Url https://collections.evergreen.edu/art/s/evergreenart/item/3682 Title unknown (Weasel) Description Weasel looking over its shoulder to the left. Date 1960 Identifier 2023.004 Abstract Kenneth Callahan was mostly a self-taught artist. He said he strove in his paintings to convey "that eternal truthfulness and permanence that lies below the surfaces of life and objects." Source: http://portlandartmuseum.us/mwebcgi/mweb.exe?request=record;id=8182;type=701 Date Accepted 1999 Accrual Method Purchase ShortDescription 2/2023: Pin-pricks on every corner from thumb tacks. Otherwise good condition. Creator Kenneth Callahan Donator Beth Callahan through Fred Goldberg (Laura Russo Gallery) Location of Evans Hall 3200 Material inkwash -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3681 Title unknown (Three Beetles) Description Three beetles crawling around. Date 1960 Identifier 2023.003 Abstract Kenneth Callahan was mostly a self-taught artist. He said he strove in his paintings to convey "that eternal truthfulness and permanence that lies below the surfaces of life and objects." Source: http://portlandartmuseum.us/mwebcgi/mweb.exe?request=record;id=8182;type=701 Date Accepted 1999 Accrual Method Purchase ShortDescription 2/2023: Good condition. No issues noted at this time. Creator Kenneth Callahan Donator https://en.wikipedia.org/wiki/Kenneth_Callahan Location of Evans Hall 3200 Material inkwash -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3680 Resource class VRA:Person Title unknown (Bear and Moose) Description Bear hunting down a moose. Date 1960 Identifier 2023.002 Abstract Kenneth Callahan was mostly a self-taught artist. He said he strove in his paintings to convey "that eternal truthfulness and permanence that lies below the surfaces of life and objects." Source: http://portlandartmuseum.us/mwebcgi/mweb.exe?request=record;id=8182;type=701 Date Accepted 1999 Accrual Method Purchase ShortDescription 2/2023: Good condition. No issues noted at this time. Creator Kenneth Callahan Donator Beth Callahan through Fred Goldberg (Laura Russo Gallery) Location of Evan's Hall 3200 Material inkwash -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3679 Title Mountain Lion (B.C.) Description Inkwash study of a cougar, front and back. Date 1960 Identifier 2023.001 Abstract Kenneth Callahan was mostly a self-taught artist. He said he strove in his paintings to convey "that eternal truthfulness and permanence that lies below the surfaces of life and objects." Source: http://portlandartmuseum.us/mwebcgi/mweb.exe?request=record;id=8182;type=701 Date Accepted 1999 Accrual Method Purchase ShortDescription 2/2023: Good condition. No issues noted at this time. Creator Kenneth Callahan Donator Beth Callahan through Fred Goldberg (Laura Russo Gallery) Location of Evans Hall 3200 Material inkwash -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3592 Title Tambourine Description Large wooden sculpture of half a tambourine, inspirational words painted and adhered to the surface. Twelve metal symbols. Fabric additions on underside of arch. Identifier 2022.002 Abstract In the Pentecostal church tradition in which Carol Rashawnna Williams was raised, the tambourine has deep power and significance to women. Later in life, many pass their own tambourines on to their daughters. When Williams was given her mother’s tambourine in 2015, it inspired her to learn more about the history of the instrument. A violin player, Williams assumed as a child that the tambourine was an equally respected instrument. As she grew older she began to notice that it was rarely taken seriously in formal settings, relegated instead to the role of “folk instrument.” She saw this a poignant metaphor, and set to work creating a piece around it: a large tambourine sculpture addressing black challenges, identity, and future vision. Williams’ sculpture is an encapsulation of the past and a message of hope for the future. At a time when black churches are closing across the nation, the sculpture draws on the lasting power of ritual to connect future generations with ones that have come before. “The things that last forever are music and sound and art and ritual,” said Williams. “Ritual lasts through time, if people still believe in it.” Source: https://www.evergreen.edu/magazine/post/an-instrument-of-change Extent 73.75" x 152.5" x 23" Date Accepted 2019 Accrual Method donation ShortDescription 11/2022: Good condition. Minor issues follow. Slight soiling overall. Moderate fraying of textile components. Occasional white chipping along outside arch. Peeling glue throughout. Creator Carol Rashawnna Williams Location of CAB south stairwell Material wooden sculpture -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3515 Title Strategic Planning (Part B) Description Part of a diptych, long yellow worm with a triangular green face on the left side. Date 1986 Identifier 2022.001b Extent 14.25" x 56.5" Spatial Coverage 16.75" x 60.25" Date Accepted 2019 Accrual Method donation ShortDescription 10/2022: Moderate buckling of support. Creator Paul Sparks Location of 0449 Material Oil pastel Description aluminium Mark "Sparks '86" -- Url https://collections.evergreen.edu/art/s/evergreenart/item/3514 Title Strategic Planning (Part A) Description Part of a diptych, long yellow worm with a triangular green face on the right side. Date 1986 Identifier 2022.001a Extent 14.25" x 56.5" Spatial Coverage 16.75" x 60.25" Date Accepted 2019 Accrual Method donation ShortDescription 10/2022: Moderate buckling of support. Creator Paul Sparks Location of 0449 Material Oil pastel Description aluminium Mark "Sparks '86" -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2500 Title Decollage 7 Description Abstract painting in shades of greens and purples, accents of oranges and yellows. Date 1980 Identifier 2014.011 Abstract Hinson's non-objective paintings have no references to imagery of any kind but are about the relationships between various colors, shapes and textures. Hinson talked a lot about challenge. He believed art should be challenging to the artist as well as to the viewer. He also noted that many viewers do not approach art with an open mind and do not give the work of art the sustained attention it demands. He said one cannot comprehend a work of art in a brief viewing. “I like to use the analogy of getting to know someone. To do so requires that one listen to them, and try to ‘walk around in their shoes’ rather than to fit them into predetermined categories or expectations.” Source: https://www.thurstontalk.com/2012/01/25/ron-hinson-painting-outside-the-box/ Extent 42" x 68" Spatial Coverage 43" x 69.25" Date Accepted 2014 Accrual Method Donation, unrestricted Identifier 193 Number 177 Creator Ron Hinson Location of Display: Library Building Lobby - 3rd floor Material Painting/mixed media/acrylic on canvas/board/etc -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2486 