Url https://collections.evergreen.edu/art/s/evergreenart/item/3513 Title Set of 15 N.W. Coast Indian Subjects: 15 of 15 Description Native-inspired horizontal artwork of an orca whale against a criss-crossed background. Date 1950-52 Identifier 1984.019 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 4" x 6" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Slight discoloration due to age. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3512 Title Set of 15 N.W. Coast Indian Subjects: 14 of 15 Description Native-inspired artwork of a goat against several abstract designs, including the sun. Date 1950-52 Identifier 1984.018 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 4" x 6" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Good condition. No issues noted at this time. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3511 Title Set of 15 N.W. Coast Indian Subjects: 13 of 15 Description Native-inspired artwork of a frog with two faces. Date 1950-52 Identifier 1984.017 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Good condition. No issues noted at this time. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3510 Title Set of 15 N.W. Coast Indian Subjects: 12 of 15 Description Native-inspired artwork of a frog. Date 1950-52 Identifier 1984.016 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Slight discoloration due to age. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3509 Title Set of 15 N.W. Coast Indian Subjects: 11 of 15 Description Native-inspired artwork of a wolf on its hind legs fishing against a pink background. Date 1950-52 Identifier 1984.015 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Good condition. No issues noted at this time. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3508 Title Set of 15 N.W. Coast Indian Subjects: 10 of 15 Description Native-inspired artwork of a wolf sitting on its bottom. Date 1950-52 Identifier 1984.014 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Slight discoloration from age. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3507 Title Set of 15 N.W. Coast Indian Subjects: 9 of 15 Description Native-inspired artwork of two butterflies against a white background. Date 1950-52 Identifier 1984.013 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Slight discoloration due to age. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3506 Title Set of 15 N.W. Coast Indian Subjects: 8 of 15 Description Native-inspired artwork of two butterflies against a pink background. Date 1950-52 Identifier 1984.012 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Good condition. No issues noted at this time. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3505 Title Set of 15 N.W. Coast Indian Subjects: 7 of 15 Description Native-inspired artwork of a large salmon with smaller fish in the background against pink support. Date 1950-52 Identifier 1984.011 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Good condition. No issues noted at this time. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3504 Title Set of 15 N.W. Coast Indian Subjects: 6 of 15 Description Native-inspired vertical artwork of an orca whale against a criss-crossed background on gray/silver paper. Date 1950-52 Identifier 1984.010 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Good condition. No issues noted at this time. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3503 Title Set of 15 N.W. Coast Indian Subjects: 5 of 15 Description Native-inspired vertical artwork of an orca whale against a criss-crossed background on white. Date 1950-52 Identifier 1984.009 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Good condition. No issues noted at this time. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3502 Title Set of 15 N.W. Coast Indian Subjects: 4 of 15 Description Native-inspired artwork of a large bird head over three porpoise-like figures. Date 1950-52 Identifier 1984.008 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Discoloration due to age. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3501 Title Set of 15 N.W. Coast Indian Subjects: 3 of 15 Description Native-inspired artwork of a bear standing on two legs against a white support. Date 1950-52 Identifier 1984.007 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted ShortDescription 10/2022: Slight discoloration from age. Creator Helmi Juvonen Donator Fritzche Has technique linocut on paper Location of 0449a - flat file 3 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3500 Resource class dctype:Collection Title Set of 15 N.W. Coast Indian Subjects: 2 of 15 Description Native-inspired artwork of a bear on its hind legs against pink support. Date 1950-52 Identifier 1984.006 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 ShortDescription 10/2022: Good condition. No issues noted at this time. Creator Helmi Juvonen Has technique Linocut on paper Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2502 Title Mirzapur, Uttarh Pradesh Description Photograph of a sacred tree of India, decorated with textile flags, orange flowers, and stone figures at the base of the trunk. Identifier 2014.013 Extent 52" x 44 3/16" Accrual Method Donation, unrestricted Identifier 190 Number 190 Creator Deidi von Schaewen Has technique inkjet photograph Location of 0449a - sonotube Material Photograph Description unframed -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2501 Title Haridwar, Uttarakhand Description Photograph of a sacred tree of India, vibrant orange pigment on the bark. Identifier 2014.012 Extent 44" x 64" Accrual Method Donation, unrestricted Identifier 190 Number 190 Creator Deidi von Schaewen Has technique inkjet photograph Location of 0449a - sonotube Material Photograph Description unframed -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2500 Title Decollage 7 Description Abstract painting in shades of greens and purples, accents of oranges and yellows. Date 1980 Identifier 2014.011 Abstract Hinson's non-objective paintings have no references to imagery of any kind but are about the relationships between various colors, shapes and textures. Hinson talked a lot about challenge. He believed art should be challenging to the artist as well as to the viewer. He also noted that many viewers do not approach art with an open mind and do not give the work of art the sustained attention it demands. He