
_. '" 3 -.
2. <no l
'< - ~ C ::l 2. ",'"
'~
. ...,
C C
-.
::r
:>'
•
<
::r~
-. :J ro
A::l
~
o::!,
", ()'Q C1'::lQ ,....
", 3
rt)
Ul
<;
..... m til
DJ.::::a.. . .-r- Co.I _ . _ . ,..,.
_
3 0~ rt>;:!. ::l
c...:l
00
3::"
..,....
0..
aCJ1.o ..... "'0 CJ""
_ .
...0 " , """'0 .- ro 0 .... Ul ro :r t.l 0
tu..,
j ' .- :l til 0... ~
.. , - n
rtI
c.......
'"1 t')
:J
C 0......
U'I 1'tI...
QJ::J ('l) til
:r
0
. .-r- - :r O-l
~ ..,
~-.
0:;-.0 000'-' = :E ..... ~c...rt> .. - , "<0. tn:r...-r-t"O::S~5·(t)'
:r,<u;'::S~c
-0 "'0 ::;" ~ 0'0 'c
.., "0 ~ ...... ro ~ ro
::s
0 "J'\ ~ ro 0 ;:; (D C _ 0 ,..,... C1'Q ;:0 ~
I'tI
0.."'0 ::!. c::J
3
0
oU' ::r 3 C :; 0. ~::l ~ 8
~::l "', 0 "0 0. '"
CT 3:>'
~
:J~."O Q::-::J -l
~
~ c.. .., t..I 3
ft) ro ~
:s ~
0... ~ c ro
~
::3 ~ _ .
Ol ~ ~ (3
~:To
t.l Q OQ on
~
..... c ro :J ro
< ..... 0
':::s ~ _ ..,
=-. VI ~ !:l _. ,...,.. _~ :::::: ::J ' ::J
Ii ;:0
~
~
~
~:J
:t ~" 3 S·
. :t ~ 0% '"
n> 3 ~ (J: ;;- 0 ".. '< '< OJ'
0. - (J: ~ 0 0 ~
:S, Q'Q ~ 1"tI......
~ C Q,l 0
. .-r-:
0.. (f) ~... CJ ~ ttl V1
_.
re ff
til
~ e!.
0
'< ()'Q 0~
~ O-l S:U::r
:t ; ~
" C ~ r'
3
: :D.ll "
-l
3 ~
.., 0
<:
_. :J 0~ '<
0
c... 0 "'0
0 ro ro
0 :r tJ ", (f)
~ ;.
0 ",
0
0 /'~:t
'" '" '"
_. ::l
:J '" S· o' ~ ~
)Ii
m 0..
:J ~
m
ro
ro C1':;'
Q 3 ..,
"'T"\:S
t) . ..,C ~. . ,. '"tJl :::::::::!:5
en
~ ~ ...... C1'Q.
"'1
I
til
::s I O,~J
..... ::lI 3I "<
1 ::S

o..OO

""'
..
,~

C ::::.
_

"'llc...!:5~1

I'tI "'C

~~~"'o"'o
::J !:I ::r'.., ~

"'rnVl --;s::t

«",

o

,<ttl
rt"'I
ttI~1"'J
...__ ~ g"'g.
~:t~Ul-i
~~
. =
0
V;' 0 :: rJl :r" _. 0 ~ :::0
_. C >CI C ""' ... 0
~",,,!!1. 0 -«

~~

o- , o~
...
0'"

,,,C>.~II>m

t;~-~~~II>C>.

Q\ ::J

Ul
n
~,:0l ::l
D> 0
o "'C "0
... :t_. c

I'tI

=.", =
(3' 4g.. ::s
~ :> ...

('tl

..,'"

0

~OQ

0
--::J

~

~ ~.., cu

-

~

'"

~
~ ~ ro -.
;.

:J

~

<~n:>:t::lO~~~~O
ro~~(j::::T'ft)<
t'tIn~rtI
~ . .., Q) -. ~ f"t) 0... -. C n Q) ....,

c:r _.

~...-r-~~31lJ,...,
~ ::l ~ ~ 0
<:." ro '< ::I ~. ro I

;:;$:I):ro~3"'.n

..............
t')

~

Cl. 0
......

Z ;;r

ro ~ :r:J

a. -.

,<:r 0.
V;' ~ ; .
:J

<:

<

OJ ~ _ .
::J ; .

=-:. (/)::so0""(/)~o..~
~ 3 ~ ~ ~ 3'"

5..
"''''
:s ::s r

1 c..:::..,rolrtl,.Y'..,

(1)

I'D
...

...,

ft)

3' ~
~ c::

CJ~-. "'o",o..
~c .... ,o..o:J
~;'::SOI
<.., (b rtl
0..:::3
c: . .-r- 0 (Jl n .., 0
n
CJ1
0"
III "< ;:ri ~ O'Q Vi' V')
"0.
n ttl
~
.00 ,...,.. rtl.......
:J
',.."
0 I'tI t..I f"D
(b
ro _. ft) Q)
"til
tu';g....-r'Tl ...., ...... ("')
-r~ Ul ~ ~;:;

,

..., 3

~ ~ ~ "T1:;- 0.. ::~, C
~~. '" ,.Y' -00 :r:::!.
... 'T1 ~
~ '"
~
'"1 ....: t'D

UlS "l C>.~-l"'c "'c"O'"
It c,I .., ~ -<:::r
c ::.
D1 ,.. 0 '< 5' r'O 0- a"" ~ _.

U'I
,C1'QUlttl.~ro

o..::l

(t)

0."
- , '"
m
_ . 0
a-..,

~. ~ §: ~ ~

3o..c<Q)~<~

3

-;

c: m :J

~

0.1

C

0

: :;

=. It> a.
~ 0 a.. ~

0

:::l:J

~

cr =. ~

_:J
ro
()'Qo'"
~ - ::r~
-c-~::r:J::rm~
<n()'Q:JVl~~~~~Vl:J~-Q..l~"'~"':J. .-r- .., 0 ro ,....,.....
~ -. ...... ::s ,.Y':r rtl
~
.., ~

~~
..,

I"tI

~ 0 Ul ::!.
crc ~.. I..(..,"O:s

r" 0

I'"'l

33I'bcV)~
~ &. tu
Cg:r

~

Q)

:J
':T

0 OJ' '

:l ...... ..

.

0.. <: ('I)"'"
rt>"'" ()'QVl
_. ..,
::l_~
0''''3_::r
::r::r::r",
....,. at"D .
C,...,.. t.l
,...,.. ::r t'D ~
t..I;:ri (/)' 7\"'" f.n

~"'~DJa...~Q.lC~~~:::"o

(b

a- OQ

~

"

"0

..,.

3"0 _
I'D --I ro o:r
Vi' :r ~ c.. 2!

t'D ~.
::1 OQ

0",

" " ::r .....
_.
-. - ::l ::r 0. 3 0 0 ..... " ' ~ :r
::!. '" rn 3 ()'Q W '" :J"O -<: m· in'
m:J:J'" VI -.
"'Oc-.
..,<:~:::!.
-...,
tJl-C "",
- Q.. _. c ~ 3 ", ;;: '"
'" 0 :t 0
0
~ ft)
V'I
;:;: ~
~ . Q,l ro N ft) ::::. 3 --- :l rb .., z"""" 0'
, ~
<' _ . ...-r- n ..., :l
<;0
~:J"O:t
"''''
__. ~
~

a.
?: n

OQ - ,

;':r ~ ~

2" -

:>3~:>;S:~~
_til
~ ::J Oti )( ~ ~

:>' "0

3

I'D

-l'tIrtlC

:r :r
..,.'" ~

~
.-

-l n
~ '< o...(J)c....c
~ 0 :>
Vl....,. ::s(t)C ......... :J""ttI~
""I
•
::T QQ V'lc... N I'tlQ)(")3Q::Sa.c CC
o
..,
..,
0 c ......... 0
n -.
(f) ~ ....,. 0
5'
I'b rtl 0 !:5 (b 0 _ I'tl

CJ)

0

C'D l't>

",
-. " - ~ Q.. ~
:J::lOO~", ,,

-

:::l

co

-3CJ)<O
CJ)
co

Cll~coCll

co

ro

~'::J e:: ~ Q..

~

::IJ :::l I
CO<OC>

-

OJ

:r

~~=:,~OJ"" ~:r5-roron\1.l

~_. ~.
0'
~;:;
.... . - (t)

It)

3 ~ -§

......

,,"

It 0

0

Q.I::J

...

I'D ::J C

--

0.

§. '< 0 ('tl
::J ; . (; 3 ~
w. t"D )(
,
::J ~
2. 0
..., .... ...... OJ -

c

cu

c.. ~
:::;-- ~

:J

QJ

--

n OJ::r Q.;rn _~o ~ 0 3
cr"'O VI ~ ~ 0 c: ro
~ I! ~, ~ _, 0 ~ 0.

(t)

0.1

..., ~ ~ _ . 0 ::J ~
rt>!" =+;
3 Cl. I'D
"'" ,...~ .
I'D 0 Q)
rt> Dol
...... ~

:J -jrtl ~

0

0

::J a... I'tl - < - t"D
'0 =
~ I'D
,,1"O:a'::J
()
.~ M
.., a""" 0
_ . rtl

~.

ro' 0

g- n 3

m::r
~ c..;:;;'

v;- ~ ....

m - _. 0 <' m - :J " ::T m
O'Q I'D 3~ . (t) V' ~ Cl. 0 ~......
~ 0'"'0 :::J Cl.~' :J ...... ~
:r
~ 0 o' _.; _. :r _. ~ 0

0

-

0

3

QJ

::l W QJ
cu =:' -

~:J '
_ .'
0.. V " .

~ 0
0
'$ 0 ~ . "O ~::J
:r C ~ . :!. ~ ftI
0 .:! .- ..,.
0 :::l t"D Vi ' 0

3

= 5". =.

~ ~

»

0"' _ ,..0 '<
::7 0 C '

,.,

S' ~ 3 3 ~ ~

()Q

~Q",n~:J

2..

::7 -

-<

~

~

(tl

=r

"

q

\1'1

.- ~
~0

(i" ~ ~
~ v; ~ ~ .-

;r

3 g..-.< . .,

.... I'tI t"D ~ tu C c
:;'
1"0'
~ n ...,
OQ
Vl_:T
VI rtI ~ Q.I :J cr 0
~ Cl. Ii :l ~ ~ ~
::: ;:;:. 7f;'"
rl' ~ . ~
OJ =: . tb _ . C n

a.

tu

!!!

\1'1

0

(1

Q.I
....1

S' a.. x

OQ

g

~

5' ~ g' ~

,~

gathering your strength at sunset,
Winter's coming on
Autumn's nearly gone
still I'm searching for a line
to wrap around you.
Was it December
when I remembered
all the words we left unspoken
like a fence around a quiet moment7
1 used to say
it's safe that way
Autumn Lady,
Adios,
John Dodge

/JJJTUMN LADY

=

'"<

~. 0

~
0

~ ~ ~
c
2· r) 0 '< ftI 0 0 '0
~ <::::T"O 0 :J :J - ~
f'I rtI < '
- . QJ
c:: -<
..., r'tl \J c: ::J 0
...,....
~ 0 -..::. ' VI 3 '< '< o· v, '
_ - 0 '"
~ -.:J
o·
S II'> • "0 ~ 0 ::J Q.I ~
OJ

"0 ~ Q.. -l -. ",Oc~::lO
;::. ... ::!. "0 ~ ~

:::l

o

~,
CJ)

I

.,Cll

-----~

Ol

V; '

:r"O~ ::.

The diesel stench wind blew across the vacant four-lane,
slowly eaten by the sage and aleovara,
The bus turns his back on me, leaving me the darkness,
leaving with an impossibly sweet smile.
''I'll drink to you,"
Draining the last of my canteen and spitting out
the remnants of bitter dust that has lodged for days
in my throat.
"You left so quickly, did you write down my address.
you know how forgetful you are, , , Promise to write,
just a line or two and be sure to call
when you get there, "
But where is the post office in this crazy desert,
and your hand has been in a cast for two years and
you don't even know where it is you're going to give me a
call,
If you're wondering what I'm doing here, with an un-lit
cigarette in my mouth, that bus back there? blew
out my last match,
And you know flint doesn't grow in the desert . , , lots
of steel thoughCLUNK , , ,CLUNK CLUNK, , , CLUNK CLUNKCLUnk , .. dunk

BZ

... !'"

~o-.
jUt
. 1.,.'00
"'a.' VI

=~
~
~

...

. . ·~i

... iI\~
0-0

~;g~

3

o
o

II

:J

- ~~

l>

"ca gen_.
m

Q.

m

j'

en

:J

'<
".,C_.

c"

i_.:J a <
c)'
CD

.,~

-~

I

I

-g

-~

Crossed into wonderland today,
withou t the aid of God ,
and didn't return
until.
]I. li,hael opened the lid on his methane digester .

Thought perhaps Thoreau
was sitting in the doorway,
watching
the time ,
that everyo ne else would think
is being wasted,
though
in truth ,
squandered time
doesn 't exist.

Couldn' t find the painter ,
but the song was distinct ,
colorful and clear ,
makebelieve , . .
Emily Carr has left Vancouver
and come to point
out those pictures she found
in the spaces,
between
sun
and reality ,

Odd shapes were staining the floor ,
casting shadows on each other,
weavinggeen and lacy ,
throughout,

Shaded and cold a,t first,
it seemed lilliputian ,
then filtering sun,
enlarged it.

Crossed into wonderland today,
without the aid of hemp ,
and watched a forest
grow.

OR Got

o

:.. ... oit:.. N g~
....... N N .
Z

t~ ;;- 0
.... r: ......eft <

-if-

S
.,

;j

CD

()

I!!I!! '"
:::=:.

:J
:J

~

~

;j

CD

~.

m

cr

-<

Q)

~

CD

.,....

g

(Jl
(Jl

CD

()

~I .........

I· -

Q)

n
n

G)

CD

~

r+

~
a.
.,....
o
3

lJ

(1)

~

r+

:J

(Jl

.,.=iiilliill!e~
.,. .,. .,. .,..,. r= ii

~

:l

m

Q)

o -<
~

Ul'~~
-rt

,.
...
• i:a ;'

88~

3
3
c

~

GI

iD

~.

(I)

l>

How Leaving Cures

o

CI1

0'1

c..l

c..l'
,

\C

.

~

~~~

J

...
n

GI GI

l. ***

'.

lJlJlJ

~ ~N...&

l ~~~

f

~

a.

r+

c...
c:(Jl

~~

;iIC

~ ...... rtl'

:::

_

".;.

in

;i

r----------------------·I

I
I

r----------------------·I

I
I
c...
c:(Jl
r+

a.

~

o -<
~

f

:J

l ~~~

~ ~N...&
lJlJlJ

'.

l>
(I)

~.

iD
GI

GI GI

~

l. ***

3
3
c

~~~

J

88~

:l

~

~

r+

~

(1)

lJ

~
a.
.,....
o
3
r+

~

Q)

n
n
CD

(Jl
(Jl

.(

-~

-g

_.
n"
~
G)

I

g
.,....
CD

~

Q)

-<

cr

G)

()

m

~.

;j

()

CD

~

""

C
:J
Q.

(Jl

CD

~

~

m

Q)

CD

;j

-

I

-~
.,~

II

m
.,n
m

c"

'<
".,C_.
:J

en

j'

m
Q.

S
.,

II

o
o

:J
:J

~

~

tT

m

3

,~

'"<

c

~. 0

=

5' ~ g' ~

g

=.

(1

\1'1

Q.I

tu

0

....1

Vl'"

:r::::-- ~

a.

\1'1

~.

~~

=r

G)

-<

0

2..

~

I,I'l

g

(")

~_. ~.
0'
~;:;
.... . - (t)

~~

OJ

~

;:;.

:r
0

ro

~

Sf>

n

:r
(I)

~

o

o

::::::!3il~~

"=>

:.. ... oit:.. N g~
....... N N .
Z

"
::!

...

00

c
00
o
'~"

'"
"'-

::!

CIJ

;:

.

\C

::!

~

c..l'
,
c..l

0'1

CI1

o

... , ~'"
.w
....
.. ""'.. - ...
'" '" '" !" -o
",!" >e",
;

...

=~
~
~

~o-.
jUt
. 1.,.'00
"'a.' VI

-----~

Ol

8g~

... !'"

BZ

3
en ~g
~~

~

3 CD

co

I

co

I· -

o

CJ)

!'

...

..

I»
t:

.,.

Uti
C::r

I.
-<

~I .........

t~ ;;- 0
.... r: ......eft <

I'D

...,

0

-

•

..,.

;:.:

- .

0..
-

:J
':T

Q)

~

:J

~OQ

0

I'"'l

V'>

Q.

3

I,I'l

..,'"

I'D
...

_......

=: :l

9..

..,.

'-<:

QJ

~
:r < 0
...... Q) 0
<

0

n

:r < =- ro
rt> ~ '7 c...

Iii:::l
Iii Cll

OlCllCll

.;.

=-:. (/)::so0""(/)~o..~
~ 3 ~ ~ ~ 3'"

:l ...... ..

.

0 OJ' '

:l
..... '

I"tI

rt)

~~
..,

"'O~
-.
'<
................ :J

::r:'
,,(1)

~,,-·l
~

c:

~n

.. ::1.

8

,~

,. °
1

VI

:r:~c:{')

__

0

"

~

!:I
~
c... ......

~~

""'
..
,~

C ::::.
_

o..OO

=. =. _

== 0
-. 0..' "D.l
c::r..,

o-'ro

Q:)

;;

.., 1'tI'"

'< DJ

0::::;-

V'l

"T'l...-r- a...

3o..c<Q)~<~

~. ~ §: ~ ~

0."
- , '"
m
_ . 0
a-..,

o..::l

:l

_

0

~

3ro '"Ci"
_

"0

s:
en

I'tlre~

<n' a-:;;
~ ~
•

;S:-l~~~~""'~~
C

iil

~

I'tI

!ll.

Ul
n
~,:0l ::l
D> 0
o "'C "0
... :t_. c

Q\ ::J

-.

=-

:s

t;~-~~~II>C>.
,,,C>.~II>m

o- , o~
...
0'"

ron::.-o_
-< _. 0 0 ....,...
.., <: "'"1
~ ~ ~ ~ ~""":T
::0 ::I::: ro
:::' ",,!:; C>. ao :::> C'l
::. Ul« ~ D> II>
::l. , , - ,
0. ~
_ ~
~

O'Q

(JQ,.,

(/'I

:>~:lo:>O~

~

~

;.

(f)

:J"";3

(f)

C

<'ro

.......

Q.. . . . . . . . . .
-..,.,.J

S

(6

00

g; e"O

::s0

;:ri Ul .., ..,
c..'1:l ~
1lJ:!.
::r:-:~'<
"':D
I"tI
t'D .... ,
t'D

...

",

-

!:\

Q.l

'< 0 : l

..,::r' ~

i=i:l

n'

'!:" ~ ~

~~~VJ~-"'c::~

o

ttl

.., ~

...,'<n~"'O-~()

n 0

~~

0"

(t)

"'1

:J)

'"
'<

"0:::;"';

~ ("') -

(» ::;.:. .

,..

::::.

co

~,

00

~

~ ~

::s

!:5

3:

""T"\

>- 0'

"0

;:a.

c:

o:l

~

ro:-'"
0

..,....

~:r
_.

'"1

3

=. 8..a

g

0

~

n'-

=

~

.:'l a- r.n _ .
m ~ :,;
<:

~~"""":r

'"

~"O~

0§-~5"'

,.. 0

-00::

0(/l,;","'3::lQlr
-='3
I\J
_.
_
ttl
o"'2"~-~rtI_]..<~~
:;
~ ~ ~ ~ ?- ~ Q 0" ;- ;:;. ~ ~ r.I ; . ~

ttl

_.

_. ,...,.. ~
:::I::r',...,..

Vi

~

~.

~

/'t)

~
III
mm:l
1"tI.., _.
"'U~~

S!:.., i!i

n' 7'

...

III

'(

~

0'

~

rtl

~

:j" ~

~ ~

rt)

::s

I

J .,D

..,

:;' c:n

-g

~

I'tI

0

7" 0

:J
Cfl '"
- . ,...., I'D CL"'d

n' --- VI- 0
rtl ~...
0 ::r U'I::S
::r c.. rtI
0::l'"
C"''''... Vl 0.
~
Q.. '" '"
til

til

I

;.

-.Q~
cr"
~ ItI ~

c ~-. -

(b

_.

:-<.-.:a>(7"~
~:J "0

...

;S:::l ~ rn ... .

n:l" a ~

~ '"

::r OJ S <:r

g !f.g ;; ~ ~
,...,...::.

Ul

:>

(f)

:r

:r t') VI rt)
~
"'£~~
_.00
::r :::-:- s: 0
~~Si:if

n

"'~-

-<tJ.c..~

<';

DJ "J'\ o , . Y '

~ ~ ~ ~ ~ ~
-()'Q-'
-~
o:lVl60<

fti

0 :t ~

3" - ~
C _. ;;r ",

6

. .-r- . . . . . S; 2.