Title Drom Description Print of two figures with white line in center. The left figure is on a background of red, and the right figure is on a background of purple and blue. Date 1986 Identifier 2013.002 Abstract Many of Nebeker's collage-paintings combine rough brushwork and drip with collage elements, written phrases and notations. Nebeker is one of a handful of contemporary artists who seem to have found just the right way to marry expressive imagery with snippets of language that function both as "notes" and graphic elements. One of Nebeker's common practices is to leave some horizontal space near the lower edge of the canvas as a place where these kinds of images and notes can accumulate. Working this way allows him to combine the high traditions of painting with pop culture materials, and to make his images both emotionally and intellectually rich. Source: https://www.huffpost.com/entry/royal-nebeker_b_3611890 Extent 2 @ 17"x13" Spatial Coverage 19.25" x 28.25" Date Accepted 2013 Accrual Method Donation, unrestricted Identifier 189 Number 188 ShortDescription 7/14/2022: Slight buckling overall. Upper left corner of frame disjointed with paper sticking out. Creator Royal Nebeker Donator Francine Seders Gallery Has technique monoprint with collage Location of COM Building, 3rd Floor, hallway corner Material Painting/drawing/mixed media on paper Description metal section -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2485 Title Décor Description Abstract sumi-e style artwork of mountains and ripples on wood. Date 2005 Identifier 2013.001 Extent 18" x 54" Date Accepted 2013 Accrual Method Donation, unrestricted Identifier 187 Number 186 ShortDescription 9/2022: Good condition. No issues noted at this time. Creator Susan Christian Donator Tina Hoggatt Has technique acrylic and latex on panel Location of Display: Library Building, 3rd Floor, President's Office Material Painting/mixed media on canvas/board/etc Mark Susan Christian LR -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2484 Title The B Family Description Three abstract figures made of shapes. Two wear dresses and one wears jeans. Date 1988 Identifier 2012.001 Abstract Hinson builds complicated abstract or non-objective structures that hang on the wall. They are painted constructions made mostly of Masonite with densely encrusted textures built up with plaster. Although they are three-dimensional he thinks of them as paintings and not as sculpture. He first began working on the oddly shaped constructions in about 1984 or ’85 and started consistently working on them in ’86 when he did an artist-in-residency program for the Bemis Foundation in Omaha. His proposal for the residency program was to work on paintings broken out of the traditional rectangular format, influenced by cut and shaped paintings by Frank Stella and by the writings of the critic Clement Greenberg, who claimed that all painting should be true to the flat, rectangular surface of the canvas, meaning no illusory space. Hinson said he wanted to make paintings that could not be seen as a window on the world. Source: https://www.thurstontalk.com/2012/01/25/ron-hinson-painting-outside-the-box/ Extent 73" x 96" x 12" Date Accepted 2012 Accrual Method Donation, unrestricted Identifier 177 Number 177 Creator Ron Hinson Donator Ron Hinson Has technique acrylic on masonite and wood Location of display: Library Building, 2nd floor, library proper, base of stairs Material Sculpture, relief -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2483 Title Hagia Sophia Description Abstract shapes in gold, copper, and robin's egg blue. Row of hexagons at the bottom. Date 1990 Identifier 2011.001 Abstract Marilyn Frasca uses a variety of techniques to create textures in her artworks, which she later studies to see what is there. Working with the image that comes to her, the artist is able to sharpen and develop a visual and emotional response to the textures and shapes of the art. Source: http://www.marilynfrasca.com/process.htm Extent 26" x 80" Date Accepted 2011 Accrual Method Donation, unrestricted Identifier 167 Number 165 Creator Marilyn Frasca Donator Beck, Stephen Has technique oil (and copper?) on masonite Location of display: Library Building, 3rd floor, library proper, near window looking over loading dock Material Painting/mixed media on canvas/board/etc Description black tape Mark on back -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2482 Title Circling Nine Heavens Description Person in an egg with a bird of prey behind them. Date 2004 Identifier 2008.005 Abstract Using the word monotype makes sense to me because I begin with a single print made from an inked plate. I use a variety of techniques to create textures which I later study to see what is there. Working with the image that comes to me I am able to sharpen and develop a visual and emotional response to the textures and shapes of the print which seem to clarify and assemble themselves into astonishing pictures of people, places and events that have no recognizable connection to my life. As I work it is as if I remember this person and her or his expression. It is an emotional quality that is slowly revealed as I draw out the image. I can feel and see the eyes, the curve of a forehead, a hand holding something. The presence of these figures exists in an ether of memory beyond my own existence, extending to a past and to a future, giving clear directions through textures of just how and what I should draw. Usually I feel an immediate compassion for the figure that shows itself. Often genderless, out of time and looking intently at me or somewhere else or at someone else. The look is occasionally pleading, knowledgeable, and communicates an awareness of my presence and scrutiny of its physical being and its relation to myself and the world in which I live. In this way the drawings assert emotions in their own terms and offer assorted facts that visually describe answers to questions I am slowly seeing and learning to ask. Source: http://www.marilynfrasca.com/process.htm Extent 9.5" x 9.5" Spatial Coverage 23" x 19" Date Accepted 2008 Identifier 166 Number 165 Creator Marilyn Frasca Donator Curtz, Thad Has technique mixed media Location of display: Library Building, 2nd floor, library proper, near emergency exit Material Painting/drawing/mixed media on paper Description wood Mark LL: Circling Nine Heavens LR: M Frasca 2004 -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2481 Title The Potter Description Abstract figure with hood surrounding a pot. Date 1982 Identifier 2008.004 Abstract Allan Houser excelled at all media, including stone, steel, bronze, and wood. He fashioned revolutionary pieces that not only inspired and influenced his contemporaries and proteges, but continue to make a world-wide impact. From his iconic narrative works, to the serene and mysterious forms of his geometric abstract works, Houser’s art connected