said one cannot comprehend a work of art in a brief viewing. “I like to use the analogy of getting to know someone. To do so requires that one listen to them, and try to ‘walk around in their shoes’ rather than to fit them into predetermined categories or expectations.” Source: https://www.thurstontalk.com/2012/01/25/ron-hinson-painting-outside-the-box/ Extent 42" x 68" Spatial Coverage 43" x 69.25" Date Accepted 2014 Accrual Method Donation, unrestricted Identifier 193 Number 177 Creator Ron Hinson Location of Display: Library Building Lobby - 3rd floor Material Painting/mixed media/acrylic on canvas/board/etc -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2499 Title Wall Tile # 40, from the Wall Hangings Series Description Square weaving made of multiple vibrant colors of yarn in symmetrical geometric shapes. Date 2007 Identifier 2014.010 Extent 29" x 29" Date Accepted 2014 Accrual Method Donation, unrestricted Identifier 191 Number 191 ShortDescription 7/6/2022: Good condition. No issues noted at this time. Creator Liz Whitney Quisgard Has technique yarn on buckram Location of storage - 0449 flat file - drawer 1 Material textile weaving -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2498 Title Wall Tile # 39, from the Wall Hangings Series Description Square weaving made of multiple vibrant colors of yarn in symmetrical geometric shapes. Date 2006 Identifier 2014.009 Extent 29" x 29" Date Accepted 2014 Accrual Method Donation, unrestricted Identifier 191 Number 191 Creator Liz Whitney Quisgard Has technique yarn on buckram Location of storage - 0449 flat file - drawer 1 Material textile weaving -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2497 Title Wall Tile # 36, from the Wall Hangings Series Description Square weaving made of multiple vibrant colors of yarn in symmetrical geometric shapes. Date 2006 Identifier 2014.008 Extent 29" x 29" Date Accepted 2014 Accrual Method Donation, unrestricted Identifier 191 Number 191 Creator Liz Whitney Quisgard Has technique yarn on buckram Location of storage - 0449 flat file - drawer 1 Material textile weaving -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2496 Title Wall Tile # 27, from the Wall Hangings Series Description Square weaving made of multiple vibrant colors of yarn in symmetrical geometric shapes. Date 2006 Identifier 2014.007 Extent 28.75" x 29" Date Accepted 2014 Accrual Method Donation, unrestricted Identifier 191 Number 191 Creator Liz Whitney Quisgard Has technique yarn on buckram Location of storage - 0449 flat file - drawer 1 Material textile weaving -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2495 Title Wall Tile # 23, from the Wall Hangings Series Description Square weaving made of multiple vibrant colors of yarn in symmetrical geometric shapes. Date 2006 Identifier 2014.006 Extent 29.5" x 29 Date Accepted 2014 Accrual Method Donation, unrestricted Identifier 191 Number 191 Creator Liz Whitney Quisgard Has technique yarn on buckram Location of storage - 0449 flat file - drawer 3 Material textile weaving -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2494 Title Wall Tile # 22, from the Wall Hangings Series Description Square weaving made of multiple vibrant colors of yarn in symmetrical geometric shapes. Date 2006 Identifier 2014.005 Extent 28.5" x 29" Date Accepted 2014 Accrual Method Donation, unrestricted Identifier 191 Number 191 Creator Liz Whitney Quisgard Has technique yarn on buckram Location of storage - 0449 flat file - drawer 3 Material textile weaving -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2493 Title Wall Tile # 21, from the Wall Hangings Series Description Square weaving made of multiple vibrant colors of yarn in symmetrical geometric shapes. Date 2006 Identifier 2014.004 Extent 28.5" x 28" Date Accepted 2014 Accrual Method Donation, unrestricted Identifier 191 Number 191 Creator Liz Whitney Quisgard Has technique yarn on buckram Location of storage - 0449 flat file - drawer 3 Material textile weaving -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2489 Title Frankfurt Description Mixed media collage made of monoprint. stamps, and found tickets. Two figures--green on the left with an X, and yellow on the right with their arms up. Date 1987 Identifier 2013.005 Abstract Many of Nebeker's collage-paintings combine rough brushwork and drip with collage elements, written phrases and notations. Nebeker is one of a handful of contemporary artists who seem to have found just the right way to marry expressive imagery with snippets of language that function both as "notes" and graphic elements. One of Nebeker's common practices is to leave some horizontal space near the lower edge of the canvas as a place where these kinds of images and notes can accumulate. Working this way allows him to combine the high traditions of painting with pop culture materials, and to make his images both emotionally and intellectually rich. Source: https://www.huffpost.com/entry/royal-nebeker_b_3611890 Extent 29.75" x 41.5" Date Accepted 2013 Accrual Method Donation, unrestricted Identifier 189 Number 188 ShortDescription 12/2022: Good condition. No issues noted at this time. Creator Royal Nebeker Donator Francine Seders Gallery Has technique monoprint with collage Location of 0449a - flat file 3 Material Painting/drawing/mixed media on paper -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2488 Title Double Interview Description Two dancers from the '80s. One in green on the left and one in yellow on the right. "Double interview" scrawled out top center. Date 1987 Identifier 2013.004 Abstract Many of Nebeker's collage-paintings combine rough brushwork and drip with collage elements, written phrases and notations. Nebeker is one of a handful of contemporary artists who seem to have found just the right way to marry expressive imagery with snippets of language that function both as "notes" and graphic elements. One of Nebeker's common practices is to leave some horizontal space near the lower edge of the canvas as a place where these kinds of images and notes can accumulate. Working this way allows him to combine the high traditions of painting with pop culture materials, and to make his images both emotionally and intellectually rich. Source: https://www.huffpost.com/entry/royal-nebeker_b_3611890 Extent 22" x 29.75" Date Accepted 2013 Accrual Method Donation, unrestricted