0 m
3
~

ti __

-

0 ~ ..... 0
..,.... o·
:J

0

::l:JnVl"'w

_

-l

r;VlO,...,...~O-i:r
"'1
"Oc
.... ·Cl'tl
Q.I _. a..
::J
rD "'1
.., ('I) f t ) ' "
til f"D

•

"''''::l'''no.

-_(fI,.Y'''<
:0:. ~ '" :t.....
~ ""'"'a,o'~" ::::

7·

""T"\

('I)'"
~
,...,...

~('I)Vl(D
ItI

:::

0' <r ~

~

7'

as·...-r-°:r o

~~ ::l ::ro.~"O

I'tl

o ~
C;;'"
;':Ir:~ ,"
m Pog.!iit;;

~

g3

.... . ", (fI 0 I'tI
:::1 ~

:; iil ~ t.ln;"1;J
o _.
Ul 0
t'D
~<.

•

_.

~

I

I

rt'

0

:s

(JQ

_. ~
", 3
;ii ~ Vl
n ;:!.
_. :::J- ,
:::J

';::;'»-

ro

rJi

~ ~ co 0 ::r

.~:=
. . '< ..~..,,...,..

0

..,.. 0 ::r ~.
O'..L. ::;. :r

a

(/'I

:J"" 0

_. :s t'tI
tJl . . . . =
~.
5' __ ~
t..I,..,

a =.

* '" : ;

(')~,

(f)

m
0

2..

a

~'" ~ rb '

0 n <n'

N

~c

~'"
9'::r

:l

::; .

3n",~",~">C
0
0 .., <: ro to ~ "'Moo
til 0...
0 0

-1 3 c. . . -~
- . t"O <:'
VI :l ro "'T"\
:J""

00:;' - .

00

"'3
£ ..... Vl
-'~"''''
=:'
;- ""'I

e:
5....0 ..,

::...

-. - 0 ::l ..... $: ~
t;'~..,(fI~I»(D
~
3 _ 0 ... ",
;;-~ '" 0 _ " ::l

C

o;r
n' ""'"'
3",m o

ttI""'-l=N,<~~~-""~
-,
C>. ;. 0'- n ~, ~",:;' a "" ..... 0- Ul n
II> . II>
~ -ao ... ~ -0
.. 0 ""
~"' .,., C>. AI "O:s
~:::'8 _. com"",D>3Ul
..,
0"1 ~ ~
.-

...

It)

§ n'" _

Q..
"-J
...,
;.
~
0'
~
~
ro ''''
..., ... <;
_

g-

g.

~. ~ g 9...
2. S·
~ ~ §- ~ . <no ~
iil OJ' ~ ~ ;.
- ::l ()'Q ~ Q.. n ,,~
rn -l::l ::!, coo 3 c-;S:"'()'Q
",
o-::r~ ... ::r-N-·CC<::r'
tJlV'lIlJ:r-"'ro
C1'Q(DIllt'D:s~

;:, :r ro ~

D.l -

::;:- (D

~ 0.. 0...

~ ~

D.l

3

0...00 0..

0:

0

c-'
"'~~::lrn
m
~"
'"
c:r nr -g . t'D~<:rm'"
"< .., ~ V"J 0..,<
~C1'Q ::s"Q rD ,. ,. . ro 0
ro
=:
06'",,,,::l,,,~
~
",0 ... l"'3~:t
n O,J 0...., ti ~ 00 VI -.
,...,... 0.. -. 3 0.. ro .........
;:;:-c::r
::l_
-ti "'0
- CC::l
_
:J-

>-

~~~cl'tl~~~C1'Q~~g~O"~c..~~"'OC1'Q~
01 ... .

"'1

0.. -

:r

~::s

IllNO....,.C~~.
,...,...

I

::J

-..o~'"

f"D

~

_. '"T1 C

'"1

= ft)_t'D~
(J)"'"
<'

o..o..::S c::r=-."<

.0,,'"
<.;Jc".Jo_·--'''O

'

t'D ..... t'D < t'D ~
n
~o-t'D_-,..o
_.""""
~.
v
~"O

(t)

--1<::J

o.",c
' ~o
Q)(')_.'"

::s

c:~
,

'

~

~C~2 , -~

3::r ... '< 0.
-. c ~
..... O,Jrtl3
~rtI
~~-.- ,"
rn
-, ~ "''''0.
::l C e o
0
o '"
C 0 ::s n I'tI ~
~::J:l

-0 ...

__ I

::I

0..

~

'I

_

0.. I

~
~<Q.

C <'

-~
-.
-,
C tb cr
::J ... "<

(/) ....,

~~

(t) .....

c.. ... 0lX

.,,,,'<"'3

0.."<

I
'-l
::l 0 ro (f) VI - - 0
"'" n
_. 0-'"
!:l-...,..,t..IiV" '
o_U'!o~'"1'

'o~Q_~~~
.

<

..... Q.l
;.::s-

_.

. ,. .

0.3",
",:l::r

~;--~C-rtl

33-'
~
~::l1:1,)
("'_.:::":'(JQ
) I ... ~
_'<

8

How Leaving Cures
OR Got

Ca~

a Match Buddy

The diesel stench wind blew across the vacant four-lane,
slowly eaten by the sage and aleovara,
The bus turns his back on me, leaving me the darkness,
leaving with an impossibly sweet smile.
''I'll drink to you,"
Draining the last of my canteen and spitting out
the remnants of bitter dust that has lodged for days
in my throat.
"You left so quickly, did you write down my address.
you know how forgetful you are, , , Promise to write,
just a line or two and be sure to call
when you get there, "
But where is the post office in this crazy desert,
and your hand has been in a cast for two years and
you don't even know where it is you're going to give me a
call,
If you're wondering what I'm doing here, with an un-lit
cigarette in my mouth, that bus back there? blew
out my last match,
And you know flint doesn't grow in the desert . , , lots
of steel thoughCLUNK , , ,CLUNK CLUNK, , , CLUNK CLUNKCLUnk , .. dunk
bruce g,

Crossed into wonderland today,
without the aid of hemp ,
and watched a forest
grow.

DEMIURGE
Greek Poem
Greece - of the white Islands resting like clouds on
she~s rain like
tears of joy.

a blue Mediterranean sea where the sky

A shepherd rests with his flock on the mountain top
of green grass, while grey boulders tumble down to the
port, caught in the nets of fishermen who sing as they
mend holes that fish as big and heavy as stones have
left behind.

Olives black as the eyes of blind Homer squeezing
out golden tales. a yarn spun for listeners whose dinners of goat's cheese, flat bread, and rice wrapped in
grape leaves has filled their stomachs, but emptied
their ears of all else but a hunger for the thundering of
Trojan Horses whose bellies grumble with the Indigestion of swallowing Greeks in bronze armor. Zeus and
Poseidon both took sides, but Kazantakis wrote The
Last Temptation of a god whose Mass is stili carried

Couldn' t find the painter ,
but the song was distinct ,
colorful and clear ,
makebelieve , . .
Emily Carr has left Vancouver
and come to point
out those pictures she found
in the spaces,
between
sun
and reality ,

through village streets by the pageantry of Easter
Sunday,

/JJJTUMN LADY

Crossed into wonderland today,
withou t the aid of God ,
and didn't return
until.
]I. li,hael opened the lid on his methane digester .

Setting suns reflect your colors
harvest moons, feathered slippers
that you wear
when you ride
wind swept scarlet clouds to Winter,
slippery steps ; a road to freedom
frozen paths I used
to take to you,
I touched the colors of your season
lovely oranges, fading yellows
dropping like the lea ves
from a maple tree,
Yes Autumn Lady finding peace of mind at sunrise,

gathering your strength at sunset,
Winter's coming on
Autumn's nearly gone
still I'm searching for a line
to wrap around you.
Was it December
when I remembered
all the words we left unspoken
like a fence around a quiet moment7
1 used to say
it's safe that way
Autumn Lady,
Adios,
John Dodge

While the white marble of the Parthenon flutters
over the city, a flag surrendered to by as many hearts
as there are ships in Piraeus or islands In the sea.

A lonely donkey walks steadily up a steep and rocky
mountain path, pausing at the top to watch the sunset
over the water colored horizon.
By Matthew Sperling and Shirley Rose
....
I
"

~~rr
.

Kim K.ufmJo

March 11, 1976

Olive trees, whose fruit may have been carried to
Troy by Agamemnon, wrap thousands of black eggs In
gnarled branches. Black beads woven Into strands of
golden oil lying coiled like the snakes who waited for
Penelope to finish her weaving, while Odysseus
threaded the needle-eye of suitors axes, the final tapestry of Cyclops.

Odd shapes were staining the floor ,
casting shadows on each other,
weavinggeen and lacy ,
throughout,

Thought perhaps Thoreau
was sitting in the doorway,
watching
the time ,
that everyo ne else would think
is being wasted,
though
in truth ,
squandered time
doesn 't exist.

Volume I Number 3

White houses permanently pale from coats of paint,
and skirts of many colors twirl to the music of bouzoukis, while glasses of ouzo clink in the cafes till It seems
like glass birds are singing in perfect time to old songs.

Shaded and cold a,t first,
it seemed lilliputian ,
then filtering sun,
enlarged it.

'{:::-~...:.. .:-...~., ,\.

r ), ,--

,1 , / '

/"

\

-~
""

~

I

<no m
Vl
_ .
Ill:r
'
0... rtl
,...,...,
rtl (f) ,...,... • • • • • • •
~g::l'"
_'"
n~::r~::l,<~
... ::r.
_
"""''''''''0
~ ..,<rol'tla..·
DJO<t..I
n~
~
~
_mm
m
:
:
l
'
OOrt)
_(D,...,:l .......
0..
n

8..

.,
0
~

I'tI

O

::s==-..,t'Do...

~ ~ ~ ;; 3 O-~ ~. _
c:
mo::r 0:1
~ a- -. n x ""0

'J'l

t"D::r ~';'

,..'

~~~roo...o.vr

~Q..;:;"~~:t~~

a

-CD f"D

...,

0

0..-<"

;:;.~ ~ ~:J

!fl ~::r
ro ('I) 0 0..
~"'::l
Q..:>, ()'Q _ o:l ~ -

,..,...

::s

e-:

g•
- . ", :>

::. ~

C

"...

O'g;s:.-o:l
"'
0 0 '"
::T
me'"
Q)

~.

"O--"'-o."'C:

~ c:
cr" 2 15: ~
"'...
- '<
0.~"'~~~3
"0
-0"'",,,,
..,
:r 3 (i) ::J:J

~
D.l

..,

~

'1"0 g~..,

~~

~
,
,J.:::::.. I't)
00 ..... "'0~Q.l
-O"'U'I::r
"'_"()'Q,,,0.'"
~Q)
I'tI
ro

,

Z

~

(f)

~o.::l ::ro",,,,

8

::!""'."" ~ ~ ~

('I)
..... - ::'
~ ~
~ ~

:s:

tv;;;

00.

-.l

-if-

::-

~",
c V'l ~ c

o

g

r~rtl~~
:l~::ri-'t'tI
~ ~. $:OQ:;' r" QJ ~~: ""0 ~

Q..

- _·
U'I:S

Q)

-:J ~:J -l '" '<
-.
::l ~ '" '" ~
0, (D
< 0 ..,
~ ~ n'~
~ _.

,<ttl
rt"'I
ttI~1"'J
...__ ~ g"'g.
~:t~Ul-i
~~
. =
0
V;' 0 :: rJl :r" _. 0 ~ :::0
_. C >CI C ""' ... 0
~",,,!!1. 0 -«

~~

'"1

_

il- = s·

.g

::lD>0:ln- 3 ... _,_

3:::;' ...

~;;- "<

0

......

",~0;"'~ :J"'-=-~",~~;.!.~3~:ElJ::l3<:ro",q~~~~~~8'<
~ a a- --.~. Er ~ ~ 0 0 ~ ro .... 9:- VI 0 ro ~ ?' ~ . . =.:. 0 g. ~ '< :r ~ ~ ~ 3
D3
=-. ~ ::s ='0
.
'
- ..,......,.... 0
~ tu
OJ - .
<
. .-r- f"D "' ,...,...

= :;' -

..............
t')

3_. :3~. ~

=r"

I

(Jl'"
_____
JI

o:l~=~~"'O

Z:::T_
~. O ' :::l

",
:;!
•

"'Cm",,,,-m_
~ rtl
0.. C 0 ""I

"'1

It ;.3

:!

UlS "l C>.~-l"'c "'c"O'"
It c,I .., ~ -<:::r
c ::.
D1 ,.. 0 '< 5' r'O 0- a"" ~ _.
~

:J"" 0

....... OQ

9- "¥.
3

g~g.~@a:~1

<:S

"'-Q.
I: (f) CD

;$;"O"';S: '"
'" '" :-: 3 n
:J ~ '" Q..::r
-l co.;.~"O
-l ~ ~ l ~
;:;l : . : : ~ ~ g n
~.
~ ~ < ~: ~ <n' ii ' A
~:J 0 n "0
n "0 "'3 Q..::l ., - . ... ~ '" " m '"
", ~ ()'Q :J <' ' c rn

'< '"

~ ~ ~ g -g,

" 5'

;:;$:I):ro~3"'.n

1 c..:::..,rolrtl,.Y'..,

=.", =
(3' 4g.. ::s
~ :> ...

o· Vl

~

-.:('I)=O"'Ulrol-.

m

~ ~ ~ "T1:;- 0.. ::~, C
~~. '" ,.Y' -00 :r:::!.
... 'T1 ~
~ '"
~
'"1 ....: t'D
(1)

U'I
,C1'QUlttl.~ro

ft)

:J

",

I

C ~ .., ~ Ul
=-~ . ., ~
'< ~ 0 -0 Q.. 0
_ ~ :E -:'" ,-... '" g-:t 3 ~
_. '" 3 -.
2. <no l
'< - ~ C ::l 2. ",'"
'~
. ...,
C C
-.
::r
:>'
•
<
::r~
-. :J ro
A::l
~
o::!,
", ()'Q C1'::lQ ,....
", 3
rt)
Ul
<;
..... m til
DJ.::::a.. . .-r- Co.I _ . _ . ,..,.
_
3 0~ rt>;:!. ::l
c...:l
00
3::"
..,....
0..
aCJ1.o ..... "'0 CJ""
_ .
...0 " , """'0 .- ro 0 .... Ul ro :r t.l 0
tu..,
j ' .- :l til 0... ~
.. , - n
rtI
c.......
'"1 t')
:J
C 0......
U'I 1'tI...
QJ::J ('l) til
:r
0
. .-r- - :r O-l
~ ..,
~-.
0:;-.0 000'-' = :E ..... ~c...rt> .. - , "<0. tn:r...-r-t"O::S~5·(t)'
:r,<u;'::S~c
-0 "'0 ::;" ~ 0'0 'c
.., "0 ~ ...... ro ~ ro
::s
0 "J'\ ~ ro 0 ;:; (D C _ 0 ,..,... C1'Q ;:0 ~
I'tI
0.."'0 ::!. c::J
3
0
oU' ::r 3 C :; 0. ~::l ~ 8
~::l "', 0 "0 0. '"
CT 3:>'
~
:J~."O Q::-::J -l
~
~ c.. .., t..I 3
ft) ro ~
:s ~
0... ~ c ro
~
::3 ~ _ .
Ol ~ ~ (3
~:To
t.l Q OQ on
~
..... c ro :J ro
< ..... 0
':::s ~ _ ..,
=-. VI ~ !:l _. ,...,.. _~ :::::: ::J ' ::J
Ii ;:0
~
~
~
~:J
:t ~" 3 S·
. :t ~ 0% '"
n> 3 ~ (J: ;;- 0 ".. '< '< OJ'
0. - (J: ~ 0 0 ~
:S, Q'Q ~ 1"tI......
~ C Q,l 0
. .-r-:
0.. (f) ~... CJ ~ ttl V1
_.
re ff
til
~ e!.
0
'< ()'Q 0~
~ O-l S:U::r
:t ; ~
" C ~ r'
3
: :D.ll "
-l
3 ~
.., 0
<:
_. :J 0~ '<
0
c... 0 "'0
0 ro ro
0 :r tJ ", (f)
~ ;.
0 ",
0
0 /'~:t
'" '" '"
_. ::l
:J '" S· o' ~ ~
)Ii
m 0..
:J ~
m
ro
ro C1':;'
Q 3 ..,
"'T"\:S
t) . ..,C ~. . ,. '"tJl :::::::::!:5
en
~ ~ ...... C1'Q.
"'1
I
til
::s I O,~J
..... ::lI 3I "<
1 ::S

0
Z;::a

~ 0 Ul ::!.
crc ~.. I..(..,"O:s

r" 0

0

~.m::l"'3-~0
",:>o"'~
:t~.<:ro
::l
ii 0 .., :T _. 0 ~ :::1 ~ 0

'"

I'tI "'C

:>' "0

~

",
3
C
'"
(')
t.l
_. ::;:
"'''~0:J~mo,,_.

"'rnVl --;s::t

0.. <: ('I)"'"
rt>"'" ()'QVl
_. ..,
::l_~
0''''3_::r
::r::r::r",
....,. at"D .
C,...,.. t.l
,...,.. ::r t'D ~
t..I;:ri (/)' 7\"'" f.n

~"'~DJa...~Q.lC~~~:::"o

(t)