with people through its refined aesthetic and exacting execution. Source: https://allanhouser.com/work/sculptures Extent 21" x 24" x 14.5" Date Accepted 2008 Accrual Method Donation, restricted Edition 12 Identifier 163 Number 162 Creator Allan Houser Donator Witt, Matthew and Linda Ohmans Has technique bronze Location of display: Library Building, 3rd Floor, library proper, administration offices Material Sculpture, freestanding, interior -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2480 Title Sounds of the Night Description Mother holding child. Date 1980 Identifier 2008.003 Abstract Allan Houser excelled at all media, including stone, steel, bronze, and wood. He fashioned revolutionary pieces that not only inspired and influenced his contemporaries and proteges, but continue to make a world-wide impact. From his iconic narrative works, to the serene and mysterious forms of his geometric abstract works, Houser’s art connected with people through its refined aesthetic and exacting execution. Source: https://allanhouser.com/work/sculptures Extent 18" x 24" x 14.5" Date Accepted 2008 Accrual Method Donation, restricted Edition 10 Identifier 163 Number 162 ShortDescription Sept 2022: Vitrine has a crack in it. Creator Allan Houser Donator Witt, Matthew and Linda Ohmans Has technique bronze Location of display: Library Building: Floor: Room: library stacks, corner windows near Sem I Material Sculpture, freestanding, interior -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2478 Title Your Father Will Sing Description Native woman and child carved from tan stone. Date 1980 Identifier 2008.001 Abstract Allan Houser excelled at all media, including stone, steel, bronze, and wood. He fashioned revolutionary pieces that not only inspired and influenced his contemporaries and proteges, but continue to make a world-wide impact. From his iconic narrative works, to the serene and mysterious forms of his geometric abstract works, Houser’s art connected with people through its refined aesthetic and exacting execution. Source: https://allanhouser.com/work/sculptures Extent 25" x 9.5" x 12" Date Accepted 2008 Accrual Method Donation, restricted Identifier 163 Number 162 ShortDescription Sept 2022: Red accretions on the back. Creator Allan Houser Donator Witt, Matthew and Linda Ohmans Has technique stone Location of display: Library Building, 2nd Floor, library proper, near reference desk Material Sculpture, freestanding, interior -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2477 Title In Honor of Bonita Evans Description Artwork in vibrant colors depicting wildlife and tree shapes. Abstract with blue and white geometric shapes in the background. Identifier 2007.008 Extent 27" x 38.5" Spatial Coverage 28.75" x 40.25" Date Accepted 2000 (not accepted into collection until 2007) Accrual Method donation Number 17 ShortDescription 6/29/2022: Minor issue: slight buckling along edge. Creator Joe Feddersen Donator Feddersen Location of display: Lab I, 1st Floor, Offices Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2476 Title Untitled Smoke No. 346 Description Image of rising smoke against a black background. Date 2006 Identifier 2007.007 Date Accepted 2007 Accrual Method Donation, unrestricted Identifier 173 Number 173 Creator Kerry Loewen Donator Loewen Has technique pigmented ink on paper Location of display: Library Building, 3rd Floor, library proper, NE corner, red wall Material Photograph -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2471 Title unknown Description White and gray swirls. Identifier 2007.002 Date Accepted 2004 Identifier 168 Number 170 ShortDescription 2/2023: Good condition. No issues noted at this time. Creator Nick Hyde Donator Goldberg, Fred Has technique silverpoint drawing on illustration board Location of Library Building, 3rd Floor, Advancement VP office Material Painting/drawing/mixed media on paper -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2467 Title Acanthus Description Abstract golden swirls on a background of shades of black, gray, blue, and pink. Identifier 2002.010 Extent 30" x 44" Spatial Coverage 33.25" x 48.25" Accrual Method purchase Number 183 Creator Lucinda Parker Donator Hodges/Banks Gallery Has technique acrylic on paper Location of COM Building, 2nd Floor, alcove overlooking CRC Material Painting/drawing/mixed media on paper Description metal -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2465 Title Kyoto Garden II Description Dark abstract piece. Orange square at top, dark gray square at bottom. Three tan circles in the middle. Date 1970 Identifier 1971.018 Extent 22.5" x 15.5" Spatial Coverage 31.25" x 23.25" Accrual Method Purchase Edition 15/20 Number 140 ShortDescription 2/2023: Good condition. No issues noted at this time. 2006: acid-free foam core backing replaces acidic backing Creator Donald Heard Donator The Collector's Gallery Has technique intaglio etching Location of Library Building, 3rd Floor, Provost's Office Material Print Description metal section Mark Kyoto Garden II 15/20 Heard -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2458 Title Thanks for the Memories Description Two white boxes with dark red boxes within each, almost like polaroid photographs, on a dark background of orange, blue, and green markings/color. Date 1980 Identifier 2002.001 Abstract This lithograph was drawn and printed at TESC by artist Young Harvill and students. Artist Johnston donated this and the edition of 20. The edition was intended to be used as a fundraiser. Extent 14.75" x 22.25" Date Accepted 1980 Accrual Method Donation, unrestricted Edition 17/20 Identifier 96 Number 96 ShortDescription 7/14/2022: Art has fallen in glazing and resting on matting. No other issues noted. Pre-2022: Framing, glazing touching art Creator Thomas Johnston Donator Johnston Has technique Lithograph Location of COM Building. 3rd floor, hallway corner Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2456 Title Red Eagle Mountain Description Painting depicting a mountain in various shades of muted blues, greens, purples, and browns. Date 1989 Identifier 1994.001 Abstract "My paintings are about the wind rushing over the mountains and across the plains, of cool crystal waters coursing through the banks of rivers and streams, of distant ridges against the sky, and of wildflowers and sage..." Source: Evergreen Art Collection Archives Extent 26" x 26" Spatial Coverage 32.25" x 32.25" Date Accepted 1994 Accrual Method Donation, unrestricted Identifier 182 Number 47 Creator Neil Parsons Donator Barbara Smith Has technique media media / collage Location of display: Lab 2, 2nd floor, office area Material Painting/drawing/mixed media on paper Description metal -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2455 Title Crazy Boys Lodge Description Abstract painting in geometric shapes - paint in blues, purples, tans, and black. Bottom right corner includes floral