Identifier 189 Number 188 ShortDescription 11/2022: Slight warping overall. Creator Royal Nebeker Donator Francine Seders Gallery Has technique monoprint Location of 0449a - flat file 3 Material Painting/drawing/mixed media on paper -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2487 Title Dark Flower Description Two purple flowers against a black background. "DARK flower" scrawled out top center. Two small pieces of paper with writing - one peach and one blue - have been collaged onto the piece at the bottom left and center right, respectively. Identifier 2013.003 Abstract Many of Nebeker's collage-paintings combine rough brushwork and drip with collage elements, written phrases and notations. Nebeker is one of a handful of contemporary artists who seem to have found just the right way to marry expressive imagery with snippets of language that function both as "notes" and graphic elements. One of Nebeker's common practices is to leave some horizontal space near the lower edge of the canvas as a place where these kinds of images and notes can accumulate. Working this way allows him to combine the high traditions of painting with pop culture materials, and to make his images both emotionally and intellectually rich. Source: https://www.huffpost.com/entry/royal-nebeker_b_3611890 Extent 22.25" x 29.75" Date Accepted 2013 Accrual Method Donation, unrestricted Identifier 189 Number 188 ShortDescription 11/2022: Good condition. No issues noted at this time. Creator Royal Nebeker Donator Francine Seders Gallery Has technique monoprint Location of 0449a - flat file 3 Material Painting/drawing/mixed media on paper -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2480 Title Sounds of the Night Description Mother holding child. Date 1980 Identifier 2008.003 Abstract Allan Houser excelled at all media, including stone, steel, bronze, and wood. He fashioned revolutionary pieces that not only inspired and influenced his contemporaries and proteges, but continue to make a world-wide impact. From his iconic narrative works, to the serene and mysterious forms of his geometric abstract works, Houser’s art connected with people through its refined aesthetic and exacting execution. Source: https://allanhouser.com/work/sculptures Extent 18" x 24" x 14.5" Date Accepted 2008 Accrual Method Donation, restricted Edition 10 Identifier 163 Number 162 ShortDescription Sept 2022: Vitrine has a crack in it. Creator Allan Houser Donator Witt, Matthew and Linda Ohmans Has technique bronze Location of display: Library Building: Floor: Room: library stacks, corner windows near Sem I Material Sculpture, freestanding, interior -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2474 Title unknown Description Skinny figure on the left pointing to their cheekbones, abstract shape and figure in the background on the right. Identifier 2007.005 Date Accepted 2004 Identifier 168 Number 172 Creator John Wotipka Donator Goldberg, Fred Has technique oil on masonite Location of storage Material Painting/mixed media on canvas/board/etc -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2473 Title unknown Description Blonde figure in blue shirt, green-skinned figure peeking from the right edge, with a banana. Identifier 2007.004 Date Accepted 2004 Identifier 168 Number 172 Creator John Wotipka Donator Goldberg, Fred Has technique graphite drawing on paper Location of storage Material Painting/drawing/mixed media on paper -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2458 Title Thanks for the Memories Description Two white boxes with dark red boxes within each, almost like polaroid photographs, on a dark background of orange, blue, and green markings/color. Date 1980 Identifier 2002.001 Abstract This lithograph was drawn and printed at TESC by artist Young Harvill and students. Artist Johnston donated this and the edition of 20. The edition was intended to be used as a fundraiser. Extent 14.75" x 22.25" Date Accepted 1980 Accrual Method Donation, unrestricted Edition 17/20 Identifier 96 Number 96 ShortDescription 7/14/2022: Art has fallen in glazing and resting on matting. No other issues noted. Pre-2022: Framing, glazing touching art Creator Thomas Johnston Donator Johnston Has technique Lithograph Location of COM Building. 3rd floor, hallway corner Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2457 Title Twilight Cul de Sac Date 1986 Identifier 1998.001 Extent 24" x 24" Spatial Coverage 25" x 25" Date Accepted 10261989 Accrual Method donation, unrestricted Identifier 67 Number 67 ShortDescription 4/2022: Artwork has some dust embedded in its paint. Right bottom corner not adhered to frame. Creator Louise Williams Donator Louise Has technique oil on wood Location of storage - VC-4 Material Painting/mixed media on canvas/board/etc Description Wood -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2450 Title Mountain II Description Colorful volcano with pink lava; mountainside in violets, magenta, and teal. Date 1987 Identifier 1987.002 Abstract Pictured in vintage scan: Warren Dunn, Dick Stensrude, Joan Henson, Jim Lehman, Sue Hennum, Jim Archer, Roger Baker, Elsie Petrequin, and Madeline Janovec Extent 29.5" x 22.5" Spatial Coverage 40" x 32" Date Accepted 1987 Number 95 ShortDescription 1/2023: Good condition. No issues noted at this time. Needs a frame. Creator Madeline Janovec Donator Janovec Has technique Monotype on paper Location of 0449a - FF3 Material Print Description Aluminium -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2449 Title Mountain I Identifier 1987.001 Abstract Pictured in vintage scan: Warren Dunn, Dick Stensrude, Joan Henson, Jim Lehman, Sue Hennum, Jim Archer, Roger Baker, Elsie Petrequin, and Madeline Janovec Extent 29.5"X22" Spatial Coverage 40"X32" Date Accepted 1987 Number 95 Creator Madeline Janovec Donator Janovec Has technique Monotype on paper Location of storage Material Print Description Aluminium -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2448 Title Wolf I, and Mask Description Native-inspired linocut. Huma face on the left, wolf in the center, and an eye on the lower-right corner. Identical print to 1984.024. Date 1953 Identifier 1986.014 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 7.25 " x 11" Date Accepted 1986 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of Storage: Library basement, art vault, flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2447 Title Pinto Pony Description Abstract scratches against a dark red. Identifier 1986.013 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 10" x 8.5" Date Accepted 1986 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Mixed on paper Location of Storage: Library basement, art vault, flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2446 Title Wolf Dance Description A number of Native-inspired masks scratched into a brown background. Includes a wolf, an armed raven, and some humans. Identifier 1986.012 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 10.25"X6.5" Date Accepted 1986 Number 97 ShortDescription 10/2022: Good condition. No issues noted at this time. Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of Storage: Library basement, art vault, flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2445 Title Woman's Mask with Labret (green) Description Native-inspired mask printed onto a green sheet for support. Identifier 1986.011 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 10.5" x 8" Date Accepted 1986 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of Storage: Library basement, art vault, flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2444 Title Mask Description Native-inspired linocut. Printed in black on the left and brown on the right. Black side has a bear, and brown side has half a mask. Identifier 1986.010 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 10.5" x 7" Date Accepted 1986 Number 97 ShortDescription 10/2022: Slightly faded. Holes in support. Creator Helmi Juvonen Donator Fritzsche Has technique Mixed on paper Location of Storage: Library basement, art vault, flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2443 Title Eagle Description Native-inspired eagle mask that takes up the frame. Identifier 1986.009 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 8" x 10.25" Date Accepted 1986 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Mixed on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2442 Title Wolf Mask Description Native-inspired artwork of a wolf mask that fills up the frame. Identifier 1986.008 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 8" x 10.5" Date Accepted 1986 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2441 Title Wolf II Description Native-inspired artwork of a wolf mask amongst abstract squiggles. Date 1953 Identifier 1986.007 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 10.25" x 7" Date Accepted 19986 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2440 Title Holy Family Description Crowned man holding a baby, with three children on the right. Identifier 1986.006 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 8" x 6" Date Accepted 1986 Number 97 ShortDescription 10/2022: Slightly discolored over time. Hole in support bottom right. Creator Helmi Juvonen Donator Fritzsche Has technique Mixed on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2439 Title Yakima Design II Description Yakima-inspired abstract diamonds and geometric squares with gray support. Identifier 1986.005 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 4.5" x 12" Date Accepted 1986 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2438 Title Yakima Design I (blue) Description Yakima-inspired abstract diamonds and geometric squares with blue support. Identifier 1986.004 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 4.5" x 12" Date Accepted 1986 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2437 Title Mexican Mural Description Colorful depiction of Central American people on gray support, surrounding a church. Identifier 1986.003 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 22.25" x 34" Date Accepted 1986 Number 97 ShortDescription 12/2022: Holes on all four corners from pushpins on the support. Slight wear overall from time. Creator Helmi Juvonen Donator Wehr Has technique Guache and tempura on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2436 Title Mammalia Mirror Description This artwork deals with the theme of evolution, featuring a line etching on black of two figures in the jungle, surrounded by animals on the left. On the right is a tribe with several people. Date 1946 Identifier 1986.002 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 20.25" x 29.75" Date Accepted 1986 Number 97 ShortDescription 12/2022: Slight soiling over time. Moderate stain bottom edge right. Moderate warping overall. Creator Helmi Juvonen Donator Wehr Has technique Linocut on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2433 Title Ashby, Peter, Keith Description Three people sitting on a bench, center person smoking a cigarette. Date 1983 Identifier 1985.001 Extent 12.75" x 18.75" Spatial Coverage 23.25" x 28.25" Date Accepted 6131985 Accrual Method donation, unrestricted Identifier 33 Number 33 Creator Michael Lavine Donator Lavine Has technique Silverprint Location of storage - V-B1 Material Photograph Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2428 Title Wolf I, and Mask Description Native-inspired linocut. Huma face on the left, wolf in the center, and an eye on the lower-right corner. Identical print to 1986.014. Date 1953 Identifier 1984.024 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 7.25" x 11" Date Accepted 1984 Accrual Method donation, unrestricted Identifier 126 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of Storage: art vault, flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2427 Title Singing Mask Description Black ink linocut print on light gray paper, white highlights throughout - mask of Indigenous Alaskan. Date 1953 Identifier 1984.023b Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 10"x8" Spatial Coverage 16.75"x19.75" Date Accepted 1984 Accrual Method donation, unrestricted Identifier 126 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper (grey) Location of storage, Building: Floor: Room: Bin: Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2426 Title Tlingit Singing Mask Description Native-inspired artwork of a woodcut-style mask with long hair and a frowning face. Date 1953 Identifier 1984.023a Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 10" x 8" Date Accepted 1984 Identifier 126 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2425 Title Spirit Dance Description Dark figure on red background with scratches. Date 