- -

~~~"'o"'o
::J !:I ::r'.., ~

l

I'tI

C
-.3 ::I ~ ..... ::=:

«",

",
-. " - ~ Q.. ~
:J::lOO~", ,,

>-

~~

~Z

tJ

::r":::r",---o.

n

0

o " '" ;:;' ~ q '" n ~ !J1 <.n ~ $: '" ~ :-:'1';
~()'Q ~ -l C ", '< Q ;s:
C~:J "
",'<",,,, • •
~o"'",~
:t:>::r~
",

= ~~

3 3

.

-'CJ)

0: ='

::. ~ :r ~ :To S' 3

til

(;)<0

'r;

0
:l ~OQt'D-:::;'

;:;.

t'D

--

~-,
... ", :r: - '"
sOl03
Po

...

n'

:::l
:::l

(')3::r

0

.... W

~~
Qo

~......

O~~OUl~O~~~~]

o

3

::l :::..

~ ~

"0::;.

~...-r-~~31lJ,...,
~ ::l ~ ~ 0
<:." ro '< ::I ~. ro I

" " ::r .....
_.
-. - ::l ::r 0. 3 0 0 ..... " ' ~ :r
::!. '" rn 3 ()'Q W '" :J"O -<: m· in'
m:J:J'" VI -.
"'Oc-.
..,<:~:::!.
-...,
tJl-C "",
- Q.. _. c ~ 3 ", ;;: '"
'" 0 :t 0
0
~ ft)
V'I
;:;: ~
~ . Q,l ro N ft) ::::. 3 --- :l rb .., z"""" 0'
, ~

(b

:>-,

"'llc...!:5~1

"0

~ ......
;::..

<

c:r _.

n'

5..
"''''
:s ::s r

ii'
en

<' _ . ...-r- n ..., :l
<;0
~:J"O:t
"''''
__. ~
~

n'
~
U

CJ~-. "'o",o..
~c .... ,o..o:J
~;'::SOI
<.., (b rtl
0..:::3
c: . .-r- 0 (Jl n .., 0
n
CJ1
0"
III "< ;:ri ~ O'Q Vi' V')
"0.
n ttl
~
.00 ,...,.. rtl.......
:J
',.."
0 I'tI t..I f"D
(b
ro _. ft) Q)
"til
tu';g....-r'Tl ...., ...... ("')
-r~ Ul ~ ~;:;

..., 3
,

3 0:

~'"
:5.
......

_:J
ro
()'Qo'"
~ - ::r~
-c-~::r:J::rm~
<n()'Q:JVl~~~~~Vl:J~-Q..l~"'~"':J. .-r- .., 0 ro ,....,.....
~ -. ...... ::s ,.Y':r rtl
~
.., ~

-l n
~ '< o...(J)c....c
~ 0 :>
Vl....,. ::s(t)C ......... :J""ttI~
""I
•
::T QQ V'lc... N I'tlQ)(")3Q::Sa.c CC
o
..,
..,
0 c ......... 0
n -.
(f) ~ ....,. 0
5'
I'b rtl 0 !:5 (b 0 _ I'tl

a- OQ

'"

!,fl"' ....,

~

~

en ('I) 0..........
OJ . . . II'
",
'" '"
-l
_v 'Il1o..
..,
:l'"OCUl~"
<.....
t')
t"O C . .

..,o

'"

I

'Tlnco-o.
....
~..
o::T"ft)
0
,..,
o~V1~~:;O
~
~()'Q'" O::l
_

~

"0

0'"

I
I

I
II
I

()

~~

8

~::t~::;-;:;::s;r
~
m '< 0. 0

:

-:

(]'I,<

-0

»Z

~

~;:::

00'

~;s:

I

<~n:>:t::lO~~~~O
ro~~(j::::T'ft)<
t'tIn~rtI
~ . .., Q) -. ~ f"t) 0... -. C n Q) ....,

Z ;;r

~
fD

... 0

~

(It

I'"OfD'OQ..

"'C

:::l

i

ttl ::J

Q)

c'" (D OJ ::I
~:;;5~:J

Cl. 0
......

~

::J

m - - " <:r
::!. o· (D' (t) ro
0::1 < :r fD

~

ro ~ :r:J

OJ

=r::J

ft)

a; 2..=-,<
7f;'"
~'VI rtl
(D q VI !:!. ~
::1 ro r::r ftI ~

.

roo
c·
~::T33

t

nJ

VI

c...

to

.:.. g ~.
0
\.0
~
In:::l~.
c:
0
'
"
Ol
C>
""''<-'0
I '" o } >
to VI
0
(Jl'"
I .:. .
<
_. f)
~
~
II O!Y'
_______________

i

rt>

Q ~. _

('tl

3"0 _
I'D --I ro o:r
Vi' :r ~ c.. 2!
Col

=a:. ~3

~

0
--::J

33I'bcV)~
~ &. tu
Cg:r

5..

ro~

t'D ~.
::1 OQ

0",

:>3~:>;S:~~
_til
~ ::J Oti )( ~ ~

i~

(0

:::l

0:::1

V'.-II
CD

......

~
~ ~ ro -.

-

2" -

cr
0

'"

;.

~ ~.., cu

rtI

-l'tIrtlC

a

:::l

~,
CJ)

... o.. ~!!il) ::a
=
=~ .aiz8 , ca.
,.-...
C;'"
aCD

Ul'~~
-rt

;':r ~ ~

n OJ::r Q.;rn _~o ~ 0 3
cr"'O VI ~ ~ 0 c: ro
~ I! ~, ~ _, 0 ~ 0.

:r :r
..,.'" ~

Di

Cll~coCll

-3CJ)<O
CJ)
co

.,Cll

'" .........

,.
...
• i:a ;'

~
.-

~..

»

::IJ :::l I
CO<OC>

"0 ~ Q.. -l -. ",Oc~::lO
;::. ... ::!. "0 ~ ~

C=a

It)

~

a. -.

1 )(
1"8·~

r

(]'I

0
G')-.

~~:;:

I

~~

~O
@i1lmm

(t)

:J

~

~.
:::l

fI)

0

~

=
I-

:J

<:

<

OJ ~ _ .
::J ; .

,<:r 0.
V;' ~ ; .

OQ - ,

§. '< 0 ('tl
::J ; . (; 3 ~
w. t"D )(
,
::J ~
2. 0
..., .... ...... OJ -

c

3 ~ -§

::J

...,

a.
?: n

,,"

C

c: m :J

ft)

I'D ::J C
It 0

3' ~
~ c::

0

-;

~

0

1 g

1'8.;. t-

: :;

=. It> a.
~ 0 a.. ~

0.1

Q.I::J

--

0

:::l:J

".;.

...U

~;g~

. . ·~i

ro' 0

cu

...

~

en

'"

...--

... iI\~
0-0

C'D l't>

~'::J e:: ~ Q..

-

~~
-

o'

...

I!!I!! '"
:::=:.

0.1

0

:J_~m~c~

-..,j

.

g- n 3

:J

c.. ~
:::;-- ~

~~=:,~OJ"" ~:r5-roron\1.l

,

...

0..

Q0

QJ

m::r
~ c..;:;;'

..., ~ ~ _ . 0 ::J ~
rt>!" =+;
3 Cl. I'D
"'" ,...~ .
I'D 0 Q)
rt> Dol
...... ~

~Q",n~:J

(..)

.,.=iiilliill!e~
.,. .,. .,. .,..,. r= ii

v;- ~ ....

-

3

0

0.

--

m - _. 0 <' m - :J " ::T m
O'Q I'D 3~ . (t) V' ~ Cl. 0 ~......
~ 0'"'0 :::J Cl.~' :J ...... ~
:r
~ 0 o' _.; _. :r _. ~ 0

::7 -

(tl

0

~:J '
_ .'
0.. V " .

::l W QJ
cu =:' -

QJ

:J -jrtl ~

0

"

= 5". =.

::J a... I'tl - < - t"D
'0 =
~ I'D
,,1"O:a'::J
()
.~ M
.., a""" 0
_ . rtl

.... I'tI t"D ~ tu C c
:;'
1"0'
~ n ...,
OQ
Vl_:T
VI rtI ~ Q.I :J cr 0
~ Cl. Ii :l ~ ~ ~
::: ;:;:. 7f;'"
rl' ~ . ~
OJ =: . tb _ . C n

q

~ ~

0"' _ ,..0 '<
::7 0 C '

,.,

cr =. ~

~ 0
0
'$ 0 ~ . "O ~::J
:r C ~ . :!. ~ ftI
0 .:! .- ..,.
0 :::l t"D Vi ' 0

3

(i" ~ ~
~ v; ~ ~ .-

S' ~ 3 3 ~ ~

()Q

»

;r

3 g..-.< . .,

~

S' a.. x

OQ

!!!

"_. :~
II

.- ~
~0

~
0

~ ~ ~
c
2· r) 0 '< ftI 0 0 '0
~ <::::T"O 0 :J :J - ~
f'I rtI < '
- . QJ
c:: -<
..., r'tl \J c: ::J 0
...,....
~ 0 -..::. ' VI 3 '< '< o· v, '
_ - 0 '"
~ -.:J
o·
S II'> • "0 ~ 0 ::J Q.I ~

z~

G) '

V; '

OJ

-;; ~~
~Q
Q.

~~

:r"O~ ::.

~ ...... rtl'

C
_.
r+

cs'
en

;iIC

:::

l>

"ca gen_.
m

i_.:J a <
c)'
CD
:J

- ~~

_

;i

in

midnighl warch
\\,Iil in l'orner~.
'tou hide in ,llIe)~
on" d.1r!"m'~~ !"nmH hoth.
It sl'nds )OU meSS.1ge~
h\ ,! ~I.H!" i,lled fourier,
dr,!pl'd in crim<;on
'Iou In oul ,
\ OlH iingl'r~ tl'nSl' .1gainst the
hrick ",III.
T", 0 l'\ ('~ pil..'rce the night
,I rude .1'" .1kening.
i l' ,i t,
,,~ i "',Ilk,
n\\ h'pt miss the cr,l('!"s in thl' sidl'''',II!'' ,mother clue "a~ted,
Rori R.. hl'r

f

r:
..,

~

. t: ..

3

::l

:;)

~

;

=:~

~

-

:; . ::r

=--0

./

-- ,.,

/

....
~ s::
0'<

~oo

Vl

-.

'<

()

c:

l'

~

~ ~
....

.,c;;-Ib....

...~~'"

Ib

Ib
::J

3

~
C
3
tJ>

....
o

-<

~.

.....
o
3
tJ>

'"

::J

o....

....
c:
(l)

....,

A"£'

..... '

-,r'L""

" +- .~ ; ell

.,... . I
~

'

:>

o

..c:

Ol

.-

o

..c:
..c:

o

VI

..:.c:

:>.

..c:

..c:

Q)

Q)

o
,VI

VI

...

oVI

'':

Ol

..c:

......

:>.

.Ol
...

-

......

..c:

Jea nne Ferron

-,

...

8
oVI

3

III

......

U

III

Q)
VI
::;j

u;....

..c::::

o

......
::;j-

..0 :>.

>-

Q)

III

..c:

--0...

.~

......

..c:

\j

o

c:

3

-

..c:
Ol
:>. ....
o III

......

\j

o

c:

3

Dan Owen s

,

f

./

-- ,.,
r:
..,

-

~

=--0
:; . ::r

;

:;)

~

=:~

~
::l

3

. t: ..

/

~.

~
C
3

3

Ib
::J

.....
o
3

....

-<
tJ>

oIb

'"

tJ>

::J

....

....,
c:
(l)
o....

:>.
VI

o

o

,VI

Vl

-.

'<

()

c:

l'

~

~ ~
....

c;;-Ib

.,~~....

... '"

0'<

~oo

'

..c:

....
s::

..... '

~

A"£'

-,r'L""

" +- .~ ; ell

.,... . I
~

Jea nne Ferron

......

-..c:
.Ol
...

c:

3

o

......

\j

Ol

-..c:

:>. ....

VI

..:.c:

o

..c:

III

3

oVI

8

U

III

Q)
VI
::;j

u;....
......

..c::::

o

......
::;j-

III

......

o

..0 :>.

'':

..c:

oVI

..c:
Q)
Q)

:>

o

..c:

:>.

...

Ol

..c:

Ol

.-

-,

c:

o

3

......

\j

..c:

...

.~

--0...

..c:

Q)

III

>-

Dan Owen s

,

~~

""0

~-~~~~;;]

"-0;
.::

."c~
j~

"
<:u

:7\~
~

'"
.",
_o.~C/lU

V;c..rt'°cQ.I..o~co
0.
....
u

01::1

~"

- ..,

' :S"'V

o~~·

~ ~ o.~ 0

0 ~

Q)

o"'<'O~~

........

1>.",

0..::::: ..>o:"~ 0._."

'" c:l
0
_i3 .~'S Q.I -.-. . :'": r.n ' " - .-- '"
~ ''>
"
· ... ."o..>o:°iii-o~
...t: t: 5 ;... >.5 _..c >
CJ,) >
S: ~ :>, .5 ~.3 ~ .5 '0 ~ g

-<

I

QJ

I/)

0

........ -

-

..r:::: .-

.-

E < .!1 >-,j '5 . . . . -0"

c

V)

""0 ""C 0':':: .- .- ....... 00.........

"'OQJ..c"'Oc::s .....

-=

....

c

1 "5

~

c;

°o~-:!!

>. "'C

.1/)

~

0 c 0 E ~ Cl:l

~ol>.ov
t"tI ...... _

-t~~·-~-

",ve~~>O:l~~'"
u
QJ ~
.... 0
0.... """..c
·-c
....
_ "' . Q.I
~> ... "'..c..c~l~~--~o-~~~~'"
0.0 .4J
"0 0
.... c:: ~
>
.. ~ ,.3 ~ ~;.... r:: ~ ~ e r:: ~ v '0 ~
V ~ ... C; .... E c: 0 - .9 c: ~ -0 ..c
~\ ...<: C e ~. .!i 0. ~ - 0 ..c ... ii,
'III' _....... 0 00 .... ~ E
~ =' III

__

C/I

t';S

0.

~

II)

(/)

~I>.t~~g
III .....

£ '" ..c ~

~
C

.....

.

0

e
"00.
;.. . e v v
==

~.

0 .~"'O

~cQ:i"3

>. ....

n; <: ~ ~

"00.0

.- ::: e0 ~
~

Q)

U

U'J

::::r:.

U

V v c
-f~~~

S

...

~

o
:>,
-.:s

.~

<:I

'C

~

v

I..J

...

<:I ... -

Q)

<.0 :li ;:;

1Il"
:s'" <.0 -g

Q)
~

>,

V)

......
o '"
<:I
:::

~

e

'" .

-ta
~

.90
... ~

<
asrn

00 ......

I

I

QJ

QJ

"'0

r::..... E v...<: 1>0 C
·z ~ 0 ~ - ;; '"
'"
c"..c
C r.n v ocvco

'6
° Q.I.~
v-"'<:m

.4J .(/') c:
.:a .9 "0 ~
f})

ta

Q)

I

I

>.~

~

o· - C v :l '- ~ 0
', s::
til t:s.o~..::
o·~·;; i: j.!i ... ~
tl.~_
.!2.. co ~..cU
'" '" '" 0... ...<:..c
v
~
I..J :!
~ t!;S ~ .
m
.
:
:
.-o
'" Lf)
'" 0~
~ 0:'" .",c..c"' ... 3: . . . -:S
.- "'O"'c ...
aJ >.

.5
.4J

t3

'2 ~ 0
'
"
e
~EiIl~ E"'O
c:: 0 ~ '(ij 5;""';
·':::"""'-1.,$:;J..ou

"'0

E

~

Q.I

~

....

"'0 00,.c ~

~ ~ E c:
~ ;:.... ;.§ (5 §
:»4JO O C:: · t U > . e
:l >. c > .v '" C v .

...... "'0

..... ~ ..... ::s~"'O

-§:8:::QJ~QJ"'O~"'O~~

~
Q)

Q)

I

QJ

..... """'"

U')

....
QJ

.J:::

o':!:

v

>

"ow
-

g~,,~

(I)

.-Co.
>.

~ 0

"'O..c 00 ..............

~.
..0

c v·~oE3:

~~~

:! <:I VI
f.J 0._

3:: co ~ r--..
:1 q::: ..o-.:s
_ ~

Ocv~>,
~ l/)::::
.
...

,

rIl
Q)
s=

.~

VI

.

.!;

.::

"-.

o

-'"
.!;

3: . ~.~
~
~..o aJ E ; 00 '0 c; ....
:s
o..o..c 0 0""
<'3"'0 0 . ., <:1'_ 0]"'<=
:!
C '- 0 E
OJ
C E_
-0:>,
0_ ..c
. - ~ '" Cl:l "'> 0c...<:
o
~"C..co n:I
aJ .""".4J
..... v :>,
_
0.
~
e i: ve '"C ~v '"0 .-.~ -.:s:l
~> co '" '" ~"
W·- ... ~
~ "'
'" ... "cn:l IV >. :>,
3:..c 1 <: _.~ v ~ -.:s
.{i
' - .........
<u
'"
>. Cl:l~
'i3 0 - " ~",o~c -.:s
0 59 o C ~ e
~c"~c .... "oil_~-_~-r.n"'I>."'o
...~ ·z.... .ns. ::sC QJQ..I "'"
c.. .5..t: -..o..cco ....0 "'0 Q) >.
'-"
0~~IIl~ 1i
_hf
co n:I Q J - i3 ::: -.:s :!
o",oe3:""--""
o»c..c-c-~ o 0 ;: 0
~5~~~
cr:::l o..cc
.... CJj 0':';:: ~
'--' ;::.. ;> tU ..... 0..._ 0.._ ::r; ..;:" :>,
cs

cJ).....

\,J

_ J

...<:I• ..:::.. E

.5 1: ~ 5
<:I .. ~EE
E '-ul -.:s'"

:>,"-.
00

..::: ., <:I :!
-0":::""-

~ S ~
_

.. :::
-<:I

.. ~~
11\

'-

(U

~

VI

boO

..:::::- 0 So:

~

b()L

:::!
-VI

-~o,..:!o~ ..
III
"'"'~tl.
s::..s::·
r.:s.~ s:: trl ..t)._
s::
OJ ::.-..;;;t:s
'0
lo..
as::

tvo. ....

""tS

V'l

Ch

lo..

Is::Q.I

E

~

-

.~ t:s ~

t::l

~ t:!.-

CI::l

E ........ ;::>O"' .....

lo..

E

Ii:

Ii:

~::::r:.

t:; cu";:;: <.Iloa
:s
q,)

~~~
t.I) ~

~ ~

v,

~ ~

9
"'<:I~~"
'5
<i
......
1,;.- .. <:1
'"
....
t:s: ..... _oo
.;:: 0... ...... OJ ...
-lo..
....
.E
u
0

(I)

q,)

~ ~ 0'-

~~~

-E..~~~

~klom~~g-E..

0

$:l.-;::~~lo..lo.. ..... c
cu s:: _ a
:s QJ
... "'
~~
... ~~
<.Il ...
0
"'-. cu.l-<
>.
.~ ~ '+-. OJ
~ L.tJ ...c
~ tl.."\:s ~ ~ ..... ~

~~82~~~~i8i~~ · ~~itll1~~g~~
;l~

~i~

Jj

"

.5_

~

U)

"-

o

..0

~

~

0

...

...

"LO.

~

e 0
<J>
U'J

- c:u
<:I ......
VI'"
.... ~

~~

~

0

v

~ ......

:c

~

QJ

..... ,....

C/J

-.I"
.lr>

~

<.u"'"
o

.2.

f-~O

~E~
•
.. .
.
o L=..q .;.~ '.:~.
.~r-

g-

.....

m

:;:;.::;>

.:...

u

"l

'l::

c'

....

..... '': .-C

e

._

0

"'2

c:

C;

0 .2
.........

0 '"
~o

0

.::6~
'"
3: c.~

'>

en

...a:

e

~ ~s::

~

Q;O (oJ

=

c:

....
QJ

C ....

(oJ

= 'E"

~ ~

;:;.

0-",

W

:c,"-Q,lQ,) ...........
e ..

(1)""""''''0

~ 0 C

m

,.....

~.t;;...c: ClJ.~ ~

(I)

::J

~

=

0

U'J

~ '00

Z o~
W

Q)

o P<:oil
v
....

..c

~

ui

..

"

0::
UJ

QJ

~ >. ~

:u

("13

,

u

vi~",~~a-~",

li
<J>

c0

QJ

-£ ij
.... I>.
0

°

........

g

.... U~f--tU'J:

~OVl4-00

aJns .... _4-0o..raOu

r:

..

c::.,g

~ ~

co 0

o....c:"'OE

QJ

E

.....

"'O..CIO

~

'0

~

>c

~f:

QJ

"

... .......::S:2Q..i-"'O
::s ~ ::s -

I«
W

a:

~ .~= CJ
•

"]

.§

'~"
<J>

~ .... U'J ~

v

-<
",.ns

I>.

~

Q.I .....

cu .........
00"""", ('3
... 0 ~

"'v"c
._...... .....'"

v "'....c: _='

t

QJ

-:5
0

QJ
E

W

---1 WX~r;-G
a:: 0cr
...J lL.

g

W

lL.

1.0
1.0

III

C(l

I

c

~

11.1

]:2

~:::::::s
..... - ill

°
,...

.::

aJ 'o..~-o

..

vi

C ta

III

-

QJ

t

Ill'

e

~

.,~
>."0.
~Oj-

>

o...<:.~

'"

C

C

QJ

4J _

.=

QJ

U'J

~

o

U E ....."'.-u(::;t"")
v 0
~;.:::f1~[ ..
W v
t'o--

e

t;
~

I ~:l~'"
v

' ~~ . ' ...--

..~.~,

J
'

~

.~ C

~U)

CO

~ ....
c::
."", IV
.... . C
~
QJ
_

~C"'.ci:3:

I'Q cu ttl '2 IV..9
-gU.!::U-ooi
::s U'l """'" c:
O U'J ~III.. u·
0
'<:' C v '" C r::
"':V>mvo::r:

"' i:

':

V" e•

~ c:..g·5 ~ ~
...<: v~ v E -_ v
U ... ><e,-:..c
..., ~'.c
~ .....

~:

~

~-.

~::::l

e:2 .;;;

U'J

>.

~

s::

...<: I: :l..c "'.-vjI-8 .

6>
..caJ.......
U
............
,..-..
..c.
O~cco
4J ""'0 t'3 C -... .- c:

~

EO
ilia:

--

....

co::s ~ ra ra Q..

o

(j)1'-

>.
(j)
Cfl
~

ro

"U

C

::;,

::J(/)

o

I

I

Ie
!z

I

5:t

go\..,
~ ·z .5
~ 0.
ns

:>.
(iiI'-

'1

. ~~

fW

(oJ

'1-"'1>0
C
:
COO
"'0'50 >. _ III
f- E ~ c: ~...c::: "'0
E! ns ta '" .~ VJ .5
....... c:-C:~ \.., ro .......

~

a

Om:::!:o~

tOQ.,I..c5·;::..r;Eo..c:f--tU'l"'OuQJ .........

''''O-oc'''O"'til'''''-OQ)~QJ

\,J

~
~

bO .~

...c0"0~v:!!OJvv2"'~",:C
... c I;J "'0 co > u ....... ..::.::
bO..c
l/)O
=c~Q..Ic
o>.c .....
ov~()'" '" 0. ._ _~
'" 0..>0:
0 ~'... -~
...... ,
....0. C co
0
.:::
Ill,
"'~"
v><,::~vv
"'E>"
;>~k"_
::
III
L..- ~.-::: ::s E
...c
ra t'3
V)consn)_
0
t!;S"""'"
-o .... c::
.-=: U bo..o ~:; u
u 0 =~ C be B
::r: ..... 0L..~""O......
.- .- ~ e
'" :l v" 0...
~W ___ aJ
..... III 0..
Q.I
• ~ U
LL.
(,fl'':::
'..t:I:..--.Q)
...... ..c:

<

po.