fabric. Date 1986 Identifier 1990.001 Abstract "My paintings are about the wind rushing over the mountains and across the plains, of cool crystal waters coursing through the banks of rivers and streams, of distant ridges against the sky, and of wildflowers and sage..." Source: Evergreen Art Collection Archives Extent 15.5" x 15.5" Spatial Coverage 27.25" x 27.25" Date Accepted 481990 Accrual Method donation, unrestricted Identifier 47 Number 47 Creator Neil Parsons Donator Parsons Has technique mixed media on canvas paper Location of COM Building, 3rd floor, back of hallway near performance hall Material Painting/mixed media on canvas/board/etc Description Gold Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2451 Title On His Decision to Return to the United States Description Man staring at the viewer with a bus station behind him. Date 1977 Identifier 1988.001 Extent 14.67" x 19.75 Spatial Coverage 28.25" x 23.25" Number 92 ShortDescription 9/2022: Slight buckling OA Pre-2022: Matt, archival, w/ other issues Creator Young Harvill Donator Harvill Has technique lithograph Location of Display: Library Building, 1st floor, CCAM - 1352 Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2434 Title Requiem Description White winter tree with an orange moth in the center left, rainbow accents in the background. Done in the Nippon (Nihon) GA Style. Date January, 1984 Identifier 1985.002 Abstract Moniz’s subjects are what she observes in the world at hand: the beauty of nature right in her own backyard. A favorite method of hers is to pick one subject and intensely study it. A moth she found in her kitchen became the subject of several paintings. Moniz’s depictions of the natural world around her show her desire to capture not only the features and the spirit of her subject, but also her personal reaction to it. “In order to paint something I must be inspired by it,” the artist said. Moniz also stated how she passionately hates the time that passes between the last brush stroke of one painting and the first brush stroke of the next. Source: Helbert, G. (1981, August 16). She Paints Nature. The Olympian. Extent 35.25"x 24" Date Accepted 10151985 Accrual Method donation, unrestricted Identifier 43 Number 43 ShortDescription 7/14/2022: Very slight buckling on top. No other issues noted. Pre-2022: Lighting, replace bulbs. Other Marker on cement wall under label "PINNER" Creator Haruko (Osawa) Moniz Donator Moniz Has technique Watercolor pigment and nihonga pigment on mulberry bark paper Location of COM Building, 1st Floor, near elevator Material Painting/drawing/mixed media on paper Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2420 Title Autumn Highway Description Cooper Point highway in warm colors. Orange street and autumnal foliage. Date 1971 Identifier 1984.003 Extent 58" x 43.5" Spatial Coverage 45.25" x 59" x 2" Date Accepted 11211984 Accrual Method donation, unrestricted Identifier 27 Number 27 ShortDescription 2/2023: Good condition. No issues noted at this time. Creator Maury Haseltine Donator Haseltine Has technique Oil on canvas Location of Library Building, 4th Floor, Room 4003 Material Painting/mixed media on canvas/board/etc Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2415 Title Man and Child in Street Scene Description City street scene Date 1982 Identifier 1983.014 Extent 8"X12" Spatial Coverage 18.25"X22.25" Date Accepted 61983 Accrual Method donation, unrestricted Identifier 2 Number 108 ShortDescription 4/2022: Moderate warping/buckling overall. Slight crease down center left, possibly inherent. Pre-2020: poorly set Creator Jay Steensma Donator Wehr Has technique Xerograph of graphite and pencil on paper Location of Display: Library Building, 2nd Floor; Room: back hall of Academic Deans area Material Painting/drawing/mixed media on paper Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2411 Title Notes of a Native Son Description Young Black boy shedding a single tear on the right, James Baldwin quote on the left. Date May 13, 1976 Identifier 1983.010 Extent 10.75" x 13.5" Spatial Coverage 19.25" x 24.25" Date Accepted 3151983 Accrual Method donation, unrestricted Identifier 11 Number 11 Creator Isaac Shamsud-Din Has technique graphite on paper Location of Display: Library Building, 3rd Floor, HR Office Material Painting/drawing/mixed media on paper Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2403 Title Reflections Description Print of battened columns and shapes in black on background of shades of blue and light green. Date 1982 Identifier 1983.002 Extent 20" x 31" Spatial Coverage 40.25"X Date Accepted 1983 Accrual Method donation, unrestricted Identifier 45 Number 45 ShortDescription 7/14/2022: Moderate buckling overall, especially at top. Slight curling at edges, possibly inherent. Pre-2022: Matt, archival,w/ other issues Creator Michi Osaka Donator Osaka Has technique Lithograph and cyanotype on paper Location of COM Building, 3rd floor, across from 307 lounge Material Print -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2398 Title Drawing Circle No. 2 Description Abstract line of ten circles reaching across center. Date 1981 Identifier 1982.018 Extent 34" x 35" Spatial Coverage 40" x 41.25" Date Accepted 1982 Accrual Method Purchased with David Gallagher Memorial funds Number 88 ShortDescription 2/2023: Good condition. Possibly hung upside down. Proper photographic documentation not possible right now due to reflections on glazing. Creator David Gallagher Has technique Charcoal and pencil on paper Location of Library Building, 2nd Floor, Computing Center near room 2610 Material Painting/drawing/mixed media on paper Description Wood -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2397 Title Disk Forms Description Large wood, circular sculpture in light-colored wood with med-colored wood. Darker color wood accents on top. Date 1980 Identifier 1982.017 Abstract This piece was purchased with funds donated by Mrs. Virginia Saibel as a memorial to her late husband, Dr. Bernard L. Saibel, a pianist who had worked with Dr. Robert Gottlieb at Evergreen. Mrs. Saibel was president of the American Association of University Women and was instrumental in getting Evergreen started. Extent 2" x 26" x 9" Diameter: 33" Spatial Coverage Plexiglass Case Date Accepted 1982 Accrual Method donation Number 88 Creator David Gallagher Donator Donated by Mrs. Virginia Saibel in memory of her husband Bernard C. Saibel Has technique Wood Location of COM Building, 2nd Floor, overlooking CRC Material Sculpture, freestanding, interior -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2396 Title X-Series No. 2 Description Large dark circle with an X on top and smiley face at bottom. Date 1981 Identifier 1982.016 Extent 34" x 37.5" Spatial Coverage 38" x 42.5" x 2" Date Accepted 10/14/1982 Accrual Method donation, unrestricted Identifier 121 Number 88 ShortDescription 2/2023: Good condition. Proper photographic