1953 Identifier 1984.022 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 11.25" x 7.75" Date Accepted 1984 Accrual Method donation, unrestricted Identifier 126 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Mixed on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2424 Title Imaginative Perceptions Description Intricate Native-inspired artwork printed with brown ink. Date 1953 Identifier 1984.021 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 12" x 9" Date Accepted 1984 Accrual Method donation, unrestricted Identifier 126 Number 97 Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2423 Title Tlingit Inside House Post Description Two Native-inspired images side-by-side of a canine, the left one upside-down. Date 1953 Identifier 1984.020 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 14.25" x 11" Date Accepted 1984 Accrual Method donation, unrestricted Identifier 126 Number 97 ShortDescription 12/2022: Slight aging overall. Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2422 Title Set of 15 N.W. Coast Indian Subjects: 1 of 15 Description Native-inspired artwork of a bird with a large eye and pigeon-like beak. Date 1950-52 Identifier 1984.005 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 6" x 4" Date Accepted 1984 Accrual Method donation, unrestricted Identifier 126 Number 97 Creator Helmi Juvonen Donator Fritzche Has technique Linocut on paper Location of 0449a - flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2418 Title Tobey Collage Description Multimedia collage featuring photos of children, a male figure, and various words and phrases. White paint overlayed throughout in an abstract manner. Date 1955 Identifier 1984.001 Abstract Juvonen received a scholarship to the Cornish School of the Arts in 1929, which is where she may have met artist Mark Tobey. A year later, Juvonen was diagnosed as a manic depressive. In "Helmi Dagmar Juvonen: Her Life and Work: A Chronicle," Ulrich Fritzsche documents her fixation on Tobey between 1952 and 1956. According to Deloris Tarzan Ament, "At one point she made a life-size doll of him, dressed it in pajamas, and kept it on her bed. As her obsession with Tobey grew, the once-crisp lines of her art became tangled in an imitation of Tobey's 'white writing' style. Although it may have reflected her state of mind, it did not compromise the quality of her art." Sources: https://missoulaartmuseum.pastperfectonline.com/webobject/3950057D-3EAD-4511-9EBD-402525337182 https://www.historylink.org/File/3831 Extent 18.25"x12.25" Spatial Coverage 26.25"x22.25" Date Accepted 1261984 Accrual Method donation, unrestricted Identifier 2 Number 97 ShortDescription 5/10/2022: Piece seems to have dismounted from the backing board, is falling over matting on bottom edge. Pre-2020: art shifted Creator Helmi Juvonen Donator Wehr Has technique Mixed collage on paper Location of Storage Material Painting/drawing/mixed media on paper Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2413 Title Gomokwey N.W. Coast Tlingit: Indian Mask Description Native-inspired linocut depicting an Indigenous mask. Date 1939-1940 Identifier 1983.012 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 10" x 8" Date Accepted 6221983 Accrual Method donation, unrestricted Identifier 126 Number 97 ShortDescription 10/2022: Fly excrement lower right corner. Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of Storage: Library basement, art vault, flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2412 Title Thunderbird Nootka Tlingit Description Native-inspired linocut depicting a thunderbird and whale. Date 1948 Identifier 1983.011 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 7" x 11" Date Accepted 6221983 Accrual Method donation, unrestricted Identifier 126 Number 97 ShortDescription 10/2022: Slightly faded. Creator Helmi Juvonen Donator Fritzsche Has technique Linocut on paper Location of Storage: Library basement, art vault, flat file 3 Material Print Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2410 Title Bird Description Colorful sparrow-like bird in rainbow hues of yellow, green, blue, and magenta. Date 1955-56 Identifier 1983.009 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 11" x 8.25" Date Accepted 3101983 Accrual Method donation, unrestricted Identifier 2 Number 97 Creator Helmi Juvonen Donator Wehr Has technique watercolor on paper Location of Storage: Library basement, art vault, flat file 3 Material Painting/drawing/mixed media on paper Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2409 Title Untitled Description Drawing of a totem puppet in black, tan, light blue, and light red on off-white paper. Date 1950 Identifier 1983.008 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 25.25"X14.75" Spatial Coverage 32.25"X21.75" Date Accepted 3101983 Accrual Method donation, unrestricted Identifier 2 Number 97 ShortDescription 5/10/2022: Piece seems to have shifted down behind the matting, top edge misaligned. Stain in top left. Black markings on uper center. Small black markings on center left. Pre 2020: art shifted Creator Helmi Juvonen Donator Wehr Has technique Mixed media on paper Location of storage Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2408 Title Winter Dance Time Description Illustration of a Native ceremony, three players on the left before a fire, with a dressed dancer on the right. A crowd watches from the background. Date 1946 Identifier 1983.007 Abstract Juvonen's largest works from the late 1940s through the 1960s are organized laterally and characterized by shallow indeterminate space and "all-overness". She valued and practiced conventional techniques of three-dimensional illusionism through the 1950s; she also developed a range of strategies much closer to graffiti and cartoons. A light or white delineation on a darker ground, which frequently appears in her works, suggests chalk on a blackboard, and vernacular references in her work are commonly associated with the "white writing" identified with Mark Tobey and Morris Graves. Juvonen introduces into her work words and phrases, a variety of human figures and faces, architectural elements, and religious and eclectic symbols from diverse cultures. Source: https://en.wikipedia.org/wiki/Helmi_Juvonen Extent 14.75" x 21.25" Spatial Coverage (previous) 22.5" x 28.75" Date Accepted 3101983 Accrual Method donation, unrestricted