. ...JWN

~
. .!.~

C/)
C/)C/)

Ww

.c :c

tUUl

~

.....

a::~ O>~

c Ovv
0

N

C

e -;; C <=

",m~~",

..c -

>~~
~

a..W~~<i
::::) mu III <l.
-~
:I:
olL.
m n:ci~0

~"'O~...c..c
Q,lcvaJ_E .... cU'J
_c:-o~~..oE..o~oc~~

i>"'O(l.I
aJ .-

<J>

~

""

~5U !~

~ ~

.1Il"'O=,
c..~ClJ ..... ns
'tC";S1Il
2
C
0 v . ~ e ~ '"
2 '" c - -;;
'c .2 6 .:!"
v - "'''
3:..>0:'
'" . .....'" '"
.....
r...
CLI o..cQJ
='
ro to ~ X
~Qj ~ 8.. 0 .... t;.~ L..
... E
v .- v
.- ~ ~ ~ v 3: 1::
~~QJt;~
· ,--'o:i.!:('30
5Q)ns~
...c:U'lbO
QJ~
~r.n~
...c .... 't;

I>. v C

"or<")

~J::
C'"

Eo£:

~uo~~~E~t~~[j~
11.1 ~
ra 0 -5 -5 C
._.....
0 >';1> ra
0 QJ
.~

,S

IJJe;U

W~~

E >- _
l/) o..c 0 E c.. co
g""'" 0 .- gf 0 ~ ~ QJ .... cv ~ ~ ~ .... ~ ..... ..9 -;: ~ ~ U'l ta U'l .....
QJ"'i:i~'"@
. -~.-=:...c;
Eu£~~ .... Eo..c.,g~""2E
N~ ~1~::S::t=-;
(::;c
QJq)--Q.l'-o '" '" "'] '" '" C .- ~
3: _ ~ 0 v
- .~ c..c 3: 3:
0. C o..c ;:j E ;; I~ 0 ",.!i 0 ",,,..c 1>."
~
.....
...:.=: ...c:;_~""
~ ~
...c:
~ '"C a.i ~ ~
0 c u 0.. IV ~ >. 1:: .- ....
Q,I ~ (l.I ~.; 0..;"::; -;::
(/') ... ;::.
'':: of C QJ
~..c ~ aj
0 s::
Q,I""C
- ...c-U..cVlC
~
............ .J:)t'3- ... aJ"'C ....
-o"'C;::..
<..J~
,~
c ~ 0..
o...c
4Jou
e"':C-~'-'"
:::lc-:l",~o.."v'"
",v5C:l:lv
t~0."'~ .5~>vvvv--~
... ",
~ ~ 0.
"'e ~ QJ ~ 1 coc 8 ~ ~ ~ g 0 ~ 0.-:5 ~] ~ ~.~ '§ ~ x t; ~ E ~ ~ 8. ~ ~ ~ § ~ ~ 0E ~.5 ~ 0 V; ~
6
E
o. ... t - ... - _ · - c
c~"'co.v~v-", ._..c
v v ...
v"
v
..cco",
~0=0.§1..c ... ~·§~<:g3:~1]]]!~w3: .~;:;",1-~1.~~~l-j~~~§",,,,~0~~~~~~~
...!!! "'0 c: .~ ::
Oc· .... ~ ..

CI::sU..JO
IoU

... CD 00

.'" ;1;
!~co
·-ciS'
:gE~

:QOI&j~

Z

~ E·..c Q) C.
~ "c II0;>
~
U'l 0
.- - '" ~
tU
-5v =QJ eQ) "'0
e c
-£~~g~;;~C-~~]..c~1e~~e~~.2;~v~-g~o3':btl'O~>.1
o.E a." C =...<:
- ClJ . _ . . . . .
'-:l
"
QJ 't:....... .... >. ClJ

V; ~ ~ ~ ~o ~ C; 0 .5 v .,; ~ ~..c:i:
"
03: _
. ::s ~
"""'"
c; (/') QJ _....t: ~ .... V ... 0
> _ " - "
'" " Q)v C~ - ....co"
;
QJ ~.;>..... ~ "'0 Q)
"'0 QJ

:c --5

~ !j

CD

(:!.!!9

tn

(1.IO"'C"'O I"'O>,'"O"'O ~
Q.lO~
~ I c:
... - C C .9-- '" C .- .. ~ 3:..c ~ v 0
~~"''''bg..c''':JlE
~-oE",
~ _
~ ~ f- e . . tU:r:! 00""0] ~ tl:I
t i l . . . .... ::l ::I C C ._
~
E 3: '" c" E
v ~ v 0 .- '" ~"
....

VI

Z

6

M~
. ~ · Af
-~~
>
W
_

'"......
t'o-

0

0

wz~u>8..JCI:.c.o
Wc(f/) ~==
<
0::
W >-'" . IlCU
(,,:) > ~

~

0>

0

E

III

u"z

I/)

<1l '"
oco

8

0....

Clf)

-

>.lI)

~

.

IJ)

I1lZ
...JlI)
0>'"

u ......
I1l 0

~a:

0 III
·c ........... I Q.I
'" ~.:.2" '" 0 . ~ e e
~>. ~
-;::>'0
~ rJ ~..r: Q..i
~ til (/)
..0
v v...<: >.
0
:::l -

>. ~

a...

«

tnc:

O..c t 0 1i .:.2
co"'>' -..c
'0.5 ~ QJ ~ 0 s:: ~.1:
~
...
::s.....
tU Q . O , . .
u C v c "' ... !:: -

>..~

~~
..... ro

...
0

,<:,0
..,,;P<:

0:

.:t: ....

Q.

0:
:::!1:
>

'

I/)

~m

Z

~~~

C

IJ) '

0.3:
Eo

lI)

0 ....

en

~.~ .~ "'C ta ~ u E
0 v "'::!: v""~;; 0

E ' ;::

-< >e"'>o:lCC

-=

E r-1
..c:

0._.....

a:

f',

r<")

1/) ....

UJ

0

v cP<: E "''' xu~ E

t-!.
lI)

co

:I:

..... 2...c: .... IV X QJ ra ~ •
('tS ."!:: .~ ~...c ~ U'J ~
0.,
s::-;:u..c"-':
bO>OO,"""
v 0 3: <t;:::: C .5 ·z .5 _
u ~ C .~ 0~ ~ OJ~ N'"
o ~ n:I ~

~~

t'o-

0

!-

~

co
lI)

Q.

~ - '" v 6.- ~
_
-E ~ ~ ~'C b - ~ C
c:
C ~~ ~ ~ . ~ 1:0 ~._
.- .- .- ra .... Q,I "'0 . _..... .

...c:>.~c

.... '

~ ~

-

1; :!! 0'. 0·~o.:l, 3:8v
~
6'tIl..c::ClJ 00'~ U g,c ~ .D ':; .5 0
~ 4J
'" - 0 0." '" v ~ - '"
QJ """'" ..... bO ~ ~ c:
§ (oJ
" 0..2.g.'" ..2 ~ 0 -0
ClJ 0.
0.. =' E..c:
:l e aJ ~0 ....
v.'"00 >..-co ".;>
o

~

.!2.. ";, '0 W
_
Q,I _
)..

C

'"

1l

3:..c
C
..>o:3::Jl v 0>v_."..>o:
... c::
(/)E.4J ..... ra""':;~
- .- ~ aJ 11.1 0 =,..c -'
~~e~r::~3:eE

o
e
o

I>O~

iii

'"

~

s> .,.....~;.;..

~ro~

'-~~.....

go_O:l"v"
;-:
c"'C u u
~8.......t-5o~
v
..c
'Vi
v
v "'..c .!i
._ v >. ..:::l co >> .~
v 6 :l v
"cvo~:.E
... - > -",_u"'<:~vo=l-~
OJ '" > ._...<: > ow
v
ra .-0..4-0..0;::..
0.. bO ~ >- c.. ... i>..c
ra

<:
o!!
r.n

~

~ .~ bO~ ~ ~ Z
~..:: ~.~ tl ~ ~ ~

c:s \.4-..
0 'ooS ..... t",VI
t:s ._ t:s ~ ,,<:I<:!~..:::
u ~ _
tQ.!::!.
: ~ ~ .... s::
.~::E ci' ~
(U
cu .,g...t:

V)·-

:l

Vl

CQ

~ ~ So ~

"'E ~ ~
'-92<.0

E" t;

!.§~

~ ~ ~] • f3 t.f) ~ v) ~ lo.. U 11
til] ~ to .~] ~ ~ t-1 1 ~ ~.2

_~
cu .... ~
~o<:lo"O
a
Ii:

.E

",:::
"':!.~~
"CQ_",I:l."-.
I..J
'::: ' • ~
~ ~ ;l .. -.:s
:>,~~
<:I VI "-

:::o~

ra ~.~ ~"'O

~"_::S3:~

U')

~<:I<:I

1I'l............
~ ....

~
:§ § ~

•

~ ~ ~ .:=.;}; ~

"'''_:::

.

'<;I ..::: ..:::

"'T"OI

0~
U'J ..... ~~->.c~

=~

. . ·=~u~~~

v~"'v

.... oou

c:

1Il~

C v 0
OOC''::

"ii]~-6

C; ....

~~ol-

e

'"

~~~
"

bO~

<..J

<=
e

P:l

o

~

~

:::

~

:

.~

-.:s~.
... :>,

~

i

o
-ta

~

:!

ra f;

C;

~ ra ~ ~ 0 ~ ·c ta._
...<:
.r:: v - 3:...<:
-:lr::
3:
_O:lVve-_
.... ~ E cg > c:.:!l Q..i
"'v6~m
",-"
> ....... ..c..!::..c:
L..._

~

QJ

..:: Cl:l v

•

oS

l/)

:l 0
C >
ns -- tU ._
0 .u
....
QJ to...c: .~ ~

C)

ft

.

-

00

e .;;

j

>~

>."""'" ....

~..:.::::

~ .~ ~ I: '"@
.9
>'o..o...c: ~..!!~ ~u
~ ..... ~ ~ ....... ..r; ~
._ ~
"'OIV..c
>."""
"'''- _coo~~
,,~ ~.5 - '"

o

..s=

m v 0 0
... C ...

rn " "' -

l

~

III

::3 o .... ..c

Q)

'" vv
'"
..c
... >. u ....

co
E

e~

III

~

I

I>.

~

....

c~~_"'~u'"
0 V'J ....
::J:;.
<..J

QJ

- v

>.Q,lns ... ..o_"''''''
~~.~~~ ... ..c~
~o"'v~

....

CflQ)

o-

en~

to· ..c QJ
..c: c .......

()Q

~ ~ ~ .... ~ E . ill 0
... '" c '" - 0 '" .2 0.
- ...c:..... ill Q,I C g W "~
c.. v. "'0.... C_"'._>'"
"'til
~ co n:I Q) ~ ill::: ~Q) > ._ ._..::.: 0
o~·
~·c-_"'~ ... m
"'. __
",c
>m>
c~
~
v..c,,·o-o
0 0 Q) ('I;S 0 n) ..(/) ..... 0 -5 Q,I 0 0.0 >'...c:;
C Q.I""OliiCl:l~~"'<:Cl:l..c=e..co~UE
.5EI-E"',,;....'"

~

~~

o.~

,,"
0 0

~

U5
~ « £L
E
::l

wZ

~

'"
..>0:
u

.... «
~Gi
.... 0«:1:

.=

0...5

~1>. .2]§~~~

." '"

._. .

"'Z

~

Q)

",

~

2t;

«en

~
c 1-:;; v
c >. C I>. :l..>o: - 0 0 0
jE~
~~8~~1~~~·~~ . EE

-

..cvc~..c
... .
",v"'C'"
...... ..c
~..o ~ "' .....
---:;:sO
.B~~
-oll)~

...

Z

C
0..
QJ
C/lL.~I1oI..c::sCC
(l)

r.n~..c_r.n"o.''''I>.~C
--o~~o"'o=~
c::
::s...,
C/I
>.::s
U')O"I ....
0-

4S

c

~­

'"

'",

zffi

•

c"'co ..c"e ~
=",3:1ii-",0 0
QJ .S IJl ..... ::s 0
r.r," E "'0 QJ Q.I
Q) .~
:> ...... bO
~ 0..-5 0 OIJ...o v c: ~ c .~ .::: 0.-5 "'C 1 ~ :g
oQ) (I) Q)E.5"'~"'''''''E-:l
... _~:l
......
.... ..c ro > c.
ra 0 c: 'iii - 0 0
'c Co. ..c..c ~ - :!! '" g "',,
~'':..c .~ co~
o : ....... ::
~ res ~ .... § ~ ~ . . . ~ . . . III
>.

~~=~~~~"'j~5~~
V '- tl ~ v ~ e ~ >.

oJ

.-

Q.I.:E:. 0 c
~:e "'0 ~
-.:s ..:: "-. -.- ... -..>0: C '"
~-o

>

-"Cl:l'-"v~~vo~ucgoo
'"
"
OiEV~vC"'-oo
3:..>o:"''''~vco
... ~"''''-=-.~'''

e----II)
.-

:>,"

'=="E

_""'~2t~~"v-o>
OJ
...... 0.. ::s QJ QJ 0 ~ u ;:..
.:;
> C • '" 0 Vl.....
_ ~ 3: ... C
.> ._ 0 c:-:
0 Q.._ C ~

--

=
~"'o~~ · ~~~,,=c-..co~
III res >.. c
; ....... ~ "' -0 ei::s
(13 .Q 00 ~ ns
~ ~ ~ QJ 0 C C ~ '-0._ 0 E QJ ~ .::s... dJ

E-'"
0 ..c ...<: .E
.<':: I>. ~
En;;.,-OjOi"'1ii
..
'" -. coco.~
..., ..c c
...... '"
'-

.. Cl:l

~

ttl

OOOU

QJtUVi
....
fU

_0

ClJ' -0
I
I
I
~ 0 <Il Q) , ......
...c':!:c:::scnscc-~..cE1

bO-

nsC;-:-=
~'~3:
•
... . - '"
Q.I

c
. 0 " I>. 0 ~ C
",,,,,,,<: ",0 E
...

5

-t

In PigaJle
In PigaJle, when it is over
the women rise and step to the windows,
coarse and used in the lewd darkness
Always I have seen them there
breathing deep the sordid air
heeding not the quarter's smirch
the stagnant smell of ill-brewed beer.
They gaze beyond to where it's clear
then sigh, perhaps, and leave their perch.
They sift virginity through their hands
and pull the silk back on their legs
then, sleek and smooth, descend again .
Marcia Levenson

( / \,
I

We macramed our breath into hangings
for bare walls; seashells
from our distant shores,
bits of twig and brush ,
feathers of flushed doves
woven in
as silence swal lowed the room.
We placed the hangings on ex ista nt pegs
where my ancestors by prehinsile
tails. dangled by her bed .
1 hrough an "pe n window
the rotting westwind blew
across her walls
till o ur breath la y decay ing
in her ga rden slui ce.
In the so lit ary st illn ess
.:J ros£' bloomed in the east .
I opened the floodgates
tll r('trive the carr ion co rds
,ln cl I,)ok lng through her wi nd "w
I ',I'" ,1 Ih')lI'and t,1i1,
tLlliin >-=. ,lb~ ' \ ' l ' her hed

MOLE
by Brad Pokorny
The apartment was embarrassingly stuffy . A
familiar miasma of rotten garbage, dirty dishes,
and vaporized cooking 011 smoldered under ather·
mostat set too high . Garth Evans hoped the odor
would not offend her. He indicated the couch,
"Please, have a seat. Relax. I just want to talk. "
He closed the door, locked it, and glided behind
the bar which separated the kitchen from the Ilv·
ing room. "Would you like a drink?"
She hesitated, and then nodded.
"Marlini alright? "
She nodded again.
"I make them very dry. Hardly any vermouth."
He reached under the counter for the bottles and
glasses, palmed a handful of Ice from the freezer
and dropped It noisily into the pitcher - all of
this without averting his eyes from hers. Pouring ,
he noticed that the cocktail settled in among the
clear cubes like silvery molten metal.
"I hardly know where to begin," he began, setting her drink on the low coffee table. "I've never
done anyth in g tlke this before." Evans did not sit.
Instead he wandered about in shorl nervous
steps, pausing only to change direction. His right
hand Slipped into his coat pocket and remained
there. Several times he unconsciously gestured
with It resulting in an almost comic flapping like
that of a one-armed penguin. "I've never blamed
myself , really. If other people don't care for my
company, it Is their loss. About that I'm adamant.
II 'a man bends to suit others' whims, I mean, if
he becomes too accommodating, people will run
right over him. He gels lost in the crowd . You
know what I mean?"
She nodded unsurely .
"I suppose I've always been alienated . At col·
lege I majored in philosophy. I recall many an en·
joyable weekend burrowed away with a few vol·
umes on existentialism. I loved Nietzsche. He
truly understood the hierarchy In society, the
lofty goals only an ind ividual can pursue and the
mind less somnolence of the rabble. I never both·
ered 10 finish - they demanded too many extra·
neous credits in this or that." Evans stopped
pacing and took another long sip of his drink .
The ethanol began trussing up the assorted precarious connections in his head , and his tie sud·
denly seemed to be choking back his words . He
loosened it with im index finger under the knot.
"College did teach me about romance . I had a
girl Iriend there. Her name was Stacy . .At the time
I thought she was very beautiful. I met her on a
Greyhound bus heading home for Chrislmas break
one year. We talked lor ten straIght nours, all
night in the last row of seats by the smelly litlle
lavatory. I allowed mysell to fall in love . I got off
in the morning, and she went on to Chicago . I
wrote her diligently over the holidays , and then
we got together back at school after New Years .
She did philosophy too . We were always staying
up all night . speeding on endless cups of coffee,
discussing Sartre and Camus . That summer we
moved in together. It lasted exactly one year . We
talked a lot about how alienated we were. I gues s
we talked aboul it too much . She did not retu rn
after the ne xt Christmas break . La,t I heard she
was in Los Angeles turning novels into movie
scripts . Hack work . Never had much of a mind for
philosophy anyway She lives WIt h some rink y·
dink producer. It bothered me lor a while. but not

any more. Another drink? " He lofted his empty
glass. Evans made two more, and although she
had not finished her first one, he landed the pre·
mature second on the smooth warnut saying:
"Three chairs, no waiting."
"I used to go to bars every night thinking , hop·
ing , I might find someone or something else. I
didn't know where else to look. I hated it. Lonely
pathetic people desperately trying to commune
with other lonely pathetic people. It was hope·
less: who wants to get to know a pathetic per·
son? God , it was morbid." Sip. "I felt sick at the
forced conviviality, at the insidious Illusion
wrought of alcohol and soft lights designed to
hypnotize them all into believing they are more
beautiful or more handsome than even their most
sell·deceptive moments before a mirror. I can 't
stand the cockish Irivolities that lampoon even
the barnyard. I detest the women wearing the
sleek facades they steal from the screen. Fash·
ions. I don't know, maybe the idiots are enjoying
themselves. I sometimes get the feeling there is
some secret with which I am not acquainted.
Some limited edition code of social laws, that
they keep hidden from me, a rule book passed
from one person to another that, when obeyed ,
gives the game immense meaning, and makes it
extremely satisfying to all involved . Maybe I hate
it because I'm playing by the wrong rules: bounding onto the clay courts wearing ten pounds of
padding and a pair of hockey skates. Ever notice
how all the really popular bars are in basements?
Holes , they're all little holes."
Evans ' voice faded , and he stood before the
apartment's solitary picture window. The glass
was spattered with rain , shattering the window's
clarity , exploding each pinhole city light into a
jagged star. Once in a while a droplet would grow
too heavy . and it would be dragged to the bottom
of the sill by its own weight. Evans noticed that
these outcasts accelerated as they fell, sucking
off more fattening water from each contact on the
way down.
A flash of motion in the corner of his eye
quickly turned Evans' head . The girl was leaning
forward , starting to get up. "Please sit down ," he
said, making that funny fl apping moti on aga in.
She obeyed.
" Did I tell you they used to call me 'mole' in
grade schoo l? My c lassmates used to taunt and
sing:
Garth is a mole· ole
he lives in a hole· ole
li ke a ugly troll,OIl
it's as black as coal·oa l.
" I never did qu ite understand why the kids
hated me . It was not as if I'd peed in my pants or
committed a like atrOCity . I did my work and left
them alone My teachers always liked me, and I
even tried to help the others when they couldn't
answer questions in class. Once a kid named
Mike Woods tried to pick a fight with me. He
started shovi ng me. He pushed me into an alley
between the cafeteria and the gymnasium where
th e trucks made their deliveries to the kitchen . I
didn 'l do anything . He kept poking me in the
chest. I just slood th ere With my hands at my
Side and tried 10 talk him out of hurting me I
silld he'd betler wa lc h oul or he'd gel Inl o lots of
tro ub le . He said. 'You think you 're so hOI , don't
Va? ' 'NOI al all. ' I rep lied. 'Ihe surface 01 Ihe

sun is over 10,000 degrees Fahrenheit. I'm not
really very hot.' I really said that. I thought It a
witty riposte at the time. He just stood there
looking at me for a full minute. Then he started
laughing. He pointed at me and shouted, 'Mole!
Garth Is a mole. Mole· ole . Mole-ole·ole·ole·ole·
ole.' About that time a number of other kids arrived. I bel.ieve the rhyme grew out of that
incident."
Evans saw that she was not listening to him ;
her eyes were darting around the room,
examining the way he lived. " I forgot this place
might appear something of a mess," he started.
The wailS were invisible, so littered was the place
with rubbish - mostly books and variOUS papers.
There were hundreds of books lying about the
place. Queued up on shelves, stacked on the
floor, dozing atop the counter. All kinds: dog·
eared paperbacks, coffee· stained periodicals,
textbooks, How-To books , best·selling novels,
claSSiCS, cliche· ridden mysteries, coverless
comic books, Russian·authored epics, library
books, stolen library books, even a smattering of
porno. Where there were no books , the wails
were obscured by posters and art prints, muddy
handbills saved from the sidewalks , old love letters stuck up with yellowing tape, faded photo·
graphs dangling precariously from a lone thumbtack, arcane halftones torn from obscure magazines, occasional newspaper clippings , old handpainted picture postcards and a little more por·
nography. The stuff was layered on.
"I don 't often have guests , so I setdom clean
up. I suppose this would all mean a lot if we
could find an interior decorator with a degree in
psychoanalysis." Then he paused a moment to
open the floodgate. "But I really don 't care what
people think. I have often felt that other humans
were hopeless heathens, that we were all prob·
ably one of God's mistakes , flourishing only because he overlooked a foolish old man and his
ark. I think a lot about drawing up some sort of
document officially declaring my withdrawal from
the human race. A sort of reSignation from the
club of Homo Sapiens. The only problem was I
could never figure out where to take it . Do I go to
the city hall and have my document notarized? Or
do I take it to the United Nations : walk in , hand
my notice to the Secretary General and salute
(three fingers to my brow), sputtering in his face ,
'1 resign.
Sir.' (I've thought of lettering it out
on a sandwich board and hobbling up and down
the business district, openly declaring my rejection , but others have beat me to that idea, and I
want to be original. )"
"Such a document would have many benefits .
By disclaiming any association with the race, I
would also relieve mysell of any respons ibility for
it. I could watch the evening news with a clear
conscience : I could laught outright at the straf ing of variously co lored women and children .
(There's really 'nothing funnier than deformity.) I'd
be an 5xtraterrestrial , wi th no attachments to the
fate of this no xious humanO id species furiously
destroying the earth . When bleed ing heart chari·
ties knocked at m y door. I could guffaw in their
shocked , white laces . and the n playfully slam the
door - much rnore honest Ihan the 'we gave al
th e office ' routine ."
" Having signed such a- paper I would no longer
have to wonder aboul other people's rules . I'd be
writing my own rule book I'd approach people
and gaily shout. ·Hey. want to go play an in ni ng

,.