documentation not possible right now due to reflections on glazing. Creator David Gallagher Donator the Gallagher family Has technique Mixed on paper Location of Library Building, 2nd Floor, Computing Center near room 2610 Material Painting/drawing/mixed media on paper Description Wood -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2395 Title Clamp Description Scribbly illustration of a person with two pincers for legs. Date March, 1980 Identifier 1982.014 Extent 12" x 6" Spatial Coverage 26.25" x 22.25" Date Accepted 821982 Accrual Method donation, unrestricted Identifier 99 Number 99 ShortDescription 2/2023: Slight warping overall. Hardware starting to bulge through backing board. Creator Ann Lasko Donator Lasko Has technique etching Location of Library Building, 3rd Floor, Room: 3805, Provost's Office Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2392 Title Man at Counter in Cafe Description This is a pencil on paper artwork depicting several men at a diner counter. Date 1981 Identifier 1982.011 Extent 8.75"X11.75" Spatial Coverage 18.25"X22.25" Date Accepted 6121982 Accrual Method donation, unrestricted Identifier 2 Number 108 Creator Jay Steensma Donator Wehr Has technique Pencil on paper Location of Display: Library Building, 2nd Floor: Room: back hall of Academic Deans area Material Painting/drawing/mixed media on paper Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2390 Title Untitled Description Oil pastel of desert landscape in various muted shades. Date 1978 Identifier 1982.009 Extent 9" x 9.25" Spatial Coverage 23.5" x 20.25" Date Accepted 6121982 Accrual Method donation, unrestricted Identifier 2 Number 7 Creator Glenn Brumett Donator Wehr Has technique Oil pastel on paper Location of display: Art Annex, 2nd Floor, alcove over drinking fountain Material Painting/drawing/mixed media on paper Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2388 Title Two Minute Ride Description Black and white image at a carnival. Person on a scale, child on horse ride, and carousel in the background. Date 1981 Identifier 1982.007 Extent 15.75" x 23.25" Spatial Coverage 30.25" x 23.75" Date Accepted 5251982 Accrual Method donation, unrestricted Identifier 92 Number 92 Creator Young Harvill Donator Harvill Has technique Lithograph Location of Display: Library Building, 1st Floor, CCAM - 1352 Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2366 Title Vanity of the Female Description Wooden paddle featuring duck - human figures, koi fish, and waves on handle. More duck people on verso side. Date 1977 Identifier 1978.016 Extent 17" x 10" Spatial Coverage 18.75" x 14" x 14" Date Accepted 1978 Accrual Method Purchase Identifier 135 Number 94 Creator Deborah Horrell Has technique prismacolor drawing on wooden fan Location of COM Building, 3rd Floor, art gallery facing CRC Material Painting/mixed media on canvas/board/etc -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2365 Title Ocean Marker Description Abstract painting of multicolored lines and shapes in oil pastel, with soft yellow and blue acrylic paint dotted throughout the empty space. Date 1977 Identifier 1978.015 Extent 62" x 57.5" Spatial Coverage 63" x 58.5" Date Accepted 1978 Accrual Method Purchase Identifier 134 Number 41 Creator Laurie Messchaert Donator Kiku Gallery Has technique acrylic and oil pastel on canvas Location of Display: Library Building Lobby - 3rd floor Material Painting/mixed media on canvas/board/etc Description Wood -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2364 Title Desert Box Description Abstract painting of multi-colored lines and shapes in oil pastel, with yellow, orange, and pink acrylic paint dotted throughout the empty space. Date 1977 Identifier 1978.014 Extent 64" x 60" Spatial Coverage 65" x 61" Date Accepted 1978 Accrual Method Purchase Identifier 134 Number 41 Creator Laurie Messchaert Donator Kiku Gallery Has technique Acrylic and oil pastel on canvas Location of Display: Library Building Lobby - 3rd floor Material Painting/mixed media on canvas/board/etc Description Wood -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2363 Title Accelerated Feeding Program, 40-D Fudgealoups Description Part of the “Fish Trap” series. 3D pieces on paper, black and gray depictions of fish, fish roe, and various other shapes. Right-oriented piece, featuring bass fish and cantaloupe sundaes cascading down, white space on the lower right. Date 1976 Identifier 1978.013 Extent 14.5" x 11.5" x 2.5" Spatial Coverage Individual: 15.5" x 12.25" Frame of triptych: 23.5" x 50.75" Date Accepted 1978 Identifier 105 Number 106 Creator Bill Rades Donator Rades Has technique pencil, ink, paper, formica, in plexiglas box Location of display: Lab 1, 2nd Floor, office area Material Painting/drawing/mixed media on paper Description Formica -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2362 Title Fish Trap, Accelerated Feeding Program, Cantaloupe Sundaes Description Part of the “Fish Trap” series. 3D pieces on paper, black and gray depictions of fish, fishroe, and various other shapes. Left-oriented piece, two cantaloupe sundaes at the top, with other sundaes melting toward the bottom. Date 1975 Identifier 1978.012 Extent 14.5" x 11.5" x 2.5" Spatial Coverage Individual: 15.5" x 12.25" Frame of triptych: 23.5" x 50.75" Date Accepted 1978 Identifier 106 Number 106 Creator Bill Rades Donator Rades Has technique pencil, ink, paper, formica, in plexiglas box Location of display: Lab 1, 2nd Floor, office area Material Painting/drawing/mixed media on paper Description Formica -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2361 Title Fish Trap, Accelerated Feeding Program, Bacon, Tomato and Double Potato Description Part of the “Fish Trap” series. 3D pieces on paper, black and gray depictions of fish, fishroe, and various other shapes. Middle-oriented piece, bass fish being shuffled down a conveyor belt, with their roe at the bottom. Date 1977 Identifier 1978.011 Extent 14.5" x 11.5" x 2.5" Spatial Coverage Individual: 15.5" x 12.25" Frame of triptych: 23.5" x 50.75" Date Accepted 1978 Identifier 106 Number 106 Creator Bill Rades Donator Rades Has technique pencil, ink, paper, formica, in plexiglas box Location of display: Lab 1, 2nd Floor, office area Material Painting/drawing/mixed media on paper Description Formica -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2352 Title Migration Description White beaked human head with pink around the eyes. Feathers over entire piece. Bird wing coming out of temple on the right. Date 1978 Identifier 1978.003 Extent 10"X13.5"X4" Spatial Coverage 22"X30"X7" Date Accepted 1241978 Accrual Method Purchase Number 94 ShortDescription 3/2023: Good condition. No issues noted at this time. Creator Deborah Horrell Has technique Handmade paper, feathers on wood base Location of Library, 1st Floor, next to Student Accounts Material Sculpture, freestanding, interior Description Plexiglass