Identifier 2 Number 97 ShortDescription 11/2022: Artwork has been directly taped to the mat on all four corners with framer's tape. Otherwise good condition. Creator Helmi Juvonen Donator Wehr Has technique Lithograph on paper Location of 0449a - flat file 3 Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2403 Title Reflections Description Print of battened columns and shapes in black on background of shades of blue and light green. Date 1982 Identifier 1983.002 Extent 20" x 31" Spatial Coverage 40.25"X Date Accepted 1983 Accrual Method donation, unrestricted Identifier 45 Number 45 ShortDescription 7/14/2022: Moderate buckling overall, especially at top. Slight curling at edges, possibly inherent. Pre-2022: Matt, archival,w/ other issues Creator Michi Osaka Donator Osaka Has technique Lithograph and cyanotype on paper Location of COM Building, 3rd floor, across from 307 lounge Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2385 Title Desert Town Description Charcoal drawing of small town street with building along the left side, bare tree in top center, and a small building on center right. Identifier 1982.004 Extent 11"X15.5" Spatial Coverage 17.75"X21.75" Date Accepted 5211982 Accrual Method donation, unrestricted Identifier 2 Number 20 Creator Joseph Goldberg Donator Wehr Has technique charcoal and wax on paper Location of storage Material Painting/drawing/mixed media on paper Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2384 Title Up From The Sea Description Black ink on white background - abstract swirls and tendrils. Date 1978 Identifier 1982.003 Extent 18"x24" Spatial Coverage 24.25"x30.25" Date Accepted 5171982 Accrual Method donation, unrestricted Number 19 Creator Gordon W. Gilkey Donator Gilkey Has technique sumi-monoprint Location of storage Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2381 Title Eu...Trees Description Color photograph of two peeling tree trunks with field in the background. Date 1977 Identifier 1981.001 Abstract Craig Hickman studied photography at Evergreen, where he also learned computer programming. He later began developing software that became "Kid Pix," for Apple Macintosh. In Portland, Hickman co-founded the influential Blue Sky photography gallery, and subsequently became Professor of Art at the University of Oregon. Extent 7.75" x 11.5" Spatial Coverage 14.25" x 17.25" Date Accepted 1981 Accrual Method donation, unrestricted Number 93 Creator Craig Hickman Donator Hickman Has technique Color photo Location of storage - V-B3 Material Photograph Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2368 Title Untitled #3 - from the "Vandalism" series Description Black and white photograph depicting about a dozen light bulbs connected by wires to make a kite-shape. Puncture in wall on the lower left. Date 1974 Identifier 1978.018 Extent 7" x 7" Spatial Coverage 16.25" x 14.25" Date Accepted 1978 Accrual Method Purchase Identifier 136 Number 86 Creator John Divola Has technique Silverprint Location of storage - archival box 5 Material Photograph Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2365 Title Ocean Marker Description Abstract painting of multicolored lines and shapes in oil pastel, with soft yellow and blue acrylic paint dotted throughout the empty space. Date 1977 Identifier 1978.015 Extent 62" x 57.5" Spatial Coverage 63" x 58.5" Date Accepted 1978 Accrual Method Purchase Identifier 134 Number 41 Creator Laurie Messchaert Donator Kiku Gallery Has technique acrylic and oil pastel on canvas Location of Display: Library Building Lobby - 3rd floor Material Painting/mixed media on canvas/board/etc Description Wood -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2354 Title Untitled 2 Description Second part of a collage diptyque made from strips of paper. Date 1977 Identifier 1978.004b Extent 41" x 13" Date Accepted 1978 Accrual Method Purchase Identifier 133 Number 100 ShortDescription 6.22.2022: Prominent discoloration bottom center. Prominent embrittlement along bottom edge as the artwork slipped under the glazing and became trapped. Pre-2022: art shifted Creator Carolyn Law Has technique Collage on paper Location of storage, Building: Floor: Room: Bin: Material Print Description Plexiglass box -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2353 Title Untitled 1 Description First part of a collage diptyque made from strips of paper. Date 1977 Identifier 1978.004a Extent 38" x 16" Spatial Coverage 44.5" x 18.5" Date Accepted 1978 Accrual Method Purchase Identifier 133 Number 100 ShortDescription 6.21.2022: Prominent mold and water damage overall. Needs a new frame. Moderate fold in the center. Pre-2022: art shifted Creator Carolyn Law Has technique Collage on paper Location of storage Material Print Description Plexiglass box -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2349 Title Lincoln in Dalivision Description Figure of a woman in center, slightly raised, standing in front of a window looking at an orange ocean landscape with an angelic figure in the sky. Surrealist line art bottom right. Small pixelated portrait of Lincoln on bottom left with a small faint naked figure next to it. From afar, elements combine to create a pixelated portrait of Lincoln. Identifier 1977.050 Extent 24.25"x 17.25" Spatial Coverage 36.25" x 26.25" Date Accepted 1977 Accrual Method Donation, unrestricted Edition 1050 Identifier 195 Number 82 ShortDescription 11/2022: Water damage over signature bottom right. Moderate abrasions and paint loss bottom right, bottom center, and top left. Creator Salvador Dali Donator De Shon Has technique Lithograph on paper Location of 0449a - flat file 5 Material Print Description Wood -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2347 Title Ode to the Christmas Toy Description Sculpture with a range of zany and fun shapes, including mushroom, whip-tails, and spheres. Identifier 1977.048 Date Accepted 1261977 Accrual Method Purchase Identifier 128 Number 102 Creator Patrick McCormick Has technique ceramic Location of storage - 3D Object storage Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2346 Title The Key to the Treasure Description Collage in abstract shape (chicken) with varying designs in gray, yellow, teal, red, and gold. Identifier 1977.047 Extent 25" x 22" Spatial Coverage 33" x 29.75" Date Accepted 1977 Accrual Method Purchase Identifier 123 