.tI!! . ~
or two of basket-soccer,' or ' Tennlchess, any·
one?' Of course no one would join me, but that
wou Id be to my taste ."
"But the best part of my declaration would be
its liberating effect . It would turn tables on all
those who plot against me ; I would become 1he
conspirator. Instead of being alienated, I'd be
alienating . I have always wondered if It was some
intangibte thing in my manner that put people
against me, If there was some Invisible wart on
my personality . But .my document would answer
that Question for me. Free will is only pretending
you planned to do what you did. Choice Is retative, and my document would prove that I exist as
I do out of choice - my choice. Freedom does
not come until It Is declared. In declaring my position I would be taking control of my own life.
I'd be depriving Mike Woods and those like him
of the satisfaction of thinking that they had
driven me into my mole· hole· role. I could stand
on the rooftops anp shout: 'I do what I please
because I please . Don't think I'm hiding from anything , I Just can't stand your company. I Just
can't stand . .. I just can't stand .. .'''
Evans stood very still, his muscles rigid. His
stare was fixed on some indefinite point In space.
He remained this way for a long time. Then he
moved, Slowly, almost arthritically, to a cluttered
easy chair opposite the sofa. He slumped Ian·
guldly Into it, unmindful of the spine-up books
and disarrayed papers nestled on the cushion .
He focused on the girl across the room. His
face bore no expression. He thought about the
situation . She was very young, ~erhaps as young
as 15. She sat nervously, her legs tightly crossed
and her hands tucked between her thighs. She
was staring at him .
Evans thought that she was very beautiful. The
term " well endowed" entered his mind . He would
have laughed to himself In mockery of such a
thought had he not been so serious. The thought
of taking her, there, on the couch, initiated an
erection and its accompanying tremors of excitement. Visions of Stacy-sex flooded his brain . Eidetic details of warm s~in, sloppy wet labia, and
IIocculent pubis returned. He wondered If it could
be , would be the same with this girl before him.
He slowly scanned her body, imagining her
naked . Youthful, smooth thighs, flat stomach
punctuated by sunken navel, and soft breasts. He
thought the first step would be to ask her to re·
move her clothes . "Ahhh ... my dear," (he did
not know what else to address her as) "would
.you. ." His breath and words escaped in a
punctuated exhale. He tried again , " Could you
please remo>e .. .'. No good. And suddenly , like
a cold glass dropped in scalding water, his lascivious thoughts shattered , and he wondered what
the hell he was doing. He looked at the girl and
then quickly around the room , his head jerking as
if he were in a strange and fearful place. He
paused and then said, " I .
I wonder If you
could leave now please ."
She starled, heSitated, and then said, " But ,
what about .. . are you sure you won 't ... you
aren't going to .. . ?"
" I only wanted to talk . I lied when I brought
you up here. " He pulled his hands out of his
pockets and raised them in the air , palms for ward, like a man surrendering to a movie marsha\. "See . I have no gun. "
She got up and left quickly. stopp ing only to
fumble with the lock on the door.

I,I ~/, ,;,'

;\1
Barbara Sussman

Bumble
The sound of bees
Who buzz among the plants
Float quietly around their foes
Singing
Teresa Imfeld

To walk among the froth y foam
of oceans loud and fierce ,
And listen to the sw irl of sound
rearh in my mind and pierce
The ever present trials of time
and the never ending woes,
That seem to press against m y soul
admin is tering deadly blows.
Is as the moment a wave does lea ve
the hurden that it bore
.
Arrass the milesof seas unknown
in the arms of a selfless shore .
That rcaches out to comfort those
who long fo r rest and peace,
And draws them closer to her warmth
where the~' can close thei r eyes and
sleep.
T I'f( · ... d ! rn h ·)d

I

~

l

f
t

oS

i

:
~

-t

~~

"-0;
.::

:7\~

"
<:u

QJ

~-~~~~;;]

.",

c
. 0 " I>. 0 ~ C
",,,,,,,<: ",0 E
...

'"

_o.~C/lU

V;c..rt'°cQ.I..o~co

."c~
j~

E < .!1 >-,j '5 . . . . -0"

('I;S

._. .

c;

""0

ttl

I/)

bO-

~

nsC;-:-=
~'~3:
•
... . - '"
Q.I

~

-t~~·-~-

n) ..(/) ..... 0

-5

Q,I -

1 "5

ClJ' -0
I
I
I
~ 0 <Il Q) , ......
...c':!:c:::scnscc-~..cE1

........ -

0

-

.-

..r:::: .-

oJ

_""'~2t~~"v-o>
- - OJ
...... 0.. ::s QJ QJ 0 ~ u ;:..
.:;
> C • '" 0 Vl.....
_ ~ 3: ... C
.> ._ 0 c:-:
0 Q.._ C ~

V)

c

>. "'C

~

-=

.1/)

()Q

~1>. .2]§~~~

t"tI ...... _

C/I

t';S

~

II)

0

>.Q,lns ... ..o_"''''''
~~.~~~ ... ..c~

0 -

<..J

(/)

c

S

QJ

QJ

"'0

-E..~~~

(I)

Q)

~

I

E" t;

!.§~
b()L

",:::
"':!.~~
:::!

.E

"'O..c 00 ..............

'::: ' -

•

~

~ ~ ~ .:=.;}; ~
:::o~

~

"CQ_",I:l."-.
I..J

~

III

t:;

OJ -

~::::r:.

I

q,)

>.~

"'E ~ ~
92<.0
'--

__

....

- v

QJ

.=

I

I>.

vv

.~ '" ~

III

to· ..c QJ
..c: c .......
....

'"
..c
>~

v v

e

... >. u ....
m v 0 0
... C ...

;.. . e

"00.

==>."""'"0 ....
.~"'O
~cQ:i"3

U

0

l/)

.- ::: e ~

U

~

"00.0
U'J

Q)

•

.

QJ

:l 0
C >
ns -- tU ._
0 .u
....
QJ to...c: .~ ~

:!

:::

<:I

-.:s~.
... :>,

.~

~

.~

'"

<=
e

<:I ... -

I..J

~

...

v

~~~
"

>,

.~

,

'"<:I e
'" .

V)

<.0 :li ;:;
1Il"
:s'" <.0 -g

......
o
:::

I

~

....
QJ

.!;

.

VI

.90
... Q)

~
U')

QJ

>

~
Q)

o':!:

"ow
-

..... """'"

v

g~,,~

.::
"-.

:!

.{i

:>,

o

~

o

c v·~oE3:
-'"
.!;

Ocv~>,
~
l/)::::
...

.

n:I

e

IV >.

~

E

3: . ~.~
0]"'<=
C '- 0

_ 0.

0

~~IIl~ 1i

C

~

~"C..co

o

"cn:l

"

0

~ L.tJ ...c

~i~

:l

~

<:
o!!
r.n
~

0

I>O~

iii

...

.5_
~
...

U)

"LO.

e 0

<J>
U'J

~

0

v

~

Q)

..s=

j

~

o

-ta
Q)

::3 o .... ..c
~..:.::::
o 00 ~ .~ ~ I: '"@
>'o..o...c: ~..!!~
~ ..... ~ ~ ....... ..r; ~
"'OIV..c

bO~

C; ....

C;

.9

~u
~

>."""

._

"ii]~-6

"'''- _coo~~
e .;; ,,~ ~.5 - '"

~ ra ~ ~ 0 ~ ·c ta._
...<:
.r:: v - 3:...<:
-:lr::
3:
_O:lVve-_

ra ~.~ ~"'O

C

.... '

..... ,....

,.....

~

~

...c:>.~c

QJ

U'J ..... ~~->.c~

.... ~ E cg > c:.:!l Q..i
"'v6~m
",-"
>
.......
..c..!::..c:
L..._
~~olv~"'v
.... oou
0~

C/J

<..J

3:..c
C
v 0>v_."..>o:
..>o:3::Jl
... c::
(/)E.4J ..... ra""':;~
.- ~ aJ 11.1 0 =,..c -'
~~e~r::~3:eE

-

~ ......

ClJ

~ :c 1; :!! 0'. - -= 0·~o.:l, 3:8v
~
6'tIl..c::
~ U g,c ~ .D ':; .5 0
00'4J

QJ """'"

.....

°

(oJ

_

QJ"'i:i~'"@

E >-

'" - 0 0." '" v ~ - '"
bO ~ ~ c:
§
" 0..2.g.'" ..2 ~ 0 -0
ClJ 0.
0.. =' E..c:
:l e aJ ~0 ....
v.'"00 >..-co ".;>
o
vi~",~~a-~",

..

v .~

~

0

QJ

.... U~f--tU'J:

r:

0

c::.,g

e ~ '"

v .- v

ro to ~ X

QJ~

ra f;
1Il~

c
Z

«en

"'Z
.... «

c'

0 .2

.........

C;

..... '': .-C

....

W

0-",

E

>

zffi

2t;

U5
« ::l

m

~o

OJ '"

~

..,,;P<:

III

'=="E

'"

'",

~

'"
..>0:
u
~

'"

~
~

.2.
'l::

U'J

...

"

cu .........

(oJ

>

0

c

..

C ta
o...<:.~

aJ 'o..~-o

>.

............

,..-..

E c..

B

vi

U'J

'"

<J>

co

~:

"' i:

~-.

'

J':

QJ

g""'"

aJns .... _4-0o..raOu

bO .~

Eo£:
C

.2
- -;;

c Ovv

~:::::::s
..... - ill

~8.......t-5o~

go_O:l"v"

c"'C u u

v
.!i
..::
>
v
"'..c
._
v
>.
:l
co
> .~
-",_u"'<:~vo=l-~
OJ '" >> ._...<:
> ow
v
c.. ... i>..c
ra

0.. bO ~

°

-o ....

E ;>~k"_
...c
ra c::
t'3

t!;S"""'"

<

''''O-oc'''O"'til'''''-OQ)~QJ

QJ

-:5
00"""", ('3
... 0 ~

·z

0 .-

gf

0

o....c:"'OE

Q)

~ ~

QJ

.....

",

~

,,"

0 0
'-~~
.....

-.I"
.lr>

UJ

a:

QJ

I1l

lI)

0
co

0

co
lI)

~

~m

0 ....
~~
>..~

..... ro

~a:
::J

0

a...

-

>.lI)

<1l '"
oco

~ >. ~

Q)

cv ~ ~

QJ

1/) ....

t'o-

r<")

t-!.
lI)

f',

.

~

~~

IJ) '

Z
IJ)

0.3:
Eo

:c --5

,

:u

~ .... ~ .....

..9 -;:

~ ~ U'l

ta

W

~ ~

U'l .....

"

VI

!-

~~~

0
6

Z ~ !j
:QOI&j~

C

..

IJJe;U

8~

IoU

CI::sU..JO

CD

... CD 00

(:!.!!9

~

.'" ;1;
!~co
·-ciS'
:gE~
"or<")
~J::
C'"
~

.....

N

~
~

po.

>~~

""

C/)
C/)C/)

-~

olL.

W

11.1

-

lL.

III

]:2

Ill'

e

1.0
1.0

C(l

QJ

<l.

W

III

s::

e

U E "'.- v 0
- - ..... u(::;t"")
~;.:::f1~[ ..
v
t'o-

V" e•
.~ C

...
~'.c

CO

c:..g·5
~~
v
~ v E_ v
><e,-:..c
~ .....

v

I ~:l~'"

W

~ .,~
>."0.
~Oj-

...<: I: :l..c "'.-vjI-8 .

t

---1 WX~r;-G
a:: 0cr
...J lL.

Om:::!:o~

. ...JWN

Ww
a

a..W~~<i
::::) mu III
:I:
m n:ci~0

a::~ O>~

~5U !~

W~~

Z

(,,:) > ~
0::
tn
M~
UJ
.
~
-~~
>
· Af
W
_

0::

wz~u>8..JCI:.c.o
Wc(f/) ~==
<
>-'" . IlCU

Z o~
W

0....

u"z

I1lZ

..c

u

t'o-

'"......

ui

~

...JlI)
0>'"
Clf)

Q)

o P<:oil
v
....

I/)

0>

~

("13

(1.IO"'C"'O I"'O>,'"O"'O ~
Q.lO~
~ I c:
... - C C .9-- '" C .- .. ~ 3:..c ~ v 0
~~"''''bg..c''':JlE
~-oE",
~ _
~ ~ f- e . . tU:r:! 00""0] ~ tl:I
t i l . . . .... ::l ::I C C ._
~
E 3: '" c" E
v ~ v 0 .- '" ~"
....

I/) 0:
.:t: ....
u ......
0

~

Q)

~ro~

s> .,.....~;.;..

~­

o.~
CflQ)

of-~O

~

~

~

o
t;
~

~

Cfl

:;:;.::;>

.:...

>.

ro

::;,

C

"U
::J(/)

5

Barbara Sussman

I,I ~/, ,;,'

,.
.tI!! . ~

I

I

'1

o
I

(j)

(j)1'-

o

:>.
(iiI'-

L=..q
m

~E~ •
.. .
.
.;.~ '.:~.
g-

o

.~r-

0

....

tOQ.,I..c5·;::..r;Eo..c:f--tU'l"'OuQJ .........

~

~
...<:
U
...,
~

~ ....
c::
."", IV
.... . C
~
QJ
_

~

Ie
!z
fW

5:t

Singing

T I'f( · ... d ! rn h ·)d

That rcaches out to comfort those
who long fo r rest and peace,
And draws them closer to her warmth
where the~' can close thei r eyes and
sleep.

Is as the moment a wave does lea ve
the hurden that it bore
.
Arrass the milesof seas unknown
in the arms of a selfless shore .

The ever present trials of time
and the never ending woes,
That seem to press against m y soul
admin is tering deadly blows.

To walk among the froth y foam
of oceans loud and fierce ,
And listen to the sw irl of sound
rearh in my mind and pierce

Teresa Imfeld

The sound of bees
Who buzz among the plants
Float quietly around their foes

Bumble

I

<.u"'"
o
.....

QJ

"'O..CIO

' ~~ . ' ...--

..~.~,

~C"'.ci:3:

~

~::::l

e:2 .;;;

I'Q cu ttl '2 IV..9
-gU.!::U-ooi
::s U'l """'" c:
O U'J ~III.. u·
0
'<:' C v '" C r::
"':V>mvo::r:

or two of basket-soccer,' or ' Tennlchess, any·
one?' Of course no one would join me, but that
wou Id be to my taste ."
"But the best part of my declaration would be
its liberating effect . It would turn tables on all
those who plot against me ; I would become 1he
conspirator. Instead of being alienated, I'd be
alienating . I have always wondered if It was some
intangibte thing in my manner that put people
against me, If there was some Invisible wart on
my personality . But .my document would answer
that Question for me. Free will is only pretending
you planned to do what you did. Choice Is retative, and my document would prove that I exist as
I do out of choice - my choice. Freedom does
not come until It Is declared. In declaring my position I would be taking control of my own life.
I'd be depriving Mike Woods and those like him
of the satisfaction of thinking that they had
driven me into my mole· hole· role. I could stand
on the rooftops anp shout: 'I do what I please
because I please . Don't think I'm hiding from anything , I Just can't stand your company. I Just
can't stand . .. I just can't stand .. .'''
Evans stood very still, his muscles rigid. His
stare was fixed on some indefinite point In space.
He remained this way for a long time. Then he
moved, Slowly, almost arthritically, to a cluttered
easy chair opposite the sofa. He slumped Ian·
guldly Into it, unmindful of the spine-up books
and disarrayed papers nestled on the cushion .
He focused on the girl across the room. His
face bore no expression. He thought about the
situation . She was very young, ~erhaps as young
as 15. She sat nervously, her legs tightly crossed
and her hands tucked between her thighs. She
was staring at him .
Evans thought that she was very beautiful. The
term " well endowed" entered his mind . He would
have laughed to himself In mockery of such a
thought had he not been so serious. The thought
of taking her, there, on the couch, initiated an
erection and its accompanying tremors of excitement. Visions of Stacy-sex flooded his brain . Eidetic details of warm s~in, sloppy wet labia, and
IIocculent pubis returned. He wondered If it could
be , would be the same with this girl before him.
He slowly scanned her body, imagining her
naked . Youthful, smooth thighs, flat stomach
punctuated by sunken navel, and soft breasts. He
thought the first step would be to ask her to re·
move her clothes . "Ahhh ... my dear," (he did
not know what else to address her as) "would
.you. ." His breath and words escaped in a
punctuated exhale. He tried again , " Could you
please remo>e .. .'. No good. And suddenly , like
a cold glass dropped in scalding water, his lascivious thoughts shattered , and he wondered what
the hell he was doing. He looked at the girl and
then quickly around the room , his head jerking as
if he were in a strange and fearful place. He
paused and then said, " I .
I wonder If you
could leave now please ."
She starled, heSitated, and then said, " But ,
what about .. . are you sure you won 't ... you
aren't going to .. . ?"
" I only wanted to talk . I lied when I brought
you up here. " He pulled his hands out of his
pockets and raised them in the air , palms for ward, like a man surrendering to a movie marsha\. "See . I have no gun. "
She got up and left quickly. stopp ing only to
fumble with the lock on the door.

EO
-ilia:

u

QJ

~U)

. ~~

;\1

"l

en
...

a:

0
Q.

en

«

:::!1:

0:

...>

0

~ '00

tnc: 0 III ·c ........... I Q.I
'" ~.:.2" '" 0 . ~ e e
~>. ~
-;::>'0
~ rJ ~..r: Q..i
~ til (/)
..0
v v...<: >.
0
:::l -

>. ~

:I:

Q.

E

0

0

0 '"

"'2

'

E

=

.::6~

e '"3: c.~

._

c:

....~GiZ 0«:1:
~
£L
w

~~

=
~

en~

c:

C v 0

OOC''::

~ ~

'"

. . ·=~u~~~

1l
v cP<: E "''' xu~ E

'>

- ~ - '" v 6.- ~
_
-E ~ ~ ~'C b - ~ C
c: .-C .-~~ra ~.... Q,I~ "'0
. ~ 1:0 ~._
.. _..... .

= '"

.5 ·z .5 _

..... 2...c: .... IV X QJ ra ~ •
('tS ."!:: .~ ~...c ~ U'J ~
0.,
bO>OO,"""

s::-;:u..c"-':
v 0 3:
~
ta

0._.....

~ ~ E ~ N
c: ~ ~ E r-1
..c:
~ u

<t;:::: C
C .~ 0

Q;O (oJ

n:I

~
....
QJ

~.~ .~ "'C

C ....

E ' ;::

(oJ

~ ~s::

eo u~
=
;:;.

-< >e"'>o:lCC
0 v "'::!: v""~;; 0
,<:,0

(1)""""''''0

(I)

:c,"-Q,lQ,) ...........
e ..

ClJ.~ ~

...