box -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2346 Title The Key to the Treasure Description Collage in abstract shape (chicken) with varying designs in gray, yellow, teal, red, and gold. Identifier 1977.047 Extent 25" x 22" Spatial Coverage 33" x 29.75" Date Accepted 1977 Accrual Method Purchase Identifier 123 Number 98 ShortDescription 7/14/2022: Bug stuck on inside of glazing. Accretions on right-side glass. Support on bottom frame warping. Creator Sandy Kinee Has technique handmade paper/print Location of COM Building, near performance hall Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2337 Title Sweet Target Hearts No. 13 Description Brown diptych of two hearts. Left heart upside down, right heart rightside up. Date 1976 Identifier 1977.038 Extent 19.5" x 29" Spatial Coverage 43" x 31.5" Date Accepted 1977 Accrual Method Purchase Identifier 133 Number 54 Creator Bill Ritchie Has technique intaglio Location of Display: Library, 3rd Floor, HR office Material Print Description Wood -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2336 Title Nehemiah and Renee Description Two people, one in white and one in red, surrounded by banana trees. Date July 1975 Identifier 1977.037 Abstract "Why do I paint botanical forms? They enable me to find a variety of more interesting forms, ideas, and structures than I could dream up by myself. But I look for ideas in nature that conform to the painting ideas I have from years of painting and teaching. Still, I don't place too much value on subject matter. My lack of involvement with it enables me to concentrate on the painting. And my painting ideas come as much from art, travel and studying diverse cultures as from nature. I often look at the images of Matisse, Bosch, Hans Hofmann, Southern Song dynasty art and the gorgeous embellishments on the wood and stones in Korean Buddhist temple architecture. My paintings are abstract in the sense that they depart from representational accuracy. I often select and then exaggerate or simplify botanical forms that are suggested in the world around me in my garden in Arizona. The most recent combined encaustic and oil paintings continue my exploration of those emblems of the microcosm that I invent or discover. I still try to investigate various systems of order versus what at first appears to be nature's chaos. My working process on these current paintings involves continual changes in texture, form, and color that develop during each studio work session until the piece is realized, insisting on its own eccentric presence in the world. Every painting I begin makes its own demands. The wonder of this dialogue with paint, color form and space is what keeps me excited about working. My memories hold all that I have seen, heard and touched in this world. More time for travel and working in my own garden here in Tucson keep new ideas arriving constantly! All the colors, shapes and forms I have experienced are stored and ready to be drawn upon when I am working. When I paint, I am an explorer in the terrain of my own psyche discovering what will emerge as the work develops. I am grateful to the American painter, Philip Pearlstein, for the thoughts behind my statement. Pearlstein's knowledge of himself as a painter at the end of the Fifties nailed down the essence of how I feel now. When Pearlstein expressed these thoughts I was still a very young art student at Ohio State University." Source: Art Collection Archives Extent 60" x 60" Date Accepted 1977 Accrual Method Purchase Identifier 133 Number 56 ShortDescription Sept 2022: Prominent white accretions center right and upper left. Abrasion bottom left edge. Moderate loss bottom left at elbow. Bloom on red shirt at lower right. Loss upper left edge. Creator Barbara Rogers Has technique Acrylic on canvas Location of Display: Library, Underground, near staircase Material Painting/mixed media on canvas/board/etc Description None -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2324 Title Ceramic Bowl Description Plate in warm shades of red, yellow, and copper. Identifier 1977.024 Date Accepted 1977 Accrual Method Purchase Identifier 91 Number 91 Creator Mark Gulsrud Has technique Raku porcelain Location of COM Building, First floor lobby Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2323 Title Ceramic Bowl Description Teal plate with pink accents. Identifier 1977.023 Date Accepted 1977 Accrual Method Purchase Identifier 91 Number 91 Creator Mark Gulsrud Has technique Raku porcelain Location of COM Building, First floor lobby Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2322 Title Ceramic Bowl Description Plate with dark brown speckling. Identifier 1977.022 Date Accepted 1977 Accrual Method Purchase Identifier 91 Number 91 Creator Mark Gulsrud Has technique Raku porcelain Location of COM Building, First floor lobby Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2321 Title Bowl Description Ceramic bowl featuring two salmon illustrations in varying gray colors and red dots. Date 1977 Identifier 1977.017 Abstract Boyden was trained as a painter, printmaker and art historian but in 1968 got seduced by clay and the world of the ceramic arts. In 1972 he stopped painting and gave his full time to clay. Because of his skills as a draftsman he began the journey of learning how to incorporate drawing techniques onto vessels and other ceramic objects and this journey continues to this day. From 1968 to 1981 he worked mostly with native materials and clays and low temperature firing techniques. During that time he received grants to study Pre-Columbian as well as contemporary ceramics in the Peruvian jungles. He also received a coveted National Endowment for the Arts grant. In 1984 he built the sixth anagama kiln in America and has spent the time since then perfecting the discipline of wood firing at high temperatures. Since 1993 he has worked only with porcelain. What sets Boyden’s work alone and makes it cohesive through the 40+ years is his energetic and fluid incised drawings on vases. Boyden believes that his ceramics and the subject matter of the decorations should reflect his interests in his immediate environment in both visual and biological formats. Because of this, he has concentrated his imagery to correspond with the animals that populate his estuary environment. Boyden has conducted hundreds of workshops and lectures around the world. He has acted as advisor and guest editor for Ceramics Art and Perception and Studio Potter periodicals. He is a member of the International Academy of Ceramics and NCECA. Source: frankboydenstudio.com Extent 8" x 8" 8" Diameter 30" circumference Date Accepted 1977 Accrual Method Purchase Identifier 128 Number 77 Creator Frank Boyden Has technique Raku, stoneware Location of Library building, First floor, Stairwell display case Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2320 Title Bowl Description Bowl in brown featuring two