Number 98 ShortDescription 7/14/2022: Bug stuck on inside of glazing. Accretions on right-side glass. Support on bottom frame warping. Creator Sandy Kinee Has technique handmade paper/print Location of COM Building, near performance hall Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2345 Title Many Cycloned Fan Identifier 1977.046 Extent 17"X25.25" Spatial Coverage 23.25"X31.25"X2" Date Accepted 1977 Accrual Method Purchase Identifier 123 Number 98 Creator Sandy Kinee Has technique handmade paper/print Location of storage, Building: Floor: Room: Bin: Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2344 Title Red Message CX Description Abstract shapes in shades of reds and yellows with black and green accents. Composed of several pages of paper positioned together. Identifier 1977.045 Abstract Carl, or C.T. Chew is a Seattle based artist and teacher, working in traditional and digital printmaking, video art, stamp art, xerography, performance, rugs, tapestries, scarves and clothing. His work often takes a humorous and fanciful perspective. Extent 42.25"x32.5" Date Accepted 1977 Identifier 123 Number 81 Creator Carl Chew Has technique Color xerox/xerograph Location of storage Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2342 Title Paper Dolls and Wallflowers Identifier 1977.043 Extent 8.63" x 12.12" Spatial Coverage 14.25" x 18.25" Date Accepted 1977 Accrual Method Purchase Identifier 131 Number 113 Creator Karen Truax Has technique Silverprint, hand-tinted Location of display, Building: Floor: Room: Bin: Material Photograph Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2341 Title Whoosis Description Sepia photograph of a person under a large-leafed tree, looking through a hole in a leaf they hold. Both the person and leaf have been hand-colorized. Identifier 1977.042 Extent 8.75" x 12.25" Spatial Coverage 14.25" x 18.25" Date Accepted 1977 Accrual Method Purchase Identifier 131 Number 113 Creator Karen Truax Has technique Silverprint, hand-tinted Location of storage room, archival box 6 Material Photograph Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2309 Title Woman & Daughters, Beverly Hills Description A woman with long nails, white rose on her chest, and the most glorious 1970's haircut ever with two younger woman beside her. Date 1972 Identifier 1977.005 Extent 9.5" x 7.75" Spatial Coverage 14.25 "x 18.25" Date Accepted 1977 Identifier 83 Number 83 Creator Judy Dater Donator Dater Has technique Silverprint Location of storage - archival box 5 Material Photograph Description Steel Mark on cardboard backing - Woman and Daughters - Beverly Hills - 1972 -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2303 Title Chief Seattle's Garage Description Wooden box with black velvet cover that buckles. Painting underneath depicts some red-headed ducks hanging out with an orange-striped tent in front of a red brick wall. At the top of the box is a wavy 3D paddle. Identifier 1976.013 Abstract "My interest lies in the appreciation of the environment and the expression of it. Moving and playing with form and color are just a thrill that I can’t deny myself. The essence of water is also an important piece of all puzzles I paint. The point of departure is the moment I can recognize how my ideas fit into the world as we think we can see it, then a bit of a drive to sort it all out." Source: https://franksamuelsonartist.com/About.html Extent 15.5"x 20.5" Spatial Coverage 20.5"x 22" Date Accepted 1976 Accrual Method Purchase Identifier 107 Number 107 Creator Frank Samuelson Has technique on canvas Location of storage - top of C shelves Material Painting/mixed media on canvas/board/etc Description Wood and velvet -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2298 Title The State of Oil Painting in Washington Description Wood box on pedestal with arms and a head, left arm holding an oil can pointed at a mountain scene painting on an easel (stored separate from rest of piece). Date 1977 Identifier 1976.008 Extent 16.5" x 16" x 7.25" (irregular dimensions) Date Accepted 1976 Accrual Method Purchase Identifier 112 Number 112 Creator Merrily Tompkins Has technique Mixed, wood Location of storage - 3D object shelves Material Sculpture, freestanding, interior -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2297 Title Foreign Exchange Students Dreaming of Home Description Multimedia sculpture featuring photo of a tropical landscape, framed in wood, multicolored rocks, and mosaic glass. Knob at bottom center turns to wind up motor that makes two palm trees move. Includes details of a mallard, two bottles, and thermostat. Date 1977 Identifier 1976.007 Extent 9.5" x 7.5" x 5" Date Accepted 1976 Accrual Method Purchase Identifier 112 Number 112 Creator Merrily Tompkins Has technique Mixed, wood Location of storage - 3D object shelves Material Sculpture, freestanding, interior -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2291 Title Unenlightened Materialism Description Abstract painting with shapes in rainbow of colors and grayscale. Date 1974 Identifier 1976.001 Date Accepted 1976 Accrual Method Purchase Identifier 109 Number 109 Creator Charles Stokes Donator Charles Stokes Has technique watercolor Location of storage - C3 Material Painting/drawing/mixed media on paper -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2290 Title Bull Series #8 Description Cut out illustration of a bull on the top and a human figure on the bottom. Date March 20, 1971 Identifier 1972.002 Extent 19.75"X15.75" Spatial Coverage 20"X16" Date Accepted 1972 Accrual Method Purchase Number 26 Creator Walter Hamady Has technique incised drawing on museum board Location of storage Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2288 Title Blueprint of B-Limp Description Orange blimp with blue grid on the right. Date 1971 Identifier 1971.052 Extent 22" x 16" Spatial Coverage 28.25" x 23" Date Accepted 1971 Accrual Method Purchase Number 105 ShortDescription 1/2023: Unclear at what level of deterioration this is at. Original digitized catalog card seems to have a completely different artwork featured. Cannot tell if this heavily faded over time, was a test run, or is just inherently supposed to look like this. *4/2023 update - the other image pictured is a Matisse - La blouse Roumaine, 1940 (Devon D.) Creator Kathleen Rabel Has technique Sosaku Hanga (Japanese wood block) Location