~ 0 C
O..c t 0 1i .:.2
co"'>' -..c
'0.5 ~ QJ ~ 0 s:: ~.1:
~
...
::s.....
tU Q . O , . .
c
"' ... !:: -

u~.t;;...c:
C
v

QJ

l/)

o..c

o.E a." C =...<: li 03: "
V; ~ ~ ~ ~o ~ C; 0 .5 v .,; ~ ~..c:i: c -£ ij ~ E·..c
C. ~ "c II ~
- ClJ . _ . . . . .
_ . ::s ~
"""'"
c; (/')
_....t: ~ .- 0
.Q) U'l 0
0;>
'-:l
" .... >. ClJ tU ; V ~.... 0 ;>.....
> _ "~ "'0
- "
'" " v C~ - ....co"
... I>. -5v =QJ eQ) "'0
.- - '" ~
't:.......
"'0 QJ
0
e c
-£~~g~;;~C-~~]..c~1e~~e~~.2;~v~-g~o3':btl'O~>.1

.c :c

Eu£~~ .... Eo..c.,g~""2E
N~ ~1~::S::t=-;
(::;c
QJq)--Q.l'-- .~ c..c 3: 3:
0. C o..c ;:j E ;; I~ 0 ",.!i 0 ",,,..c 1>."
~

3: _ ~ 0 v

. -~.-=:...c;

~

g

~ '"C a.i ~ ~
0 c u 0.. IV ~ >. 1:: .- ....
Q,I ~ (l.I ~.; 0..;"::; -;::
(/') ... ;::.
~ 00.. '':: of C QJ
~..c ~ aj
...c-U..cVlC
~
............ .J:)t'3- ... aJ"'C ....
-o"'C;::..
<..J~
,~ ........ c
s::
o...c
4Jou
:::lc-:l",~o.."v'"
",v5C:l:lv
t~0."'~ .5~>vvvv--~
... ",

2 '"
L..

. '" '"
QJ

5Q)ns~
...c .... 't;

.....
8.. ~o..c0 .... t;.~
v 3: 1::

~r.n~

· ,--'o:i.!:('30

.- ~ ~

~Qj ~

.2 6 .:!"
v - "'''
.....
r...
CLI 3:..>0:' '"

~
co 0 <J> e -;; C <=
c..~ClJ ..... ns
'tC";S1Il
c

~uo~~~E~t~~[j~
.~
11.1 ~
ra 0 -5 -5 C
>';1> ra
0 QJ

C

'0
QJ

~f:

;-:

. .!.~

::S:2Q..i-"'O
....... ::s ~ ::s 0

",m~~",

~"'O~...c..c
Q,lcvaJ_E .... cU'J
_c:-o~~..oE..o~oc~~

..c -

~

Ill,

U'J ~

Q.I .....

",.-

ns

~ ....
-<

.....

.-=:
~:; u
u 0 =~ C be
::r: ..... 0L..~""O......
.- .- ~ e
'" :l v" 0...
~W ___ aJ
III 0..
Q.I
• ~ U
\,J
,... . : : LL.
(,fl'':::
'..t:I:..--.Q)
...... ..c:

U bo..o

::
III
L..- ~.-::: ::s
V)consn)_
0

...c0"0~v:!!OJvv2"'~",:C
... c I;J "'0 co > u ....... ..::.::
bO..c
l/)O
=c~Q..Ic
o>.c .....
ov~()'" '" 0. ._ _~
'" 0..>0:
0 ~'... -~
...... ,
....0. C co
0
.:::
"'E>" "'~"
- - v><,::~vv

v 'Vi
vv 6 -:l ..c
"cvo~:.E
... - >
ra .-0..4-0..0;::..

"]
.§

v

<J>

'~"
>.

I~

E!

.......

'v"
'" QJ
6>
t"
"'....c:
=' c
._......
aJ....... ..cU
v
_
0 ..... E
'1-"'1>0
C ..c.
O~cco
:
C O O 4J ""'0 t'3 C -... .- c:
~
"'0'50 >. _ III
C
C QJ 4J _ .=
E ~ c: ~...c::: "'0 go\.., ~
.5
ns ta '" .~ VJ .5 ~ 0. QJ U'J .... ns
c:-C:~ \.., ro ....... co::s ~ ra ra Q..

f-

sun is over 10,000 degrees Fahrenheit. I'm not
really very hot.' I really said that. I thought It a
witty riposte at the time. He just stood there
looking at me for a full minute. Then he started
laughing. He pointed at me and shouted, 'Mole!
Garth Is a mole. Mole· ole . Mole-ole·ole·ole·ole·
ole.' About that time a number of other kids arrived. I bel.ieve the rhyme grew out of that
incident."
Evans saw that she was not listening to him ;
her eyes were darting around the room,
examining the way he lived. " I forgot this place
might appear something of a mess," he started.
The wailS were invisible, so littered was the place
with rubbish - mostly books and variOUS papers.
There were hundreds of books lying about the
place. Queued up on shelves, stacked on the
floor, dozing atop the counter. All kinds: dog·
eared paperbacks, coffee· stained periodicals,
textbooks, How-To books , best·selling novels,
claSSiCS, cliche· ridden mysteries, coverless
comic books, Russian·authored epics, library
books, stolen library books, even a smattering of
porno. Where there were no books , the wails
were obscured by posters and art prints, muddy
handbills saved from the sidewalks , old love letters stuck up with yellowing tape, faded photo·
graphs dangling precariously from a lone thumbtack, arcane halftones torn from obscure magazines, occasional newspaper clippings , old handpainted picture postcards and a little more por·
nography. The stuff was layered on.
"I don 't often have guests , so I setdom clean
up. I suppose this would all mean a lot if we
could find an interior decorator with a degree in
psychoanalysis." Then he paused a moment to
open the floodgate. "But I really don 't care what
people think. I have often felt that other humans
were hopeless heathens, that we were all prob·
ably one of God's mistakes , flourishing only because he overlooked a foolish old man and his
ark. I think a lot about drawing up some sort of
document officially declaring my withdrawal from
the human race. A sort of reSignation from the
club of Homo Sapiens. The only problem was I
could never figure out where to take it . Do I go to
the city hall and have my document notarized? Or
do I take it to the United Nations : walk in , hand
my notice to the Secretary General and salute
(three fingers to my brow), sputtering in his face ,
'1 resign.
Sir.' (I've thought of lettering it out
on a sandwich board and hobbling up and down
the business district, openly declaring my rejection , but others have beat me to that idea, and I
want to be original. )"
"Such a document would have many benefits .
By disclaiming any association with the race, I
would also relieve mysell of any respons ibility for
it. I could watch the evening news with a clear
conscience : I could laught outright at the straf ing of variously co lored women and children .
(There's really 'nothing funnier than deformity.) I'd
be an 5xtraterrestrial , wi th no attachments to the
fate of this no xious humanO id species furiously
destroying the earth . When bleed ing heart chari·
ties knocked at m y door. I could guffaw in their
shocked , white laces . and the n playfully slam the
door - much rnore honest Ihan the 'we gave al
th e office ' routine ."
" Having signed such a- paper I would no longer
have to wonder aboul other people's rules . I'd be
writing my own rule book I'd approach people
and gaily shout. ·Hey. want to go play an in ni ng

MOLE

" I never did qu ite understand why the kids
hated me . It was not as if I'd peed in my pants or
committed a like atrOCity . I did my work and left
them alone My teachers always liked me, and I
even tried to help the others when they couldn't
answer questions in class. Once a kid named
Mike Woods tried to pick a fight with me. He
started shovi ng me. He pushed me into an alley
between the cafeteria and the gymnasium where
th e trucks made their deliveries to the kitchen . I
didn 'l do anything . He kept poking me in the
chest. I just slood th ere With my hands at my
Side and tried 10 talk him out of hurting me I
silld he'd betler wa lc h oul or he'd gel Inl o lots of
tro ub le . He said. 'You think you 're so hOI , don't
Va? ' 'NOI al all. ' I rep lied. 'Ihe surface 01 Ihe

Garth is a mole· ole
he lives in a hole· ole
li ke a ugly troll,OIl
it's as black as coal·oa l.

any more. Another drink? " He lofted his empty
glass. Evans made two more, and although she
had not finished her first one, he landed the pre·
mature second on the smooth warnut saying:
"Three chairs, no waiting."
"I used to go to bars every night thinking , hop·
ing , I might find someone or something else. I
didn't know where else to look. I hated it. Lonely
pathetic people desperately trying to commune
with other lonely pathetic people. It was hope·
less: who wants to get to know a pathetic per·
son? God , it was morbid." Sip. "I felt sick at the
forced conviviality, at the insidious Illusion
wrought of alcohol and soft lights designed to
hypnotize them all into believing they are more
beautiful or more handsome than even their most
sell·deceptive moments before a mirror. I can 't
stand the cockish Irivolities that lampoon even
the barnyard. I detest the women wearing the
sleek facades they steal from the screen. Fash·
ions. I don't know, maybe the idiots are enjoying
themselves. I sometimes get the feeling there is
some secret with which I am not acquainted.
Some limited edition code of social laws, that
they keep hidden from me, a rule book passed
from one person to another that, when obeyed ,
gives the game immense meaning, and makes it
extremely satisfying to all involved . Maybe I hate
it because I'm playing by the wrong rules: bounding onto the clay courts wearing ten pounds of
padding and a pair of hockey skates. Ever notice
how all the really popular bars are in basements?
Holes , they're all little holes."
Evans ' voice faded , and he stood before the
apartment's solitary picture window. The glass
was spattered with rain , shattering the window's
clarity , exploding each pinhole city light into a
jagged star. Once in a while a droplet would grow
too heavy . and it would be dragged to the bottom
of the sill by its own weight. Evans noticed that
these outcasts accelerated as they fell, sucking
off more fattening water from each contact on the
way down.
A flash of motion in the corner of his eye
quickly turned Evans' head . The girl was leaning
forward , starting to get up. "Please sit down ," he
said, making that funny fl apping moti on aga in.
She obeyed.
" Did I tell you they used to call me 'mole' in
grade schoo l? My c lassmates used to taunt and
sing:

tUUl

~"_::S3:~

aJ .-

i>"'O(l.I

>c

~

...c:U'lbO

~~QJt;~

... E

='

'c

1Il"'O=,

I>. v C

._.....

~OVl4-00

~ ~ 0.
"'e ~ ~ 1 coc 8 ~ ~ ~ g g 0 ~ 0.-:5 ~] ~ ~.~ '§ ~ x ,S t; ~ E ~ ~ 8. E ~ ~ ~ § ~ ~ 0E ~.5 ~ 0 V; ~
E 6
o. ... t - ... - _ · - c
c~"'co.v~v-", ._..c
v v ...
v"
v
..cco",
~0=0.§1..c ... ~·§~<:g3:~1]]]!~w3: .~;:;",1-~1.~~~l-j~~~§",,,,~0~~~~~~~

e"':C-~'-'"

o '" '" "'] '" '" C .- .....
...:.=: ...c:;_~""
~ ~
...c:
Q,I""C
-

...!!! "'0 c: .~ ::
Oc· .... ~ ..

e

Q)
~

-ta
~

rIl
Q)
s=

~

~

o

o
e
I«

W

a:

~ .~= CJ
•

~~

VI'"
.... ~

- c:u
<:I ......

_
Q,I _
)..

.!2.. ";, '0 W

..0

"o

"

Jj

~

~5~~~

9
"'<:I~~"
'5
<i
......
1,;.- .. <:1
'"
....
t:s: ..... _oo
.;:: 0... ...... OJ ...
-lo..
....
.E
u
0

~ ~ 0'-

Vl ~ .~ bO~ ~ ~
Z
~..:: ~.~ tl ~ ~ ~

CI::l

lo..

;l
:>,~~
-VI
.. -.:s <:I VI "-~o,..:!o~ ..
"'"'~tl.
s::..s::·
as::
V)·-

lo..

'+-. OJ

$:l.-;::~~lo..lo.. ..... c
cu s:: _ a
:s QJ
... "'
~~
... ~~
<.Il ...
0
"'-. cu.l-<
>.

.~ ~

;l~

by Brad Pokorny
The apartment was embarrassingly stuffy . A
familiar miasma of rotten garbage, dirty dishes,
and vaporized cooking 011 smoldered under ather·
mostat set too high . Garth Evans hoped the odor
would not offend her. He indicated the couch,
"Please, have a seat. Relax. I just want to talk. "
He closed the door, locked it, and glided behind
the bar which separated the kitchen from the Ilv·
ing room. "Would you like a drink?"
She hesitated, and then nodded.
"Marlini alright? "
She nodded again.
"I make them very dry. Hardly any vermouth."
He reached under the counter for the bottles and
glasses, palmed a handful of Ice from the freezer
and dropped It noisily into the pitcher - all of
this without averting his eyes from hers. Pouring ,
he noticed that the cocktail settled in among the
clear cubes like silvery molten metal.
"I hardly know where to begin," he began, setting her drink on the low coffee table. "I've never
done anyth in g tlke this before." Evans did not sit.
Instead he wandered about in shorl nervous
steps, pausing only to change direction. His right
hand Slipped into his coat pocket and remained
there. Several times he unconsciously gestured
with It resulting in an almost comic flapping like
that of a one-armed penguin. "I've never blamed
myself , really. If other people don't care for my
company, it Is their loss. About that I'm adamant.
II 'a man bends to suit others' whims, I mean, if
he becomes too accommodating, people will run
right over him. He gels lost in the crowd . You
know what I mean?"
She nodded unsurely .
"I suppose I've always been alienated . At col·
lege I majored in philosophy. I recall many an en·
joyable weekend burrowed away with a few vol·
umes on existentialism. I loved Nietzsche. He
truly understood the hierarchy In society, the
lofty goals only an ind ividual can pursue and the
mind less somnolence of the rabble. I never both·
ered 10 finish - they demanded too many extra·
neous credits in this or that." Evans stopped
pacing and took another long sip of his drink .
The ethanol began trussing up the assorted precarious connections in his head , and his tie sud·
denly seemed to be choking back his words . He
loosened it with im index finger under the knot.
"College did teach me about romance . I had a
girl Iriend there. Her name was Stacy . .At the time
I thought she was very beautiful. I met her on a
Greyhound bus heading home for Chrislmas break
one year. We talked lor ten straIght nours, all
night in the last row of seats by the smelly litlle
lavatory. I allowed mysell to fall in love . I got off
in the morning, and she went on to Chicago . I
wrote her diligently over the holidays , and then
we got together back at school after New Years .
She did philosophy too . We were always staying
up all night . speeding on endless cups of coffee,
discussing Sartre and Camus . That summer we
moved in together. It lasted exactly one year . We
talked a lot about how alienated we were. I gues s
we talked aboul it too much . She did not retu rn
after the ne xt Christmas break . La,t I heard she
was in Los Angeles turning novels into movie
scripts . Hack work . Never had much of a mind for
philosophy anyway She lives WIt h some rink y·
dink producer. It bothered me lor a while. but not

~klom~~g-E..

~

V v c
-f~~~

..:: Cl:l v

::::r:.

~
0.
....
u
=
~"'o~~ · ~~~,,=c-..co~
01::1
QJtUVi
OOOU
III res >.. c
; ....... ~ "' -0 ei::s
(13 .Q 00 ~ ns
_0
....
fU
E-'"
~ ~ ~ QJ 0 C C ~ '-0._ 0 E QJ ~ .::s... dJ
.. Cl:l
0 ..c ...<: .E
.<':: I>. ~
-"Cl:l'-"v~~vo~ucgoo
~"
En;;.,-OjOi"'1ii
'"
"
OiEV~vC"'-oo
3:..>o:"''''~vco
... ~"''''-=-.~'''
..,
..
'" -. coco.~
'"
' -:S"'V
..., ..c c
...... 'c"'co ..c"e ~
=",3:1ii-",0 0
o~~· ~ ~ o.~ 0 0 ~
. - QJ .S IJl ..... ::s 0
r.r," E "'0 QJ Q.I
Q) .~
:> ...... bO
:>,"
e----II)
~
0..-5
0 OIJ...o v c:
~
c .~ .::: 0.-5 "'C 1 ~ :g
Q.I.:E:. 0 c
~:e "'0 ~ .oQ) (I) Q)E.5"'~"'''''''E-:l
... _~:l
-.:s ..:: "-. -.- ... -..>0: C '"
......
.... ..c ro > c.
ra 0 c: 'iii - 0 0
~-o Q)
........
o"'<'O~~
'c Co. ..c..c ~ - :!! '" g "',,
~'':..c .~ co~
0..::::: ..>o:"~ 0._." 1>.",
'" 0
o : ....... ::
~ res ~ .... § ~ ~ . . . ~ . . . III
>.
_i3 .~'S Q.I -.-. . :'": r.n ' " - .-- '"
~ 'c:l
""0 ""C 0':':: .- .- ....... 00.........
(l)
C 0...5 0..
QJ
.....
C/lL.~I1oI..c::sCC
"
· ... ."o..>o:°iii-o~
5 ;... >.5 _..c > CJ,) >'> - ....~ "'OQJ..c"'Oc::s
c 1-:;; v
c >. C I>. :l..>o: - 0 0 0
~ :>,
.5 ~.3 ~ .5 '0 ~ g
jE~
~~8~~1~~~·~~ . EE

S:

I

...t: t:

-<
~~=~~~~"'j~5~~

...

r.n~..c_r.n"o.''''I>.~C
--o~~o"'o=~
c::
::s...,
C/I
>.::s
U')O"I ....
0V '- tl ~ v ~ e ~ >.
." '"
0 c 0 E ~ Cl:l 0. co
~ol>.ov
E

4S

Q)

0

..cvc~..c
... .
",v"'C'"
...... ..c
~..o ~ "' .....
---:;:sO
.B~~
-oll)~

°o~-:!!

0

rn " "' 0

liiCl:l~~"'<:Cl:l..c=e..co~UE

-

",ve~~>O:l~~'"
c~~_"'~u'"
u
QJ ~
"' . Q.I .... 0
0.... """..c
0 V'J ....
::J:;.
·-c
....
_
~> ... "'..c..c~~o"'v~
e~
l~~--~o-~~~~'"
~I>.t~~g
~.
0.0 .4J
"0 0
.... c:: ~
>
III .....
~ ..... III >. ....
.. ~ ,.3 ~ ~;.... r:: ~ ~ e r:: ~ v '0 ~
£ '" ..c ~ C n; <: ~ ~
V ~ ... C; .... E c: 0 - .9 c: ~ -0 ..c
~ ~ ~ .... ~ E . ill 0
~\ ...<: C e ~. .!i 0. ~ - 0 ..c ... ii,
... '" c '" - 0 '" .2 0.
'III' _....... 0 00 .... ~ E
~ =' III - ...c:..... ill Q,I C g W "~
c.. v. "'0.... C_"'._>'"
"'til
~ co n:I Q) ~ ill::: ~Q) > ._ ._..::.: 0
o~·
~·c-_"'~ ... m
"'. __
",c
>m>
c~
~
v..c,,·o-o
0.0 >'...c:;
C Q.I""O.5EI-E"',,;....'"

•

I

tvo. ....

.~ t:s ~

(I)

.J:::

...

I

e
5;""';

-

C)

00 ......

°

'"

\,J

.5 1: ~ 5
<:I .. ~EE

E '-ul -.:s'"
"'''_:::

..::: ., <:I :!
-0":::""-

t::l

~~~

cu";:;: <.Iloa

1I'l............
r.:s.~ s:: trl ..t)._ E s::
Is::Q.I
::.-..;;;t:s
'0
~ ....
~
~ t:!.~ ~ ~] • f3 t.f) ~ v) ~ lo.. U 11
~ to .~] ~ ~ t-1 1 ~ ~.2

Ch

til]

""tS

E ........ ;::>O"' .....

c:s \.4-..
0 't.I) ~
:s
q,)
ooS ..... t",VI
CQ
t:s ._ t:s ~ ,,<:I<:!~..:::
u ~ _
: ~ ~ .... s::
.~::E ci' ~
(U

lo..

"'T"OI

o
:>,
-.:s

.

~

P:l
'C
~

~

o

~

as<

rn
e

boO

~

~<:I<:I

r::..... E v...<: 1>0 C
~.
o· - C v :l '- ~ 0
', s::
til t:s.o~..::
·z ~ 0 ~ - ;; '"
..0 o·~·;; i: j.!i ... ~
tl.~_
'"
c"..c
.!2.. co ~..cU
'" '" '" 0... ...<:..c
v
~
C r.n v ocvco
I..J :!
'6
Q.I.~ ta
.5
~ t!;S ~ .
m.-: : .-o
'" Lf)
'" 0~
v-"'<:m
~ 0:'" .",c..c"' ... 3: . . . -:S
f})
.4J .- .-Co.
>.
.- "'O"'c ...
aJ >.
(/') c:
- ~ 0 .4J
t3
"'0 E ~ Q.I ~ .... "'0 00,.c ~
.:a .9..... "0~ ~..... '2::s~"'O
~ 0
...... "'0 ~ ~ E c: ~ ;:.... ;.§ (5 § ~~~
<:I VI
:»4JO O C:: · t U > . e :!
f.J 0._
:l >. c > .v '" C v .
~EiIl~ E"'O
§:8:::QJ~QJ"'O~"'O~~ 3:: co ~ r--..
c:: 0 ~ '(ij
cs
~..o aJ E ; 00 '0 c; .... :1 q::: ..o-.:s
_ ~
·':::"""'-1.,$:;J..ou
:s
o..o..c 0 0""
<'3"'0 0 . ., <:1'_
OJ .C E_
-0:>,
0_ ..c
- c J.) .-. .~
'" Cl:l "'> 0c...<:
aJ
""".4J
..
..... v :>, '<;I ..::: ..:::
v C v '" .~> co '" '" ~"
W·- ... ~
~ "'
'" ...
i: e '" ~ 0 .~
-.:s:l 3:..c 1 <: _.~ v ~ -.:s
' - .........
<u
'"
>. Cl:l~
'i3 0 - " ~",o~c -.:s
0 59
~c"~c .... "oil_~-_~-r.n"'I>."'o
...
·z
.
.
C Q..I "'" c..
•
co ....
>.
'-- U')
~ .... ns ::s QJ _hf
.5..t:_ J -..o..c
0 "'0 Q) co n:I Q J - i3 ::: -.:s :!
o",oe3:""--""
o»c..c-c-~ o 0 ;: 0
o..cc
.... CJj 0':';:: ~
'--' ;::.. ;> tU ..... 0..._ 0.._ ::r; ..;:" :>,
cr:::l

~ S ~
.. :::
-<:I

...• .. E

_

<:I ..:::

.. ~~
11\

(U

:>,"-.
00

'-

VI

..:::::- 0 So:

~

V'l

:§ § ~
_~

tQ.!::!.

cu .... ~
~o<:lo"O
a

Ii:

~~~

~ ~ So ~ cu .,g...t: E Ii: Ii: ~ ~
v,
~ ~ ~ tl.."\:s ~ ~ ..... ~
~~82~~~~i8i~~ · ~~itll1~~g~~

In PigaJle

Marcia Levenson

In PigaJle, when it is over
the women rise and step to the windows,
coarse and used in the lewd darkness
Always I have seen them there
breathing deep the sordid air
heeding not the quarter's smirch
the stagnant smell of ill-brewed beer.
They gaze beyond to where it's clear
then sigh, perhaps, and leave their perch.
They sift virginity through their hands
and pull the silk back on their legs
then, sleek and smooth, descend again .