fish figures. Date 1977 Identifier 1977.016 Abstract Boyden was trained as a painter, printmaker and art historian but in 1968 got seduced by clay and the world of the ceramic arts. In 1972 he stopped painting and gave his full time to clay. Because of his skills as a draftsman he began the journey of learning how to incorporate drawing techniques onto vessels and other ceramic objects and this journey continues to this day. From 1968 to 1981 he worked mostly with native materials and clays and low temperature firing techniques. During that time he received grants to study Pre-Columbian as well as contemporary ceramics in the Peruvian jungles. He also received a coveted National Endowment for the Arts grant. In 1984 he built the sixth anagama kiln in America and has spent the time since then perfecting the discipline of wood firing at high temperatures. Since 1993 he has worked only with porcelain. What sets Boyden’s work alone and makes it cohesive through the 40+ years is his energetic and fluid incised drawings on vases. Boyden believes that his ceramics and the subject matter of the decorations should reflect his interests in his immediate environment in both visual and biological formats. Because of this, he has concentrated his imagery to correspond with the animals that populate his estuary environment. Boyden has conducted hundreds of workshops and lectures around the world. He has acted as advisor and guest editor for Ceramics Art and Perception and Studio Potter periodicals. He is a member of the International Academy of Ceramics and NCECA. Source: frankboydenstudio.com Extent 7" x7" Diameter 24" circumference Date Accepted 1977 Accrual Method Purchase Identifier 128 Number 77 Creator Frank Boyden Has technique Raku, stoneware Location of Library building, First floor, Stairwell display case Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2319 Title Bowl Description Bowl in dark and medium brown with four goose figures on a dark red background. Almost identical to 1977.014, except the good on top left has beak closed. Date 1977 Identifier 1977.015 Abstract Boyden was trained as a painter, printmaker and art historian but in 1968 got seduced by clay and the world of the ceramic arts. In 1972 he stopped painting and gave his full time to clay. Because of his skills as a draftsman he began the journey of learning how to incorporate drawing techniques onto vessels and other ceramic objects and this journey continues to this day. From 1968 to 1981 he worked mostly with native materials and clays and low temperature firing techniques. During that time he received grants to study Pre-Columbian as well as contemporary ceramics in the Peruvian jungles. He also received a coveted National Endowment for the Arts grant. In 1984 he built the sixth anagama kiln in America and has spent the time since then perfecting the discipline of wood firing at high temperatures. Since 1993 he has worked only with porcelain. What sets Boyden’s work alone and makes it cohesive through the 40+ years is his energetic and fluid incised drawings on vases. Boyden believes that his ceramics and the subject matter of the decorations should reflect his interests in his immediate environment in both visual and biological formats. Because of this, he has concentrated his imagery to correspond with the animals that populate his estuary environment. Boyden has conducted hundreds of workshops and lectures around the world. He has acted as advisor and guest editor for Ceramics Art and Perception and Studio Potter periodicals. He is a member of the International Academy of Ceramics and NCECA. Source: frankboydenstudio.com Extent 6.75" x 8" Diameter 24" circumference Date Accepted 1977 Accrual Method Purchase Identifier 128 Number 77 Creator Frank Boyden Has technique Raku, Stoneware Location of Library building, First floor, Stairwell display case Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2318 Title Bowl Description Bowl in dark and medium brown with four goose figures, on a dark red background. Date 1977 Identifier 1977.014 Abstract Boyden was trained as a painter, printmaker and art historian but in 1968 got seduced by clay and the world of the ceramic arts. In 1972 he stopped painting and gave his full time to clay. Because of his skills as a draftsman he began the journey of learning how to incorporate drawing techniques onto vessels and other ceramic objects and this journey continues to this day. From 1968 to 1981 he worked mostly with native materials and clays and low temperature firing techniques. During that time he received grants to study Pre-Columbian as well as contemporary ceramics in the Peruvian jungles. He also received a coveted National Endowment for the Arts grant. In 1984 he built the sixth anagama kiln in America and has spent the time since then perfecting the discipline of wood firing at high temperatures. Since 1993 he has worked only with porcelain. What sets Boyden’s work alone and makes it cohesive through the 40+ years is his energetic and fluid incised drawings on vases. Boyden believes that his ceramics and the subject matter of the decorations should reflect his interests in his immediate environment in both visual and biological formats. Because of this, he has concentrated his imagery to correspond with the animals that populate his estuary environment. Boyden has conducted hundreds of workshops and lectures around the world. He has acted as advisor and guest editor for Ceramics Art and Perception and Studio Potter periodicals. He is a member of the International Academy of Ceramics and NCECA. Source: frankboydenstudio.com Extent 6.5" x 8.5"Diameter 27.5"Circumference Date Accepted 1977 Accrual Method Purchase Identifier 128 Number 77 Creator Frank Boyden Has technique Raku, stoneware Location of Library building, First floor, Stairwell display case Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2317 Title Across the Plains Description Abstract zigzags over two red lines. Date 1976 Identifier 1977.013 Extent 22" x 30" Spatial Coverage 24.75" x 32.75" Date Accepted 1977 Accrual Method Purchase Identifier 129 Number 25 ShortDescription 2/2023: Good condition. Pre-2022: Framing, general Creator Karen Guzak Has technique Mixed on paper Location of Library, floor 2, Computing Center on back wall Material Painting/drawing/mixed media on paper Description Wood -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2316 Title You Captured My Heart Description Sculpture of woman in kimono, holding a plate with heart and arrows protruding from piece. Date 1976 Identifier 1977.012 Abstract Warashina explores feminine themes in a group called "Altars." with a strong frontal presentation and quasi-religious qualities. Each Altar focuses on a single woman whose head, torso, and upper arms are painted on a flat back, and whose arms below the elbows project out over a flat base. Various degrees of low relief may mediate