of 0449a - FF3 Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2286 Title Untitled Description Black and white photograph of rippled water with tall grass etched in. Identifier 1971.049 Extent 15.5" x 19.25" Spatial Coverage 22.5" x 25.75" Date Accepted 1971 Accrual Method Purchase Number 42 Creator Ray Meuse Has technique on black and white posterboard Location of storage - V-B3 Material Photograph Description Wood -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2284 Title Untitled Description Orange and purple shape against dark background. Date 1971 Identifier 1971.044 Extent 19.5"X19.5" Spatial Coverage 27.25"X27.25" Date Accepted 1971 Accrual Method Purchase Number 72 Creator Glen Alps Has technique collagraph Location of storage Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2281 Title Richard the Lion Hearted Description Figure in center outlined in black, with reds and oranges throughout. Date 1969-1970 Identifier 1971.038 Extent 9"x8.25" Spatial Coverage 17.25"x16.5" Date Accepted 1971 Accrual Method Purchase Number 61 Creator Theresa Tempero Donator TESC Library, Printmakers of WA Coll. Has technique color intaglio Location of storage - VC-1 Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2276 Title Chickens with the Blue Stone Description Two bird figures on lower half of piece, blueish space on upper half with rock figures along upper and center right. Date 1970 Identifier 1971.031 Extent 17.75" x 22.75" Spatial Coverage 24.25" x 28.75" Date Accepted 1971 Accrual Method Purchase Number 54 ShortDescription 5/10/2022: Matting is too short, shows frame on top edge. Slight discoloration of piece along all edges where it meets the matting. Slight distortion throughout. Creator Bill Ritchie Has technique Intaglio with color relief on paper Location of storage Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2274 Title C-27 Description Off-white paper with beige hatching print centered - print speckled in green, orange, and brown throughout. Date 1970 Identifier 1971.028 Extent 21.5"x29.75" Spatial Coverage 22.25"x30.25" Date Accepted 1971 Accrual Method Purchase Number 48 Creator James Patnode Has technique serigraph Location of storage Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2269 Title Boat No. 3 - Rainbow Description Circular imprint on white paper with multimedia shapes in black ink on bottom half of circle, and a rectangle with green to yellow to pink ombre in upper right of circle. Identifier 1971.017 Extent 22.25"x15" Spatial Coverage 27.25"x20.25" Date Accepted 1971 Accrual Method Purchase Number 28 Creator Stephen Hazel Has technique intaglio relief Location of storage Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2268 Title Abduction Description Two red legs and feet on a white floor with shadows. Black and blue background upper painting. Date 1971 Identifier 1971.016 Extent 23" x 17.5" Spatial Coverage 31.25" x 25.25" Accrual Method purchase Edition 0 Identifier 138 Number 138 ShortDescription 1/2023: Signs of acidic mat all around border. Moderate buckling overall. Needs frame. Creator Gary Hammer Has technique intaglio Location of 0449a - FF3 Material Print Mark Abduction Artist Proof G Hammer/71 -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2267 Title Head of the Heart of Israel Date 1971 Identifier 1971.015 Extent 11.87"X24.25" Spatial Coverage 22.25"X34.25" Date Accepted 1971 Accrual Method Purchase Number 15 ShortDescription 4/2022: Slight water damage lower left (water droplet). Frame is loose at the top. Pre-2020: plex coming out of frame Creator Kathleen Embree Has technique Intaglio on paper Location of storage Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2266 Title The Hills Brothers Description Two bearded old-timey men on bicycles. Date 1970 Identifier 1971.014 Extent 23.5" x 19.75" Spatial Coverage 29" x 33.5" Date Accepted 1971 Accrual Method Purchase Edition A/P Number 14 ShortDescription 1/2023: Signs of mat acidity all around the border. Needs a frame. Creator Robert C. Ellis Has technique Collograph on paper Location of 0449a - FF3 Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2265 Title Splash Description Print of absract geometric shapes in varying shades of green. Date 1970 Identifier 1971.013 Extent 22" x 17.75" Spatial Coverage 24.75" x 28.25" Date Accepted 1971 Accrual Method Purchase Edition 215 Number 13 ShortDescription 5/10/2022: Appears piece has shifted underneath matting. White paint on glass surface bottom right. Creator Robert Ecker Has technique Intaglio on paper Location of V-C4 Material Print Description Steel Mark Splash 2/15 Robert R Ecker -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2261 Title Golden - - I.C. Description Lithograph print in black, olive green, and light purple on dark purple paper. Side profile of abstract face/skull with other printed embellishments. Date 1969 Identifier 1971.007 Extent 15.5"x23.75" Spatial Coverage 24.25"x30.25" Date Accepted 1971 Accrual Method Purchase Number 6 Creator Paul Brekke Has technique Lithograph on paper Location of storage Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2259 Title Home and Visitors II Description Orange textured print with black print of a house overlayed, occupying piece from top to lower portion. Bottom of piece featuring five pig and bird figures in black on orange background. Date 1971 Identifier 1971.004 Extent 18.5"x14" Spatial Coverage 26.5"x22.25" Date Accepted 1971 Accrual Method Purchase Number 74 Creator Pat Austin Has technique intaglio Location of storage - VC-1 Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2257 Title Uno! Description The words "UNO UNO" on a landscape, green hills and asphalt. Giant hand coming out of the sky and poking the right "UNO" with a finger. Blue cloud on the left. Date 1971 Identifier 1971.002 Extent 19.5" x 26.75" Spatial Coverage 35.5" x 28.5" Date Accepted 1971 Accrual Method Purchase Number 71 ShortDescription 1/2023: Good condition. Needs a frame. Creator John J. Agars Has technique collagraph Location of 0449a - FF3 Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2256 Title Garden Walk Date 1970 Identifier 1971.001 Extent 26"X21.5" Spatial Coverage 30.5"X38.5" Date Accepted 1971 Accrual Method Purchase Number 3 Creator Keith Achepohl Has technique Intaglio on paper Location of storage Material Print Description Steel --