(/\
,

We macramed our breath into hangings
for bare walls; seashells
from our distant shores,
bits of twig and brush ,
feathers of flushed doves
woven in
as silence swal lowed the room.
We placed the hangings on ex ista nt pegs
where my ancestors by prehinsile
tails. dangled by her bed .
1 hrough an "pe n window
the rotting westwind blew
across her walls
till o ur breath la y decay ing
in her ga rden slui ce.

tLlliin >-=. ,lb~ ' \ ' l ' her hed

In the so lit ary st illn ess
.:J ros£' bloomed in the east .
I opened the floodgates
tll r('trive the carr ion co rds
,ln cl I,)ok lng through her wi nd "w
I ',I'" ,1 Ih')lI'and t,1i1,

~.tI

~. x.mcec:o.e.~O!C~

.

NEWS FROM CAREER
PLANNING/PLACEMENT
bv Molly Wright
Summer employmt>nt can be
,ln .. ~('.. IIl'nt opportuni ty IL) gai n
\\'"rk experience and sk ills. The
Ott ice t)t Financial Aid w ill be
"Itprrng a specidl workshop dealin).! with summer jobs on MonLid\' March IS , from 2 - 4 p.m.
In CAB lOB. Financial Aid will
.11", gat her and post sum mer empl""men t l)ppo rtuni ties. that app,," tl' .:!l1 student s . For exa mple ,
th ,< , .. In te rested in Re creation
,I,,' ul d cl'ns ider arranging for a n
1I1tlT\'i('\\, with the King County
I'.nk,; Di"ision . Representatives
\\ ,I ! be on campus March 24
11"'111 0 a.m. to 5 p.m. to ta lk
\\ :tIi prospectiv(' Summer Recrea-

NEED SHAMPOO?
o ~C'iI

Qi~~
flEED TOOTHPASTE?

A

•

NEED VITAMINS?

~\I

Lowest Prices
IN

Town!

-

Home of low Price
Prescriptions
for almost 13 years
506 N Capitol Way
943-3820

tion Leaders. Recreation Leaders
will be placed in Highline, Fed eral Way, Renton, Shoreline,
and Bothell at a starting salary
of $3.50 per hour. Qualifications
are a ma jo r emphasis in Recreation o r rela ted field, OR practical experience in the leadership
of recreational activi ties . Students wi th expertise in the following areas are encouraged to
app ly: Arts and Crafts, Badmin ton . Basketbal l. Camping, Dance,
Drama, Music, Floor Hockey,
Go lf. Saili ng, Canoeing, Softball,
Tennis. Gymnastics, and Water
Polo.
Also in Recreat ion, Big Bend
Co mmun i ty College in Moses
Lake is curre ntly seeking a Pool
Ma nager a t a salary of $2,000
fo r the period of June 6 through
August 28 . The Pool Manager
would be in direct charge of life guards and pool staff, handle in str uction of sw imming lessons,
and prepare and maintain staff
schedules.
For a refreshing and enlighten ing su mm er break, consider a
whitewater adventure with Sundance Exped iti ons. Sundance is a
closely knit gro up of Oregon river people who love what they
are doing - gu iding raft and
kayak trips o n the Rogue and
Ill inois Rivers. The program ha s
a va riety of adve ntures, includin g two - day skill workshops,
week -lo ng wilderness expedition s
dnd specia lly chartered steel head
tishing trip s . SLllldance was
Itllllldcd l,y E('ergreen graduate
Mike Sill/I' For more information
~bout river adven tures contact:
Sundance Expeditions, 14894
Ga li ce Road , Merlin, Oregon
"7532.
Considering grad uate school?
Registration for the graduate
schoo l practice exa minations to
be held April 10 may be made
by contacting Career Planning
.Jnd Placement, Lib. 1220, 8660193. Practice testing is a good
land FREE) opportunity for you
to assess your academic strength
and to become familiar with the
style and content of the exa minations that are generally required
for graduate study. Tests will be
offered for the LSAT, MCAT
a nd the basic GRE.

l!6r,a

International
Hair DeSigners

Qd

(Part II of two parts . ) In the
first article of tllis series (appearing 2 / 26 / 76) Rick Speer explored
the history and machinery of
VIdeodiscs. In the foIlowing article he shows some of the practical applications of the lat est
braillchild of TV.

by Rick Speer
As soon as videodisc players
begin coming off the assembly
lines, an intense competit ion will
begin for your business . The reason? The disc technology has
been '10 years in the making
and has cost around $200 millio;
to perfect. Further, sharp observers have noted that several million players must be in use before they become profitable.
Si nce t he a verage person can be
expected to buy only one discplayer (at $4 - 500 each), the
compet ition will be stiff. But the
two marketing compan ies are
confident of reaching the breakeven point. RCA's president
notes that even if only 25 % of
the nation's 70 million TV homes
add a player, that amounts to
$6.8 billion worth of business.
And he adds, "It wouldn't be unreasonable for a disc-buyer to
spend $70 - 80 a year on discs. "
MCA's Disc-division president is
even more optimistic, shooting
for "40 - 50 % of the market"
among present TV owners.
And what will be offered on
these discs? Well, neither system
reco rds anyt hing, they're both
only playback units . So the consumer will have to shop for
canned items just as the record
buyer must. MCA contro ls Universal Pictures and so will have
many theatrical films available.
At one demonstration last
March, they showed The Sting,
Earthquake, and The Towering
Inferno . MCA also controls a
great many older films and has
already issued a prel iminary catalog, citing Mae West classics for
$2.35, W.e. Fields fo r about the
same, and so on up to the present. ObViously, film buffs will
go nuts at the chance to watch
and study their film favorites
whenever they like, instead of
when theatres or the networks
get in the mood.
RC A, for its part, has already
purchased the rights to more
than 1.000 Hollywood movies,
and forese'es its discs being distributed nationally through mailorder clubs ("disc-of-the-month")
and libraries. Both sides also
promise a very broad range of
specia l interest material like ballet, opera, history specials (Ascent of Man , et al). auto-repair

lessons, trave logues, pornography , you -name- it. And the
cost will be kept low since videodiscs, unlike tape, can be stamped
out like records very cheaply "Manufacturing a 40 - 60 minute
disc will cost us 50 cents," says
MCA's spokesman.
The possibilities go beyond
visual material like films . In the
MCA system, for example, the
user can go through the disc
frame by frame. If those frames
have text on them , like a book,
one could read off the television.
The thing that makes th is useful
is that a single ha lf- hour disc,
with space for 30 frames per second can store 54,000 pages! (The
Encyclopedia Brittanica, for comparison , has 30,000 pages.) Thus,
one or two year's texts in undergraduate physics could be obtained from your college book store for $3.50 or so on disc.
One thing that's for certain is
that standard broadcast televi sion will never be the same. Always before, network executives
could ignore dissatisfied viewers,
since the latter had no alternatives to commercial offerings.
But then cable came along, and
the networks ran to the FCC,
pleading to have cable companies
restricted on first -run films and
other prime properties . And initially, they got their wish.
America wil l soon have a
fourth national network - with
no commercia ls. As one critic of
standard TV noted, "You have
to wonder then what wi ll hap pen , when people used to receiving three network statio ns suddenly get 15 via cable; when
they can watch uninterrupted ,
uncensored shows; and when
they can choose from thousands
of videodiscs. . network audiences will almost certainly decline, and with them ad revenues, economies of sca le, and
profits."
In fairness, it must be noted
that the national networks have
always had to play by special
rules. Financed by advertisers,
the rating game forces them to
go for mass appeal, sacrificing
qua lity or anything else that gets
in the way. And since any family
member from Junior to Grandma
can tune in, the networks have
had to tread lightly to avoid offending anyone. As a man with
the National Association of
Broadcasters put it, "The econom ics of un subsidized television
don't permit narrow casting to
small special interest groups."
There it is - this fact alone
g uarantees a market for disc
manufacturers.

ALL WArS TRAtI£L S£RtlIC£.IIIC.'

So, quality -conscious viewers,
cheer up! Discs, on top of cable
TV, promise to be the final
straw leading to a breakthrough
in visual enterta inment. In this
Bicentennial year, America is going to enter the age of alternative
television.

WESTSIDE SHOPPING CENTER

OLYMPIA. WASHINGTON

of traditional and old-time
music. Located at 141 S. Market
Blvd., Chehalis, the doors open
at 8: 15 with a $1.00 donation .
SEATTLE

SOUNDING BOARD
ASSESSES
Sounding Board discussion
centered on the "need for
a lternative environments at Evergreen" and evaluation of Soundinb Board for the COG !II DTF
Wednesday morning.
Student Jean-Pierre Bressieux
exp lained the problems he is
having finding funding for renovating the a lternative struct ure .
Someone suggested using the
mater ials for the o ld ESP
bui ld ing for a new bui lding, but
Bressieux said there are two
many sentiments tied to the old
bui lding. He said $3600 is the
amount needed to renovate the
ESP and that the S & A Board
doesn't have that kind of money .
The Sounding Board passed a
mo tion to s upport Bressieux's
proposal to renovate the building .
Moderator, Peg Kelbel, read
the minutes of the Board of
Trustees ' meeting when the
Board rejected the Sounding
Board's recommendation on what
the representatives from the
community to the Board of
Trustees should be . Kelbel began
the discussion on the evaluat ion
of the Sounding Board with this
recollection, saying she thought
the Sounding Board should' be a
decision-making body , rather
than a "resona tin g chamber."
She sa id decision-making power
should exist in the community.
A lo ng discussion ensued.
Dick Nichols was a strong
proponent of the present system,
saying it "could work ." He said
that he thought one problem
with DTFs is that there are
hidden agendas, and that they
should be more explicit.
Don Von Vo lkenburg said that
staff can't bring their problems
to the Board. He called Evergreen "racist, sexist, and elitis!."
Stone Thomas agreed that
there are hidden agendas in
DTFs, but said he thought
Sounding Board s hould be a
deciSion-making body. He sugges ted putting out a questionaire
to the community to find its
opin ion before making recommendations to the coe III DTF.
Discussion w ill contin ue next
Wednesday at th e next Sounding
Board meeting at 8:30 a.m. ,
CAB 108.

501 CAPITOL WAY • OLYMPIA, WASH. • 943-8916

A

MENT

Videodiscs - The

9",3·870r
943,8700

ON CAMPUS
Thursday, March 11 - "The
New Blue Devils" jazz it up in
the ASH Coffeehaus from 8 to
11 p.m. Admission is free.
Other eve nts scheduled for
Thursday - The Center for Poetry in Performance sponsors an
open reading in L3112 at 7 p.m.
Attent ion poetry buffs - t hi s is
the final reading of March.
Country Music Day, presen ted
by the Country Music academic
program, gets under way from
11:30 a.m. to ).-p.m. in the CAB
main ma ll and co ntinues from 1
to 5:30 p.m. in th e Library main
lobby. Also sched ul ed is a
sq uare dance in the lib rary lobby
a t 7 : 30 p. m. Admission to th e
square dance is 50 cents.
A free co ncert featuring Olympia Symp hony flutist Louise
Moon and the Evergreen Muse
Ensembles i set for noon in the
maIn library lobby. (That 's
Thursday too.)
.
Friday, March 12 - Friday
Night Films presents Julie C hri sti e and Alan Bates in "The GoBetween." This 1971 English film
directed by Joseph L,)sey tells th e
sto ry of a secret love affair between a poor tenant farm er and
a beautiful heiress; 3,7 and 9:30
p.m . in LH one. Fifty cents.
Also on Friday - Evergreen's
UJAMAA Society caps a full
week of events with a 6 p.m.
dinner, a 6:30 p.m. "Historic
Fashions" show and a 9 p.m.
dance featuring the band "Fresh."
The eve ning's program is slat ed
for the fourth floor of the library
- $2.50 per person.
Saturday, March 13 - The
Evergreen Coffeehaus brings us
"Things to Come," a 1936 English film based on the novel by
H.G. Wells. The film stars Raymond Massey and Sir Cedric
Hardwicke in a futuristic look at
the year 2036. See for yourself at
7 p.m. or 9:30 p.m. in LH one.
More on Saturday - A bene fit dance and concert for KAOSFM radio is set for the fourth
floor library ballroom from 8
p.m. to midnight. Upepo, a Portland based, latin jazz / rock
group will provide an evening of
high-energy music. Wine and

beer will be on sale at the benefit - with proper ID, of course.
The night's festivities plan to be
a bargain at $1.50.
Sunday, March 14 - Peace,
Br'e'ad and Land in Consort with
Claudia Mauro , Rennie Selkirk
and Sid Brown playing orig inal
in s trumentals, blues , country
tunes and an improvised raga.
That's 8 to 11 p .m. in the ASH
Coffeehaus for 75 cents (o r whatever you can afford) .
OLYMPIA
..
."""'<>W>"""'_ __

~A'X««*,-.: .:w.~

Friday, March 12 - Applejam
hosts members of the Vancouver
B. C. Folk Club for an evening of
songs from the British Isles and
Ireland and sea chanties. The
vocal chorus comes to Applejam
cou rtesy of Jon Bartlett. You
may remember it was Jon who
sang at the Marine History and
C rafts Seminar last spring. Once
again, Applejam opens the door
at 8 p .m, for $1.00
Saturday, March 13 - Applejam features a St. Patrick's Day
Warm-Up with an entire evening
of Irish music; from traditional
to Tin Pan Alley songs by favorite local and out-of-town singers
and mu sicians.
And on Sunday - Applejam
conti nues their Old-Time Square
Dancing at 2:30 p.m. with a live
band and caller. Adults $1.00
and under 12, 75 cents.
CHEHALIS
Saturday, March 13 - The
Sunny Side Folks Art 'Center prese n ts cou n try musician, Jane
Voss . She has earned a reputation for seeking out and reviv ing
obscure Carter Family songs and
she is known as a fine interpreter:.-

Friday, March 12 - British '
vocalist Cleo Laine, backed by a
combo directed by her husband
and noted musician, John Dankworth, comes to the Seattle
Opera House for an 11: 15 p.m.
performance . Cleo Laine, comfortab le with any style and song
thrilled a near-capacity crowd a1 '
the Opera House last year. A
household word in England, Ms.
Lai ne is a recent "discovery" in
the United States. T ickets are on
sale at the Bon Marche and suburban outlets.
A Jean Renoir Mini-Film Festival runs Thursday through Saturday in Kane Hall at the U. of
W. campus. Films include:
"Madame Bovary" (1933) and
"Ele ne et les hommes" (1956 starring Ingrid Bergman) on
Thursday, March 11; Renoir's
classic color film of India "The Ri.ver" (1951) on Friday,
March 12 and "Swa mp Water"
(1941) a nd " The Sou therner"
(1945) on Saturday, March 13.
Each day's program begins at
7:30 p.m . in 130 Kane Hall . Admission is $1.50 for students,
$2.00 for others. The Mini-Festival is sponsored by the Seattle
Fi lm Society and the U . of W.
Office of Lectures and Concerts.
More on Sunday - The Lower Puget Sound Cooperative
Community sponsors a Benefit
Boogie and Cake Walk to raise
funds for a downtown depot.
The Fruitland Famine Band will
play from 8 p.m. to the witching
hour in the seco nd floor library
lobby. The Artichoke Mode will
sell sa lad and cider and cakes
and baked goods will be available too. The function gets under
way at 7 p.m. Admission is
51.25 .
And - The KAOS-FM Su nday show by Joe Murphy features a tape from the recent
Gary Burton Quintet concert.
3:30 to 6:30 p.m.
Adios,
John Dodge
ON CAMPUS CABLE
CHANNEL #6
at 9 a.m ., 2:30 p.m. & 7 p .m.
3/12 Friday
T his Marshal McLuhan:
The Medium is the Message
Lapis
3115 Dead Birds
3116 Potemkin
3117 Mzima - Portrait of a
Spring Neptune
3118 Mass Spectrometry
Muscle: A study of Integration
3119 Genetics of Mendelian
Popu lations

~ating Out
BROWN DERBY

If you're on a diet, the one
restaurant in town you won't
want to go to is Davis' Brown
Derby, 1001 S. Capitol Way.
Their fantastically del icious selection of cakes, pies and pastries is
guaranteed to break your determination to stay away from
sweets, no matter how tough
you think your willpower is.
The restaurant, entering its
42nd year of operation, is also
renowned for their hamburgers,
known as "Brown Derbies."
These mouth-watering creat ions
are, wi thout a doubt, the finest
hamburgers to be had in the
Olympia area. Prices are not
overly extravagant, ranging from
95 cents for the' basic Derby up
to $1.55 for the top-of-the-line
model, the Brown Derby with
bacon . A slice of pie goes for 50
cents or, if your stomach is up
to it, try the 95 cent banana split
(your cho ice of topping). A side
order of French fries made fresh
from real potatoes, and deep
fried while you wait is a mere 50
cents.
Service is prompt but beware
of rush hours. A limited number
of counter seats are available
and dur ing peak hours , like at
noon , you may have to wait a
few minutes to get one. But the
wait ' isl worth it.
PORT CAFE
The Port Cafe is located on N.
Washington Ave. past Sea-Mart.
Open from 6 a .m. to 5 p.m., the
Port is a popular morning stop
for loggers and longshoremen
and appropriately so - the view
on all sides of the cafe is piles of
logs. A bumper sticker pasted on
the refrigerator of the cafe reads
"Old truckers never die, they
just get a new Peter-Bill."
Breakfast is the big meal of thE
day at the Port ; w ith two eggs,
four sa usages, crisp hash browns ,
toast and jelly for only $2 .00 .
The cafe's rea l claim to .fame,
however , is their huge 50 cent
"one course" cinnamon roll drizzled with melted butter and frosting.
The coffee was poor, and serv ice was not speedy, but the people were very friendly.
RANCH KITCHEN
About ten miles out of Olym-

Ipia on the Aberdeen highway is
a small yellow building called
the Ranch Kitchen Restaurant.
The atmosphere is casual - picnic tables and benches are arranged in a dark cedar walled
room accented with hanging
copper bottomed Revere Ware
pots, circa 1970.
The intriguing menu doesn't
seem to have any particular
theme, you can order everything
from a ch"eseburger (includes
fries and chips for about $2 .00)
to duckling ($5.50) or frog's legs
($5 .50). The chef salad ($2 .50)
covers an entire dinner plate and
includes asparagus, tomatoes,
cheese (American unfortunately),
ham, green pepper, and is gar·
nished with half a peach and an
orange slice.
Another excellen t lunch is the
open-faced prime beef sandwic h .
The beef was about one quarter
inch thick, arranged across three
half slices of toa st, and accompanied by a slightly too small
helping of home-cut French fries
For desservry the delicious
blackberry pie that's just like
homemade and covered with real
whipped cream. The service is
fast and e ffici ent . Restaurant
hours are 9 to 9, closed Mondays.
OLYMPIA HOTEL COFFEE
SHOP
Looking for a bowl of delicious
oys ter stew or a cup of tasty
clam chowder? Try the Coffee
Shop in the Olympia Hotel , located at E. Leg ion Way and S.
Washington in downtoym OlympIa.
The house specialties are oyster and clam dishes, which is no
wonder since the family running
the restaurant also owns a local
oyster company. Other delectable
treats avai lable for your eating
pleasure include homemade pies .
rolls and breads . The combined
coffee house and dining room
ca ters to the business luncheon
crowd - two or three luncheon
specials are offered daily - and
the prices for afternoon meals
range from $1.50 to $2.50.
The service is efficient and th e
atmosphere might be described
as "well-upholstered good old
days" or "once upon a time high
class." Try it, you might like it.
contirru ed page 12

'm1ens the last time;JOu
heiutJ, "<WE Will.'?