between. These Altars have a structural resemblance to the side panels of medieval and Renaissance Christian altarpieces in which various saints are shown half-length and their identity designated by the items they hold. In Warashina's Altars, themes of the suffering housewife are frequently incorporated and often amusing. Conversely, she uses motifs of women's startling power or domination. The Altars deal with the complex problem of interactions between two-dimensional and three-dimensional aspects of the works. Source: wall text at Bellevue Arts Museum Extent 24.5" x 15" x 13.5" Spatial Coverage 33" x 24" x 20" Accrual Method Purchase Number 63 Creator Patti Warashina Donator Polly Friedlander Gallery Has technique Porcelain sculpture Location of COM Building, 3rd Floor, 300A, gallery overlooking CRC Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2315 Title Dragon Lady Description 3D sculpture of a woman with arrows in her hair, with a 3D dragon protruding from the piece below her. Identifier 1977.011 Abstract Warashina explores feminine themes in a group called "Altars." with a strong frontal presentation and quasi-religious qualities. Each Altar focuses on a single woman whose head, torso, and upper arms are painted on a flat back, and whose arms below the elbows project out over a flat base. Various degrees of low relief may mediate between. These Altars have a structural resemblance to the side panels of medieval and Renaissance Christian altarpieces in which various saints are shown half-length and their identity designated by the items they hold. In Warashina's Altars, themes of the suffering housewife are frequently incorporated and often amusing. Conversely, she uses motifs of women's startling power or domination. The Altars deal with the complex problem of interactions between two-dimensional and three-dimensional aspects of the works. Source: wall text at Bellevue Arts Museum Extent 24.5" x 15" x 13.5" Spatial Coverage 33" x 24" x 20" Accrual Method Purchase Number 63 Creator Patti Warashina Donator Polly Friedlander Gallery Has technique Porcelain sculpture/ painting Location of COM, 3rd Floor, Gallery Overlooking CRC Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2314 Title Peachy Keen Description Abstract peach-colored pastel piece with scribbled figures in white, yellow, and some green. Date 1975 Identifier 1977.010 Extent 35.75" x 42.25" Spatial Coverage 40.75" x 46.25" Date Accepted 6/15/1977 Accrual Method Purchase Number 101 Creator Alden Mason Has technique oil pastel on paper Location of display: Library, 3rd floor, library proper, on green wall Material Painting/drawing/mixed media on paper Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2313 Title Wheeled Chrysalis Description Abstract shapes in white and various colors, outline in black with a gray background. Date 1975 Identifier 1977.009 Extent 35" x 41" Spatial Coverage 40.75" x 46.25" Date Accepted 6151977 Accrual Method Purchase Number 101 Creator Alden Mason Has technique oil pastel and pencil on paper Location of Display: Lab I, Floor 2, Offices Material Painting/drawing/mixed media on paper Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2307 Title Bottle 76 Description Ceramic bottle in abstract shape with abstract detailing in various vibrant colors and textures. Date 1976 Identifier 1977.003 Extent 12" x 9" x 4" Date Accepted 1977 Accrual Method Purchase Identifier 127 Number 76 ShortDescription 6/29/2022: Gray top has hole that appears to be inherent to the piece as the textural paint is found around inside edges of hole - suggesting hole was present when overlay applied. Creator Ed Blackburn Has technique Porcelain Location of Library building, First floor, Stairwell display case Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2306 Title Peruvian Locomotive Description Abstract depiction of a train with tire shape at right, connected to various geometric and organic shapes in varying muted shades of tan, red, blue, and gray. Date 1976 Identifier 1977.002 Extent 7.5" x 14.5" x 2" Date Accepted 1977 Accrual Method Purchase Identifier 127 Number 76 ShortDescription 6/29/2022: Good condition. No issues noted at this time. Creator Ed Blackburn Has technique Porcelain Location of Library building, First floor, Stairwell display case Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2305 Title Stirrup Jar Description Abstract ceramic sculpture. Base consists of two mounds - left mound is shorter than the right, with an arch connecting the two at the top. Decorated with abstract designs and patterns in shades of black, orange, blue, and red. Date 1976 Identifier 1977.001 Extent 9.25" x 9.5" x 6.25" Date Accepted 1977 Accrual Method Purchase Identifier 127 Number 76 ShortDescription 6/23/2022: Good condition. No issues noted at this time. Creator Ed Blackburn Has technique Porcelain Location of Library building, First floor, Stairwell display case Material Ceramic -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2289 Title Bat Description Brown image of a round orb with metal scraps inside, a bat cozied up in the mess on the right. Date 1970 Identifier 1971.053 Extent 25.5" x 20" Spatial Coverage 35.25" x 29.25" Date Accepted 1971 Accrual Method Purchase Number 71 Creator John J. Agars Has technique collagraph Location of Display: Library, 3rd Floor, HR office Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2287 Title Color Area Description Blue geometric grid with a peach/purple rectangle at the top. Date 1971 Identifier 1971.051 Extent 17" x 17.25" Spatial Coverage 24.25" x 24.25" Date Accepted 1971 Accrual Method Purchase Number 72 Creator Glen Alps Has technique Collagraph Location of Display: Library, 2nd floor, Dean's Area, near Lib 2011 Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2283 Title Dreaming up Plateus Date 1971 Identifier 1971.043 Extent 22.5" x 34" Spatial Coverage 22.75" x 34.5" Date Accepted 1971 Accrual Method Purchase Number 68 Creator Christy Wyckoff Has technique Lithograph and stencil on paper Location of Display: Library Basement Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2282 Title Litho Reverse Description Black abstract shape in center of white paper. Date 1970 Identifier 1971.040 Extent 18.5" x 29" Spatial Coverage 26.25" x 35.25" Date Accepted 1971 Accrual Method Purchase Number 62 Creator Douglas Wadden Has technique Photograph and lithograph plate on paper Location of Display: Library Basement Material Print Description Steel -- Url https://collections.evergreen.edu/art/s/evergreenart/item/2260 Title Icarus Description Black and white abstract figure on the left, with golden sun on the right. Date 1970 Identifier 1971.005 Extent 17.63" x 27.5" Spatial Coverage 40.25" x 28.5" Date Accepted 1971 Accrual Method Purchase Number 75 Creator Bruce D. Beal Has technique Etching on paper Location of COM building, 2nd Floor, Alcove Facing CRC Material Print Description Steel --