KAOS
PAYING TOO MUCH
FOR YOUR INSURANCE?

Benefit Party

Saturday March 13
8 - 12
$1.50
Library 4th floor Ballroom
Adujl Beverages with I. D.

p,o, Box 11308
Spokane, WA 99211

By the set or by the piece
Build a model, kite, mobile
or whatever.

Tel. 509-535-8883

See Fred Palermo
for low rates for
non-smokers & Rood students
943-9765
AUTO

LIFE

RENTERS

FARMERS INSURANCE CO.
OF WASH.
memo of Farmer Insurance Group

SOUTH SOUND NATIONAL BANK
We've Moved to
WestSide

352-0720

10 to 6
Mon. thru Fri.
12 to 6
Sat.

Evergreen Branch
College Activities Building
866-2440

Molin Office
South Sound CtIl-Ier
"91-4144

~.tI

~. x.mcec:o.e.~O!C~

.

NEWS FROM CAREER
PLANNING/PLACEMENT
bv Molly Wright
Summer employmt>nt can be
,ln .. ~('.. IIl'nt opportuni ty IL) gai n
\\'"rk experience and sk ills. The
Ott ice t)t Financial Aid w ill be
"Itprrng a specidl workshop dealin).! with summer jobs on MonLid\' March IS , from 2 - 4 p.m.
In CAB lOB. Financial Aid will
.11", gat her and post sum mer empl""men t l)ppo rtuni ties. that app,," tl' .:!l1 student s . For exa mple ,
th ,< , .. In te rested in Re creation
,I,,' ul d cl'ns ider arranging for a n
1I1tlT\'i('\\, with the King County
I'.nk,; Di"ision . Representatives
\\ ,I ! be on campus March 24
11"'111 0 a.m. to 5 p.m. to ta lk
\\ :tIi prospectiv(' Summer Recrea-

NEED SHAMPOO?
o ~C'iI

Qi~~
flEED TOOTHPASTE?

A

•

NEED VITAMINS?

~\I

Lowest Prices
IN

Town!

-

Home of low Price
Prescriptions
for almost 13 years
506 N Capitol Way
943-3820

tion Leaders. Recreation Leaders
will be placed in Highline, Fed eral Way, Renton, Shoreline,
and Bothell at a starting salary
of $3.50 per hour. Qualifications
are a ma jo r emphasis in Recreation o r rela ted field, OR practical experience in the leadership
of recreational activi ties . Students wi th expertise in the following areas are encouraged to
app ly: Arts and Crafts, Badmin ton . Basketbal l. Camping, Dance,
Drama, Music, Floor Hockey,
Go lf. Saili ng, Canoeing, Softball,
Tennis. Gymnastics, and Water
Polo.
Also in Recreat ion, Big Bend
Co mmun i ty College in Moses
Lake is curre ntly seeking a Pool
Ma nager a t a salary of $2,000
fo r the period of June 6 through
August 28 . The Pool Manager
would be in direct charge of life guards and pool staff, handle in str uction of sw imming lessons,
and prepare and maintain staff
schedules.
For a refreshing and enlighten ing su mm er break, consider a
whitewater adventure with Sundance Exped iti ons. Sundance is a
closely knit gro up of Oregon river people who love what they
are doing - gu iding raft and
kayak trips o n the Rogue and
Ill inois Rivers. The program ha s
a va riety of adve ntures, includin g two - day skill workshops,
week -lo ng wilderness expedition s
dnd specia lly chartered steel head
tishing trip s . SLllldance was
Itllllldcd l,y E('ergreen graduate
Mike Sill/I' For more information
~bout river adven tures contact:
Sundance Expeditions, 14894
Ga li ce Road , Merlin, Oregon
"7532.
Considering grad uate school?
Registration for the graduate
schoo l practice exa minations to
be held April 10 may be made
by contacting Career Planning
.Jnd Placement, Lib. 1220, 8660193. Practice testing is a good
land FREE) opportunity for you
to assess your academic strength
and to become familiar with the
style and content of the exa minations that are generally required
for graduate study. Tests will be
offered for the LSAT, MCAT
a nd the basic GRE.

l!6r,a

International
Hair DeSigners

Qd

(Part II of two parts . ) In the
first article of tllis series (appearing 2 / 26 / 76) Rick Speer explored
the history and machinery of
VIdeodiscs. In the foIlowing article he shows some of the practical applications of the lat est
braillchild of TV.

by Rick Speer
As soon as videodisc players
begin coming off the assembly
lines, an intense competit ion will
begin for your business . The reason? The disc technology has
been '10 years in the making
and has cost around $200 millio;
to perfect. Further, sharp observers have noted that several million players must be in use before they become profitable.
Si nce t he a verage person can be
expected to buy only one discplayer (at $4 - 500 each), the
compet ition will be stiff. But the
two marketing compan ies are
confident of reaching the breakeven point. RCA's president
notes that even if only 25 % of
the nation's 70 million TV homes
add a player, that amounts to
$6.8 billion worth of business.
And he adds, "It wouldn't be unreasonable for a disc-buyer to
spend $70 - 80 a year on discs. "
MCA's Disc-division president is
even more optimistic, shooting
for "40 - 50 % of the market"
among present TV owners.
And what will be offered on
these discs? Well, neither system
reco rds anyt hing, they're both
only playback units . So the consumer will have to shop for
canned items just as the record
buyer must. MCA contro ls Universal Pictures and so will have
many theatrical films available.
At one demonstration last
March, they showed The Sting,
Earthquake, and The Towering
Inferno . MCA also controls a
great many older films and has
already issued a prel iminary catalog, citing Mae West classics for
$2.35, W.e. Fields fo r about the
same, and so on up to the present. ObViously, film buffs will
go nuts at the chance to watch
and study their film favorites
whenever they like, instead of
when theatres or the networks
get in the mood.
RC A, for its part, has already
purchased the rights to more
than 1.000 Hollywood movies,
and forese'es its discs being distributed nationally through mailorder clubs ("disc-of-the-month")
and libraries. Both sides also
promise a very broad range of
specia l interest material like ballet, opera, history specials (Ascent of Man , et al). auto-repair

lessons, trave logues, pornography , you -name- it. And the
cost will be kept low since videodiscs, unlike tape, can be stamped
out like records very cheaply "Manufacturing a 40 - 60 minute
disc will cost us 50 cents," says
MCA's spokesman.
The possibilities go beyond
visual material like films . In the
MCA system, for example, the
user can go through the disc
frame by frame. If those frames
have text on them , like a book,
one could read off the television.
The thing that makes th is useful
is that a single ha lf- hour disc,
with space for 30 frames per second can store 54,000 pages! (The
Encyclopedia Brittanica, for comparison , has 30,000 pages.) Thus,
one or two year's texts in undergraduate physics could be obtained from your college book store for $3.50 or so on disc.
One thing that's for certain is
that standard broadcast televi sion will never be the same. Always before, network executives
could ignore dissatisfied viewers,
since the latter had no alternatives to commercial offerings.
But then cable came along, and
the networks ran to the FCC,
pleading to have cable companies
restricted on first -run films and
other prime properties . And initially, they got their wish.
America wil l soon have a
fourth national network - with
no commercia ls. As one critic of
standard TV noted, "You have
to wonder then what wi ll hap pen , when people used to receiving three network statio ns suddenly get 15 via cable; when
they can watch uninterrupted ,
uncensored shows; and when
they can choose from thousands
of videodiscs. . network audiences will almost certainly decline, and with them ad revenues, economies of sca le, and
profits."
In fairness, it must be noted
that the national networks have
always had to play by special
rules. Financed by advertisers,
the rating game forces them to
go for mass appeal, sacrificing
qua lity or anything else that gets
in the way. And since any family
member from Junior to Grandma
can tune in, the networks have
had to tread lightly to avoid offending anyone. As a man with
the National Association of
Broadcasters put it, "The econom ics of un subsidized television
don't permit narrow casting to
small special interest groups."
There it is - this fact alone
g uarantees a market for disc
manufacturers.

ALL WArS TRAtI£L S£RtlIC£.IIIC.'

So, quality -conscious viewers,
cheer up! Discs, on top of cable
TV, promise to be the final
straw leading to a breakthrough
in visual enterta inment. In this
Bicentennial year, America is going to enter the age of alternative
television.

WESTSIDE SHOPPING CENTER

OLYMPIA. WASHINGTON

of traditional and old-time
music. Located at 141 S. Market
Blvd., Chehalis, the doors open
at 8: 15 with a $1.00 donation .
SEATTLE

SOUNDING BOARD
ASSESSES
Sounding Board discussion
centered on the "need for
a lternative environments at Evergreen" and evaluation of Soundinb Board for the COG !II DTF
Wednesday morning.
Student Jean-Pierre Bressieux
exp lained the problems he is
having finding funding for renovating the a lternative struct ure .
Someone suggested using the
mater ials for the o ld ESP
bui ld ing for a new bui lding, but
Bressieux said there are two
many sentiments tied to the old
bui lding. He said $3600 is the
amount needed to renovate the
ESP and that the S & A Board
doesn't have that kind of money .
The Sounding Board passed a
mo tion to s upport Bressieux's
proposal to renovate the building .
Moderator, Peg Kelbel, read
the minutes of the Board of
Trustees ' meeting when the
Board rejected the Sounding
Board's recommendation on what
the representatives from the
community to the Board of
Trustees should be . Kelbel began
the discussion on the evaluat ion
of the Sounding Board with this
recollection, saying she thought
the Sounding Board should' be a
decision-making body , rather
than a "resona tin g chamber."
She sa id decision-making power
should exist in the community.
A lo ng discussion ensued.
Dick Nichols was a strong
proponent of the present system,
saying it "could work ." He said
that he thought one problem
with DTFs is that there are
hidden agendas, and that they
should be more explicit.
Don Von Vo lkenburg said that
staff can't bring their problems
to the Board. He called Evergreen "racist, sexist, and elitis!."
Stone Thomas agreed that
there are hidden agendas in
DTFs, but said he thought
Sounding Board s hould be a
deciSion-making body. He sugges ted putting out a questionaire
to the community to find its
opin ion before making recommendations to the coe III DTF.
Discussion w ill contin ue next
Wednesday at th e next Sounding
Board meeting at 8:30 a.m. ,
CAB 108.

501 CAPITOL WAY • OLYMPIA, WASH. • 943-8916

A

MENT

Videodiscs - The

9",3·870r
943,8700

ON CAMPUS
Thursday, March 11 - "The
New Blue Devils" jazz it up in
the ASH Coffeehaus from 8 to
11 p.m. Admission is free.
Other eve nts scheduled for
Thursday - The Center for Poetry in Performance sponsors an
open reading in L3112 at 7 p.m.
Attent ion poetry buffs - t hi s is
the final reading of March.
Country Music Day, presen ted
by the Country Music academic
program, gets under way from
11:30 a.m. to ).-p.m. in the CAB
main ma ll and co ntinues from 1
to 5:30 p.m. in th e Library main
lobby. Also sched ul ed is a
sq uare dance in the lib rary lobby
a t 7 : 30 p. m. Admission to th e
square dance is 50 cents.
A free co ncert featuring Olympia Symp hony flutist Louise
Moon and the Evergreen Muse
Ensembles i set for noon in the
maIn library lobby. (That 's
Thursday too.)
.
Friday, March 12 - Friday
Night Films presents Julie C hri sti e and Alan Bates in "The GoBetween." This 1971 English film
directed by Joseph L,)sey tells th e
sto ry of a secret love affair between a poor tenant farm er and
a beautiful heiress; 3,7 and 9:30
p.m . in LH one. Fifty cents.
Also on Friday - Evergreen's
UJAMAA Society caps a full
week of events with a 6 p.m.
dinner, a 6:30 p.m. "Historic
Fashions" show and a 9 p.m.
dance featuring the band "Fresh."
The eve ning's program is slat ed
for the fourth floor of the library
- $2.50 per person.
Saturday, March 13 - The
Evergreen Coffeehaus brings us
"Things to Come," a 1936 English film based on the novel by
H.G. Wells. The film stars Raymond Massey and Sir Cedric
Hardwicke in a futuristic look at
the year 2036. See for yourself at
7 p.m. or 9:30 p.m. in LH one.
More on Saturday - A bene fit dance and concert for KAOSFM radio is set for the fourth
floor library ballroom from 8
p.m. to midnight. Upepo, a Portland based, latin jazz / rock
group will provide an evening of
high-energy music. Wine and

beer will be on sale at the benefit - with proper ID, of course.
The night's festivities plan to be
a bargain at $1.50.
Sunday, March 14 - Peace,
Br'e'ad and Land in Consort with
Claudia Mauro , Rennie Selkirk
and Sid Brown playing orig inal
in s trumentals, blues , country
tunes and an improvised raga.
That's 8 to 11 p .m. in the ASH
Coffeehaus for 75 cents (o r whatever you can afford) .
OLYMPIA
..
."""'<>W>"""'_ __

~A'X««*,-.: .:w.~

Friday, March 12 - Applejam
hosts members of the Vancouver
B. C. Folk Club for an evening of
songs from the British Isles and
Ireland and sea chanties. The
vocal chorus comes to Applejam
cou rtesy of Jon Bartlett. You
may remember it was Jon who
sang at the Marine History and
C rafts Seminar last spring. Once
again, Applejam opens the door
at 8 p .m, for $1.00
Saturday, March 13 - Applejam features a St. Patrick's Day
Warm-Up with an entire evening
of Irish music; from traditional
to Tin Pan Alley songs by favorite local and out-of-town singers
and mu sicians.
And on Sunday - Applejam
conti nues their Old-Time Square
Dancing at 2:30 p.m. with a live
band and caller. Adults $1.00
and under 12, 75 cents.
CHEHALIS
Saturday, March 13 - The
Sunny Side Folks Art 'Center prese n ts cou n try musician, Jane
Voss . She has earned a reputation for seeking out and reviv ing
obscure Carter Family songs and
she is known as a fine interpreter:.-

Friday, March 12 - British '
vocalist Cleo Laine, backed by a
combo directed by her husband
and noted musician, John Dankworth, comes to the Seattle
Opera House for an 11: 15 p.m.
performance . Cleo Laine, comfortab le with any style and song
thrilled a near-capacity crowd a1 '
the Opera House last year. A
household word in England, Ms.
Lai ne is a recent "discovery" in
the United States. T ickets are on
sale at the Bon Marche and suburban outlets.
A Jean Renoir Mini-Film Festival runs Thursday through Saturday in Kane Hall at the U. of
W. campus. Films include:
"Madame Bovary" (1933) and
"Ele ne et les hommes" (1956 starring Ingrid Bergman) on
Thursday, March 11; Renoir's
classic color film of India "The Ri.ver" (1951) on Friday,
March 12 and "Swa mp Water"
(1941) a nd " The Sou therner"
(1945) on Saturday, March 13.
Each day's program begins at
7:30 p.m . in 130 Kane Hall . Admission is $1.50 for students,
$2.00 for others. The Mini-Festival is sponsored by the Seattle
Fi lm Society and the U . of W.
Office of Lectures and Concerts.
More on Sunday - The Lower Puget Sound Cooperative
Community sponsors a Benefit
Boogie and Cake Walk to raise
funds for a downtown depot.
The Fruitland Famine Band will
play from 8 p.m. to the witching
hour in the seco nd floor library
lobby. The Artichoke Mode will
sell sa lad and cider and cakes
and baked goods will be available too. The function gets under
way at 7 p.m. Admission is
51.25 .
And - The KAOS-FM Su nday show by Joe Murphy features a tape from the recent
Gary Burton Quintet concert.
3:30 to 6:30 p.m.
Adios,
John Dodge
ON CAMPUS CABLE
CHANNEL #6
at 9 a.m ., 2:30 p.m. & 7 p .m.
3/12 Friday
T his Marshal McLuhan:
The Medium is the Message
Lapis
3115 Dead Birds
3116 Potemkin
3117 Mzima - Portrait of a
Spring Neptune
3118 Mass Spectrometry
Muscle: A study of Integration
3119 Genetics of Mendelian
Popu lations

~ating Out
BROWN DERBY

If you're on a diet, the one
restaurant in town you won't
want to go to is Davis' Brown
Derby, 1001 S. Capitol Way.
Their fantastically del icious selection of cakes, pies and pastries is
guaranteed to break your determination to stay away from
sweets, no matter how tough
you think your willpower is.
The restaurant, entering its
42nd year of operation, is also
renowned for their hamburgers,
known as "Brown Derbies."
These mouth-watering creat ions
are, wi thout a doubt, the finest
hamburgers to be had in the
Olympia area. Prices are not
overly extravagant, ranging from
95 cents for the' basic Derby up
to $1.55 for the top-of-the-line
model, the Brown Derby with
bacon . A slice of pie goes for 50
cents or, if your stomach is up
to it, try the 95 cent banana split
(your cho ice of topping). A side
order of French fries made fresh
from real potatoes, and deep
fried while you wait is a mere 50
cents.
Service is prompt but beware
of rush hours. A limited number
of counter seats are available
and dur ing peak hours , like at
noon , you may have to wait a
few minutes to get one. But the
wait ' isl worth it.
PORT CAFE
The Port Cafe is located on N.
Washington Ave. past Sea-Mart.
Open from 6 a .m. to 5 p.m., the
Port is a popular morning stop
for loggers and longshoremen
and appropriately so - the view
on all sides of the cafe is piles of
logs. A bumper sticker pasted on
the refrigerator of the cafe reads
"Old truckers never die, they
just get a new Peter-Bill."
Breakfast is the big meal of thE
day at the Port ; w ith two eggs,
four sa usages, crisp hash browns ,
toast and jelly for only $2 .00 .
The cafe's rea l claim to .fame,
however , is their huge 50 cent
"one course" cinnamon roll drizzled with melted butter and frosting.
The coffee was poor, and serv ice was not speedy, but the people were very friendly.
RANCH KITCHEN
About ten miles out of Olym-

Ipia on the Aberdeen highway is
a small yellow building called
the Ranch Kitchen Restaurant.
The atmosphere is casual - picnic tables and benches are arranged in a dark cedar walled
room accented with hanging
copper bottomed Revere Ware
pots, circa 1970.
The intriguing menu doesn't
seem to have any particular
theme, you can order everything
from a ch"eseburger (includes
fries and chips for about $2 .00)
to duckling ($5.50) or frog's legs
($5 .50). The chef salad ($2 .50)
covers an entire dinner plate and
includes asparagus, tomatoes,
cheese (American unfortunately),
ham, green pepper, and is gar·
nished with half a peach and an
orange slice.
Another excellen t lunch is the
open-faced prime beef sandwic h .
The beef was about one quarter
inch thick, arranged across three
half slices of toa st, and accompanied by a slightly too small
helping of home-cut French fries
For desservry the delicious
blackberry pie that's just like
homemade and covered with real
whipped cream. The service is
fast and e ffici ent . Restaurant
hours are 9 to 9, closed Mondays.
OLYMPIA HOTEL COFFEE
SHOP
Looking for a bowl of delicious
oys ter stew or a cup of tasty
clam chowder? Try the Coffee
Shop in the Olympia Hotel , located at E. Leg ion Way and S.
Washington in downtoym OlympIa.
The house specialties are oyster and clam dishes, which is no
wonder since the family running
the restaurant also owns a local
oyster company. Other delectable
treats avai lable for your eating
pleasure include homemade pies .
rolls and breads . The combined
coffee house and dining room
ca ters to the business luncheon
crowd - two or three luncheon
specials are offered daily - and
the prices for afternoon meals
range from $1.50 to $2.50.
The service is efficient and th e
atmosphere might be described
as "well-upholstered good old
days" or "once upon a time high
class." Try it, you might like it.
contirru ed page 12

'm1ens the last time;JOu
heiutJ, "<WE Will.'?

KAOS
PAYING TOO MUCH
FOR YOUR INSURANCE?

Benefit Party

Saturday March 13
8 - 12
$1.50
Library 4th floor Ballroom
Adujl Beverages with I. D.

p,o, Box 11308
Spokane, WA 99211

By the set or by the piece
Build a model, kite, mobile
or whatever.

Tel. 509-535-8883

See Fred Palermo
for low rates for
non-smokers & Rood students
943-9765
AUTO

LIFE

RENTERS

FARMERS INSURANCE CO.
OF WASH.
memo of Farmer Insurance Group

SOUTH SOUND NATIONAL BANK
We've Moved to
WestSide

352-0720

10 to 6
Mon. thru Fri.
12 to 6
Sat.

Evergreen Branch
College Activities Building
866-2440

Molin Office
South Sound CtIl-Ier
"91-4144

Source

Eng US-WaOE.A.1973-01